CAFES
EXPENSIVE
Antico Martini 
CONTEMPORARY ITALIAN/VENETIAN Founded in 1720 as a coffee house and once a meeting point for glitterati heading to the nearby Fenice theater, this historic spot was reborn as a gourmet restaurant in 1952. Since 2006, the new owners have been crafting more contemporary interpretations and small plates of Venetian cuisine, such as classical Venice-style liver (fegato alla veneziana), stewed salt cod on thyme semolina cream, and an incredibly complex presentation of fried and marinated sardines with onions and vinegar. In truth, everything here is creatively and beautifully presented, with seasonal vegetables and fresh fish to the fore.
Campiello della Fenice 2007. www.anticomartini.com. 
041-5224121. Reservations required. Main courses 28€–44€. Daily 10am–midnight. Vaporetto: Santa Maria del Giglio (walk straight up from the vaporetto stop and turn right out of the campo, cross the bridge, follow the street that goes to the left and then the right before opening onto the broad Calle Larga XXII Marzo; turn left up Calle delle Veste into Campo San Fantin).
Le Bistrot de Venise 
VENETIAN Though it looks a bit like a woodpaneled French bistro, the menu here is primarily old-school Venetian, specializing in rare wines and historical recipes from the 14th to 18th centuries. It’s gimmicky, but it works; think old-fashioned fennel soup, an incredible shrimp pie, and cod fillet with almonds in a light ginger and saffron sauce, served with wild berries and garlic pudding. We recommend the “historical” tasting menu as the best introduction. Whatever you opt for, expect service to be top-notch. The restaurant also doubles as an arts center in the winter, with all sorts of live music and poetry readings between October and May. In summer, sit outside in the pleasant side street.
4685 Calle dei Fabbri. www.bistrotdevenise.com. 041-5236651. Main courses 28€–34€; classic Venetian tasting menu 48€; historical 5-course Venetian menu 90€. Daily: bar 10am–midnight, restaurant noon–3pm and 7pm–midnight. Vaporetto: Rialto (turn right along canal, cross small footbridge over Rio San Salvador, turn left onto Calle Bembo, which becomes Calle dei Fabbri; Bistrot is about 5 blocks ahead).
A Beccafico 
SICILIAN Take a trip to Sicily for a refreshing change to Venetian cuisine, with a menu rich in seafood pastas (such as a simple but delicious spaghetti alle vongole), and fresh tuna, sea bream, fabulous calamari and swordfish—the waiters will advise on the fish of the day and specials such as eggplant ragout. For dessert, you’d be remiss to ignore the utterly addictive tiramisu, and the evening is usually rounded off with complimentary limoncello. The location is charming; sit outside to enjoy the people watching in Campo Santo Stefano. On the downside, service can be hit and miss, and though the food is good, the high prices reflect the location rather than overall quality.
Campo Santo Stefano 2801. www.abeccafico.com.041-5274879. Reservations recommended. Main courses 20€–22€. Daily noon–3pm and 7–11pm. Vaporetto: Accademia (cross bridge to San Marco side and walk straight ahead to Campo Santo Stefano; the restaurant is on your right and toward the back end of the campo).
Da Fiore TRATTORIA/VENETIAN Classy but laid-back Venetian trattoria (not to be confused with the posher osteria with the same name), with 2 cozy little rooms and 11 tables. The menu features typical Venetian dishes like squid ink pasta, but the specials here are the most fun, with moeche (local soft-shell crab) a particular treat (the two main seasons are Mar–Apr and Oct–Nov). Desserts are another specialty, with all sorts of sugary golosessi on offer, from buranelli to zaletti (cornmeal cookies, typically eaten dipped in sweet wine or chocolate), and an exceptional sgroppino al limone (lemon sherbet). Make sure you visit the associated bar and cicchetteria next door, the Bacaro di Fiore (Wed–Mon 9am–10pm), which has been around since 1871, serving cheap wine and snacks like fried fish, fried vegetables (zucchini, pumpkin flowers, and artichokes), meatballs, grilled cuttlefish, sardines, and crostini with creamed cod.
Calle delle Botteghe 3461, off Campo Santo Stefano. www.dafiore.it 041-5235310. Reservations recommended. Main courses 16€–26€. Wed–Mon noon–3pm and 7–10pm. Closed 2 weeks in Jan and 2 weeks in Aug. Vaporetto: Accademia (cross bridge to San Marco side and walk straight ahead to Campo Santo Stefano; as you are about to exit the campo at northern end, take a left at Bar/Gelateria Paolin onto Calle delle Botteghe; also close to Sant’Angelo vaporetto stop).
Rosticceria San Bartolomeo DELI/VENETIAN Also known as Rosticceria Gislon, this no-frills spot has a cheap canteen section popular with locals and a more expensive upstairs sit-down dining room, but don’t be fooled by appearances—the downstairs section is just as good, with a range of grilled fish and seafood pastas on offer (lots of scampi, clams, and mussels), and there is a discount if you order to take out. Otherwise just sit at the counter and soak up the animated scene, as the cooks chop, customers chat and people come and go. Order the roast chicken, salt cod or polenta—typical Venetian fare without all those extra charges.
Calle della Bissa 5424. 041-5223569. Main courses 9€–20€. Daily 9:30am–9:30pm (Mon until 3:30pm). Vaporetto: Rialto (with bridge at your back on San Marco side of canal, walk straight to Campo San Bartolomeo; take underpass slightly to your left marked SOTTOPORTEGO DELLA BISSA; the rosticceria is at the 1st corner on your right; look for GISLON above the entrance).
EXPENSIVE
Alle Testiere ITALIAN/VENETIAN This tiny restaurant (with only nine tables, seating for around 25), is the connoisseurs choice for fresh fish and seafood, with a menu that changes frequently and a shrewd selection of wines. Dinner is served at two seatings, where you choose from appetizers such as scallops with cherry tomatoes and orange, and clams that seem to have been literally plucked straight from the sea. The John Dory fillet with aromatic herbs is always an exceptional main choice, but the pastas—ravioli with eggplant and pesto, or the ricotta with prawns, are all superb. Finish off with homemade peach pie or chestnut pudding. In peak season, plan to make reservations at least 1 month in advance, and note that you’ll have a less rushed experience in the second seating.
Calle del Mondo Novo 5801 (off Salizada San Lio). www.osterialletestiere.it. 041-5227220. Reservations required for each of 2 seatings. Main courses 26€, and many types of fish sold by weight. Tues–Sat noon–3pm and 2 seatings at 7 and 9:15pm. Vaporetto: Equidistant from either the Rialto or San Marco stops. Look for store-lined Salizada San Lio (west of the Campo Santa Maria Formosa), and from there ask for the Calle del Mondo Novo.
Corte Sconta SEAFOOD/VENETIAN One of Venice’s finest restaurants, where a budget of around 80€ will buy you a delicious seafood meal. Everything is first-class, but the stuffed squid and Venetian-style tuna with white polenta are especially good, as are the fried soft-shelled crabs, in season. Start with the pesto artichokes and round the evening off with the homemade limoncello. The outdoor area, a small ivy-cloaked garden and courtyard, is a tranquil spot for dinner, but you’ll need to make reservations. The staff are very friendly and speak fluent English, but just be careful with daily specials, which are usually tempting but expensive—always confirm the price with your waiter before ordering.
Calle del Pestrin 3886. 041-5227024. Reservations recommended. Main courses 23€–28€. Tues–Sat 12:30am–3:30pm and 7–10:30pm. Closed Jan 7–Feb 7 and July 15–Aug 15. Vaporetto: Arsenale (walk west along Riva degli Schiavoni and over the footbridge; turn right up Calle del Forno, and then as it crosses Calle Crosera, veer right up Calle del Pestrin).
Al Vecio Canton ITALIAN/PIZZA Venice is not known for pizza, partly because fire codes restrict the use of traditional wood-burning ovens, but the big, fluffy crusted pies here—made using natural mineral water—are the best in the city. They also do a mean T-bone steak, cooked tableside on a granite slab, accompanied by truffle or red pepper sauce, and some of the pastas are pretty good too—stick with seafood versions like cuttlefish, and the seasonal moeche (soft-shell crabs fried in batter) and schie, small gray shrimp caught in the lagoon. Wash it all down with the drinkable house wine, or for a change, tasty craft beers from Treviso-based 32 Via dei Birrai.
Castello 4738a (at the corner of Calle Ruga Giuffa). www.alveciocanton.com. 041-5287143. Reservations not accepted. Main courses 12€–22€. Wed–Mon 11:30am–3pm and 6–10:30pm. Vaporetto: San Zaccaria (head down the road that flanks the left side of the Hotel Savoia e Jolanda to Campo San Provolo; take Salizada San Provolo on the north side of the campo, cross the 1st footbridge on your left, and the pizzeria is on the 1st corner on the left).
Alla Basilica VENETIAN Considering this restaurant is just around the corner from the Doge’s Palace and St. Mark’s, lunch here is a phenomenally good deal. Don’t expect romance—it’s a large, noisy, canteenlike place—but the simple, freshly prepared meals comprise a pasta course like creamy lasagna or spaghetti con ragu, a meat or fish main (think grilled pork chops or dentice al vapore con zucchini grigliate, steamed red snapper with grilled zucchini), and mixed vegetables for just 14€, with bread and bottled water. Add a liter of extremely drinkable house wine for just 10€. Basilica is a favorite of local workers and English is rarely spoken, so you’ll need to practice your Italian skills here.
Calle degli Albanesi 4255, Castello. www.allabasilicavenezia.it. 041-5220524. Lunch set menu 14€. Tues–Sun noon–3pm. Vaporetto: San Marco (as you disembark, the entrance to Calle degli Albanesi is a short walk to the left).
EXPENSIVE
Ai Artisti VENETIAN This unpretentious, family-owned osteria enoteca is one of the best dining experiences in Venice, with a menu that changes daily according to what’s available at the market (because the fish market is closed on Mon, no fish is served that day). Grab a table by the canal and feast on stuffed squid, pan-fried sardines and an amazing, buttery veal scallopini, or opt for one of the truly wonderful pastas. The tiramisu and chocolate torte are standouts for dessert. Something that’s likely to stay with you in addition to the food is the impeccable service, with wait staff happy to guide you through the menu, and offer brilliant suggestions for wine pairing.
