Index
adultery, 13, 32, 41, 46, 49–54, 198; adulterous, x, 13, 33, 38, 41, 49, 50, 53, 74
alterity, vi, x, xii, 38, 42–43, 46, 49, 128, 137–38, 179
Ariosto, Ludovico, 123
Aristotle, 23–24, 137n14137n14, 142–45, 151
Astrophil and Stella, 23, 33–34, 35–37, 36n1436n14
As You Like It, 65n365n3, 155, 184
Atherton, James, 155, 165, 168
Attridge, Derek, 6n116n11, 177
Bacon, Delia, 114
Balfe, Michael, 156
Ball, Robert Hamilton, 87
Bamber, Linda, 46
Bandello, 123
Barker, William George, 86
Barnacle, Nora, 65, 68, 72, 74, 119
Barton, John, 9
Baudelaire, Charles, 118–19, 126
Beckett, Samuel, 68
Beerbohm Tree, 83
Benjamin, Walter, 107, 118, 118n3118n3, 119–20, 126–27
Bersani, Leo, 133–34
betrayal, 6, 25n425n4, 42, 44, 46, 58, 62, 73–74, 116, 136n12136n12
Bishop, John, 168
Blom, August, 86
Bloom, Harold, viii
Boas, Frederick S., 150n5150n5
Boccaccio, Giovanni, 123
Boldereff, Frances Motz, 168
Borg, Ruben, 162, 163n4163n4, 165n6165n6, 173
Borges, Jorge Luis, 134–35
Brandes, Georg, 76, 81, 121–22, 122n4122n4, 124–25, 130n5130n5
Brecht, Bertold, 154
Budgen, Frank, viii, 4–5, 11–12, 12n2212n22, 72n172n1, 90n390n3, 128, 128nn1–2128nn1–2, 137
Burrell, Harry, 168
Byron, May, 126
Campbell, Joseph, 165
Canning, A. S., 1n11n1, 2–3, 15, 17–18, 77
canon: Mario Caserini, 86, 87; European, 80, 88, 107; of Finnegans Wake, 165, 167, 179; Shakespearean, 2, 3, 38–39, 69, 166; Western Canon (Bloom), viii
Cheng, Vincent, 29n929n9, 74, 102, 140, 152, 155, 166, 166n7166n7, 167–74, 181–83
cinema, 74, 80, 82, 83, 86, 88, 109; cinematic culture, xi; cinematic play, 74; Hélène Cixous, 134, 134n7134n7; Volta cinema, 119
Coleridge, Samuel Taylor, 94, 117, 134, 134n8134n8, 135
Comerio, Luca, 86
Crispi, Luca, 73
cuckold, 13, 26, 33n1033n10, 36, 41, 74, 129, 134n9134n9, 136; cuckoldry, 18
D’Annunzio, Gabriele, 67–68, 108
Dante (Alighieri), viii, 5, 24, 80
De Liguoro, Giuseppe, 86
Desfontaines, Henri, 86
Divine Comedy, 24
Dodds, E. R., 40
Dollimore, Jonathan, 22
Donnelly, Ignatius, 114
Drama and Life, 4
Dubliners, viii, 5n95n9, 6; “The Dead,” 60; “Ivy Day in a Committee Room,” 5, 6, 97
Eckley, Grace, 177–78, 178n19178n19
Einboden, Jeffrey, 105
Ellmann, Maud, 83
Ellmann, Richard, viii, 3n53n5, 12, 21, 22, 23n223n2, 25, 27n527n5, 90, 108n1108n1, 126
exile, ix, xiii, 42, 58, 60, 61, 109, 134
Exiles, 56–71
Faerie Queene, The, 17
Farnham, Willard, 144
Faust, 90
Felperin, Howard, 78
Finnegans Wake, viii, xii, 5, 11n1911n19, 39, 71–74, 83, 105, 133, 140–58, 161–86
Forbes-Robertson, Johnston, 87
Foucault, Michael, 118, 119, 120, 126
Freud, Sigmund, vii, 26, 27, 40, 85, 113, 119, 124, 152, 168
Futurism, xi, 107–11, 115, 117, 118, 122, 127
Gade, Sven, 83
Garavaglia, Ferruccio, 82
Garber, Marjorie, 25, 25n425n4, 42, 43
Gay, Penny, 83
Genette, Gerard, 14
Geoffrey of Monmouth, 16
Gibson, Andrew, 20n3320n33, 40, 79
Gifford, Dan (and Seidman), 11n2011n20, 24n324n3, 28n628n6, 28, 28n728n7, 29, 29n829n8, 34n1234n12, 38, 114n2114n2, 122n4122n4
Gilbert, Stuart, 21, 23, 23n223n2, 24, 135n11135n11, 165n6165n6
Gilbert, W. S., 111
Gillespie, Michael, 108n1108n1
