[By the Sea 02] • Amanda

In the tradition of Upstairs, Downstairs and Downton Abbey, BY THE SEA is a four-book series that sweeps from the Gilded Age through the Gatsby Era's Roaring Twenties and then on to the Great Depression, culminating nearly a century later in Newport, Rhode Island, wealthy and alluring "City by the Sea." Set against a backdrop of mansions, the glorious America's Cup Yacht Races, and new money, the series traces the passions and adventures of three families from three different classes.

Book One: TESS. From the wild decadence of late nineteenth-century Newport comes the tale of Tess Moran, a beautiful Irish housemaid in one of the grand summer "cottages," who makes a dark bargain with a man of commanding wealth — and falls in love in the bargain.

Book Two: AMANDA. Marrying American money to an English title is a tradition of its own; but Amanda Fain, a brash heiress with money to burn, has a fondness for Bolsheviks and bootleg liquor that makes her an unlikely match for the reluctant, ironic, and impoverished English aristocrat Geoffrey Seton, who has been ordered to America to find someone who can pay the bills for the family estate back home.

Book Three: LAURA. While the Great Depression grinds relentlessly on, Laura Andersson, a Midwestern farm girl with an improbable love of the sea, embarks on a bold adventure that promises riches but delivers passion, one that threatens all she holds dear.

Book Four: THE HEIRS is the dramatic conclusion to the four-book series BY THE SEA. Economic hard times are a distant memory in high-flying, recent-day Newport, home of the oldest and most prestigious trophy in the world, the Holy Grail of sport--the America's Cup. Here, the descendants of Tess, Amanda and Laura play out their destinies, their paths crossing in unforeseen ways: Mavis Moran, Neil Powers, his daughter Quinta, and America's Cup skipper Alan Seton all find themselves caught in a web of mystery, sabotage, and conflicting desires.

"A quality novel [that] contains many of those little epiphanies, those moments of recognition. [Part 1, TESS,] is what makes Stockenberg's book stand out from the rash of novels on class conflicts between Irish servants and their Yankee masters."

—Providence Journal

"This was my first Antoinette Stockenberg novel. I read it not long after it was published ages ago, but her writing is so vivid I can still picture some of the scenes from the novel. This [was written] before the ghost or mystery plots were woven into her novels: it is purely a story of life and relationships. I have been a huge fan ever since."

—A reader