#
2.3, 63
13 Mg., 283
21st Circuitry, 283
23 Skidoo, 48, 70, 128, 135, 139, 152, 156, 212
400 Blows, 121
A
à;GRUMH…, 30–32, 49, 160–161, 166–167, 207, 219
abjection, 177–180, 216, 261, 291, 304
see also feminine gothic; gothic
Abney Park, 213
Absolute Body Control, 138, 157–158, 167
accessibility of industrial music, 5–6
Ad•ver•sary, 204
Acumen Nation, 267–268
Adell, Matt, 264–265
Adolf Hitler Fan Club (mail art project), 200–201
Adorno, Theodor, 28, 134, 137, 197, 306
African American influence, 207–217
Almond, Marc, 142–144
American Recordings (label), 275–278
Amon Düül, 99
Amos, Tori, 262
anarchic tendencies and anarchism, 10, 45, 49–54
androgyny, 9, 11, 127, 142, 204, 175–182, 280
see also body conceptualization; gender; sexuality; women in industrial music
anti-capitalism. see capitalism
the Anti-Group Company, 72, 170
Antler Records (label), 157, 160, 222, 242, 248–250
apocalyptic folk. see neofolk
Apoptygma Berzerk, 115, 292–293, 295, 298, 301
Arista Records (label), 236, 239, 266
Artaud, Antonin, 108–109, 168–171, 177, 187
Atahualpa, 212
Ata Tak records (label), 94–95
Atlantic Records (label), 263
Attali, Jacques, 60
audience, 21–22, 47, 49–76, 111, 127–139, 147, 172–182, 186–205
Audio Leter, 120
Australia, 145–146
Autodefeh, 15
avant-garde, 15–16, 21, 44–46, 50–53, 99–100, 127–128
Ayers, Nigel, 119, 134, 136, 197, 199
B
Babbitt, Milton, 46–47
Bagnoud, Patrice “Frank,” 251
Bain Total (label), 117
Balance, John (Geoffrey Rushton), 39, 142–144, 210, 251
Balch, Michael, 175–177
ballads, British-isle, 224–227
Ballard, J. G., 11, 24, 59, 179
Bargeld, Blixa, 13, 49, 87, 90–92, 145
Barker, Paul, 25, 239, 240, 250, 256
Baroni, Vittore, 200
Base Asylum (zine), 279
BDSM, 5, 13, 72, 135, 169–171, 175, 196–197
beat. see dance music; repetition and looping
the Beatnigs, 219
Beborn Beton, 287
Belfegore, 231
Bene Gesserit, 121
Benjamin, Walter, 102
Bergen, Dirk, 161–162
Berio, Luciano, 48
Berlin, Germany, 84–96, 97, 105
Berlin Atonal Festival, 91, 143
Best, Philip, 147
Biafra, Jello, 233
Bianchi, Maurizio, 124
Big Black, 134, 211, 251–252, 259–260
Bingo, Stan, 142
Bizarr Sex Trio, 214
Black Atlantic, 221–222
Blackhouse, 296
Blacque, Jacky, 221
Blair, Todd, 105
Blancmange, 133
A Blaze Colour, 157
BLITZINFORMATION, 200
Blood Axis, 194
Blue Man Group, 298
BMG (label), 273
body conceptualization, 137, 142, 154–156, 163–167, 175–182, 223–224
the Bollock Brothers, 269, 299
bondage. see BDSM
Boole, 35
bootleg tape trading, 112
Borsig (Alexander), 96
Bourbonese Qualk, 121, 124, 173
Brady, Ian, 78–79
brainwashing. see cultural programming; control
Breyer P-Orridge, Lady Jaye, 9, 127, 142
Brighter Death Now, 13, 187–188, 270
Bristol, England, 211
Brixton Riots, 146
Brody, Neville, 139
Brown, Oscar, Jr., 227
Buford, Duane, 221
Burroughs, William S., 4, 10–11, 20, 26–43, 54–66, 73, 82, 90, 92, 103, 114–115, 188, 272
Bush, George H. W., 188
Butthole Surfers, 251
Butzmann, Frieder, 90
C
C-Tec, 271
Cabaret Voltaire, 12, 14, 16, 20, 47–48, 59–68, 70–72, 83, 99, 127, 132, 134, 138–139, 151, 159, 172, 218, 232, 299
Cage, John, 43, 45, 48–50, 52–53, 68, 83, 110
Cale, John, 53
Camouflage, 269–270
Capitol Records (label), 275
Cardew, Cornelius, 45, 50, 53, 208
Carlos, Wendy (Walter), 68, 83, 269
Caroline Records (label), 222
Carter, Chris, 36, 38, 73–83, 117, 140–142, 241
Carver, Lisa Crystal, 200
the Cassandra Complex, 281, 299
cassette tape trade. see tape trading
Cause and Effect (label), 119
Cave, Nick and the Bad Seeds, 145
Cazazza, Monte, 23, 73, 75, 97, 101–109, 116, 119, 141, 170, 200, 213, 305
see also discordianism; occultism; perception of reality
