Page numbers refer to the print edition but are hyperlinked to the appropriate location in the e-book.
bold denotes photo; f denotes figure
1949 Revolution (China),
111
“About This” (Mayakovsky),
51
“advanced” peoples,
10,
28,
38
African Americans,
122,
125–26,
131,
133,
135,
137,
139,
140,
141,
143,
145,
146,
147,
177,
178,
183
American Joint Distribution Committee,
161
American Negro Labor Congress (ANLC),
145,
146
“American Russians” (Mayakovsky),
67,
73
“Amur Partisans” (song),
139
anti-Semitism,
44,
144,
151,
152,
159,
160,
161,
162,
163,
164,
165,
166,
168,
169,
171,
172,
173,
174,
178,
179,
242n38,
246n79
artist: as ethnographer,
108; as revolutionary,
1
Asia: as revolutionary horizon,
11,
85; Russian identification with,
13–17
authenticity,
133,
143,
151,
162,
165,
166,
168,
169,
170,
177; and anticapitalism,
121,
132.
See also black authenticity;
socialist authenticity
“The Author as Producer” (Benjamin),
87,
92,
108
avant-garde: heteronormative masculinism as associated with historical avant-garde,
82; international avant-garde,
2,
6,
8; and notion of authenticity,
130; Soviet Jewish avant-garde (
see Soviet Jewish avant-garde); use of term,
4; and vanguard,
11,
12,
40,
84,
88,
149,
150,
198,
204–205n10
avant-gardism: definitions of,
26; and ethnography,
40; as linked to ethnicity,
29,
160; replacement of with authenticity,
121
Battleship Potemkin (film),
99
Beijing, as new revolutionary center,
184
Benjamin, Walter,
6,
21–25,
27,
28,
29,
40,
42,
50,
51,
60,
61,
69,
70,
78,
87–88,
92,
97,
99,
103,
108,
117,
149,
158,
159,
212n70
Beyond the Color Line and the Iron Curtain (Baldwin),
6
Biberman, Herbert,
101,
103,
105,
106,
107,
108,
114,
115,
116–17,
118,
149
Black and White (
Chernye i belye) (film project),
43,
68,
121,
122,
123–31,
136,
140,
141,
142,
145,
147,
151,
153
“Black and White” (Blek end uait) (Mayakovsky),
52,
67,
70,
73–75,
76,
77,
79,
136,
139,
140
Black Belt,
33,
39,
128,
133,
134,
135,
141,
146,
215n88,
236n54
“Black Boys and Native Sons” (Howe),
177
“Black Like Mao” (Kelley and Esch),
186
“Blueprint for Negro Writing” (Wright),
132
“Blue River” (Grebner),
138–40
Bolshevik Revolution,
10,
139,
140; as an Asian revolution,
12–13,
17,
18,
21; religious visions of,
10,
51,
157
Bolsheviks,
1,
10,
11,
12,
16,
17,
20,
30,
32,
35,
41,
85,
153
Bolshevik vanguard,
7,
12,
13
Buck-Morss, Susan,
26,
41
budetliane (people of the future),
50.
See also futurism
Call It Sleep (Roth),
155
“Camp ‘Nit Gedaige’” (“Don’t Be Down”) (Mayakovsky),
63,
139,
153
Cantos LII–LXXI (Pound),
13
CCP (Chinese Communist Party),
85,
98,
111
And China Has Hands (Tsiang),
103
Chinese Communist Party (CCP),
85,
98,
111
Chinese Dramatic and Benevolent Association,
103
Comintern (Third Communist International),
6,
8,
10,
11,
12,
13,
19,
33,
36,
85,
96,
98,
100,
117,
120,
141,
145,
164,
183
The Communist Manifesto (Marx),
193
Congress for Cultural Freedom,
171
Connery, Christopher,
196
Contemporary Negro Writers of the USA (Gilenson),
144
“Contradiction and Overdetermination” (Althusser),
186
Cooper, James Fenimore,
58,
59
The Crisis of the Negro Intellectual (Cruse),
120,
163
“Criteria of Negro Art” (Du Bois),
131
Cuba: Hughes’s visit to,
68,
76,
81; Mayakovsky’s visit to,
41,
45,
48,
49,
56,
57f,
59,
60,
61
cultural inauthenticity,
43
cultural nationalism,
144
Darkness at Noon (Koestler),
119
Defying Dixie (Gilmore),
147
“Democracy Versus the Melting-Pot” (Kallen),
31,
33
democratic revolution,
10
Den Shi-khua (Tret’iakov),
226n27
“The Destruction of Tenochtitlan” (Williams),
59
double assimilation,
35,
36,
55
“Drama for Winter Night” (Hughes),
65
Eisenstein, Sergei,
2,
40,
68,
81–82,
84,
86,
97,
99,
101,
122,
125
equality: communist programs for,
131; competing models of,
151,
169; experiments with art and,
4; formal equality of African Americans,
131; gender equality,
45,
185,
186; Moscow’s promises of,
28; Soviet Union as isolated bastion of,
143; structural equality,
168; universal equality,
30,
159; USSR as beacon of racial, ethnic, and national equality,
1; USSR as champion of African American equality,
178
ethnic: formation of term,
28; use of term,
4
ethnic avant-garde: bloodstained passing of,
44; conceptual scaffolding for,
41; distinct way of seeing as central to,
6; resuscitation of,
185; Tatlin’s Tower as emblem for,
41; use of term,
4
ethnicity: concept of,
28; and revolution,
157; understanding of,
28–29
exoticism,
42,
49,
58,
60,
61,
62,
72,
80,
82,
84,
86,
97,
98,
100,
113,
115,
130,
132
factography,
42,
82,
84,
85,
88,
89,
91,
93,
96,
98,
100,
101,
104,
108,
113,
116,
117,
125,
126,
130.
