The Ethnic Avant-Garde: Minority Cultures and World Revolution

Manuscript Collections

Board of the Union of Soviet Writers of the USSR Papers. Russian State Archive of Literature and Art (RGALI), Moscow, Russian Federation.

Georgii Eduardovich Grebner Papers. Russian State Archive of Literature and Art (RGALI), Moscow, Russian Federation.

Langston Hughes Collection. John Hope and Aurelia E. Franklin Library, Special Collections, Fisk University, Nashville, Tennessee.

Louise Thompson Patterson Papers. Manuscripts, Archives, and Rare Book Library, Emory University, Atlanta, Georgia.

Theatre Guild Collection. Beinecke Rare Book and Manuscript Library, Yale University, New Haven, Connecticut.

Selected Published Works

Aaron, Daniel. Writers on the Left: Episodes in American Literary Communism. New York: Columbia University Press, 1992.

Abel, Lionel. “New York City: A Remembrance.” Dissent 8 (summer 1961): 251–59.

Abrams, Nathan. “A Profoundly Hegemonic Moment: De-Mythologizing the Cold War New York Jewish Intellectuals.” SHOFAR 21, no. 3 (spring 2003): 64–82.

Aivazian, K. V., ed. Maiakovskii i literatura narodov sovetskogo soiuza. Yerevan: Izdatel’stvo Erevanskogo universiteta, 1983.

Aleichem, Sholom. Istorii dlia detei. Moscow: Gos. izdat. detskoi lit., 1956.

———. Schast’e privalilo! Moscow: Gos. izdat. khudozh. lit., 1959.

———. Sobranie sochinenii v shesti tomakh. Moscow: Gos. izdat. khudozh. lit., 1959.

———. Zakoldovannyi portnoi. Moscow: Gos. izdat. khudozh. lit., 1956.

Alexander, Edward. “Irving Howe and Secular Jewishness: An Elegy.” Judaism: A Quarterly Journal of Jewish Life and Thought 45, no. 1 (winter 1996): 101–18.

Anderson, Perry. “Internationalism: A Breviary.” New Left Review 14 (March–April 2002): 5–25.

———. “Modernity and Revolution.” New Left Review 144 (March–April 1984): 96–113.

Antle, Martine. “Surrealism and the Orient.” Yale French Studies 109 (July 2006): 4–16.

Apter, Emily. The Translation Zone: A New Comparative Literature. Princeton: Princeton University Press, 2005.

Apter-Gabriel, Ruth. “El Lissitzky’s Jewish Works.” In Tradition and Revolution: The Jewish Renaissance in Russian Avant-Garde Art, 1912–1928, edited by Ruth Apter-Gabriel, 101–24. Jerusalem: Israel Museum, 1987.

Arendt, Hannah. On Revolution. New York: Viking, 1965.

———. The Origins of Totalitarianism. New York: Harcourt, 1951.

Azarova, Nataliia. “Khlebnikovskaia teoriia zaumi i politika edinogo iazyka.” Russian Literature 67 (2010): 278–89.

Babel, Isaac. Isaac Babel’s Selected Writings. Edited by Gregory Freidin. Translated by Peter Constantine. New York: Norton, 2010.

Baldwin, Kate. Beyond the Color Line and the Iron Curtain: Reading Encounters Between Black and Red, 1922–1963. Durham: Duke University Press, 2002.

Bell, Daniel. “Reflections on Jewish Identity.” In The Winding Passage. Cambridge, Mass.: Abt, 1980.

Benjamin, Walter. “The Author as Producer.” In Reflections: Essays, Aphorisms, Autobiographical Writings, edited by Peter Demetz, 220–38. New York: Schocken Books, 1986.

———. Illuminations. Translated by Harry Zohn. New York: Harcourt, 1968.

———. “Johann Jakob Bachofen.” In Walter Benjamin: Selected Writings, Volume 3, 1935–1938, edited by Michael W. Jennings and Howard Eiland, 11–25. Cambridge, Mass.: Belknap Press of Harvard University Press, 2006.