Chris & Cosey, 23, 140–143, 156, 173, 218, 313
Christian Death, 272
Christopherson, Peter “Sleazy,” 36–37, 73–83, 141–143, 204
Chung, Mark, 92, 93, 96, 138, 144–145
classical music. see art music
Clay People, 216
Cleopatra Records (label), 221, 281, 284
Clock DVA, 4, 5, 11, 16, 23, 53, 63, 67–73, 83, 93, 132, 135, 208, 221, 242, 253, 272, 299
A Clockwork Orange (film), 68
Clouser, Charlie, 281
Code Industry, 221–223
Codenys, Patrick, 15, 110, 155, 159–166, 223–224
Coil, 38–39, 121, 142–156, 210, 251, 259–260, 273, 281, 291, 301
Cold Cave, 298
Cold Meat Industry (label), 242, 289
coldwave, 283
collaboration, 34, 37, 120–122
Collapse, 221
Collins, Karen, 42, 102, 258, 314
Coltrane, John, 69
Combichrist, 12, 47, 204–205, 301
Come, 148
communities, subcultural. see subcultural communities
compositional structure, 5, 31–32, 38, 49–55, 151
see also dance music; harmonic features of industrial music; improvisation; repetition and looping
see also internet; recording technology
Confetti’s, 249
Consolidated, 186, 188, 219, 222
Consumer Electronics, 147
Controlled Bleeding, 14, 121, 206, 220, 225–227, 299
control, 7–11, 13–17, 26, 28–30, 42, 50, 60, 63–64, 82, 134, 169, 296, 309
see also spectacle
Converter, 296
COP International (label), 109, 204
Coptic Rain, 115
Corbijn, Anton, 241
Cosey Fanni Tutti. see Tutti, Cosey Fanni
COUM Transmissions, 8, 47, 74–77, 83, 187, 203
Coup de Grace, 118
cover art, 139, 186, 213–216, 284
Crash Course in Science, 110
Crawdaddy (zine), 111
Creed, Helios, 97–98
Cronenberg, David, 49, 59, 115
Crowley, Paul, 99
Cruciform Injection, 41
Cubanate, 271
see also occultism
cultural programming, 7–11, 27, 29–30, 76, 312–313
see also control
cultural stereotyping, 212–217
see also détournment
Culture Shock (zine), 278
Current 93, 120, 131, 142, 224
Curtis, Ian, 162
cut-up techniques, 4–5, 10, 33–42, 60, 98
see also Burroughs, détournment, William S.; Gysin, Brion; sampling
Cyberaktif, 115
cyberpunk, 4–5, 8, 35, 139, 290
the Cyber-Tec Project, 12
Cybotron, 218
D
Da Davo, Dirk, 214
DAF. see Deutsch-Amerikanische Freundschaft
de Kleer, Martijn, 274
De Meyer, Jean-Luc, 8, 161–162, 166, 273
De/Vision, 270
Dada, 6, 8, 33, 62, 91, 100, 116
Dahlke, Kurt, 94
DAMn! (zine), 279
dance music, 14, 47–48, 64, 73, 86, 91, 95, 120, 127–139, 142, 144–145, 153–155, 165,207–212, 218–222, 243–250, 313
see also clubbing; Electronic Body Music (EBM); pop music; synthpop
Dance or Die, 215
Das Cassetten Combinat, 90
Davies, Myra, 179
Davis, Miles, 210
Dax, Danielle, 136
Death Factory (studio), 72, 74
Debord, Guy, 9–11, 28, 34, 54, 82, 185–186, 197, 203, 313
Decree, 175
Def American (label), 275
Deine Lakaien, 299
Denio, Amy, 120
Dennett, John, 264–266
Dennis, Dean, 221
Depeche Mode, 133–138, 173, 226–232, 241, 263, 269–270, 284
Dependent Records (label), 298
deprogramming. see cultural programming; control
dérive, 10, 76, 85, 161, 291, 312, 315–316
Dernière Volonté, 227
deprogramming. see cultural programming; control
détournement, 10, 34, 38, 76, 89, 183, 188, 195–205, 313
Deutsch-Amerikanische Freundschaft (DAF), 64, 94–96 153–154, 164, 189, 208, 218
Die Form, 11, 41, 46, 90, 117, 135, 139, 169, 173
Die Krupps, 41, 47, 93–96, 99, 131, 166, 199, 270, 281–282
Die Tödliche Doris, 87, 91, 96, 120
Die Warzau, 256
disease, language as, 33
disinformation, 102
the Disposable Heroes of Hiphoprisy, 219
DJing. see clubbing; individual DJs
Dominion, 122
Dossier (label), 242
Download, 175
DRP, 90
drug use, 26–30, 69, 71–72, 88, 92, 97–98, 174, 233, 245–246, 275–277
Duguid, Brian, 102
Dunkley, Andy, 236
Düsseldorf, Germany, 93–96