Fondamenta della Toletta 1169A. 041-5238944. Reservations recommended. Main courses 17€–22€. Mon–Sat noon–4pm and 6:30–10pm. Vaporetto: Accademia (walk to around Accademia and turn right onto Calle Gambara; when this street ends at Rio di San Trovaso, turn left onto Fondamenta Priuli; take the 1st bridge over the canal and onto a road that soon leads into Fondamenta della Toletta).
Ai Cugnai VENETIAN The name of this small trattoria means “at the in-laws,” and in that spirit the kitchen knocks out solid, home-cooked Venetian food, beautifully prepared and very popular with locals and hungry gondoliers. The classics are done especially well: The spaghetti vongole here is crammed with sea-fresh mussels and clams, the caprese and baby octopus salad perfectly balanced appetizers, and the house red top value. Our favorite, though, is the sublime spaghetti with scallops, a slippery, salty delight. Just two small tables outside, so get here early if you want to eat alfresco.
Calle Nuova Sant’Agnese 857. 041-5289238. Main courses 16€–25€. Tues–Sun noon–3:30pm and 7–10pm. Vaporetto: Accademia (head east of bridge and Accademia in direction of Guggenheim Collection; restaurant will be on your right, off the straight street connecting the 2 museums).
Montin VENETIAN Montin was the famous ex-hang-out of Peggy Guggenheim in the 1950s, and was frequented by Jimmy Carter, Robert De Niro and Brad Pitt, among many other celebrities, but is the food any good? Well, yes. Grab a table in the wonderfully serene back garden (completely covered by an arching trellis), itself a good reason to visit, and sample Venetian classics such as sardines in “soar” (a local marinade of vinegar, wine, onion, and raisins), and an exquisite seppie in nero (cuttlefish cooked in its ink). For a main course, it’s hard to beat the crispy sea bass (branzino) or legendary monkfish, while the lemon sorbet with vodka is a perfect, tangy conclusion to any meal.
Fondamenta di Borgo 1147. www.locandamontin.com. 041-5227151. Main courses 21€–28€. Daily 5pm–midnight. Vaporetto: Ca’Rezzonico (walk straight along Calle Lunga San Barnaba for around 1,000 ft., then turn left along Fondamenta di Borgo).
San Trovaso ITALIAN/VENETIAN No frills tavern perfect for a lunch or dinner of tasty Italian comfort food, with a daily menu turistico (16€) featuring classics such as spaghetti with pesto, spaghetti vongole and an utterly addictive gnocchi ai 4 formaggi (gnocchi with four cheeses). The seafood menu is huge, with salmone alla griglia (grilled salmon) and a delightful scaloppini (finely sliced scallops) with lemon sauce in addition to the usual Venetian line-up of scampi, monkfish and sea bass. Tends to be touristy, of course, but good value all the same.
Dorsoduro 1016 (on Fondamenta Priuli). www.tavernasantrovaso.it. 041-5230835. Reservations recommended. Main courses 11€–18€. Tues–Sun noon–2:45pm and 7pm–9:45pm. Vaporetto: Accademia (walk to right around Accademia and take a right onto Calle Gambara; when this street ends at small Rio di San Trovaso, turn left onto Fondamenta Priuli).
MODERATE
Da Sandro ITALIAN/PIZZERIA No frills pasta and pizza since 1962, where the simplest dishes are the best. Clam spaghetti, stuffed full of juicy, fresh clams, crispy thin pepperoni pizza, the classic Venetian spaghetti with squid ink sauce, or pasta with onions and anchovies rich with the flavors of the ocean. It’s a little shabby and very small (just five tables inside two dining rooms, on either side of the street, and some communal bench tables outdoors), but this is extremely good value for central Venice. Tasty red ales on tap, too (6€).
Campiello dei Meloni 1473. 041-5234894. Reservations not necessary. Main courses 10€–22€. Sat–Thurs 11:30am–11:30pm. Vaporetto: San Silvestro (with your back to Grand Canal, walk straight to Ruga Vecchia San Giovanni and turn left; walk toward Campo San Polo until you hit Campiello dei Meloni).
Do Spade VENETIAN It’s tough to find something so authentic and local this close to the Rialto Bridge these days, but Do Spade has been around since 1415. Most locals come here for the cicchetti (you can sit on benches outside if it’s too crowded indoors), typical Venetian small plates such as fried calamari, meatballs, mozzarella, salted cod (mostly 1.50€), and decent wines (3€ a glass). The more formal restaurant section is also worth a try, with seafood highlights including a delicately prepared monkfish, scallops served with fresh zucchini, and a rich seafood lasagna, though the seasonal pumpkin ravioli is one of the best dishes in the city.
Sottoportego do Spade 860. www.cantinadospade.com. 041-5210574. Main courses 12€–21€. Daily 10am–3pm and 6–10pm. Vaporetto: Rialto or San Silvestro (at San Polo side of Rialto Bridge, walk through the market to the intersection with a pharmacy and the Cassa di Risparmio di Venezia bank; take a left here and then take 2nd right onto Sottoportego do Spade).
Do Mori WINE BAR/VENETIAN Serving good wine and cicchetti since 1462 (check out the antique copper pots hanging from the ceiling), Da Mori is above all a fun place to have a genuine Venetian experience, a small, dimly lit bàcari that can barely accommodate ten people standing up. Sample the baby octopus and ham on mango, lard-smothered crostini, and pickled onions speared with salty anchovies, or opt for the tramezzini (tiny sandwiches). Local TV (and BBC) star Francesco Da Mosto is a regular, but note that this institution is very much on the well-trodden tourist trail—plenty of cicchetti tours stop by in the early evening. Local wine runs for around 3.50–4€ per glass.
San Polo 429 (entrances on Calle Galiazza and Calle Do Mori). 041-5225401. Tramezzini and cicchetti 1€–2€ per piece. Mon–Sat 8:30am–8pm (Wed until 2pm; June–Aug closed daily 2–4:30pm). Vaporetto: Rialto (cross Rialto Bridge to San Polo side, walk to end of market stalls, turn left on Ruga Vecchia San Giovanni and then immediately right, and look for small wooden cantina sign on right).
MODERATE
Al Bacco Felice ITALIAN This quaint, friendly neighborhood restaurant is convenient for the train station and popular with locals, with a real buzz most evenings. Stick with the basics and you won’t be disappointed—the pizzas, pastas and fish dishes are always outstanding, with classic standbys spaghetti alle vongole, pasta with spicy arrabbiata, and carpaccio of swordfish especially well done. The meal usually ends with complimentary plates of Venetian cookies, a nice touch.
Santa Croce 197E (on Corte dei Amai). 041-5287794. Main courses 12€–22€. Mon–Fri noon–3:30pm and 6:30–11pm, Sat and Sun noon–11:30pm. Vaporetto: Piazzale Roma (you can walk here in 10 min. from the train station; from the Piazzale Roma vaporetto stop keep the Grand Canal on your left and head toward the train station; cross the small canal at the end of the park and immediately turn right onto Fondamenta Tolentini; when you get to Campo Tolentini turn left onto Corte dei Amai).
EXPENSIVE
Da Rioba SEAFOOD/VENETIAN Fresh, creative, and absolutely scrumptious Venetian food served right alongside a serene canal in a lively—but not touristy—area. Plenty of locals eat here, enticed by the beautifully executed seafood; monkfish, sea bass, scampi, turbot, mackerel, tuna and lots of cod. Top choices include their lightly grilled scampi (massive prawns sliced down the middle), and their “spaghetti noir”, an interpretation of that Venetian classic, spaghetti with cuttlefish ink, but for a real treat order the grilled duck, a rich, sumptuous dish served with seasonal vegetables. Note that there are only 35 seats along the canal, so to watch that gorgeous summer sunset, reservations are a must.
Fondamenta della Misericordia 2553. www.darioba.com. 041-5244379. Reservations highly recommended. Main courses 18€–27€. Tues–Sun 11am–3pm and 6–10pm. Vaporetto: San Marcuola (walk behind the church at the stop, then go straight for 5 blocks to the 1st bridge; cross and turn right on Misericordia).
L’Orto dei Mori VENETIAN Traditional Venetian cuisine cooked up by a young Sicilian chef, so expect some subtle differences to the usual flavors and dishes. Everything on the relatively small menu is exceptional—the baccalà (salted cod) especially so—and the setting next to a small canal is enhanced by candlelight at night. This place can get very busy—the waiters are normally friendly, but be warned, expect brusque treatment if you turn up late or early for a reservation. Don’t be confused: The restaurant prefers to serve dinner, broadly, within two seatings, one early (7–9pm) and one late, so that’s why waiters will be reluctant to serve those that arrive early for the second sitting—even if there’s a table available, you’ll be given water and just told to wait.
Campo dei Mori 3386. www.osteriaortodeimori.com. 041-5243677. Reservations recommended. Main courses 19€–25€. Wed–Mon 12:30–3:30pm and 7–midnight, usually in 2 seatings (July–Aug closed for lunch Mon–Fri). Vaporetto: Madonna dell’Orto (walk through the campo to the canal and turn right; take the 1st bridge to your left, walk down the street and turn left at the canal onto Fondamenta dei Mori; go straight until you hit Campo dei Mori).
Taverna del Campiello Remer VENETIAN Eating on a budget in Venice doesn’t always mean panini and pizza slices. This romantic taverna overlooks the Grand Canal from a small, charming piazza, and while the a la carte options can be pricey, the secret is to time your visit for the buffets. The 20€ lunch buffet is a fabulous deal, with fish soup, fresh pastas, seasonal vegetables, a choice of two or three quality main dishes (such as Venice-style liver with polenta, or pan-fried squid), a huge range of desserts, coffee, water and wine, all included. The evening aperitivo is an even better deal, just 8€ for as much smoked meats, sausage, salads, seafood risotto and pasta as you can eat, plus one spritz, vino, or Prosecco—and this is top-notch cuisine, more substantial than your average ciccetti, that plenty of locals enjoy, not just tourists. Normal service resumes after the buffet is cleared, with live music (Latin, soul, jazz) most nights at 8:30pm, but as long as you order a few drinks it’s fine to stick around to take in the scene.