———. “Left-Wing Melancholy.” Screen 15, no. 2 (summer 1974): 28–32.

———. “Moscow.” In Walter Benjamin: Selected Writings, Volume 2, Part 1, 1927–1930, edited by Michael W. Jennings, Howard Eiland, and Gary Smith, 22–46. Cambridge, Mass.: Belknap Press of Harvard University Press, 2005.

———. Moscow Diary. Edited by Gary Smith. Translated by Richard Sieburth. Cambridge, Mass.: Harvard University Press, 1986.

———. “On the Concept of History.” In Walter Benjamin: Selected Writings, Volume 4, 1938–1940, edited by Michael W. Jennings and Howard Eiland, 389–400. Cambridge, Mass.: Belknap Press of Harvard University Press, 2006.

———. “Paralipomena to ‘On the Concept of History.’” In Walter Benjamin: Selected Writings, Volume 4, 1938–1940, edited by Michael W. Jennings and Howard Eiland, 401–11. Cambridge, Mass.: Belknap Press of Harvard University Press, 2006.

———. “Paris—Capital of the Nineteenth Century.” New Left Review 48 (March–April 1968): 77–88.

———. “Problems in the Sociology of Language.” In Walter Benjamin: Selected Writings, Volume 3, 1935–1938, edited by Michael W. Jennings and Howard Eiland, 68–93. Cambridge, Mass.: Belknap Press of Harvard University Press, 2006.

———. “Surrealism.” In Walter Benjamin: Selected Writings, Volume 2, Part 1, 1927–1930, edited by Michael W. Jennings, Howard Eiland, and Gary Smith, 207–21. Cambridge, Mass.: Belknap Press of Harvard University Press, 2005.

———. “The Task of the Translator.” In Walter Benjamin: Selected Writings, Volume 1, 1913–1926, edited by Marcus Bullock and Michael W. Jennings, 253–63. Cambridge, Mass.: Belknap Press of Harvard University Press, 1996.

Berman, Jessica. Modernist Commitments: Ethics, Politics, and Transnational Modernism. New York: Columbia University Press, 2011.

Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of California Press, 1994.

Berry, Faith. Langston Hughes: Before and Beyond Harlem. Westport, Conn.: Hill, 1983.

Bethea, David M. The Shape of Apocalypse in Modern Russian Fiction. Princeton: Princeton University Press, 1989.

Biberman, Herbert. Salt of the Earth: The Story of a Film. Boston: Beacon Press, 1965.

Blackmur, R. P. “The Politics of Human Power.” In The Lion and the Honeycomb: Essays in Solicitude and Critique, 32–42. New York: Harcourt, 1955.

Bloch, Ernst. “Nonsynchronism and the Obligation to Its Dialectics.” New German Critique 11 (spring 1977): 22–38.

Blok, Aleksandr. Rossiia i intelligentsia. Berlin: Skify, 1920.

———. “Skify.” In Sobranie sochinenii v shesti tomakh, edited by S. A. Nebol’sin, 3: 244–46. Moscow: Pravda, 1971.

Boggs, Grace Lee. Living for Change: An Autobiography. Minneapolis: University of Minnesota Press: 1998.

Bourdieu, Pierre, and Loïc Wacquant. “On the Cunning of Imperialist Reason.” Theory, Culture and Society 16, no. 1 (1999): 41–58.

Boym, Svetlana. Another Freedom: The Alternative History of an Idea. Chicago: University of Chicago Press, 2010.

———. The Future of Nostalgia. New York: Basic Books, 2001.

Brandenberger, David. National Bolshevism: Stalinist Mass Culture and the Formation of Modern Russian National Identity, 1931–1956. Cambridge, Mass.: Harvard University Press, 2002.

Brodsky, Joseph. “Flight from Byzantium.” In Less Than One: Selected Essays, 393–446. New York: Farrar, Straus, and Giroux, 1986.

Brown, Edward. Mayakovsky: A Poet in the Revolution. New York: Paragon, 1988.

Brown, Elaine. A Taste of Power: A Black Woman’s Story. New York: Pantheon, 1992.