Dutschke, Rudi, 85
E
E Nomine, 46
EBM (Electronic Body Music). see Electronic Body Music (EBM)
education, 73, 87, 98, 103, 188
Einstürzende Neubauten, 9–14, 23, 41–42, 49, 84, 87–105, 139–145, 149–150, 154, 160, 168, 170, 203, 209, 231, 242, 258–261, 272–273, 281, 298–299
Eldritch, Andrew, 281–282
the Electric Hellfire Club, 272
Electric Shock Treatment (zine), 197, 278
Electronic Body Music (EBM), 15, 30, 90, 94–95, 154–167, 218–222, 297, 313
Electronic Cottage (zine), 118
Elektra Records (label), 136, 265
The Elephant Table (compilation), 121, 173
Ellard, Tom, 16–17
Emergency Broadcast Network, 115
Engelen, Maurice, 249–250
England, 59–83, 97, 119, 140–156, 211, 224–227
Engler, Jürgen, 93
English, singing in, 88–89
Eno, Brian, 45, 54, 61, 86, 99, 162, 211, 234
Esch, En, 98, 138, 242, 256, 261
Esplendor Geométrico, 90, 132, 139, 151
Essex, England, 152
Evola, Julius, 195
the Evolution Control Committee, 35, 202
exotica, 212–217
F
F., Christaine, 86
Fabiola (magazine), 250
Factory Records (label), 64, 121
Factrix, 97, 105, 107–109, 134, 154, 170, 307
Fad Gadget, 231
fanzines. see zines; specific title
Farquhar, Angus, 168
Fear Factory, 175
Fehlfarben, 93
Feindflug, 194
feminine gothic, 175–180
see also abjection; gothic
Femirama (compilation album), 182
Fergusson, Alex, 141–142
Ferlinghetti, Lawrence, 108
Ferrari, Luc, 54
fetish, sexual. see BDSM; sexuality
Fetish Records (label), 70, 73, 135, 272
Fichot, Philippe, 117
Fiction Records (label), 136
Fifth Colvmn Records (label), 186
File (zine), 101
Filter, 279
“Final Academy” (1982 multiperformance event), 35
Final Cut, 246
Flanagan, Bob, 9
Flesher, Dannie, 233–243, 263–266, 271
Flexipop (magazine), 121
Flood, 254
Flowmotion (zine), 48
Flux Information Sciences, 298
Fluxus art movement, 52–53, 74, 110–119, 160, 208
see also mail art
folk music, 88, 122–123, 224–7
see also neofolk
Forma Tadre, 286
Fothergill, John, 53
Foucault, Michel, 134
Friday, Gavin, 143
Front 242, 8, 15, 35, 41, 110, 115, 133–134, 155, 157–167, 196, 203, 218, 221, 223–224, 235, 237, 241–242, 249, 257, 259–260, 263, 273, 279, 299
Front Line Assembly, 3–6, 12, 41, 43, 151, 174–175, 182, 220, 259–260, 279, 284, 300
Fulber, Rhys, 3, 175, 181, 300
funk, 153, 155, 207–212, 218–222
the Future, 67, 70, 71, 83, 269
futurepop, 293–297
Futurism, 20–25, 40–42, 54, 58, 87, 168–169, 203, 212
see also Afrofuturism
Futurist pop, 133–134
G
Gates, Margaret, 280
gender, 9, 11, 120, 127, 136–137, 142, 167, 175–182, 204, 261–262
see also body conceptualization; sexuality; women in industrial music
Genesis [Breyer] P-Orridge. see P-Orridge, Genesis [Breyer]
Genion, Philippe, 157–158, 161
genre, 14–16, 32, 38–40, 42, 127–139
geography’s impact on music. see derive; networking; specific geographic area
German, singing in, 88–90
the German Shepherds, 109
Germany. see specific city
Gibson, William, 115
Gilmore, Gary, 102
Goa, India, 244–246
Godflesh, 212
Goettel, Dwayne, 274–278
Gooday, David, 152–153
Gordon, Don, 175
Görl, Robert, 94–95
Gosling, John, 143
gothic, 46, 92–93, 107, 121, 138, 143, 176–180, 279–283
Gottlieb, Steve, 255
Greater Than One, 272
the Grey Wolves, 147
Groth, Stephan, 293–296
Grotus, 109
Grouls, Marc, 248
Guerin, Dominic, 11
guitars in industrial music, 61, 97–98, 129, 250–252, 283–284
Gut, Gudrun, 91
Gysin, Brion, 4, 10, 33–35, 40, 90, 277
H
H-Gun Labs, 261
Haas, Chrislo, 94
Hagen, Nina, 90
Hamburg, Germany, 93–96
Hansa Studio, 86
Hard Corps, 231
Hard Records (label), 283, 285
Hardy, Ron, 235
Harkey, Sue Ann, 120
harmonic features of industrial music, 36–38, 91, 143, 257–259, 279–280, 289, 290, 292