Campiello del Remer 5701, Cannaregio www.alremer.com. 041-5228769. Lunch buffet 20€; aperitivo (5:30–7:30pm) 8€, Mon, Tues, and Thurs–Sat noon–2:30pm and 5:30pm–midnight; Sun 5:30pm–midnight. Vaporetto: San Marcuola (walk left from the boat dock across Campo San Marcuola and 200m along the canal to Campiello del Remer).
EXPENSIVE
Bacaromi ITALIAN/VENETIAN This hotel restaurant is well worth staying over on Giudecca for, even if you’re not spending the night, a faux rustic Venetian canteen where you can sample cicchetti, and a glass of local wine in the company of welcoming and incredibly helpful, English-speaking staff led by the indomitable Giuseppe Russo. Combine that with the views across the canal and this is a pricey but pleasurable experience, especially for those new to Venice. Menus change regularly, but seafood, unsurprisingly, dominates. If available, order the crab and squid ink risotto, mixed fried fish, roasted mackerel or just a simple pasta with prawns, but don’t be afraid to create a meal from several cicchetti—these also change regularly, but the baccala (cod) mousse is a taste sensation.
Fondamenta San Biagio 810 (in the Hilton Molino Stucky). www.hiltonvenice.com 041-2723311. Main courses 21€–32€. Daily 6–10:30pm. Vaporetto: Palanca, then walk 5 minutes along the canal (to the right) to the hotel.
Is the gelato any good in Venice? Italians might demur, but by international standards, the answer is most definitely yes. As always, though, remember that gelato parlors aimed exclusively at tourists are notorious for poor-quality and extortionate prices, especially in Venice. Try to avoid places near Piazza San Marco altogether. Below are some of our favorite spots in the city. Each generally opens midmorning and closes late. Winter hours are more erratic.
Il Doge GELATO Definite contender for best gelato in Venice, with a great location at the southern end of the campo (don’t confuse Il Doge with the newer ice cream place next door). These guys use only natural, homemade flavors and ingredients, from their exceptional spicy chocolate to their specialty, “Crema de Doge,” a rich concoction of eggs, cream, and real oranges. They also sell refreshing granitas in summer.
Campo Santa Margherita 3058, Dorsoduro. 041-5234607. Cone from 1.50€. Vaporetto: Ca’Rezzonico.
Gelato Fantasy GELATO Since 1998, this tiny gelato shop has been doling out tasty scoops dangerously close to Piazza San Marco, but the quality remains high and portions generous. Fresh strong flavors, with standouts including the pistachio, tiramisu and dark chocolate.
Calle dei Fabbri 929, San Marco. www.gelatofantasy.com. 041-5225993. Cone from 1.50€. Vaporetto: Rialto or San Marco.
You don’t have to eat in a fancy restaurant to enjoy good food in Venice. Prepare a picnic, and while you eat alfresco, you can observe the life in the city’s campi or the aquatic parade on its main thoroughfare, the Grand Canal. Plus, shopping for your food can be an interesting experience as you will probably have to do it in the small alimentari (food shops), as supermarkets are scarce.
Mercato Rialto Venice’s principal open-air market is a sight to see, even for nonshoppers. It has two parts, beginning with the produce section, whose many stalls, alternating with those of souvenir vendors, unfold north on the San Polo side of the Rialto Bridge (behind these stalls are a few permanent food stores that sell delicious cheese, cold cuts, and bread selections). The vendors are here Monday to Saturday 7am to 1pm, with some staying on in the afternoon.
At the market’s farthest point, you’ll find the covered fish market, with its carnival atmosphere, picturesquely located on the Grand Canal opposite the magnificent Ca’ d’Oro and still redolent of the days when it was one of the Mediterranean’s great fish bazaars. The area is filled with a number of small bacari bars frequented by market vendors and shoppers, where you can join in and ask for your morning’s first glass of prosecco with a cicchetto pick-me-up. The fish merchants take Monday off and work mornings only.
Campo Santa Margherita On this spacious campo, Tuesday through Saturday from 8:30am to 1pm, a number of open-air stalls set up shop, selling fresh fruit and vegetables. This market, coupled with several shops around the campo, should ensure you meet all your picnic needs. There’s even a conventional supermarket, Punto SMA, just off the campo in the direction of the quasi-adjacent campo San Barnaba, at no. 3019. San Barnaba is where you’ll find Venice’s heavily photographed floating market operating from a boat moored just off San Barnaba at the Ponte dei Pugni. This market is open daily from 8am to 1pm and 3:30 to 7:30pm, except Wednesday afternoon and Sunday. If you can’t be bothered piecing together the picnic, you can also pick up panini, tramezzini, and drinks at any number of nearby bars.
The Best Picnic Spots Given its aquatic roots, you won’t find much in the way of green space in Venice (if you are really desperate for green, you can walk 30 min. past San Marco along the water, or take a vaporetto, to the Giardini Pubblici, Venice’s only green park, but don’t expect anything great). A much more enjoyable alternative is to find some of the larger campi that have park benches, such as Campo San Giacomo dell’Orio (in the quiet sestiere of Santa Croce). The two most central are Campo Santa Margherita (sestiere of Dorsoduro) and Campo San Polo (sestiere of San Polo).
For a picnic with a view, scout out the Punta della Dogana (Customs House) near La Salute Church for a prime viewing site at the mouth of the Grand Canal. Pull up on a piece of the embankment here and watch the flutter of water activity against a canvaslike backdrop deserving of the Accademia Museum. In this same area, another superb spot is the small Campo San Vio near the Guggenheim, which is directly on the Grand Canal (not many campi are) and even boasts two benches as well as the possibility to sit on an untrafficked small bridge.
To go a bit farther afield, you can take the vaporetto out to Burano and then no. 9 for the 5-minute ride to the near-deserted island of Torcello. If you bring a basketful of bread, cheese, and wine you can do your best to reenact the romantic scene between Katharine Hepburn and Rossano Brazzi from the 1955 film “Summertime.”
Nico GELATO Founded in 1935, this is one of the city’s more historic gelato counters, with a handful of chairs outside on the waterfront (be warned that these are only for “table service,” at extra charge). Quality is good (the mint, amaretto, and the signature gianduiotto, a chocolate and nut blend, are crazy good), but the lines are always long in the afternoons and evenings, and service can be a little surly.
Fondamenta Zattere al Ponte Longo 922, Dorsoduro. www.gelaterianico.com. 041-5225293. Cone from 1.50€. Vaporetto: Zattere.
La Mela Verde GELATO The popular rival to Il Doge for best scoop in the city, with sharp flavors and all the classics done sensationally well: pistachio, chocolate, nocciola and the mind-blowing lemon and basil. The overall champions: mela verde (green apple), like creamy, frozen fruit served in a cup, and the addictive tiramisu flavor.
Fondamenta de L’Osmarin, Castello 4977. 349-1957924. Cone from 1.50€. Vaporetto: Zaccaria.
Venice is notorious for changing and extending the opening hours of its museums and, to a lesser degree, its churches. Before you begin your exploration of Venice’s sights, ask at the tourist office for the season’s list of museum and church hours. During the peak months, you can enjoy extended museum hours—some places stay open until 7 or even 10pm. Unfortunately, these hours are not released until approximately Easter of every year. Even then, little is done to publicize the information, so you’ll have to do your own research.
ICONIC SITES
Campanile di San Marco (Bell Tower)
Gallerie dell’Accademia (Academy Gallery)
Palazzo Ducale and Ponte dei Sospiri (Ducal Palace and Bridge of Sighs)
Galleria Giorgio Franchetti alla Ca’ d’Oro
Museo Ebraico di Venezia (Jewish Museum of Venice)
Scuola di San Giorgio degli Schiavoni
Scuola Grande di San Rocco (Confraternity of St. Roch)
I Gesuati (Santa Maria del Rosario)
Santa Maria della Salute (Church of the Virgin Mary of Good Health)
Santa Maria Gloriosa dei Frari (Church of the Frari)
Torre dell’Orologio (Clock Tower)
San Marco (St. Mark’s) CATHEDRAL One of the grandest, confusing and certainly the most exotic of all cathedrals in Europe, Basilica di San Marco is a grand treasure-heap of Venetian art and all sorts of lavish booty garnered from the eastern Mediterranean. Legend has it that St. Mark, on his way to Rome, was told by an angel his body would rest near the lagoon that would one today become Venice. Hundreds of years later, the city fathers were looking for a patron saint of high stature, more in keeping with their lofty aspirations, and in 828 the prophecy was duly fulfilled when Venetian merchants stole the body of St. Mark from Alexandria in Egypt (the story goes that the body was packed in pickled pork to avoid the attention of the Muslim guards).
Modeled on Constantinople’s Church of the Twelve Apostles, the shrine of St. Mark was consecrated in 832, but in 976 the church burned down. The present incarnation was completed in 1094 but extended and embellished over subsequent years, serving as the personal church of the doge. Even today San Marco looks more like a Byzantine cathedral than a Roman Catholic church, with a cavernous interior exquisitely gilded with Byzantine mosaics added over some 7 centuries and covering every inch of both ceiling and pavement. For a closer look at many of the most remarkable ceiling mosaics and a better view of the Oriental carpet–like patterns of the pavement mosaics, pay the admission to go upstairs to the Museo di San Marco (the entrance to this is in the atrium at the principal entrance); this was originally the women’s gallery, or matroneum, and also includes the outside Loggia dei Cavalli (see below). Here you can mingle with the celebrated Triumphal Quadriga of four gilded bronze horses dating from the 2nd or 3rd century A.D.; originally set on the Loggia, the restored originals were moved inside in the 1980s for preservation. (The word quadriga actually refers to a car or chariot pulled by four horses though in this case there are only the horses.) The horses were brought to Venice from Constantinople in 1204 along with lots of other loot from the Fourth Crusade. For centuries, these were symbols of the unrivaled Serene Republic and are the only quadriga to have survived from the classical era. Not to be outdone by looting-prone Venetians, Napoleon carted the horses off to Paris in 1798, though they were returned to Venice in 1815 after the fall of Bonaparte.
A visit to the outdoor Loggia dei Cavalli (where replicas of the horses now stand) is an unexpected highlight, providing a panoramic view of the piazza and what Napoleon called “the most beautiful salon in the world” upon his arrival in Venice in 1797. The 500-year-old Torre dell’Orologio (Clock Tower) stands to your right; to your left is the Campanile (Bell Tower) and, beyond, the glistening waters of the open lagoon and Palladio’s San Giorgio on its own island. It is any photographer’s dream.