Girard, René, 73
Glasheen, Adaline, 140, 141, 166, 169, 170
Globe Theatre, 8, 117, 125, 126, 140, 154, 155, 156, 160
Goethe, Johan Wolfgang, xi, 77, 85, 89–106
Goldberg, Samuel, 144
Greenaway, Peter, 65
Greenblatt, Stephen, 7, 8, 8n148n14, 22n122n1, 43
Griffith, Arthur, 45
Groden, Michael, 15, 15n2615n26, 20n3320n33
Habicht, Werner, 125
Hamlet, viii, ix, x, xi, xii, 14, 14n2514n25, 27n527n5, 41, 58, 92, 93, 96–104 106, 117, 131, 135, 137n13137n13; biographical interpretations of, 23, 26, 27, 33, 131; early cinematic versions of, 83, 86–88; in Finnegans Wake, 161–86; Hamlet’s femininity, 83–85; as matrix of Finnegans Wake, 140–60; psychoanalytic interpretations of, 26, 27, 27n527n5, 37, 66–67, 119, 124, 129, 130n5130n5, 131, 135, 138; Trieste Hamlet lectures, 72–83, 90, 121–24
Hamnet (son of William Shakespeare), 26–27, 74, 123, 129
Harris, Frank, 28n628n6, 77, 121
Hart, Clive, 72n172n1, 146n3146n3, 165, 179, 180, 180n20180n20, 185
Hathaway, Anne, 25n425n4, 26, 29, 30, 32, 33, 35, 74, 116, 123, 129, 130, 139, 150, 152
Henke, Suzette, 53
Henry IV, 7
Henry V, 7
Henry VI, 7
Hepworth, Cecil M., 87
Hodgart, M. J. C., 166, 174n15174n15
Holinshed, Raphael, 8, 8n168n16
Homer, vii, ix, x, 12n2112n21, 13–18, 21, 24–29, 31–37, 40, 49, 73, 80, 99, 165n6165n6
Howard, Tony, 83
Ibsen, Henrik, viii, 3, 5, 75, 75n275n2, 95, 119, 159
Il Piccolo della Sera, 6, 56, 76, 80, 81n81n
Irish literary revival, 96, 104, 105
Jammes, Frances, 108
Jones, Ernest, 27, 27n527n5, 37, 119, 152
Joyce, Stanislaus, viii, 12, 74, 76, 82, 83n783n7, 136
Julius Caesar, 1, 1n1n, 141, 148n4148n4, 168
Kant, Immanuel, 120
Karsten, Wilhelm, 12
Kimball, Jean, 74
Kirby, Michael, 109
Laman, Barbara, 91
Lawrence, Karen, 100
Leverenz, David, 85
Lewis, Wyndham, 109
Lukács, Georg, 105
Lupton, Donald, 125
Macbeth, viii, 39, 41, 78, 141, 148, 168, 169, 172
Madden, John, 112
Maeterlinck, Maurice, 135, 136, 136n12136n12
Mallarmé, Stéphane, 77, 137, 137n13137n13
Marinetti, Filippo Tommaso, xi, 107, 108–12
Massey, Gerald, 28
McCarthy, Patrick, 184
Méliès, Gaston, 87
Méliès, George, 86, 87, 87n987n9, 88
Merry Wives of Windsor, The, 123
Michelangelo, 123
Midsummer Night’s Dream, A, 1n11n1, 75, 141, 168
Mirabeau, Octave, 136
Morley, John, 81
myth: of British colonial fiction, 20; of dynastic legitimation, 17; and Mr. Deasy, 63; of Odysseus, 23, 27–28, 33, 35, 37; of Scylla, 114; of Shakespeare, 144; structure of, 165n6165n6; of translatio imperii, 19
nationalism, ix, 6, 19, 60, 66, 104
Nielsen, Asta, 83
Nietzsche, Friedrich, 67–68, 112, 119, 135n10135n10
Nolan, Emer, 6
Norman, Marc, 112
Odyssey, ix, 21, 24, 25n425n4, 37, 91
Othello, viii, x, 38–55, 56, 58, 78
Ovid, 143
parody, 11n2011n20, 26, 33n1033n10, 36, 112
Pearson, Roberta A., 83
Peery, William, 166
Penelope, 25n425n4, 26, 27–28, 28n628n6, 29, 30–31, 35, 45
Pericles, 114
politics, ix, 43, 64, 93, 134; cultural, 104–5
Portrait of the Artist as a Young Man, A, viii, ix, 5, 6, 28n628n6, 71, 91, 95, 96, 105, 119, 123, 131, 132, 133, 135, 137, 138, 153
Prezioso, Roberto, 56, 74, 76, 109, 122