Brown, Wendy. Politics Out of History. Princeton: Princeton University Press, 2001.

———. “Resisting Left Melancholy.” boundary 2 26, no. 3 (fall 1999): 19–27.

Buchloh, Benjamin H. D. “From Faktura to Factography.” October 30 (fall 1984): 76–113.

Buck-Morss, Susan. The Dialectics of Seeing: Walter Benjamin and the Arcades Project. Cambridge, Mass.: MIT Press, 1991.

———. Dreamworld and Catastrophe: The Passing of Mass Utopia in East and West. Cambridge, Mass.: MIT Press, 2000.

Budick, Emily Miller. Blacks and Jews in Literary Conversation. New York: Cambridge University Press, 1998.

Bürger, Peter. Theory of the Avant-Garde. Translated by Michael Shaw. Minneapolis: University of Minnesota Press, 2002.

Burliuk, David, Alexei Kruchenykh, Vladimir Mayakovsky, and Victor [Velimir] Khlebnikov. “A Slap in the Face of Public Taste.” In Russian Futurism Through Its Manifestos, 1912–1928, edited by Anna Lawton, 51–52. Ithaca: Cornell University Press, 1988.

Carew, Joy Gleason. Blacks, Reds, and Russians: Sojourners in Search of the Soviet Promise. New Brunswick, N.J.: Rutgers University Press, 2008.

Casanova, Pascale. The World Republic of Letters. Cambridge, Mass.: Harvard University Press, 2005.

Cavanagh, Clare. “Whitman, Mayakovsky, and the Body Politic.” In Rereading Russian Poetry, edited by Stephanie Sandler, 202–22. New Haven: Yale University Press, 1999.

Chakrabarty, Dipesh. Provincializing Europe: Postcolonial Thought and Historical Difference. Princeton: Princeton University Press, 2000.

Chang, Gordon H. “The Many Sides of Happy Lim: Aka Hom Ah Wing, Lin Jian Fu, Happy Lum, Lin Chien Fu, Hom Yen Chuck, Lam Kin Foo, Lum Kin Foo, Hom, Lim Goon Wing, Lim Gin Foo, Gin Foo Lin, Koon Wing Lim, Henry Chin, Lim Ying Chuck, Lim Ah Wing, et al.” Journal of Transnational American Studies 2, no. 1 (2010): 70–98.

Cheng, Anne Anlin. The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief. New York: Oxford University Press, 2000.

———. Second Skin: Josephine Baker and the Modern Surface. New York: Oxford University Press, 2011.

Cheung, Floyd. Introduction to And China Has Hands, by H. T. Tsiang, 7–15. New York: Ironweed, 2003.

Chin, Frank, and Jeffery Chan, Lawson Inada, Shawn Wong. “An Introduction to Chinese- and Japanese-American Literature.” In Aiiieeeee! An Anthology of Asian-American Writers, edited by Frank Chin, Jeffrey Chan, Lawson Inada, and Shawn Wong, xxi–xlviii. Washington, D.C.: Howard University Press, 1974.

Chow, Rey. The Protestant Ethnic and the Spirit of Capitalism. New York: Columbia University Press, 2002.

Clark, Katerina. Moscow, the Fourth Rome: Stalinism, Cosmopolitanism, and the Evolution of Soviet Culture, 1931–1941. Cambridge, Mass.: Harvard University Press, 2011.

———. Petersburg: Crucible of Cultural Revolution. Cambridge, Mass.: Harvard University Press, 1995.

Clifford, James. The Predicament of Culture: Twentieth-Century Ethnography, Literature, and Art. Cambridge, Mass.: Harvard University Press, 1988.

Connery, Christopher Leigh. “The End of the Sixties.” boundary 2 36, no. 1 (spring 2009): 183–210.

———. “The World Sixties.” In The Worlding Project: Doing Cultural Studies in the Era of Globalization, edited by Christopher Leigh Connery and Rob Wilson, 77–107. Berkeley: North Atlantic, 2007.

Crane, Robert. “Between Factography and Ethnography.” In Text and Presentation, 2010, edited by Kiki Gounaridou, 41–53. Jefferson, N.C.: McFarland, 2010.