See also literature of fact
Federal Theatre Project,
101
Fiddler on the Roof (musical),
175–76
First Congress of the Peoples of the East (1920),
11,
13
Gates, Henry Louis, Jr.,
237n66
Give Us Europe (
Daesh’ Evropu) (Meyerhold),
23
Goncharova, Natal’ia,
15,
16
Gooding-Williams, Robert,
131
Great Mosque of Samarra,
9
Grebner, Georgii Eduardovich,
123–28,
130,
131,
135,
137,
139,
140,
141,
143,
147,
149,
153
Guomindang (Nationalist Party),
85,
98
Had Gadya (Lissitzky),
156,
166
Halpern, Moishe Leib,
150
heteronormative masculinism,
82
historical development, Hegelian notion of,
12
“Homeward!” (Mayakovsky),
66,
67
House Un-American Activities Committee,
101
Howe, Irving,
44,
152,
162,
163,
164,
166,
169,
175,
176–77,
178,
184
Hughes, Langston,
2,
4,
28,
35,
43,
49,
65,
67,
68,
69,
71,
72,
74–82,
84,
85,
97,
101,
108,
112,
113–14,
113,
119,
120,
121,
122,
123,
124,
128,
130,
131,
133,
135,
136,
138,
141–47,
151,
152,
160,
178,
184
imperialism,
2,
11,
36,
39,
42,
61,
79,
83,
85,
86,
98,
99,
111,
122,
186.
See also anti-imperialism
“Indo-Russian Union” (Khlebnikov),
13,
27
intercultural education,
182
international avant-garde,
2,
6,
8
International Literature journal,
71
International Workers Relief Film (Mezhrabpomfil’m),
122,
123,
137,
140,
142
Japhetic language/civilization,
37,
38,
51
Jewish Americans,
1,
34,
36,
63,
65,
101,
139,
149,
151,
152,
153,
154,
158,
161,
162,
169,
170,
173,
177,
178,
183
Jewish Labor Committee (AFL-CIO),
169
Khlebnikov, Velimir,
12,
13–14,
16,
17,
18,
19,
24,
27,
50,
51
Kruchenykh, Alexei,
40,
50,
51
La condition humaine (Malraux),
85
La prose du Transsibérien et de la petite Jehanne de France (Cendrars and Delaunay),
50
Laundresses (Shevchenko),
14
Leary, John Patrick,
75,
76
Left Front of the Arts (LEF),
56,
66,
68,
82,
83,
84,
88,
108,
125,
130,
162,
172
“Left March” (Mayakovsky),
52
Leonardo da Vinci,
26,
62
Les demoiselles d’Avignon (Picasso),
13,
15
The Liberal Imagination (Trilling),
171
liberal multiculturalism,
31,
147
liberal pluralism,
44,
151,
168,
169,
171,
172,
173,
175,
182,
238–39n6,
245n75
Lissitzky, El,
9,
88,
156,
157,
158,
159,
166,
169,
172
“The Lost Young Intellectual: A Marginal Man, Twice Alienated” (Howe),
163,
164
Lunacharsky, Anatoly,
20,
21
“Marxism and the National Question” (Stalin),
31,
32–33
Marxist discourse,
44,
185
Mayakovsky, Vladimir,
2,
21,
41–42,
43,
47–56,
57f,
56–63,
65–85,
93,
97,
98,
108,
113,
114,
132,
133,
136,
139,
140,
149,
150,
162,
163; “Afro-Cuban” poems of,
4,
43,
48,
68,
70–74; and minority writing,
48,
49,
62,
68
McKay, Claude,
1,
4,
14,
17,
18,
19–20,
21,
24,
27,
28,
60,
67,
81,
84,
97,
146
Messenger (magazine),
145
Mexican Communist Party,
8
Mexico: Eisenstein’s visit to,
68,
80,
81–82,
97,
101,
122; Mayakovsky’s visit to,
41,
45,
48,
49,
51,
56,
57f,
59,
60,
61,
62,
76,
93
“Mexico” (Mayakovsky),
58,
59,
73
Meyerhold, Vsevolod,
2,
23,
114
Mezhrabpomfil’m (International Workers Relief Film),
122,
123,
137,
140,
142
modernism,
2,
6,
7,
22,
45,
88,
131,
150,
151,
152,
158,
162,
163,
170,
177,
197