Harmsen, “Fat” Ronny, 248, 250
Harris, Vaughan “Bon,” 14, 138, 152–153
the Haters, 120
Haujobb, 12, 16–27, 115, 210, 227, 259, 278, 283–293, 301
Hawkwind, 99
Head of David, 251
see also guitars in industrial music
Heckert, Matt, 104
Hegemann, Dimitri, 91
Henry, Pierre, 54
Herwig, Stefan, 283–284
Hill, Neil (Nihil), 146
Hilt, 175
Hindley, Myra, 78–79
hip-hop, 10, 15, 120, 186, 202, 210–211, 218–222
hippie movement, 74–75, 92, 97–100, 104, 162, 224, 244–246
Hitler, Adolph, 89, 193–194, 196, 200–201
Hobijn, Geert-Jan, 119, 120, 243
Holy Gang, 221
Honoré, Annik, 162
Horkheimer, Max, 306
the Horrorist, 298
Hosler, Mark, 106
Hostnik, Tomaž, 197
Huber, Wolfgang, 146
the Human League, 60, 63, 67–68, 71
Hyperdex-1 Sect, 115
Hypnoskull, 296
I
I, Parasite, 301
Ickx, Marc, 248
Icon of Coil, 39
ideology of industrial music, 7–12, 305–319
see also political content
Images in Vogue, 172–176, 181–182
Implant, 115
improvisation, 43, 49, 207–212
India, 244–246
Industrial Nation (magazine), 43, 278
Industrial News (zine), 117
Industrial Records (label), 13, 34–35, 64, 70, 73, 102, 117, 128, 162
Informatik, 284
Institute for Contemporary Arts, 75, 92
Interface (magazine), 279
internet, 202, 280, 284–285, 314
Interscope Records (label), 263, 266, 273
Inure, 41
Invisible Records (label), 275
Iphar (label), 147
Iron Curtain, 124
irrationality in art, 8–9
Island Records (label), 67, 266
Italy, 20–25, 100, 102, 163, 213, 244
J
Jackson, Lorri, 272
Japanoise, 121
Jarman, Derek, 142
Jones, Gareth, 231
Jones, Marceline, 227
Jourgensen, Al, 11, 25, 233, 235–240, 250–253, 257, 263, 272
Joy Division, 138, 158, 162, 174
Julien-K, 41
Jünger, Ernst, 192
Juno, Andrea, 108
Juno Reactor, 215
K
Kalte Farben, 279
Karmanik, Roger, 289
Keenan, David, 144
Kerouac, Jack, 100
Key, cEvin (Kevin Crompton), 83, 172–182, 211, 219, 274–278
Khan, Jairus (Ad•ver•sary), 204
Kill Switch…Klick, 197
Kinetik Festival, 204
King, Martin Luther, Jr., 221
Kirk, Richard, 14, 16–17, 61–66
the Klinik, 115, 157–158, 165, 167, 242
Klute, 216
KMFDM, 29, 30, 98, 138, 146, 211, 216–217, 221, 242, 261, 264–266, 279–299
Knez, Dejan, 120
the Knife, 298
Kode IV, 272
see also Bohn, Chris
Köster, Bettina, 91
Kostrzewa, “Tony K,” 241
Kozmonaut, 90
Kraftwerk, 4, 5, 95, 99, 164, 208, 284
Kristeva, Julia, 177–179
Kronos Quartet, 49
Kruger, Barbara, 186
Kuruki, 157
L
L’Âme Immortelle, 282
La Floa Maldita, 287
Ladytron, 227
Laibach, 11, 13, 46, 48, 90, 119–120, 130–131, 134–135, 137, 139, 143, 148, 154, 156, 187–200, 215, 224, 231, 262
Lambot, Michel, 161
language/lyrics, 28, 30–34, 36, 78–79, 88, 142–144, 210, 216–217, 259–262, 272–279
Larsen, Claus, 299
Lassen, Shane, 272
Laswell, Bill, 209
Lautréamont, Comte de (Isidore-Lucien Ducasse), 180
LaVey, Anton, 100
Law, Steve, 48
Leæther Strip, 216, 270, 285, 299
Leeb, Bill (Wilhelm Schroeder), 3–6, 151, 174, 176, 274, 300
the Legendary Pink Dots, 121, 173, 212, 274
Lemos, Paul, 14, 206, 220, 226
Leong, Sinan, 136–137
Les Disques du Crépuscule (label), 162
Levermore, Gary, 3, 12, 121–122, 135–136, 266
Levi, Charles, 221
Liaisons Dangereuses, 94, 96, 231
Life (magazine), 101
Ligeti, György, 48
Lindemann, Till, 189
Linkin Park, 15
lock-in, creativity and, 132
Lockwood, Annea, 120
Loeppky, Carylann, 175
London, England, 72–75, 140–151
Lords of Acid, 250
Love and Rockets, 276
Love Parade, Berlin, 91
Lucier, Alvin, 53
Lunch, Lydia, 209
Lydon, John, 131
Lynch, David, 210
lyrics. see language/lyrics
M
machineKUNT Records (label), 204
machines/mechanization, 19–26, 28–29, 39–42, 50, 104–105, 111 132, 267–270
see also glitch; recording technology
Machines of Loving Grace, 41