Cruse, Harold. The Crisis of the Negro Intellectual. New York: Morrow, 1967.

Cuddihy, John Murray. The Ordeal of Civility: Freud, Marx, Lévi-Strauss, and the Jewish Struggle with Modernity. New York: Basic Books, 1974.

Dante. De vulgari eloquentia. Edited and translated by Steven Botterill. Cambridge: Cambridge University Press, 1996.

Davin, Delia. “Gendered Mao: Mao, Maoism, and Women.” In A Critical Introduction to Mao, edited by Timothy Cheek, 196–218. New York: Cambridge University Press, 2010.

Denning, Michael. The Cultural Front. New York: Verso, 1997.

———. Culture in the Age of Three Worlds. New York: Verso, 2004.

Derrida, Jacques. “Back from Moscow, in the USSR.” In Politics, Theory, and Contemporary Culture, edited by Mark Poster, 197–236. New York: Columbia University Press, 1993.

Dickerman, Leah. “The Fact and the Photograph.” October 118 (fall 2006): 132–52.

Dorman, Joseph. Arguing the World: The New York Intellectuals in Their Own Words. New York: Free Press, 2000.

Douglas, Christopher. A Genealogy of Literary Multiculturalism. Ithaca: Cornell University Press, 2009.

Du Bois, W. E. B. “Criteria of Negro Art.” In African American Literary Theory: A Reader, edited by Winston Napier, 17–23. New York: New York University Press, 2000.

———. The Souls of Black Folk. Edited by David W. Blight and Robert Gooding-Williams. Boston: Bedford Books, 1997.

Dudziak, Mary. Cold War Civil Rights: Race and the Image of American Democracy. Princeton: Princeton University Press, 2000.

Edwards, Brent Hayes. The Practice of Diaspora: Literature, Translation, and the Rise of Black Internationalism. Cambridge, Mass.: Harvard University Press, 2003.

Efros, Abram. “Aladdin’s Lamp.” In Semyon An-sky, The Jewish Artistic Heritage: An Album, edited by Vasilii Rakitin and Andrei Sarabianov, 7–15. Moscow: RA, 1994.

Eisenstein, Sergei. Film Form: Essays in Film Theory. Edited and translated by Jay Leyda. New York: Harcourt, 1949.

———. “To the Magician of the Pear Orchard.” In S. M. Eisenstein: Selected Works, Volume III, edited by Richard Taylor, translated by William Powell, 56–67. London: British Film Institute, 1996.

Elbaum, Max. Revolution in the Air: Sixties Radicals Turn to Lenin, Mao and Che. New York: Verso, 2002

Elliott, David, ed. Mayakovsky: Twenty Years of Work; An Exhibition from the State Museum of Literature, Moscow. Oxford: Museum of Modern Art, 1982.

Eng, David L. Racial Castration: Managing Masculinity in Asian America. Durham: Duke University Press, 2001.

Entin, Joseph. Sensational Modernism. Chapel Hill: University of North Carolina Press, 2007.

Estraikh, Gennady. In Harness: Yiddish Writers’ Romance with Communism. Syracuse: Syracuse University Press, 2005.

Fabian, Johannes. Time and the Other: How Anthropology Makes Its Object. New York: Columbia University Press, 2002.

Favor, J. Martin. Authentic Blackness: The Folk in the New Negro Renaissance. Durham: Duke University Press, 1999.

Filatova, Lydia. “Langston Hughes: American Writer.” International Literature, no. 2 (1933): 99–107.

———. “Negritianskaia literatura.” In Literaturnaia entsiklopediia, tom 7, edited by A. V. Lunacharsky, 649–69. Moscow: Sovetskaia entsiklopediia, 1934.

Fishkin, Shelley Fisher. “Interrogating ‘Whiteness,’ Complicating ‘Blackness’: Remapping American Culture.” American Quarterly 47, no. 3 (September 1995): 428–66.

Fitzpatrick, Sheila. The Cultural Front: Power and Culture in Revolutionary Russia. Ithaca: Cornell University Press, 1992.