Moscow, as capital of now-time,
6–27
Moscow, the Fourth Rome (Clark),
6
multinationalness (
mnogonatsional’nost’),
28,
181,
182,
199
My Discovery of America (Mayakovsky),
48
Mystery-Bouffe (Mayakovsky),
51,
59
national character,
33,
173
Nationalist Party (Guomindang),
85,
98
nationalities policy,
6,
28,
29,
30,
31,
35,
36,
38,
39,
71,
81,
132,
173,
181,
209n40,
214n80,
215–16n94,
238–39n6
nationality, Soviet concept of,
29
national self-determination,
181
nativization (
korenizatsiia),
33
A Negro Looks at Soviet Central Asia (Hughes),
80
“The Negro Artist and the Racial Mountain” (Hughes),
131
“Negro Songs of Protest” (Gellert),
134,
135
New Communist Movement,
192
“New Theory of Language” (Marr),
38,
47
New York Herald Tribune,
122
New York Intellectuals,
152,
162,
163,
164,
166,
170,
172,
174,
175,
178
“On Contradiction” (Mao),
186
“150,000,000” (Mayakovsky),
55
Orientologists/Orientology,
39,
40
Other,
13,
16,
36,
40,
42,
51,
59,
63,
75,
77,
84,
97,
100,
114,
116,
183.
See also ethnic Other
Pamiatnik III Internatsionala (Punin),
7
Papazian, Elizabeth Astrid,
227n37
Paris, decentering of,
6–7
“Paris—Capital of the Nineteenth Century” (Benjamin),
6–7,
212n70
particularism,
2,
4,
30,
31,
35,
36,
43,
151,
163,
178,
248n2
particularistic practices,
29
Peasants (Goncharova),
15
perceptual estrangement,
4,
8,
12
Perloff, Marjorie,
49,
50
political radicalism,
4,
178
postcolonial orientalism,
187
proletarian vanguard,
186
protoconstructivism,
5,
158
Pudovkin, Vsevolod,
21,
122
¡Que viva México! (film),
68,
86
racism: in American society,
164; biological racism,
6,
38,
62,
216–17n100; elimination of,
238–39n6; in USSR,
1,
20,
28,
145
“Reflections on the Jewish Question” (Hook),
167
“Réflexions sur la question juive” (Sartre),
152,
164,
165,
168
Reid, Thomas Mayne,
58,
59
revolutionary messianism,
159
revolutionary politics,
13,
41,
82,
100,
130,
148,
150,
152,
158,
163,
190,
191
revolutionary vanguard,
3,
17,
153
“Rich, Powerful, and Smart: Jewish Overrepresentation Should Be Explained Instead of Avoided or Mystified” (Hollinger),
153
Rivera, Diego,
48,
51,
52,
60,
63,
67,
68,
69,
81,
122,
197
Roar, China! (Li Hua),
110,
111
Roar China (Tret’iakov):
Black and White compared to,
125,
127,
130; cover of,
94; description of,
42,
83–87,
91,
95; emphasis on imperialism in,
98; evocation of,
192; intermixture of cultures in,
97–98; Moscow production of,
97,
99,
100,
104,
105,
229n54; New York production of,
100–108,
102,
105,
106,
107,
112; other productions of,
109–112,
184; prophetic quality of,
96;
Salt of the Earth compared to,
114–16,
118
romantic anticapitalism,
12
Rosenfelt, Deborah Silverton,
115,
116
Rudnitsky, Konstantin,
96
Russia: as avant-garde country of the East,
16; Benjamin’s visit to,
21,
23,
149; Derrida’s visit to,
2; Goldman’s visit to,
158; Hughes’s visit to,
49,
80,
112,
119,
131,
136,
141,
153; identification of with Asia,
16; Kallen’s visit to,
34,
149,
150; McKay’s visit to,
17; Nadir’s visit to,
150; Rivera’s visit to,
67–68; Robeson’s visit to,
178–79; Russian modernism,
22.