magazines. see zines; specific title
Maier, Frank, 17
mail art, 64, 74–75, 101–102, 110–119, 160, 200
see also Fluxus art movement
Malcolm X, 222
Malm, John, Jr., 255–256
Manchester, England, 78–83
Maniacs, 158
Mania D., 90
Manson, Charles, 100
Marclay, Christian, 209
Marinetti, Filippo Tommaso, 20–23, 203
Marsh [Jourgensen], Patty, 235
Marsh, Ian, 67
martial industrial, 190–194
Marx, Karl, 7, 28, 55, 82, 197
Marxism, 9, 10, 60, 93, 134–135, 137
Marzidovŝek, Mario, 119
masochism. see BDSM
Massive Attack, 211
Material, 209
Mazamanian, Yertward “Eight Finger Eddie,” 244
McBride, Terry, 173–174
McCarthy, Douglas, 152–153, 166, 207
McCarthy, Joseph, 27
McGee, Hal, 119
McKaye, Ian, 239
McKenna, Terence, 9
McLachlan, Sarah, 174–175
MDK, 92
Meat Beat Manifesto, 115, 219, 256, 265, 273
Mentallo & the Fixer, 296
Mercury/Polygram Records (label), 283
Merzbow (Masami Akita), 121, 134, 318
Metropolis Records (label), 284, 298
Meurrens, Jacques, 160
Meyer, Jean-Luc De, 8, 161–162, 166, 273
Micro Chip League, 247
military. see paramilitary
Miller, Daniel, 148
Mills, Jeff, 246
mind control. see control; brainwashing
MindFluxFuneral, 287
Mind.In.A.Box, 169
Minimal Man, 109
minimal wave, 17
Ministry, 11, 40, 169, 175, 188, 190, 196–197, 199–200, 211, 220, 221, 232, 235–240, 250–253, 256–279, 281
modernism, 6–9, 43–49, 155, 308
modes of listening, 22, 303–311
Mona Lisa Overdrive, 210
Mondo 2000 (magazine), 202
Moors Murders, 78–79
Moriarty, Chris, 226
Morton, Sherman, and Bellucci (producers), 249
Mosimann, Roli, 275–276
Moskwa TV, 253
Mothersole, Dave, 244–245
Mouse (Sharon Beaumont), 143
Müller, Wolfgang, 91
Mundy, Gary, 147
Musical Vomit, 67
Music from the Empty Quarter (zine), 48, 221, 279
Mussolini, Benito, 190
Mute Records (label), 148, 231
Muzak, 19
My Life With the Thrill Kill Kult, 158, 197, 221, 242, 263, 265, 270, 272, 279
My Psychotic Motor, 41
N
the Names, 157
Napster, 202
Nash, Jim, 233–243, 262–266, 271
National Socialist Black Metal, 190, 195
ND (zine), 118
Nelson, Al, 175
Nena, 96
neofolk, 46, 131, 190–191, 194, 203, 224–227, 298
the Neon Judgement, 158, 160, 167, 214
Nettwerk Records (label), 173–174, 210, 242, 255, 256, 274, 275
networking, 110–124, 158, 173, 202–203
see also tape trading; specific geographic area
Neue Deutsche Welle, 95–96, 269
Neue Slovenische Kunst (NSK), 187
Neuroticfish, 197
the New Blockaders, 148
Newcastle, England, 152
Newman, Lee, 272
New Mind, 43
Newton, Adi, 16–17, 67–72, 268
new wave, 11, 90–92, 121–122, 172, 234, 246–249, 257, 269, 292
Nguyen, Kim “X,” 204
Nico, 53
Nijs, Sandy, 158
Nine Inch Nails, 6, 12, 14, 38, 211–212, 220, 231, 237, 254–279, 281, 299
Nirvana, 280
Nitrous Oxide (zine), 101
Nitzer Ebb, 12, 14, 137–138, 152–155, 164–166, 190, 207, 231, 237, 259–260, 270, 298
Nixon, Richard, 115
NMX (zine), 70
No More, 96
Nocturnal Emissions, 119, 120, 128, 134, 136, 139, 152, 173, 197
Noë, Alva, 155
Noir, Thierry, 93
noise, 9, 13, 16, 22–23, 29–30, 47–49, 53, 61–62, 79–80, 91, 94, 98, 121, 132, 146–148, 296–297, 305–319
Noisex, 296–297
NON, 13, 39, 48, 52, 103, 108–109, 116, 128, 147, 154, 163, 192–194, 200, 209, 212, 294–295
normativity, 79–80
northern England, 59–83, 97, 145
see also England; specific city
Nothing Records (label), 145, 273
Novak, Jason, 267–268
Nurse With Wound, 23, 38, 48, 52–54, 120, 133, 202, 299
NWA, 220
O
Oakey, Philip, 67
Object, 41
occultism, 35–37, 100, 103, 141–144, 193–194, 212–217, 277
see also chaos magick; religious imagery
Occupy movement, 10
OFF, 247
Off-Beat Records (label), 283–284, 285
Ogilvie, Dave “Rave,” 174, 274, 277
Ogre, Nivek (Kevin Ogilvie), 170, 172–182, 274–278