Quillian, William H., 90
Rabaté, Jean-Michel, 134
Rape of Lucrece, The, 116
Renaissance, 21, 23, 43, 59, 65, 80, 101, 119, 120, 121, 123
Renan, Ernest, 77
rewriting, x, 12n2112n21, 15, 17, 23, 24, 25, 34, 37
Rich, Penelope, 27–28, 32, 33, 34–37, 34n1234n12
Robinson, Henry Morton, 165
Rohrbach, Carl, 84
Said, Edward, 105
Salvini, Gustavo, 82–83
Schall, Heinz, 83
Schlegel, August Wilhelm, 94
Schutte, William M., 29n929n9, 90, 130nn4–5130nn4–5, 131, 135
Serpieri, Alessandro, 51
Shaw, George Bernard, 28n628n6, 111, 121, 125
She Stoops to Conquer, 159
Sidney, Philip, 23, 33–34, 34n1234n12, 35–37, 113
Slataper, Scipio, 75
Slote, Sam, 129n3129n3, 180n21180n21, 181, 182, 183
Smareglia, Antonio, 75
Spoo, Robert, 54
Stephen Hero, 90, 91, 95, 105, 119
Stone, Lawrence, 65, 66, 66n566n5
Stoppard, Tom, 112
Strachey, William, 70
Svevo, Italo, 75
Symons, Arthur, 108
Tempest, The, x, 4, 57–63, 66–71, 75, 78
Tennyson, Lord Alfred, 24
theater, 5, 13, 81, 93, 97, 98, 122, 157, 159; Futurist theater, 107–10, 117, 126; German theater, 101; Goethe’s Theaterroman, 90, 103; Pfauentheater, 12, 20; popular theater, 110, 111; Shakespearean, 2, 6, 110, 125; Yeats’s Irish national theater, 5
theory, psychoanalytic, 27n527n5; Aristotle’s theory in “Nestor,” 142; Goethe’s Hamlet theory, 92, 103; Lyster’s Hamlet theory, 91; Gerald Massey’s theory, 29, 33–34, 37; Stephen’s Hamlet theory, x, xi, 25–28, 33, 35, 37, 39, 41, 72, 73, 75, 80, 91, 94, 96, 97, 107, 112–17, 121–39, 143, 185
Tieck, Ludwig, 94
Tillyard, E. M. W., 7, 7n127n12, 8, 22, 22n122n1, 25
Trieste, x, xi, 56, 72, 74–77, 80, 82, 86, 88, 93n693n6, 97, 107, 108, 108n1108n1, 109–11, 121
Troilus and Cressida, ix, x, 1–3, 1n11n1, 12, 14–26, 37
Ulysses, episodes of: “Aeolus,” 35; “Calypso,” 85; “Circe,” 5, 10, 38–41, 50, 54, 74, 79, 86, 88, 90, 97, 110, 134n9134n9, 137; “Cyclops,” ix, 3, 11–20, 44, 54, 79; “Hades,” 44; “Ithaca,” 44, 54, 100, 137; “Lestrygonians,” 128; “Nausicaa,” 116; “Nestor,” 24; “Oxen of the Sun,” 79; “Penelope,” 30, 48, 49, 125; “Proteus,” 24, 143, 151, 153; “Scylla and Charybdis,” x, xi, 4, 4n74n7, 15n2515n25, 23, 24, 26, 37, 39, 71, 73, 77, 89, 92, 95–101, 105–7, 110–15, 121–24, 128, 132n6132n6, 133–34, 137–39, 143, 185; “Sirens,” 115; “Telemachus,” 24, 101, 124, 135n11135n11; “Wandering Rocks,” 99, 100
Università Popolare di Trieste, 80
Vaglio, Carla Marengo, 109
Venus and Adonis, 116
Verene, Donald Phillip, 168
Vico, Giambattista, 154, 168, 175, 175n16175n16
Viconian cycle, 141
Viconian letter, 152
Vidacovich, Nicolò, 76
Viktus, Daniel J., 43
Virgil, viii, 16n2716n27, 66, 175
Voltaire, Francois-Marie Arouet, 81, 82
Walkowitz, Rebecca L., 108
Wallace, Charles, 126
Wallace, Nathaniel Preston, 78, 79n579n5
Weaver, Harriet Shaw, 90n290n2
Weimann, Robert, 12, 12n2312n23, 14n2514n25, 15
Widdowson, H. G., 165, 167, 176, 176n17176n17
Wilhelm Meister, xi, 77, 89–105
Wilson, John Dover, 121, 122, 125
Wittgenstein, Ludwig, 176, 177n18177n18
Woolf, Virginia, 125
Yeats, William Butler, 5, 79, 104, 105
Zürich, 4n64n6, 12, 12n2112n21, 15, 16n2716n27, 77, 111, 125