The church’s greatest treasure is the magnificent altarpiece known as the Pala d’Oro (Golden Altarpiece), a Gothic masterpiece encrusted with over 2,000 precious gems and 83 enameled panels. It was created in 10th-century Constantinople and embellished by Venetian and Byzantine artisans between the 12th and 14th centuries. It is located behind the main altar, whose green marble canopy on alabaster columns covers the tomb of St. Mark (skeptics contend that his remains burned in the fire of 976). Also worth a visit is the Tesoro (Treasury), with a collection of the crusaders’ plunder from Constantinople and other icons and relics amassed by the church over the years. Much of the Venetian booty has been incorporated into the interior and exterior of the basilica in the form of marble, columns, capitals, and statuary. Second to the Pala d’Oro in importance is the 10th-century “Madonna di Nicopeia,” a bejeweled icon taken from Constantinople and exhibited in its own chapel to the left of the main altar.
In July and August (with much less certainty the rest of the year), church-affiliated volunteers give free tours Monday to Saturday, leaving four or five times daily (not all tours are in English), beginning at 10:30am; groups gather in the atrium, where you’ll find posters with schedules.
Piazza San Marco. www.basilicasanmarco.it. 041-2708311. Basilica, free admission; Museo di San Marco (includes Loggia dei Cavalli) 5€, Pala d’Oro 2€, Tesoro (Treasury) 3€. Basilica, Tesoro, and Pala d’Oro Mon–Sat 9:45am–5pm, Sun 2–5pm (winter closes Sun at 4pm). Museo di San Marco daily 9:45am–4:45pm. Vaporetto: San Marco.
The guards at the cathedral’s entrance are serious about forbidding entry to anyone in inappropriate attire—shorts, sleeveless shirts (and shirts too short to hide your bellybutton), and skirts above the knee. Note also that you cannot enter the basilica with luggage, and that photos and filming inside are forbidden. With masses of people descending on the cathedral every day, your best bet for avoiding the long lines is to come early in the morning. Although the basilica is open Sunday morning for anyone wishing to attend Mass, you cannot enter merely to gawk as a tourist.
Campanile di San Marco (Bell Tower) ICON An elevator will whisk you to the top of this 97m (318-ft.) bell tower where you get an awe-inspiring view of St. Mark’s cupolas. It is the highest structure in the city, offering a pigeon’s-eye panorama that includes the lagoon, its neighboring islands, and the red rooftops and church domes and bell towers of Venice—and, oddly, not a single canal. Originally built in the 9th century, the bell tower was then reconstructed in the 12th, 14th, and 16th centuries, when the pretty marble loggia at its base was added by Jacopo Sansovino. It collapsed unexpectedly in 1902, miraculously hurting no one except a cat. It was rebuilt exactly as before, using most of the same materials, even rescuing one of the five historical bells that it still uses today (each bell was rung for a different purpose, such as war, the death of a doge, religious holidays, and so on).
Piazza San Marco. www.basilicasanmarco.it. 041-2708311. Admission 8€. Easter to June and Oct daily 9am–7pm; July–Sept daily 9am–9pm; Nov–Easter daily 9:30am–3:45pm. Vaporetto: San Marco.
Palazzo Ducale and Ponte dei Sospiri (Ducal Palace and Bridge of Sighs) PALACE The pink-and-white marble Gothic-Renaissance Palazzo Ducale, residence and government center of the doges who ruled Venice for more than 1,000 years, stands between the Basilica di San Marco and the sea. A symbol of prosperity and power, it was destroyed by a succession of fires, with the current building started in 1340, extended in the 1420s, and largely redesigned again after a fire in 1483. Forever being expanded, it slowly grew to be one of Italy’s greatest civic structures. If you want to understand something of this magnificent place, the fascinating history of the 1,000-year-old maritime republic, and the intrigue of the government that ruled it, take the Secret Itineraries tour 
(see “An Insider’s Look at the Palazzo Ducale,” below). Failing that, at least download the free iPhone/Android app (see the website) or shell out for the infrared audioguide tour (at entrance 6€) to help make sense of it all. Unless you can tag along with an English-speaking tour group, you may otherwise miss out on the importance of much of what you’re seeing.
The 15th-century Porta della Carta (Paper Gate), the entrance adjacent to the basilica where the doges’ official proclamations and decrees were posted, opens onto a splendid inner courtyard with a double row of Renaissance arches (today visitors enter through a doorway on the lagoon side of the palace). The self-guided route through the palace begins on the left side of the main courtyard, where the Museo dell’Opera contains assorted bits of masonry preserved from the Palazzo’s exterior. Beyond here, the first major room you’ll come to is the spacious Sala delle Quattro Porte (Hall of the Four Doors), with a worn ceiling by Tintoretto. The Sala dell’Anticollegio, the next main room, is where foreign ambassadors waited to be received by the doge and his council. It is covered in four works by Tintoretto, and Veronese’s “Rape of Europe” 
, considered one of the palazzo’s finest. It steals some of the thunder of Tintoretto’s Mercury & the Three Graces and “Bacchus and Ariadne” —the latter considered one of his best by some critics. The highlight of the adjacent Sala del Collegio (the Council Chamber itself) is the spectacular cycle of ceiling paintings by Veronese, completed between 1575 and 1578 and one of his masterpieces. Next door lies the most impressive of the spectacular interior rooms, the richly adorned Sala del Senato (Senate Chamber), with Tintoretto’s ceiling painting, “The Triumph of Venice.” Here laws were passed by the Senate, a select group of 200 chosen from the Great Council. The latter was originally an elected body, but in the 13th century it became an aristocratic stronghold that could number as many as 1,700. After passing again through the Sala delle Quattro Porte, you’ll come to the Veronese-decorated Stanza del Consiglio dei Dieci (Room of the Council of Ten, the Republic’s dreaded security police), of particular historical interest. It was in this room that justice was dispensed and decapitations ordered. Formed in the 14th century to deal with emergency situations, the Ten were considered more powerful than the Senate and feared by all. Just outside the adjacent chamber, in the Sala della Bussola (the Compass Chamber), notice the Bocca dei Leoni (Lion’s Mouth), a slit in the wall into which secret denunciations and accusations of enemies of the state were placed for quick action by the much-feared Council.
The main sight on the next level down—indeed, in the entire palace—is the Sala del Maggior Consiglio (Great Council Hall). This enormous space is animated by Tintoretto’s huge “Paradiso” 
at the far end of the hall above the doge’s seat (the painter was in his 70s when he undertook the project with the help of his son). Measuring 7×23m (23×75 ft.), it is said to be the world’s largest oil painting; together with Veronese’s gorgeous “Il Trionfo di Venezia” (“The Triumph of Venice”) in the oval panel on the ceiling, it affirms the power emanating from the council sessions held here. Tintoretto also did the portraits of the 76 doges encircling the top of this chamber; note that the picture of the Doge Marin Falier, who was convicted of treason and beheaded in 1355, has been blacked out—Venice has never forgiven him. Although elected for life since sometime in the 7th century, over time il doge became nothing but a figurehead (they were never allowed to meet with foreign ambassadors alone); the power rested in the Great Council. Tours culminate at the enclosed Ponte dei Sospiri (Bridge of Sighs), built in 1600 and which connects the Ducal Palace with the grim Palazzo delle Prigioni (Prison). The bridge took its current name only in the 19th century, when visiting northern European poets romantically envisioned the prisoners’ final breath of resignation upon viewing the outside world one last time before being locked in their fetid cells. Some attribute the name to Casanova, who, following his arrest in 1755 (he was accused of being a Freemason and spreading antireligious propaganda), crossed this very bridge. One of the rare few to escape, something he achieved 15 months after his imprisonment began, he returned to Venice 20 years later. Some of the stone cells still have the original graffiti of past prisoners, many of them locked up interminably for petty crimes.
The Itinerari Segreti (Secret Itineraries) 
guided tours of the Palazzo Ducale is a must-see for any visit to Venice lasting more than a day. The tours offer an unparalleled look into the world of Venetian politics over the centuries and are the only way to access the otherwise restricted quarters and hidden passageways of this enormous palace, such as the doges’ private chambers and the torture chambers where prisoners were interrogated. The story of Giacomo Casanova’s imprisonment in, and famous escape from, the palace’s prisons is the tour highlight (although a few of the less-inspired guides harp on this aspect a bit too much). It is highly advisable to reserve in advance via the website, by phone (toll-free within Italy 
848-082-000, or from abroad 041-4273-0892) or in person at the ticket desk. Tours often sell out at least a few days ahead, especially from spring through fall. Tours in English are daily at 9:55am, and 11:35am, and cost 20€ for adults, 14€ for children ages 6 to 14 and students ages 15 to 29. There are also tours in Italian at 9:30am, and 11:10am, and French at 10:20am, and noon. The tour lasts about 75 minutes.
San Marco, Piazza San Marco. www.palazzoducale.visitmuve.it. 041-2715911. Admission only with San Marco Museum Pass (“Venice Discounts”). For an Itinerari Segreti guided tour in English, see “An Insider’s Look at the Palazzo Ducale,” below. Daily 8:30am–7pm (Nov–Mar until 5:30pm). Vaporetto: San Marco.
Torre dell’Orologio (Clock Tower) MONUMENT As you enter the magnificent Piazza San Marco, it is one of the first things you see, standing on the north side, next to and towering above the Procuratie Vecchie (the ancient administration buildings for the Republic). The Renaissance Torre dell’Orologio was built between 1496 and 1506, and the clock mechanism still keeps perfect time (although most of the original workings have been replaced over the years). A lengthy restoration that finished in 2006 has helped keep the rest of the structure in top shape. Two bronze figures, known as “Moors” because of the dark color of the bronze, pivot to strike the hour. The tower is the entryway to the ancient Mercerie (from the word for “merchandise”), the principal souklike retail street of both highend boutiques and trinket shops that zigzags its way to the Rialto Bridge. Visits are by guided tour only (included in the price of admission).
Piazza San Marco. www.torreorologio.visitmuve.it. 848-082000 or 041-42730892. Admission 12€, 7€ for children ages 6–14 and students ages 15–25; the ticket also gets you into the Museo Correr, the Museo Archeologico Nazionale, and the Biblioteca Nazionale Marciana (but not Palazzo Ducale). Daily 10am–5pm; tours in English Mon–Wed 10am and 11am, Thurs–Sun 2pm and 3pm. There are also tours in Italian and French. Vaporetto: San Marco.