Oliveros, Pauline, 99
Omnia, 225
On-U Sound Records (label), 211
Oneiroid Psychosis, 41, 169, 259, 287
Oomph, 279
Op (magazine), 118
Ordo Templi Orientis (OTO), 142
Organum, 253
Orgy, 259
Orpheus, Rodney, 281–282
Oulipo, 8
Out Out, 270
P
P-Orridge, Genesis [Breyer], 9, 11, 34–35, 36–40, 52, 60, 70–83, 99, 101, 116–119, 127, 140–145, 155, 162, 170, 200, 245–246, 276–277
P-Orridge, Paula (Alaura O’Dell), 142, 155
Pailhead, 239
the Pain Machinery, 41
Palais Schaumburg, 93
Palestine, Charlemagne, 52
Palme, Cole, 107
Pandrogyne project, 9, 11, 127, 142, 204
Panic Records and Tapes (label), 118
pan-revolutionary thought, 7–12, 313, 317–319
Parade Ground, 157
paramilitary, 29–30, 138, 141, 163
see also control; violent content; World War II
Paris Uprising of May 1968, 9
Pathak, Heman, 53
Pauline, Mark, 104–106, 108, 170
Peace, Love & Pitbulls, 216
Pearce, Douglas, 227
Pearce, Stevo, 65, 133, 138–145
Pendragon Records (label), 279
perception of reality, 35, 66, 91, 103, 142, 146
Pere Ubu, 128
Pet Shop Boys, 6
philosophical roots of industrial music, 7–12, 54–55
Phosphor (magazine), 43
Pianvanni, Dean, 151
piercing, 142
Pink Floyd, 74
Plank, Conny, 95
Play It Again Sam (label), 157, 161, 164, 241–242, 263
pleasure, 134–137
plunderphonics, 131
political content, 4–5, 16, 106, 113–115, 129–131, 147–148, 150, 185–205
see also ideology of industrial music
Polydor Records (label), 72, 231
Polyphonic Size, 157
pop music, 32, 127–139, 153, 207–212, 231–233
see also dance music
Pop Will East Itself, 273
Popol Vuh, 99
Poppy, Andrew, 142
popularity of industrial music, 5–6, 12, 127–139, 231–253
see also pop music
Pornotanz, 23
Portion Control, 121, 139, 151, 173
Potter, Colin, 121
power. see control
Premature Ejaculation, 272
Primitive Calculators, 146
process as creative driver, 35–40, 104
Process Church of the Final Judgment, 277
Project Pitchfork, 41, 283, 287
Prothese, 161
Pseudo Code, 157
psychedelic rock, 97–98
Psychic TV, 35, 115, 141–156, 242, 245, 284
psychogeography, 10
see also Situationism
PTI, 16
PTP, 239
Public Image Ltd., 131
punk, 63, 67, 69, 73, 87, 91–106, 116, 120, 131, 146, 233–234
Punk (zine), 116
Pygmy Children, 212
Pyrolator, 94
Q
Quail, Roger, 70
R
race/racism, 120, 147, 192–194, 204–227
radio, 99, 106, 122, 160, 174, 248
Ramleh, 147
rap. see hip-hop
Razormaid Records (label), 246
RE/Search Publications, 97, 107–109, 155
reactionary tendencies in art music, 44–49
Reagan, Ronald, 211
reality. see perception of reality
rec.music.industrial compilations, 284–285
Re-Constriction Records (label), 283
Recording Industry Association of America (RIAA), 120, 238
recording technology, 32, 35, 39, 50, 60–68, 97, 108, 111–115, 131–132, 151, 153, 173, 202–203, 210–212, 218, 222, 280, 284–286
see also machines/mechanization
recuperation of the spectacle, 11, 186, 203, 307, 317
Red Rhino Europe (label), 241
Reely, Greg, 174
reggae, 153
Religion. see Christian music; control; cults; occultism; religious imagery
religious imagery, 142–144, 210, 216–217
see also Christian music; occultism
Rental, Robert, 83
repetition and looping, 32, 39, 47–48, 50, 52–53, 60–62, 68, 94–95, 131–132, 153, 218–222, 224–227
see also compositional structure, dance music; harmonic features of industrial music; improvisation; sampling
the Residents, 106
Restless (label), 266
Revell, Graham, 90, 104–105, 135–136, 145–146, 175
Revolting Cocks, 23–25, 115, 158, 175, 217, 234, 237–239, 259–260, 272, 299
revolution, see pan-revolutionary thought
Reznor, Trent, 145, 210, 237, 254–262, 273, 299
rhythm. see dance music; repetition and looping
Rhythm & Noise, 49
