this page: Stanford White’s design of a frame for a life-sized painting of an angel by Abbott Thayer.
this page: Washington Square Arch at the foot of Lower Fifth Avenue in New York City, designed by Stanford White.
this page: The author at approximately fifteen, the Red Cottage in the background.
this page: Mrs. Stanford White (“Grandma White”) with her great-granddaughter, the author, on her lap.
this page: Lawrence and Laura White (“Mama” and “Papa”), Box Hill in the background.
this page: Stanford White as a young man; a calling card.
this page: Bobby and Johnny White.
this page: A Gilded Age repast in Charles Barney’s New York mansion, designed by Stanford White, who sits in the top row, extreme left, a white feather in his hat.
this page: The house in Eureka, California, built by François Rousseau.
this page: The Chanlers, with Mary Marshall, the relation from South Carolina who cared for the eight children, on the grounds of Rokeby. Top row (l–r): William, Armstrong (“Archie”), Winthrop (“Wintie”), Lewis, Robert. Bottorn row (l–r): Alida, Elizabeth, Mary Marshall, Margaret.
this page: The chapel of St. Felicity at Sweet Briar in Genesee, New York.
this page: Stanford White as a middle-aged man.
this page: A girl on horseback on the shores of Stony Brook Harbor.
this page: An artist’s collage, 1906, depicting the shooting of Stanford White by Harry K. Thaw at Madison Square Garden’s rooftop theatre restaurant.
this page: Painting of the windmill designed by Stanford White on the shore of Stony Brook Harbor.
this page: Fragment of a glass plate image of Evelyn Nesbit.
this page: The Rousseau children in an olive tree in Italy.
this page: Reception room in one of the Villard Houses in New York City, designed by Stanford White.
this page: Three generations of the White family, Box Hill in the background.