———. “The ‘Soft’ Line on Culture and Its Enemies: Soviet Cultural Policy, 1922–1927.” Slavic Review 33, no. 2 (June 1974): 267–87.

Flatley, Jonathan. Affective Mapping: Melancholia and the Politics of Modernism. Cambridge, Mass.: Harvard University Press, 2008.

———. “Moscow and Melancholia.” Social Text 19, no. 1 (spring 2001): 75–102.

Foley, Barbara. Radical Representations: Politics and Form in U.S. Proletarian Fiction, 1929–1941. Durham: Duke University Press, 1993.

Fore, Devin. Introduction to October 118 (fall 2006): 3–10.

Foster, Hal. The Return of the Real. Cambridge, Mass.: MIT Press, 1996.

Fowler, Josephine. Japanese and Chinese Immigrant Activists: Organizing in American and International Communist Movements, 1919–1933. New Brunswick, N.J.: Rutgers University Press, 2007.

Freidenberg, Ol’ga Mikhailovna. “Vospominaniia o N. Ia. Marre.” Vostok-Zapad 3 (1988): 181–204.

Friedberg, Haia. “Lissitzky’s Had Gadîa’.” Jewish Art 12/13 (1986–1987): 292–303.

Friedlander, Eli. “The Measure of the Contingent: Walter Benjamin’s Dialectical Image.” boundary 2 35, no. 3 (2008): 1–26.

Gallo, Rubén. Mexican Modernity: The Avant-Garde and the Technological Revolution. Cambridge, Mass.: MIT Press, 2005.

Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the “Racial” Self. New York: Oxford University Press, 1989.

———. The Signifying Monkey: A Theory of Afro-American Literary Criticism. New York: Oxford University Press, 1989.

Gelb, Michael. “An Early Soviet Ethnic Deportation: The Far-Eastern Koreans.” Russian Review 54, no. 3 (July 1995): 389–412.

Gilenson, B. A. Sovremennye negritianskie pisateli SShA. Moscow: Znanie, 1981.

Gilmore, Glenda Elizabeth. Defying Dixie: The Radical Roots of Civil Rights, 1919–1950. New York: Norton, 2008.

Gilroy, Paul. The Black Atlantic: Modernity and Double-Consciousness. Cambridge, Mass.: Harvard University Press, 1993.

Glaser, Amelia M. “From Jewish Jesus to Black Christ: Race Violence in Leftist Yiddish Poetry.” Studies in American Jewish Literature 34, no. 1 (spring 2015).

———. Jews and Ukrainians in Russia’s Literary Borderlands: From the Shtetl Fair to the Petersburg Bookshop. Evanston, Ill.: Northwestern University Press, 2012.

Glazer, Nathan. We Are All Multiculturalists Now. Cambridge, Mass.: Harvard University Press, 1997.

Glazer, Nathan, and Daniel Patrick Moynihan. Beyond the Melting Pot: The Negroes, Puerto Ricans, Jews, Italians, and Irish of New York City. Cambridge, Mass.: MIT Press, 1963.

Gold, Michael. Jews Without Money. New York: Liveright, 1930.

Golden, Lily. My Long Journey Home. Chicago: Third World, 2002.

Goldman, Emma. My Disillusionment in Russia. New York: Dover, 2003.

Goncharova, Natal’ia. “Preface to Catalogue of One-Man Exhibition, 1913.” In Russian Art of the Avant-Garde: Theory and Criticism, 1902–1934, edited and translated by John E. Bowlt, 54–60. New York: Viking, 1988.

Gooding-Williams, Robert. In the Shadow of Du Bois: Afro-Modern Political Thought in America. Cambridge, Mass.: Harvard University Press, 2011.

Gough, Maria. The Artist as Producer: Russian Constructivism in Revolution. Berkeley: University of California Press, 2005.

———. “Paris, Capital of the Soviet Avant-Garde.” October 101 (summer 2002): 53–83.

———. “Radical Tourism: Sergei Tret’iakov at the Communist Lighthouse.” October 118 (fall 2006): 159–78.