Your ticket to the Palazzo Ducale also includes entry to the Museo Correr (www.correr.visitmuve.it; 041-2405211; Apr–Oct daily 10am–7pm, Nov–Mar daily 10am–5pm) on the other side of Piazza San Marco, a dubious treat most visitors pushed for time wisely skip. But although much of the Correr is undeniably dull (comprising lesser known artworks, archeological remains, and odd bits and pieces from the later history of the city), there is one spark of gold: the “Courtesans” , a captivating painting by Vittore Carpaccio depicting severely made up and slightly bitter looking ladies of leisure, lounging on a roof terrace.
Canal Grande (Grand Canal) NATURAL ATTRACTION A leisurely cruise along the “Canalazzo” from Piazza San Marco to the Ferrovia (train station), or the reverse, is one of Venice’s (and life’s) must-do experiences. Hop on the no. 1 vaporetto in the late afternoon (try to get one of the coveted outdoor seats in the prow), when the weather-worn colors of the former homes of Venice’s merchant elite are warmed by the soft light and reflected in the canal’s rippling waters, and the busy traffic of delivery boats, vaporetti, and gondolas that fills the city’s main thoroughfare has eased somewhat. The sheer number and opulence of the 200-odd palazzi, churches, and imposing republican buildings dating from the 14th to the 18th centuries is enough to make any boat-going visitor’s head swim. Many of the largest canal-side buildings are now converted into imposing international banks, government or university buildings, art galleries, and consulates.
Best stations to start/end a tour of the Grand Canal are Ferrovia (train station) or Piazzale Roma on the northwest side of the canal and Piazza San Marco in the southeast. Tickets 7€.
Rialto Bridge ICON This graceful arch over the Grand Canal, linking the San Marco and San Polo districts, is lined with overpriced boutiques and is teeming with tourists and overflow from the daily market on the San Polo side. Until the 19th century, it was the only bridge across the Grand Canal, originally built as a pontoon bridge at the canal’s narrowest point. Wooden versions of the bridge followed; the 1444 incarnation was the first to include shops, interrupted by a drawbridge in the center. In 1592, this graceful stone span was finished to the designs of Antonio da Ponte (whose last name fittingly enough means bridge), who beat out Sansovino, Palladio, and Michelangelo, with his plans that called for a single, vast, 28m-wide (92-ft.) arch in the center to allow trading ships to pass.
Ponte del Rialto. Vaporetto: Rialto.
Though the highlight of this neighborhood is the huge Santi Giovanni e Paolo, within a few minutes’ walk of here are two more magnificent churches, Santa Maria Formosa (Mon–Sat 10am–5pm; 3€) on Campo Santa Maria Formosa, and San Zaccaria (Mon–Sat 10am–noon and 4–6pm, Sun 4–6pm; free) at Campo San Zaccaria, which contains Giovanni Bellini’s “Madonna and Four Saints” , and early work from Tintoretto.
Scuola di San Giorgio degli Schiavoni MUSEUM One of the most beautiful spaces in Europe, the main hall of the Scuola di San Giorgio degli Schiavoni once served as a meeting house for Venice’s Dalmatian community (schiavoni, literally “Slavs”), built by the side of their church, San Giovanni di Malta, in the early 16th century. The main reason to visit is to admire the awe-inspiring narrative painting cycle that smothers the walls, created by Renaissance master Vittore Carpaccio between 1502 and 1509. The paintings depict the lives of the Dalmatian saints George, Tryphon, and Jerome and also feature Carpaccio’s masterful “Vision of St. Augustine.”
Venice hosts the latest in modern and contemporary painting and sculpture from dozens of countries during the prestigious Biennale d’Arte (www.labiennale.org; 041-5218711), one of the world’s top international modern art shows. It fills the pavilions of the Giardini (public gardens) at the east end of Castello (with fringe events in the Arsenale), as well as in other spaces around the city from June to November every odd-numbered year. In the past, awards have gone to Jackson Pollock, Henri Matisse, Alexander Calder, and Federico Fellini, among others. Tickets cost 25€, 20€ for those 65 and over, and 14€ for students and all those 26 and under.
Calle dei Furlani 3259A. 041-5228828. Admission 4€. Mon 2:45–6pm, Tue–Sat 9:15am–1pm and 2:45–6pm, Sun 9:15am–1pm. Vaporetto: Rialto.
Founded in the Middle Ages, the Venetian scuole (schools) were guilds that brought together merchants and craftspeople from certain trades (for example, the dyers of Scuola dei Carmini), as well as those who shared similar religious devotions (Scuola Grande di San Rocco). The guilds were social clubs, credit unions, and sources of spiritual guidance. Many commissioned elaborate headquarters and hired the best artists of the day to decorate them. The scuole that remain in Venice today house some of the city’s finest art treasures.
SS. Giovanni e Paolo CHURCH This massive Gothic church was built by the Dominican order from the 13th to the 15th century and, together with the Frari Church in San Polo, is second in size only to the Basilica di San Marco. An unofficial Pantheon where 25 doges are buried (a number of tombs are part of the unfinished facade), the church, commonly known as Zanipolo in Venetian dialect, is also home to a number of artistic treasures.
Visit the Cappella del Rosario through a glass door off the left transept to see the three restored ceiling canvases by Paolo Veronese, particularly “The Assumption of the Madonna.” The brilliantly colored “Polyptych of St. Vincent Ferrer” (ca. 1465), attributed to a young Giovanni Bellini, is in the right aisle. You’ll also see the foot of St. Catherine of Siena encased in glass.
Anchoring the large and impressive campo outside, a popular crossroads for this area of Castello, is the statue of Bartolomeo Colleoni , the Renaissance condottiere who defended Venice’s interests at the height of its power and until his death in 1475. The 15th-century work is by the Florentine Andrea Verrocchio; it is considered one of the world’s great equestrian monuments and Verrocchio’s best.
Campo Santi Giovanni e Paolo 6363. www.basilicasantigiovanniepaolo.it. 041-5235913. Admission 2.50€. Mon–Sat 9am–6pm, Sun noon–6pm. Vaporetto: Rialto.
Gallerie dell’Accademia (Academy Gallery) MUSEUM Along with San Marco and the Palazzo Ducale, the Accademia is one of the highlights of Venice, a magnificent collection of European art and especially Venetian painting from the 14th to the 18th centuries. Visitors are currently limited to 300 at one time, so lines can be long in high season—advance reservations are essential. Things will improve after the long-awaited expansion of the gallery is completed. The core galleries occupy the old Scuola della Carità, dating back to 1343. There’s a lot to take in here, so buy a catalogue in the store if you’d like to learn more—the audioguides are a little muddled and not worth 6€.
Rooms are laid out in rough chronological order, though the on-going renovation means some rooms may be closed when you visit (call ahead or check the website to see if any galleries are closed). Room 2 includes Carpaccio’s grim “Crucifixion & Glorification of the Ten Thousand Martyrs of Mount Ararat” and his much lighter “Presentation of Jesus in the Temple,” but the real showstoppers of the collection reside in rooms 4 and 5, with a gorgeous “St. George” by Mantegna and a series of Giovanni Bellini “Madonnas.” Pride of place goes to Giorgione’s enigmatic and utterly mystifying “Tempest” .
Rooms 6 to 8 feature Venetian heavyweights Tintoretto, Titian and Lorenzo Lotto, while Room 10 is dominated by Paolo Veronese’s mammoth “Feast in the House of Levi” . The story goes that Veronese wanted to call the painting “the Last Supper” but the Inquisition objected to the dogs, dwarfs and drunks—Veronese simply changed the name and all was well. Tintoretto canvases make up the rest of the room, including his three legends of St. Mark: “St. Mark Rescues a Slave,” “The Theft of the Body of St. Mark,” and “St. Mark Saves a Saracen.” Opposite is Titian’s last painting, a “Pietà” intended for his own tomb. Room 11 contains work by Tiepolo, the master of 18th-century Venetian painting, but also Tintoretto’s “Madonna dei Tesorieri.” The next rooms contain a relatively mediocre batch of 17th and 18th-century paintings, though Canaletto’s “Capriccio: A Colonnade” (Room 17), which he presented to the Academy when he was made a member in 1763, certainly merits a closer look for its elegant contrast between diagonal, vertical, and horizontal lines.
Room 20 is filled by Gentile Bellini’s cycle of “The Miracles of the Relic of the Cross” , painted around 1500 for the Scuola di San Giovanni Evangelista. The next room contains the monumental cycle of pictures by Carpaccio illustrating the Story of St. Ursula . Legend has it that St. Ursula was a British Celtic princess, murdered by the Huns as she was making a pilgrimage to Rome along with her 11,000 virgin attendants. Finally, in room 24 (the former hostel of the Scuola), there’s Titian’s “Presentation of the Virgin,” actually created to hang in this space along with a triptych by Antonio Vivarini and Giovanni d’Alemagna.
Campo della Carità 1050, at foot of Ponte dell’Accademia. www.gallerieaccademia.org. 041-5200345. Admission 9€ adults (includes Palazzo Grimani). Reservations by phone or online incur a 1.50€ charge. Daily 8:15am–7:15pm (Mon until 2pm). Vaporetto: Accademia.
Venice offers a somewhat bewildering range of passes and discount cards. We recommend buying an ACTV travel card (Go to Page) and combining that with one of the first two museum passes listed below: The more complicated Venice Connected and Venice Pass schemes are not as good a value and are valid for a much shorter period.
The Museum Pass (www.visitmuve.it) grants admission to all the city-run museums over a 6-month period. That includes the museums of St. Mark’s Square—Palazzo Ducale, Museo Correr, Museo Archeologico Nazionale, and the Biblioteca Nazionale Marciana—as well as the Museo di Palazzo Mocenigo (Costume Museum), the Ca’ Rezzonico, the Ca’ Pesaro, the Museo del Vetro (Glass Museum) on Murano, and the Museo del Merletto (Lace Museum) on Burano. The Museum Pass is available at any of the participating museums and costs 24€ for adults, and 18€ for students under 30 and kids aged 6–14. There is also a San Marco Museum Pass (valid for 3 months) that lets you into the four museums of Piazza San Marco for 16€, and 8€ for students under 30 and kids aged 6–14.