Rice, Boyd, 39, 52, 103–104, 109, 116, 119, 147, 192–194, 200–201, 209
Robinson, Dre, 221
ROIR (label), 242
Romans, 124
Roucka, Raoul, 297
Rough Trade (label), 64–65, 121, 136, 138, 140, 281
Roxy Music, 61
Rubin, Rick, 275–277
Rudiman, Shawn, 226
rule-breaking, 10
Russell, Dean, 272
Russolo, Luigi, 22–23, 26, 49, 168–169
S
Sabbah, Hassan-I, 66
sadomasochism. see BDSM
Sall, Amadou, 221
sampling, 4–5, 10, 22–23, 33, 48, 60, 65, 102, 106, 115, 165, 202, 210, 218–222, 264
San Francisco, California, 97–109
Sartre, Jean-Paul, 138
satanism. see occultism
Satie, Erik, 50
Savage, Jon, 107, 108, 128, 185, 197, 219, 273, 292
Schaeffer, Pierre, 22, 47–49, 115
Schiller, Hans (Michael Gutierrez), 90, 272
Schroeder, Wilhelm. see Leeb, Bill
Schulze, Klaus, 5
Schwarzkogler, Rudolf, 9
Scorn, 212
Scratch Orchestra, 208
Scrodd, Chrystal Belle, 120
Section 25, 121
Sender, Ramon, 99
Sentimentale Jugend, 90
Severed Heads, 16, 48, 110, 124, 259–260
sexuality, 24–30, 76, 81, 105, 143–144, 166, 169–171, 216–217
see also androgyny; BDSM; gender; women in industrial music
Shanley, Brian, 24
Shapeero, John, 74
Sharp, Ian, 151
Shear, Tom, 296
Sherburne, Adam, 109
Sherwood, Adrian, 153, 211, 238, 254
Shock Therapy, 251
Siglo XX, 157
Silicon Teens, 269
Simonsson, Eskil, 289–290
Siouxsie and the Banshees, 173
Sire Records (label), 238, 251, 263, 266, 273, 276
Sisters of Mercy, 281–282
Situationism, 9–10, 85, 203, 213
see also Debord, Guy
Skinny Puppy, 12–14 43, 87, 99, 137, 151, 170–182, 189, 211–212, 219, 224, 256, 257, 259–261, 273–279, 288, 291
Slash (fanzine), 101
Sleep Chamber, 121
Slipdisc Records (label), 283
Smegma, 124
Smith, Pauline, 200–201
the Smiths, 136
SMP, 220
Smyth, Mike, 233
Sniffin’ Glue (zine), 116
social construction of genres, 14–16
socialism, 150
see also Marxism
social networking, 202–203
Some Bizzare (label), 65, 142, 144–145
Sonic Boom (e-zine), 13
Sounds (magazine), 64, 71, 93, 121–138, 158, 173, 310
space rock, 99
Spahn Ranch, 23
Spare, Austin Osman, 37
spectacle, 10–11, 28, 54, 185–186
Spencer, Jon, 209
Spex (magazine), 310
Sphere Lazza, 284
SPK, 8, 11, 16, 23, 41, 73, 90, 104–105, 129, 135–137, 145–146, 148, 154, 156, 170, 175, 199, 215, 232
A Split-Second, 41, 160, 215, 248, 253, 259–260
Spybey, Mark, 168
squatter culture, 10, 85–87, 90, 95, 119, 141, 149–150
Staalplaat (label), 119, 242–243
Stapleton, Steven, 53
steampunk, 213
Steeleye Span, 224–225
Stein, Gertrude, 50
stereotyping, cultural, 212–217
Stewart, Mark, 153, 156, 211, 231
Stockhausen, Karlheinz, 43–54, 145, 208
Strange Circuits, 235
subcultural communities, 16–17, 85–86, 105–106, 109, 202, 280, 284–285
see also mail art; tape trading
the sublime, 290–296
submission. see BDSM
Subotnick, Morton, 99
Suicide Commando, 169, 283, 299
Survival Research Laboratories, 97, 104–106, 108, 170, 203
Sutcliffe Jügend, 147
Swell Maps, 244
synthesizers in industrial music. see recording technology
synthpop, 94–95, 107, 133–134, 173, 227, 231, 269–270
Szava-Kovats, Andrew, 122
T
T’Seyen, Dirk “TeeCee,” 248–249
Tactical Sekt, 41
Talla2XLC (Andreas Tomalla), 247, 273
Tanz Der Rosen (fanzine), 16
tape trading, 17, 58, 61, 64, 68, 77, 90, 110–123, 158, 160, 203, 284, 285,
see also networking; recording technology
the Tear Garden, 182
techno. see dance music
technology. see machines/mechanization; recording technology
Telex, 157–158
Thee Temple ov Psychick Youth (TOPY), 142, 144, 277
Terror EBM, 297
Tesco Organisation (label), 242
Test Dept., 49, 121, 133–156, 160, 168, 170, 188, 220, 231
text. see language/lyrics
Thatcher, Margaret, 148
THD (Total Harmonic Distortion), 226–227, 285