Greenberg, Cheryl Lynn. Troubling the Waters: Black-Jewish Relations in the American Century. Princeton: Princeton University Press, 2006.

Greenberg, Clement. “Avant-Garde and Kitsch.” Partisan Review 6 (1939): 34–39.

Greenblatt, Stephen. Marvelous Possessions: The Wonder of the New World. Chicago: University of Chicago Press, 1991.

Groys, Boris. “Rossiia kak podsoznanie Zapada.” In Utopiia i obmen, 245–59. Moscow: Znak, 1993.

———. “Russia and the West: The Quest for Russian National Identity.” Studies in Soviet Thought 43 (1992): 185–98.

———. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond. Translated by Charles Rougle. Princeton: Princeton University Press, 1992.

Guo Jian. “Resisting Modernity in Contemporary China: The Cultural Revolution and Postmodernism.” Modern China 25, no. 3 (July 1999): 343–76.

Habal, Estella. San Francisco’s International Hotel: Mobilizing the Filipino American Community in the Anti-Eviction Movement. Philadelphia: Temple University Press, 2007.

Hasegawa, Tsuyoshi. Racing the Enemy: Stalin, Truman, and the Surrender of Japan. Cambridge, Mass.: Harvard University Press, 2005.

Hauner, Milan. What Is Asia to Us? Russia’s Asian Heartland Yesterday and Today. Boston: Unwin Hyman, 1990.

Haywood, Harry. Black Bolshevik: Autobiography of an Afro-American Communist. Chicago: Liberator, 1978.

Higham, John. “Multiculturalism and Universalism: A History and Critique.” American Quarterly 45, no. 2 (June 1993): 105–219.

———. Send These to Me: Jews and Other Immigrants in Urban America. New York: Atheneum, 1975.

Hirsch, Francine. Empire of Nations: Ethnographic Knowledge and the Making of the Soviet Union. Ithaca: Cornell University Press, 2005.

Ho, Fred. “Fists for Revolution.” In Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America, edited by Fred Ho, Carolyn Antonio, Diane Fujino, and Steve Yip, 3–13. San Francisco: Big Red Media and AK Press, 2000.

———. “The Inspiration of Mao and the Chinese Revolution on the Black Liberation Movement and the Asian Movement on the East Coast.” In Afro Asia: Revolutionary Political and Cultural Connections between African Americans and Asian Americans, edited by Fred Ho and Bill V. Mullen, 155–64. Durham: Duke University Press, 2008.

Ho, Fred, and Steve Yip. “Alex Hing, Former Minister for the Red Guard Party and Founding Member of I Wor Kuen.” In Legacy to Liberation: Politics and Culture of Revolutionary Asian Pacific America, edited by Fred Ho, Carolyn Antonio, Diane Fujino, and Steve Yip, 279–96. San Francisco: Big Red Media and AK Press, 2000.

Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.

Hollinger, David A. Cosmopolitanism and Solidarity: Studies in Ethnoracial, Religious, and Professional Affiliation in the United States. Madison: University of Wisconsin Press, 2006.

———. “Ethnic Diversity, Cosmopolitanism and the Emergence of the American Liberal Intelligentsia.” American Quarterly 27, no. 2 (May 1975): 133–51.

———. “Not Universalists, Not Pluralists: The New Cosmopolitans Find Their Own Way.” Constellations 8, no. 2 (June 2001): 236–48.

———. Postethnic America: Beyond Multiculturalism. New York: Basic Books, 1995.

———. “Rich, Powerful, and Smart: Jewish Overrepresentation Should Be Explained Instead of Avoided or Mystified.” Jewish Quarterly Review 94, no. 4 (fall 2004): 595–602.

Hook, Sidney. “Memories of the Moscow Trials.” Commentary 77 (March 1984): 57–63.

———. “Messages.” In A Decade of Destruction: Jewish Culture in the USSR, 1948–1958, 37. New York: Congress for Jewish Culture, 1958.

———. “Reflections on the Jewish Question.” Partisan Review 16 (May 1949): 477–78.

Howe, Irving. Decline of the New. New York: Harcourt, 1970.