The Chorus Pass (www.chorusvenezia.org) covers every major church in Venice, 16 in all, for 10€ (7€ for students up to 29), from Redentore to Santa Maria dei Miracoli, for up to 1 year.
The Venice Card is the Museum Pass on steroids, with a juiced up price to match: 40€, or 30€ for those 6 to 29, but it’s only valid for 7 days. It includes, among other things, everything the Museum Pass offers (free entrance to the Doge’s Palace and the other 10 Musei Civici di Venezia), the 16 churches under the Chorus Pass, the Jewish Museum, and discounts on temporary exhibits. You can pick one up at any of the Hellovenezia (www.hellovenezia.com) offices around town (there’s one in the train station as well as at the Rialto and Santa Zaccaria vaporetto stops) or at the tourist information offices.
To complicate things still further, there is Venice Connected (www.veniceconnected.it), which started in 2009 and gives discounts if you buy tickets through the website before arriving. You can get tickets for everything from transportation to museums, but you must do it for a particular day that is at least 4 days in the future. In return, the city gets, at least in theory, a better idea of how many people will be in town on a given day.
Also, for tourists between the ages of 14 and 29, there is the Rolling Venice card (see also www.hellovenezia.com), which is something akin to the Venice Connected discounts for students. It’s valid until the end of the year in which you buy it, costs just 4€, and entitles the bearer to significant (20–30 percent) discounts at participating restaurants, and a similar discount on ACTV travel cards (18€ for 3 days). Holders of the Rolling Venice card also get discounts in museums, stores, language courses, hotels, and bars across the city (it comes with a thick booklet listing everywhere that you’re entitled to get discounts). The card can be acquired at the same places as the Venice Card (see above).
Peggy Guggenheim Collection MUSEUM Though the Peggy Guggenheim Collection is one of the best museums in Italy when it comes to American and European art of the 20th century, you might find the experience a little jarring given its location in a city so heavily associated with the High Renaissance and the baroque. Nevertheless, art aficionados will find some fascinating work here, and the galleries occupy Peggy Guggenheim’s wonderful former home, the 18th-century Palazzo Venier dei Leoni, right on the Grand Canal. Guggenheim purchased the mansion in 1949 and lived here, on and off, until her death in 1979. The core of the museum remains the personal collection of Guggenheim herself. Highlights include Picasso’s extremely abstract “Poet,” and his more gentle “On the Beach,” several works by Kandinsky (“Landscape with Red Spots No. 2” and “White Cross”), Miró’s expressionistic “Seated Woman II,” Klee’s mystical “Magic Garden,” and some unsettling works by Max Ernst (“The Kiss,” “Attirement of the Bride”), who was briefly married to Guggenheim in the 1940s. Look out also for Magritte’s “Empire of Light,” Dalí’s typically surreal “Birth of Liquid Desires,” and a couple of gems from Pollock, his early “Moon Woman,” which recalls Picasso, and “Alchemy,” a more typical “poured” painting. The Italian Futurists are also well represented here, with a rare portrait from Modigliani (“Portrait of the Painter Frank Haviland”), and lots of work from Balla, Carrà, and Morandi.
Calle San Cristoforo 701. www.guggenheim-venice.it. 041-2405411. Admission 14€ adults; 11€ 65 and over; 12€ for those who present a train ticket to Venice on 1 of Italy’s fast trains (Frecciarossa, Frecciargento, or Frecciabianca), dated no more than 3 days previous; 8€ students 26 and under and children ages 10–18. Wed–Mon 10am–6pm. Vaporetto: Accademia (walk around left side of Accademia, take 1st left, and walk straight ahead following the signs).
I Gesuati (Santa Maria del Rosario) CHURCH Built from 1724 to 1743 to mirror the Redentore across the wide Canale della Giudecca, this Dominican church counters the Palladian sobriety of the Redentore with rococo flair. The interior is graced by airy 1737–39 ceiling frescoes (some of the first in Venice) by Giambattista Tiepolo. Tiepolo also did the “Virgin in Glory with Saints Rosa,” “Catherine of Siena,” and “Agnes of Montepulciano” on the first altar on the right. The third altar on the left has a severe Tintoretto “Crucifixion.”
Fondamenta delle Zattere ai Gesuati. 041-2750462. Admission 3€ adults, free for children 5 and under. Mon–Sat 10am–5pm. Vaporetto: Zattere.
Punta della Dogana MUSEUM The eastern tip (punta) of Dorsoduro is crowned by the distinctive triangle of the 17th-century Dogana di Mare (customs house) that once monitored all boats entering the Grand Canal. Transformed by Tadao Ando into a beautiful exhibition space in 2009, it’s now an engaging showcase for the contemporary art collection of French multi-millionaire François Pinault (officially dubbed the Centro d’Arte Contemporanea Punta della Dogana). It’s pricey, but you can expect to see quality work from Cindy Sherman, Cy Twombly, Jeff Koons, and Marlene Dumas, among many others.
Fondamenta della Dogana alla Salute 2. www.palazzograssi.it. 041-2719031. Admission 15€ adults, 20€ with Palazzo Grassi. Wed–Mon 10am–7pm. Vaporetto: Salute.
San Sebastiano CHURCH Lose the crowds as you make a pilgrimage to this monument to Paolo Veronese, his parish church and home to some of his finest work. Veronese painted the ceiling of the sacristy with the “Coronation of the Virgin” and the “Four Evangelists,” while he graced the nave ceiling with “Scenes from the Life of St. Esther.” He also decorated the organ shutters and panels around the high altar in the 1560s, with scenes from the life of St. Sebastian. Although Veronese is the main event here, don’t miss Titian’s sensitive “St. Nicholas” (left wall of the first chapel on the right).
Campo San Sebastiano. 041-2750462. Admission 3€. Mon–Sat 10am–5pm. Vaporetto: San Basilio.
Santa Maria della Salute (Church of the Virgin Mary of Good Health) CHURCH Generally referred to as “La Salute,” this crown jewel of 17th-century baroque architecture proudly reigns at a commercially and aesthetically important point, almost directly across from the Piazza San Marco, where the Grand Canal empties into the lagoon.
The first stone was laid in 1631 after the Senate decided to honor the Virgin Mary for delivering Venice from a plague that had killed around 95,000 people. They accepted the revolutionary plans of a young, relatively unknown architect, Baldassare Longhena (who would go on to design, among other projects, the Ca’ Rezzonico). He dedicated the next 50 years of his life to overseeing its progress (he would die 1 year after its inauguration but 5 years before its completion). Today the dome of the church is an iconic presence on the Venice skyline, recognized for its exuberant exterior of volutes, scrolls, and more than 125 statues. Its rather sober interior is livened by the sacristy, where you will find a number of important ceiling paintings and portraits of the Evangelists and church doctors by Titian. On the right wall of the sacristy, which you have to pay to enter, is Tintoretto’s “Marriage at Cana” , often considered one of his best paintings.
Campo della Salute. 041-5225558. Free admission to church; sacristy 3€. Daily 9am–noon and 3–5:30pm. Vaporetto: Salute.
Scuola Grande dei Carmini CHURCH The former Venetian base of the Carmelites, finished off in the 18th century, is now a shrine of sorts to Giambattista Tiepolo, who painted the ceiling of the upstairs hall between 1739 and 1749. It’s truly a magnificent sight, Tiepolo’s elaborate rococo interpretation of “Simon Stock Receiving the Scapular” now fully restored along with various panels throughout the building.
Campo San Margherita 2617. www.scuolagrandecarmini.it. 041-5289420. Admission 5€. Daily 11am–5pm. Vaporetto: San Basilio.
Squero di San Trovaso HISTORIC SITE One of the most intriguing (and photographed) sights in Venice is this small squero (boatyard), which first opened in the 17th century. Just north of the Zattere (the wide, sunny walkway that runs alongside the Giudecca Canal in Dorsoduro), the boatyard lies next to the Church of San Trovaso on the narrow Rio San Trovaso (not far from the Accademia Bridge). It is surrounded by Tyrolean-looking wooden structures (a true rarity in this city of stone built on water) that are home to the multigenerational owners and original workshops for traditional Venetian boats (see “The Art of the Gondola,” below). Aware that they have become a tourist site themselves, the gondoliers don’t mind if you watch them at work from across the narrow Rio di San Trovaso, but don’t try to invite yourself in. Tip: It’s the perfect midway photo op after a visit to the Accademia and a trip to Gelateria Nico (Zattere 922), whose chocolate gianduiotto is every bit as decadent as Venice just before the fall of the Republic.
Dorsoduro 1097 (on the Rio San Trovaso, southwest of the Accademia). Vaporetto: Zattere.
Putting together one of these sleek black boats is a fascinatingly exact science that is still done in the revered traditional manner at boatyards such as the Squero di San Trovaso (see above). Gondolas have been painted black since a 16th-century sumptuary law—one of many passed by the local legislators as excess and extravagance spiraled out of control. Whether regarding boats or baubles, laws were passed to restrict the gaudy outlandishness that, at the time, was commonly used to “outdo the Joneses.”
Propelled by the strength of a single gondoliere, these boats, unique to Venice, have no modern equipment. They move with no great speed but with unrivaled grace. The right side of the gondola is lower because the gondoliere always stands in the back of the boat on the left. Although the San Trovaso squero, or boatyard, is the city’s oldest and one of only three remaining (the other two are immeasurably more difficult to find), its predominant focus is on maintenance and repair. They will occasionally build a new gondola (which takes some 40–45 working days), carefully crafting it from the seven types of wood—mahogany, cherry, fir, walnut, oak, elm, and lime—necessary to give the shallow and asymmetrical boat its various characteristics. After all the pieces are put together, the painting, the ferro (the iron symbol of the city affixed to the bow), and the woodcarving that secures the oar are commissioned out to various local artisans.
Although some 10,000 of these elegant boats floated on the canals of Venice in the 16th century, today there are around 425, almost all catering to the tourist trade. The job of gondoliere remains a coveted profession, passed down from father to son over the centuries, but nowadays it’s open to anyone that can pass 400 hours of rigorous training—Giorgia Boscolo passed the exam in 2010, becoming the first ever gondoliera, though even her father was also in the profession.