Theater of Cruelty, 108, 168–171
see also Artaud, Antonin
themes of industrial music (list), 42
Think Tree, 270
third mind, 34, 37, 39–40, 90, 307, 318–319
Third Mind Records (label), 3, 34, 121, 242, 266
Third Reich. see Naziism
This Heat, 244
This Morn’ Omina, 194
Thompson, Dave, 245
Thompson, Hunter S., 97
Throbbing Gristle, 6, 8, 11, 13–14, 20, 22, 34–38, 48, 53–54, 60–61, 64, 70, 72–83, 95, 98, 102, 107, 117, 127, 131, 134–135, 138, 140–145, 148, 151–152, 154, 159, 162–163, 170, 173, 175, 188, 212, 224, 259–260, 272, 298, 312–313
Thrower, Stephen E., 143
Thrussell, David, 318
Thug, 253
Tomalla, Andreas (Talla2XLC), 247, 273
Tone Death (zine), 3
totalitarianism. see fascism
Tovey, Frank, 231
Transmedia Exploration (kinetic arts group), 74
Treichler, Franz, 251
Treponem Pal, 212
Tricky, 211
Tucker, William, 272
tuning systems, 46
Turing, Alan, 28
Turner, Stephen James “Judd,” 68–72
Tutti, Cosey Fanni, 11, 36–37, 72–83, 116, 140–142, 162, 175, 200
TVT Records (label), 255, 257, 262, 265–266, 271
twentieth-century art music. see art music
Twice a Man, 269
Twilight Circus Dub Sound System, 212
Tzara, Tristan, 33
U-Bahn (zine), 118
Ulmer, James “Blood,” 209
Ultramagnetic MCs, 220
Under the Flag (zine), 278
United Kingdom. see England; specific city
United States. see specific city
University of Sheffield, 62, 63, 67
Unsound (zine), 209
Until December, 109
V
Vale, V., 11, 97, 102, 106–109, 116, 128
Vampire Rodents, 46
Les Vampyrettes, 139
Van Acker, Luc, 157–161, 167, 237–238, 281
Vancouver, Canada, 172, 174–175
van den Berg, Hubert F., 45
Väth, Sven, 247
Velvet Underground, 53
Verhaegen, Marc, 242
Videodrome (film), 115
Vinyl on Demand (label), 17
violent content, 29–30, 78–79, 147–148, 169–171, 177–180, 187–188, 291
Virgin Records (label), 65, 67, 96, 113, 127
VNV Nation, 12, 41, 186, 271, 293–301
Voigt/465, 146
von Roy, Johan, 299
Von Thronstahl, 194
Voodoo Death Beat, 212
W
Wakeford, Tony, 194
Wales, 150
Walk, Mark, 276
Walker, Elaine, 46
Walters, Caroline Kaye, 120
Ward, Jeff, 272
Warhol, Andy, 63
Warner Brothers (label), 136, 142, 238, 251, 255, 263, 273
Warning, 139
Watson, Chris, 59, 61–66, 70, 72
Wave Gotik Treffen, 299
WaxTrax! Records (label), 72, 123, 166, 225–273
Webb, Peter, 224
Weimar National Assembly, 84
Werner, Eric, 104
The West Bay Dadaist (zine), 101
West Berlin. see Berlin, Germany
western art music. see art music
western culture, 7–9
Western Works (studio), 63, 65, 66, 70
Westwood, Jill, 175
Westwood, Vivienne, 135
White Hardcore, 190
Whitehouse, 5, 13, 121, 146–148, 169, 187–188, 224, 301, 309, 318
Whitehouse, Mary, 148
White Zombie, 279
Whybrew, John, 151
”Wild Planet” (Sounds column), 173
Williams, Brian, 23
Williams, Rozz (Roger Alan Painter), 272
Wimbish, Doug, 211
Winterkälte, 296
Wire, 158
The Wire (magazine), 14, 129, 209, 305, 309
Wolf, Roland, 272
women in industrial music, 120, 136–137, 167, 175–182, 204, 221
see also androgyny; body conceptualization; gender; sexuality
World War II, 19, 26, 64, 80–82, 84–85, 89, 192
see also Nazism
Wumpscut, 169, 171, 194, 278, 287, 290
X
The X-Files, 293
X Marks the Pedwalk, 221, 278, 285, 287
Xenakis, Iannis, 43, 45, 48, 54
Young, La Monte, 45, 50–54, 100
Z
Z’EV, 70, 97, 103–105, 108–109, 139, 142, 160, 169–170
Zen Paradox, 48
Zia, 46
ZickZack (label), 93–94
ZigZag (magazine), 69
Zillo (zine), 278
zines, 58, 74, 91, 101–102, 110, 116–118, 120, 143
see also specific title
Žižek, Slavoj, 11, 185, 191, 197–201
Zomba (label), 266
Zorn, John, 209
Zos Kia, 143
Zoth Ommog (label), 247, 273, 284
Zoviet France, 48, 118, 121, 152, 168
ZTT Records (label), 241