———. “The Lost Young Intellectual: A Marginal Man, Twice Alienated.” Commentary 2 (October 1946): 361–67.

———. A Margin of Hope: An Intellectual Autobiography. San Diego: Harcourt, 1982.

———. “New York in the Thirties: Some Fragments of Memory.” Dissent 8 (summer 1961): 241–50.

———. “Our Country and Our Culture.” Partisan Review 19 (September–October 1952): 575–81.

———. Politics and the Novel. New York: Horizon, 1957.

———. Steady Work: Essays in the Politics of Democratic Radicalism, 1953–1966. New York: Harcourt, 1966.

———. “Tevye on Broadway.” Commentary 38 (November 1964): 73–75.

———. A World More Attractive: A View of Modern Literature and Politics. New York: Horizon, 1963.

Howe, Irving, and Eliezer Greenberg, eds. A Treasury of Yiddish Stories. New York: Viking, 1954.

Hughes, Langston. “Cubes.” In The Collected Poems of Langston Hughes, edited by Arnold Rampersad and David Roessel, 175–76. New York: Random House, 1994.

———. Good Morning Revolution: Uncollected Writings of Social Protest. Edited by Faith Berry. New York: Citadel, 1973.

———. I Wonder as I Wander: An Autobiographical Journey. New York: Hill and Wang, 1956.

———. “Moscow and Me: A Noted American Writer Relates His Experiences.” International Literature, no. 3 (July 1933): 60–66.

———. “The Negro Artist and the Racial Mountain.” In African American Literary Theory: A Reader, edited by Winston Napier, 27–30. New York: New York University Press, 2000.

———. A Negro Looks at Soviet Central Asia. Moscow: Co-operative Publishing Society of Foreign Workers in the U.S.S.R., 1934.

———. “Roar, China!” Volunteer for Liberty 1 (September 6, 1937): 3.

———. “The Soviet Union and Jews.” In Good Morning Revolution: Uncollected Writings of Social Protest. Edited by Faith Berry, 86–88. New York: Citadel, 1973.

Huntington, Samuel. The Clash of Civilizations and the Remaking of World Order. New York: Simon and Schuster, 1996.

Hutchinson, George. The Harlem Renaissance in Black and White. Cambridge, Mass.: Harvard University Press, 1995.

Huyssen, Andreas. After the Great Divide: Modernism, Mass Culture, Postmodernism. Bloomington: Indiana University Press, 1986.

Iangirov, R. M. “Marginal’nye temy v tvorcheskoi praktike LEFa.” In Tynianovskii sbornik: Piatye Tynianovskie chteniia, edited by Marietta Chudakova, 223–48. Riga: Zinatne, 1994.

Iriye, Akira. Cultural Internationalism and World Order. Baltimore: Johns Hopkins University Press, 1997.

Jacobson, Matthew Frye. Roots Too: White Ethnic Revival in Post–Civil Rights America. Cambridge, Mass.: Harvard University Press, 2006.

Jakobson, Roman. My Futurist Years. Edited by Bengt Jangfelt. Translated by Stephen Rudy. New York: Marsilio, 1997.

James, David E. The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. Berkeley: University of California Press, 2005.

Jameson, Fredric. “Periodizing the 60s.” Social Text, no. 9/10 (spring–summer 1984): 178–209.

Jarrico, Paul, and Herbert Biberman. “Breaking Ground.” In Salt of the Earth, edited by Deborah Silverton Rosenfelt, 169–74. New York: Feminist Press, 1978.

Jin, Wen. Pluralist Universalism: An Asian Americanist Critique of U.S. and Chinese Multiculturalisms. Columbus: Ohio State University Press, 2012.

Jolles, Adam. “The Tactile Turn: Envisioning a Postcolonial Aesthetic in France.” Yale French Studies 109 (July 2006): 17–38.

Jones, Donna V. “The Prison House of Modernism: Colonial Spaces and the Construction of the Primitive at the 1931 Paris Colonial Exposition.” Modernism/modernity 14, no. 1 (January 2007): 55–69.

