Contents

Acknowledgments

Introduction: Creative Disruption in the Age of Soft Revolutions

  1    Contemporary Art Does Not Account for That Which Is Taking Place

  2    Projection and Parallelism

  3    Art as a Pile: Split and Fragmented Simultaneously

  4    1820: Erasmus and Upheaval

  5    ASAP Futures, Not Infinite Future

  6    1948: B. F. Skinner and Counter-Revolution

  7    Abstract

  8    1963: Herman Kahn and Projection

  9    The Complete Curator

10    Maybe It Would Be Better If We Worked in Groups of Three?

11    The Return of the Border

12    1974: Volvo and the Mise-en-Scène

13    The Experimental Factory

14    Nostalgia for the Group

15    Why Work?

 

Notes

Index

Photo section