Mini-Demonstration

Face Mapping From a Photo

Face mapping from a photo is a great way to strengthen your portrait skills. I love this photo of Virginia Woolf, especially her hair, and I wanted to play around using it for inspiration. I first used the photo to make a face map to sketch from, and then I decided to paint her as well. The important thing to remember with this kind of portrait is that it doesn’t have to look exactly like the photo; use the photo for inspiration. You can see how I changed her nose to look more like the images I draw, but I loved her hair and dress, so I kept those the same. In the painting I took more liberties and added stenciled images as well.

MATERIALS

blending stump

copy paper

drawing paper

glue

kneaded eraser

lightbox

paints of your choice

pencils, assorted

printer

red pencil

reference photo

STEP 1: Print a Photo

Print the photo out in black and white on regular copy paper.

STEP 2: Map the Face

Use a red pencil to draw a map on top of the photocopy of the face.

STEP 3: Trace the Face

Place a piece of drawing paper over the face map on top of a lightbox. Trace the map lightly onto the drawing paper. Sketch the face details using the photo as a reference. Don’t be worried if it doesn’t look exactly like the photo. You’re just using it for inspiration.

STEP 4: Add Shading

Shade the drawing using the photo as a guide. Use light crosshatching to establish the shaded areas first, then move to darker pencil leads and a blending stump to further add tonal values to the sketch.

Work the hair by adding sketchy lines to give it shape, then fill in with dark graphite. Use a kneaded eraser to lift the highlights in the hair and to give it movement. Add additional pencil strokes to create wisps of hair and individual strands.

STEP 5: Make a Mixed-Media Painting

Use a copy of the sketch to create a mixed-media painting. Adhere it to a substrate and paint directly on top of it, or try using one of the techniques from Chapter 5 to create a mixed-media portrait. Here I used acrylic paint techniques from “The Real Hue” (Project 4 in Chapter 5).