Kachurin, Pamela. “Working (for) the State: Vladimir Tatlin’s Career in Early Soviet Russia and the Origins of the Monument to the Third International.” Modernism/modernity 19, no. 1 (January 2012): 19–41.

Kallen, Horace M. Culture and Democracy in the United States. New Brunswick, N.J.: Transaction, 1998.

———. “Democracy Versus the Melting-Pot.” Nation 100, no. 2590–2591 (February 18, 25, 1915): 190–94, 217–20.

———. Frontiers of Hope. New York: Liveright, 1929.

Karp, Jonathan. “Performing Black-Jewish Symbiosis: The ‘Hasidic Chant’ of Paul Robeson.” American Jewish History 91, no. 3 (March 2003): 53–81.

Katanian, Vasilii A. Maiakovskii: Khronika zhizni i deiatel’nosti. Moscow: Sovetskii pisatel’, 1985.

Katz, Dovid. “The Days of Proletpen in American Yiddish Poetry.” Introduction to Proletpen: America’s Rebel Yiddish Poets, edited by Amelia Glaser and David Weintraub, translated by Amelia Glaser. Madison: University of Wisconsin Press, 2005.

Kelberg, Lars. “Eisenstein’s Potemkin and Tret’iakov’s Rychi, Kitai!” Scando-Slavica Tomus 23 (1977): 29–37.

Kelley, Robin D. G. Hammer and Hoe: Alabama Communists During the Great Depression. Chapel Hill: University of North Carolina Press, 1990.

Kelley, Robin D. G., and Betty Esch. “Black Like Mao: Red China and Black Revolution.” Souls 1, no. 4 (fall 1999): 6–41.

Kemrad, S. Maiakovskii v Amerike. Moscow: Sovetskii pisatel’, 1970.

Kernan, Ryan James. “The Coup of Langston Hughes’s Picasso Period: Excavating Mayakovsky in Langston Hughes’s Verse.” Comparative Literature 66, no. 2 (spring 2014): 227–46.

———. “Lost and Found in Black Translation: Langston Hughes’s Translations of French- and Spanish-Language Poetry, His Hispanic and Francophone Translators, and the Fashioning of Radical Black Subjectivities.” Ph.D. diss., University of California, Los Angeles, 2007.

Khalid, Adeeb. Islam After Communism: Religion and Politics in Central Asia. Berkeley: University of California Press, 2007.

———. “Russian History and the Debate over Orientalism.” Kritika 1, no. 4 (fall 2000): 691–99.

Khanga, Yelena, and Susan Jacoby. Soul to Soul: A Black Russian American Family, 1865–1992. New York: Norton, 1992.

Khlebnikov, Velimir. “The Trumpet of the Martians.” In Russian Futurism Through Its Manifestos, 1912–1928, edited by Anna Lawton, 103–6. Ithaca: Cornell University Press, 1988.

Kiaer, Christina. Imagine No Possessions: The Socialist Objects of Russian Constructivism. Cambridge, Mass.: MIT Press, 2005.

Kim, Jodi. Ends of Empire: Asian American Critique and the Cold War. Minneapolis: University of Minnesota Press, 2010.

Kingston, Maxine Hong. China Men. New York: Knopf, 1980.

Kinoslovar’ v dvukh tomakh. Moscow: Sovetskaia entsiklopediia, 1966.

Klehr, Harvey, Jon Earl Haynes, and Kyrill M. Anderson. The Soviet World of American Communism. New Haven: Yale University Press, 1998.

Knight, Nathaniel. “On Russian Orientalism: A Response to Adeeb Khalid.” Kritika 1, no. 4 (fall 2000): 701–15.

Koestler, Arthur. The Invisible Writing. New York: Vintage, 2005.

Kolchevska, Natasha. “From Agitation to Factography: The Plays of Sergej Tret’jakov.” SEEJ 31, no. 3 (autumn 1987): 388–403.

Koliazin, V. F., ed. “Vernite mne svobodu!”: Deiateli literatury i iskusstva Rossii i Germanii—zhertvy stalinskogo terrora. Moscow: Medium, 1997.

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