Santa Maria Gloriosa dei Frari (Church of the Frari) CHURCH Known simply as “i Frari,” this immense 14th-century Gothic church is easily found around the corner from the Scuola Grande di San Rocco—make sure you visit both when you’re in this area. Built by the Franciscans (frari is a dialectal distortion of frati, or “brothers”), it is the largest church in Venice after San Marco. Since St. Francis and the order he founded emphasized prayer and poverty, it is not surprising that the church is austere both inside and out. Yet it houses a number of important works, including two Titian masterpieces. The more striking is his “Assumption of the Virgin” over the main altar, painted when the artist was only in his late 20s. His “Virgin of the Pesaro Family” is in the left nave; for this work commissioned by one of Venice’s most powerful families, Titian’s wife posed for the figure of Mary (and then died soon afterward in childbirth). Don’t miss Giovanni Bellini’s “Madonna & Child” over the altar in the sacristy; novelist Henry James was struck dumb by it, writing “it is as solemn as it is gorgeous.”
Campo dei Frari 3072. www.basilicadeifrari.it. 041-2728611. Admission 3€. Mon–Sat 9am–6pm; Sun 1–6pm. Vaporetto: San Tomà (walk straight ahead on Calle del Traghetto and turn right and immediately left across Campo San Tomà; walk straight ahead, on Ramo Mandoler then Calle Larga Prima, and turn right when you reach beginning of Salizada San Rocco).
Scuola Grande di San Rocco (Confraternity of St. Roch) MUSEUM Like many medieval saints, French-born St. Rocco (St. Roch) died young, but thanks to his work healing the sick in the 14th-century, his cult became associated with the power to cure the plague and other serious illnesses. When the saint’s body was brought to Venice in 1485, this scuola began to reap the benefits, and by 1560 the current complex was completed, work beginning soon after on more than 50 major paintings by Tintoretto. This scuola is primarily a shrine to the skills of Tintoretto, one of the city’s acknowledged grand masters of the paintbrush but an artist that often divides critics. Begin at the upper story, the Sala dell’Albergo, where an entire wall is smothered by Tintoretto’s mind-blowing “Crucifixion” (as well as his “Glorification of St. Roch,” the painting that actually won him the contract to paint the scuola). In the chapterhouse, Old Testament scenes adorn the ceiling: “Moses Striking Water from the Rock,” “The Miracle of the Brazen Serpent” and “The Miraculous Fall of Manna.” The paintings around the walls, based on the New Testament, are generally regarded as a master class of perspective, shadow, and color. The paintings on the lower floor were created much later in the 1580s, led by one of the most frenzied “Annunciations” ever painted, while “The Flight into Egypt” is undeniably one of Tintoretto’s greatest works.
Campo San Rocco 3052, adjacent to Campo dei Frari. www.scuolagrandesanrocco.it. 041-5234864. Admission 10€ adults (price includes audioguide); 8€ ages 18–26; 18 and under free. Daily 9:30am–5:30pm. Vaporetto: San Tomà (walk straight ahead on Calle del Traghetto and turn right and immediately left across Campo San Tomà; walk straight ahead on Ramo Mandoler, Calle Larga Prima, and Salizada San Rocco, which leads into the campo of the same name—look for crimson sign behind Frari Church).
Galleria Giorgio Franchetti alla Ca’ d’Oro MUSEUM This magnificent palazzo overlooking the Grand Canal, the “golden house,” was built between 1428 and 1430 for the noble Contarini family. Baron Giorgio Franchetti bought the place in 1894, and it now serves as an atmospheric art gallery for the exceptional collection he built up throughout his lifetime. The highlight here is “St. Sebastian” by Paduan artist Andrea Mantegna, displayed in its own marble chapel built by the overawed baron. The so-called “St. Sebastian of Venice” was the third and final painting of the saint by Mantegna, created around 1490 and quite different to the other two (in Vienna and Paris respectively); it’s a bold, deeply pessimistic work, with none of Mantegna’s usual background details to detract from the suffering of the saint. The rest of the collection will appeal primarily to aficionados, with Renaissance sculpture on the first floor including “Young Couple” by Tullio Lombardo, and work by Jacopo Sansovino, Andrea Riccio, and Jacopo Bonaccolsi. The paintings on the second floor are relatively mediocre, with Titian’s “Venus at the Mirror,” two landscapes by Francesco Guardi, and, unexpectedly, some decent Flemish work: the mini “Crucifixion” attributed to Jan Van Eyck, and the “Portrait of Marcello Durazzo” by Van Dyck.
Strada Nuova 3932. www.cadoro.org. 041-520-0345. Admission 6.50€ (or 12€ during special exhibitions, usually June–Nov). Mon 8:15am–2pm; Tues–Sat 8:15am–7:15pm; Sun 10am–6pm. Vaporetto: Ca’ d’Oro.
Santa Maria dei Miracoli CHURCH Hidden in a quiet corner of the residential section of Cannaregio northeast of the Rialto Bridge, the small and exceedingly attractive 15th-century Miracoli has one side of its precious polychrome-marbled facade running alongside a canal, creating colorful and shimmering reflections. It was built 1481 to 1489 by Pietro Lombardo, a local artisan whose background in monuments and tombs is obvious, and would go on to become one of the founding fathers of the Venetian Renaissance.
The less romantic are inclined to compare it to a large tomb with a dome, but the untold couples who have made this perfectly proportioned jewel-like church their choice for weddings will dispel such insensitivity. The small square in front is the perfect place for gondolas to drop off and pick up the newly betrothed. The inside is intricately decorated with early Renaissance marble reliefs, its pastel palette of pink, gray, and white marble making an elegant venue for all those weddings. The church was constructed for a venerated image of the Virgin Mary still here, credited with working miracles from the 1470s on (including bringing back to life someone who spent half an hour at the bottom of the Giudecca Canal). Look for the icon now displayed over the main altar.
Campiello di Miracoli, Rio d. Miracoli. No phone. Admission 3€. Mon–Sat 10am–5pm. Vaporetto: Rialto (located midway btw. the Rialto Bridge and the Campo SS. Giovanni e Paolo).
Jews began settling in Venice in great numbers in the 16th century, and the Republic soon came to value their services as moneylenders, physicians, and traders. In 1516, the Jewish population was forced to live on an island that now encompasses the Campo Ghetto Nuovo, and drawbridges were raised to enforce a nighttime curfew. By the end of the 17th century, as many as 5,000 Jews lived in the Ghetto’s cramped confines. Napoleon tore down the Ghetto gates in 1797, but it wasn’t until the unification of Italy in 1866 that Jews achieved equal status with their fellow citizens. Today the city’s Jewish population comprises only around 500 people, few of whom live in the Ghetto.
Il Ghetto (The Jewish Ghetto) HISTORIC SITE Venice’s relationship with its longtime Jewish community fluctuated over time from acceptance to borderline intolerance, attitudes often influenced by the fear that Jewish moneylenders and merchants would infiltrate other sectors of the Republic’s commerce under a government that thrived on secrecy and control. In 1516, 700 Jews were forced to move to this then-remote northwestern corner of Venice, to an abandoned site of a 14th-century foundry (ghetto is old Venetian dialect for “foundry,” a word that would soon be used throughout Europe and the world to depict an area where isolated minority groups lived).
This ghetto neighborhood was totally surrounded by water. Its two access points were controlled at night and early morning by heavy gates manned by Christian guards (paid for by the Jews), both protecting and segregating its inhabitants. Within a century, the community grew to more than 5,000, representing many languages and cultures. Although the original Ghetto Nuovo (New Ghetto) was expanded to include the Ghetto Vecchio (Old Ghetto) and later the Ghetto Nuovissimo (Newest Ghetto), land was limited and quarters always cramped. The fact that the “New Ghetto” preceded the “Old Ghetto,” which in turn was followed by the “Newest Ghetto” can be confusing, but remember that ghetto meant “foundry,” and when the Jews moved into the area occupied by its ruins, they first occupied the newer part of the former foundry and then the older part and then still later the newest part. In 1797, when Napoleon rolled into town, the ghetto as an institution was disbanded and Jews were free to move elsewhere. Still, it remains the spiritual center for Venice’s ever-diminishing community of Jewish families; although accounts vary widely, it’s said that anywhere from 500 to 2,000 Jews live in all of Venice and Mestre. Aside from its historic interest, this is also one of the less touristy neighborhoods in Venice (although it has become something of a nightspot) and makes for a pleasant and scenic place to stroll.
Venice’s first kosher restaurant, Gam Gam, opened in 1996 at 1122 Ghetto Vecchio (www.gamgamkosher.com; 366-2504505), close to the Guglie vaporetto stop. Owned and run by Orthodox Jews, it is open Sunday to Thursday noon to 10pm, noon to 2 hours before Shabbat (sunset on Fri evening), and on Saturday from 1 hour after Shabbat, until 11pm (excluding summer).
Cannaregio (Campo del Ghetto Nuovo). Vaporetto: Guglie or San Marcuola (from either of the 2 vaporetto stops, or if walking from the train station, locate the Ponte delle Guglie; walking away from the Grand Canal along the Fondamenta di Cannaregio, take the 2nd right at the corner where Gam Gam is located; this is the entrance to the Calle del Ghetto Vecchio that leads to the Campo del Ghetto Nuovo).
Museo Ebraico di Venezia (Jewish Museum of Venice) MUSEUM/SYNAGOGUE In the heart of the Ghetto Nuovo, the Jewish Museum contains a small but precious collection of artifacts related to the long history of the Jews in Venice, beginning with an exhibition on Jewish festivities in the first room; chandeliers, goblets and spice-holders used to celebrate Shabbat, Shofàrs (ram’s horns) and a Séfer Torà (Scroll of Divine Law). The second room contains a rich collection of historic textiles, including Torah covers, and a rare marriage contract from 1792. A newer exhibition area explores the immigration patterns of Jews to Venice, and their experiences once here. For many the real highlight, though, is the chance to tour three of the area’s five historic synagogues (ladies must have shoulders covered and men must have heads covered; no photos): German (Scuola Grande Tedesca); Italian (Scuola Italiana), founded in 1575; Sephardic (Scuola Levantina), founded in 1541 but rebuilt in the second half of 17th century; Spanish (Scuola Spagnola), rebuilt in the first half of 17th century; and the baroque-style Ashkenazi (Scuola Canton), largely rebuilt in the 18th century. It’s difficult to predict which three you’ll visit on any given day, as it depends on which synagogues are being used (and on the whim of your guide); the Levantina and the Spanish are the most lavishly decorated, with one usually included on the tour.
