Contents

Acknowledgments

Chapter 1: Before We Get Started

Who This Book Was Written For

Learning Playwriting from Many Sources

How I Wrote My First Play

Ten Ways to Get the Most out of This Book

Chapter 2: What Is a Ten-Minute Play?

The Ten-Minute Play: A Definition

When Did Ten-Minute Plays Begin?

Why Write a Ten-Minute Play?

Popularity of Ten-Minute Plays

Basic Rules for All Ten-Minute Plays

Chapter 3: Before Beginning Your Ten-Minute Play

Perking with an Idea

Deciding When to Begin

The Actor and the Playwright

As an Actor, Do I Have the Skills Necessary to Create My Own Material?

Fear of Writing

Working Internally as an Actor and as a Writer

Techniques for Dealing with Writer’s Block

Freewriting

Eleven Rules of Freewriting

Benefits of Freewriting

After You’ve Completed the Freewriting Session

Clustering (or Webbing): Finding the Initial Core of Your Work

How to Cluster

Starting Your Play with an Outline

Comparing Processes for Actors and Playwrights

Chapter 4: Playwriting Basics

Aristotle’s Poetics

Freytag’s Pyramid

Freytag’s Five Dramatic Arcs

Chapter 5: Script Format

Chapter 6: Beginning Your Ten-Minute Play

How I Start My Ten-Minute Plays

Starting a Play with an Idea, a Theme, or an Image

Chapter 7: The Next Steps

Intention, Objective, and Action

The Setting and Time

The Best Way to Tell Your Story: The Play’s Structure

Complications Arise

Realizing and Developing the Story of the Play

Actors Working on Their Plays

Ending the First Draft

Finding Your Title

After the First Draft

Chapter 8: Reading the First Draft

At What Point Should You Have Someone Else Read What You’ve Written?

Selecting the Right Person to Read Your First Draft

The First Reading of Your Play

Cold Readings of Your Ten-Minute Play

Should You Be an Actor in the First Readings of Your Ten-Minute Play?

Listening to Feedback and Comments

Not Allowing Others to Rewrite Your Play

Back to Rewrites

Chapter 9: Getting Your Play Out

E-mail Submissions

Actors: Should You Be in the First Production of Your Play?

Chapter 10: Interviews with Playwrights of Ten-Minute Plays

Jenny Lyn Bader

Don Nigro

Craig Pospisil

Mark Harvey Levine

Arlene Hutton

Alex Broun

Rich Orloff

Chapter 11: Interviews with Producers of Ten-Minute Plays

Kate Snodgrass

Alice Walker

Seth Gordon

Chapter 12: Interviews with Publishers of Ten-Minute Plays

Sarah Bernstein

Geri Albrecht

Lawrence Harbison

Chapter 13: Three Successful Ten-Minute Plays

The Popcorn Sonata, Jenny Lyn Bader

Discussion on Writing The Popcorn Sonata

On the Edge, Craig Pospisil

Creating On the Edge

The Pain in the Poetry, Glenn Alterman

Creating The Pain in the Poetry

Chapter 14: Where to Submit Your Ten-Minute Play

Ten-Minute Play Festivals

Publishers of Ten-Minute Plays

Chapter 15: Observations about the Ten-Minute Play

Anastasia Traina, Playwright

Scott C. Sickles, Artistic Director, WorkShop Theater Company, New York City

Dirk Knef, Literary Advisor, After Folsom Festival (Berlin, Germany) and others

Suzanne Bradbeer, Playwright

Eduardo Arbo, Playwright, Barcelona

Elaine Romero, Playwright

Chapter 16: And in the End

Playwrights: Some Key Points to Remember

Some Key Points for Actor/Playwrights

Selected Bibliography

About the Author