See also “Asiatic” Russia
Sartre, Jean-Paul,
152,
164,
165,
166,
167,
168,
172,
173,
175,
176,
177
Second Congress of the Comintern (1920),
10,
11
Secret Speech (Khrushchev),
163,
169
seichas, use of term,
23,
24,
25
Select Committee on Communist Aggression (U.S. House of Representatives),
171
Shklovskii, Viktor,
91,
125
Singer, Isaac Bashevis,
169,
172
“The Six” (Mayakovsky),
65
“A Slap in the Face of Public Taste,”
49,
50
Slezkine, Yuri,
30,
34,
36,
37,
153,
154,
155,
157,
159,
160,
161,
164,
170,
197
socialist internationalism,
44,
82,
151,
163,
164,
168,
169,
171,
172,
173,
174,
175,
181,
182,
183,
238–39n6
socialist realism,
4,
41,
68,
84,
88,
89,
151,
162,
163,
175,
178,
242n43
socialist revolution,
10,
12,
27,
47,
97,
162,
166,
168,
172,
176
socialist-to-Jewish transition,
164
The Souls of Black Folk (Du Bois),
131,
135
Southern Road (Brown),
133
Soviet avant-gardism,
150
Soviet Jews,
34,
35,
44,
148,
150,
151,
153,
157,
158,
159,
160,
161,
166,
169,
170,
172,
173,
174,
176,
239n7,
244n66
Spartak/Spartacus journal,
63,
64f
Stalin, Joseph,
30,
31,
32–33,
36,
38,
41,
132,
173,
174,
181
Storm Over Asia (film),
21,
122
“Surrealism” (Benjamin),
25
“Surrealist Map of the World,”
23
Talented Tenth elitism,
131
“Talks at the Yenan Forum” (Mao),
186,
191
“The Task of the Translator” (Benjamin),
69
Tatlin, Vladimir,
5,
5,
8,
9,
10,
11,
13,
14,
20,
24,
28,
38,
39,
40,
47,
54,
158,
159,
194
Tatlin’s Tower,
5–12,
5,
7,
27,
36,
39,
41,
47,
54,
75,
78,
79–80,
84,
88,
125,
194; as interweaving of avant-garde and ethnography,
40; as interweaving of avant-garde and vanguard,
8–9,
11
Ten Days That Shook the World (Reed),
153
Tevye the Milkman (Sholem Aleichem),
175
theory: of combined and uneven development,
10,
24,
98; of permanent revolution,
10; weakest link theory,
10
“Theses on the Philosophy of History” (Benjamin),
24,
158
Three Songs About Lenin (documentary),
140
Tower of Babel,
9,
11,
37,
38,
40,
41,
47,
48,
54,
65,
69,
80,
84,
158,
159,
179,
184
“Trans-National America” (Bourne),
182
transrational (
zaum) poetry,
12,
40,
52
travel sketches (of Mayakovsky),
57f
A Treasury of Yiddish Stories (Howe),
163,
169
Tret’iakov, Sergei,
42,
83,
85–89,
92,
96,
97,
99,
100,
101,
103,
104,
106,
108,
111,
112,
114,
115,
116,
118,
125,
126,
130,
132,
140,
192
“Tropics” (Mayakovsky),
57f
Tvorchestvo (futurist group),
83
United States: emergence of ethnicity paradigm in,
28; Mayakovsky’s visit to,
41,
45,
49,
52,
56,
59,
60,
62–63,
82,
150; universal equality,
30,
159; universalist aspirations,
29
USSR (Union of Soviet Socialist Republics): as beacon of racial, ethnic, and national equality,
1; perceived exoticness of,
20; as site of cultural innovation,
1.
See also Russia;
Uzbekistan/Uzbeks
utopian aspirations,
4,
41
utopianism, premodern,
97
vanguard/vanguardism: artistic vanguardism,
1,
2; avant-garde and,
11,
12,
40,
84,
88,
149,
150,
198,
204–205n10; Bolshevik vanguard,
7,
12,
13; Jewish vanguardism,
160; political vanguard,
6,
10,
11,
191,
206–207n26; proletarian vanguard,
186; revolutionary vanguard,
3,
17,
153; Soviet vanguardism,
150,
204–205n10
The Ways of White Folks (Hughes),
147
“The Weary Blues” (Hughes),
138
What Is to Be Done? (Lenin),
193
woodblock prints (
Roar, China!),
110,
111
World of Our Fathers (Howe),
177
The World of Sholom Aleichem (Samuel),
174
Yiddish,
35,
63,
65,
109,
150,
154,
157,
158,
169,
170,
174,
177,
179,
221n40
zaum (transrational) poetry,
12,
40,
52