Cannaregio 2902B (on Campo del Ghetto Nuovo). www.museoebraico.it. 041-715359. Museum 4€ adults, 3€ children; museum and synagogue tour 10€ adults, 8€ children. Museum Sun–Fri 10am–7pm (Oct–May until 5:30pm); synagogue guided tours in English hourly 10:30am–5:30pm (Oct–May last tour 4:30pm). Closed on Jewish holidays. Vaporetto: Guglie.
San Giorgio Maggiore CHURCH This church sits on the little island of San Giorgio Maggiore across from Piazza San Marco. It is one of the masterpieces of Andrea Palladio, the great Renaissance architect from nearby Padua. Most known for his country villas built for Venice’s wealthy merchant families, Palladio was commissioned to build two churches (the other is the Redentore on the neighboring Giudecca island), beginning with San Giorgio, designed in 1565 and completed in 1610. To impose a classical front on the traditional church structure, Palladio designed two interlocking facades, with repeating triangles, rectangles, and columns that are harmoniously proportioned. Founded as early as the 10th century, the interior of the church was reinterpreted by Palladio with whitewashed stucco surfaces, stark but majestic, an unadorned but harmonious space. The main altar is flanked by two epic paintings by an elderly Tintoretto, “The Fall of Manna,” to the left, and the more noteworthy “Last Supper” to the right, famous for its chiaroscuro. Through the doorway to the right of the choir leading to the Cappella dei Morti (Chapel of the Dead), you will find Tintoretto’s “Deposition.”
To the left of the choir is an elevator that you can take to the top of the campanile—for a charge of 5€—to experience an unforgettable view of the island, the lagoon, and the Palazzo Ducale and Piazza San Marco across the way.
On the island of San Giorgio Maggiore, across St. Mark’s Basin from Piazza San Marco. 041-5227827. Free admission. Mon–Sat 9:30am–12:30pm; daily 2:30–6pm (Oct–Apr to 4:30pm). Vaporetto: Take the Giudecca-bound vaporetto (no. 82) on Riva degli Schiavoni and get off at the 1st stop, San Giorgio Maggiore.
Il Redentore CHURCH Perhaps the masterpiece among Palladio’s churches, Il Redentore was commissioned by Venice to give thanks for being delivered from the great plague (1575–77), which claimed over a quarter of the population (some 46,000 people). The doge established a tradition of visiting this church by crossing a long pontoon bridge made up of boats from the Dorsoduro’s Zattere on the third Sunday of each July, a tradition that survived the demise of the doges and remains one of Venice’s most popular festivals.
The interior is done in grand, austere, painstakingly classical Palladian style. The artworks tend to be workshop pieces (from the studios or schools, but not the actual brushes, of Tintoretto and Veronese), but there is a fine “Baptism of Christ” by Veronese himself in the sacristy, which also contains Alvise Vivarini’s “Madonna with Child & Angels” alongside works by Jacopo da Bassano and Palma il Giovane, who also did the “Deposition” over the right aisle’s third chapel (be warned, however, the sacristy is often closed).
Campo del Redentore, La Giudecca. 041-523-1415. Admission 3€. Mon–Sat 10am–5pm. Vaporetto: Redentore.
Venice shares its lagoon with three other principal islands: Murano, Burano, and Torcello. Guided tours of the three are operated by a dozen agencies with docks on Riva degli Schiavoni/Piazzetta San Marco (all interchangeable). The 3- and 4-hour tours run 20€ to 35€, usually include a visit to a Murano glass factory (you can easily do that on your own, with less of a hard sell), and leave daily around 9:30am and 2:30pm (times change; check in advance).
You can also visit the islands on your own conveniently and easily using the vaporetti. Line nos. 4.1 and 4.2 make the journey to Murano from Fondamente Nove (on the north side of Castello). For Murano, Burano, and Torcello, Line no. 12 departs Fondamente Nove every 30 minutes; for Torcello change to the shuttle boat (Line 9) that runs from Burano, timed to match the arrivals from Venice. The islands are small and easy to navigate, but check the schedule for the next island-to-island departure (usually hourly) and your return so that you don’t spend most of your day waiting for connections.
The island of Murano has long been famous throughout the world for the products of its glass factories. A visit to the Museo del Vetro (Museum of Glass), Fondamenta Giustinian 8 (www.museovetro.visitmuve.it; 041-739586), provides context, charting the history of the island’s glass-making and definitely worthwhile if you intend to buy a lot of glassware. Daily hours are 10am to 6pm (Nov–Mar to 5pm), and admission is 8€ for adults and 5.50€ children 6 to 14 and students 30 and under.
Dozens of fornaci (kilns) offer free shows of mouth-blown glassmaking almost invariably hitched to a hard-sell tour of their factory outlet. These retail showrooms of delicate glassware can be enlightening or boring, depending on your frame of mind. Almost all the places will ship their goods, but that often doubles the price. On the other hand, these pieces are instant heirlooms.
Murano also has two worthy churches: the largely 15th-century San Pietro Martire , with its altarpieces by Veronese, and Giovanni Bellini, and the ancient Santa Maria e Donato , with an intricate Byzantine exterior apse and a 6th-century pulpit and columns inside resting on a fantastic 12th-century inlaid floor.
Lace is the claim to fame of tiny, historic Burano , a craft kept alive for centuries by the wives of fishermen waiting for their husbands to return from sea. Sadly, most of the lace sold on the island is made by machine elsewhere these days. It’s still worth a trip if you have time to stroll the back streets of the island, whose canals are lined with the brightly colored simple homes of the Buranesi fishermen. The local government continues its attempt to keep its centuries-old lace legacy alive with subsidized classes.
Visit the Museo del Merletto (Museum of Lace Making), Piazza Galuppi (www.museomerletto.visitmuve.it; 041-730034), to understand why something so exquisite should not be left to fade into extinction. It’s open Tuesday to Sunday 10am to 6pm (Nov–Mar to 5pm), and admission is 5€ adults, 3.50€ children 6 to 14 and students 29 and under.
Nearby Torcello is perhaps the most charming of the islands. It was the first of the lagoon islands to be called home by the mainland population fleeing Attila and his Huns (from here they eventually moved to join the growing area around where there is now the Rialto Bridge), but today it consists of little more than one long canal leading from the vaporetto landing past sad-sack vineyards to a clump of buildings at its center.
Torcello boasts the oldest Venetian monument, the Basilica di Santa Maria dell’Assunta , whose foundation dates from the 7th century ( 041-2702464). It’s famous for its outstanding 11th- to 12th-century Byzantine mosaics—a “Madonna and Child” in the apse and “Last Judgment” on the west wall—rivaling those of Ravenna’s and St. Mark’s basilicas. The cathedral is open daily 10:30am to 6pm (Nov–Feb to 5pm), and admission is 5€. Also of interest is the adjacent 11th-century church of Santa Fosca and a small archaeological museum, the Museo Archeologico di Torcello ( 041-730761); the church closes 30 minutes before the basilica, and the museum is open Tuesday to Sunday 10am to 5:30pm (Nov–Feb to 5pm). Museum admission is 3€ (Santa Fosca is free).
Peaceful Torcello is uninhabited except for a handful of families and is a favorite picnic spot (you’ll have to bring the food from Venice—there are no stores on the island; there is a bar/trattoria and one rather expensive restaurant, the Cipriani, of Hemingway fame, which is worth a splurge). Once the tour groups have left, the island offers a very special moment of solitude and escape.
Although a convenient 15-minute vaporetto ride away from San Marco, Venice’s Lido beaches are not much to write home about and certainly no longer a chic destination. For bathing and sun-worshipping there are much better beaches nearby—in Jesolo, to the north, for example. But the parade of wealthy Italian and foreign tourists (plus a good number of Venetian families with children) who still frequent this coastal area throughout summer is an interesting sight indeed, although you’ll find many of them at the elitist beaches affiliated with such deluxe hotels as the legendary Excelsior (in a sign of the times, the equally storied de Bains hotel went out of business in 2010 and now serves as luxury apartments).
There are two main beach areas at the Lido. Bucintoro is at the opposite end of Gran Viale Santa Maria Elisabetta (referred to as the Gran Viale) from the vaporetto station Santa Elisabetta. It’s a 10-minute stroll; walk straight ahead along Gran Viale to reach the beach. San Nicolò, about 1.5km (1 mile) away, can be reached by bus B. You’ll have to pay 1€ per person (standard procedure at Italy’s beaches) for use of the cabins and umbrella rental. Keep in mind that if you stay at any of the hotels on the Lido, most of them have some kind of agreement with the different bagni (beach establishments).
The Lido’s limited sports amenities, such as golf and tennis, are affiliated with its deluxe five-star hotels. Although there is car traffic, the Lido’s wide, shaded boulevards are your best bet for jogging while you’re visiting Venice. A number of bike-rental places along the Gran Viale rent bicycles for 5€ to 10€ an hour. Vaporetto line nos. 1, 2, 5.1, 5.2, and LN cross the lagoon to the Lido from the San Zaccaria–Danieli stop near San Marco. Note that the Lido becomes chilly, windswept and utterly deserted between November and April.
Because of the sheer number of sights to see in Venice, some first-time visitors like to start out with an organized tour. While few things can really be covered in any depth on these overview tours, they’re sometimes useful for getting your bearings. Avventure Bellissime (www.tours-italy.com; 041-970499) coordinates a plethora of tours (in English), by boat and gondola, though the walking tours are best value, covering all the main sights around Piazza San Marco in 2 hours for 22€. For something with a little more bite, try Urban Adventures (www.urbanadventures.com; 348-9808566), which runs enticing cicchetti tours (3 hr.) for 52€.
For those with more energy, learn to “row like a Venetian” (yes, literally standing up), at Row Venice (www.rowvenice.com; 347-7250637), where 1.5-hour lessons take place in traditional, hand-built “shrimp-tail” or batele coda di gambero boats for 40€ per person (80€ minimum). Or you could abandon tradition altogether and opt for a Venice Kayak tour (www.venicekayak.com; 346-4771327), a truly enchanting way to see the city from the water. Day trips are 120€ per person for 2 to 5 persons with guide (10am–4 or 5pm).
It goes without saying that a gondola ride will be the thrill of a lifetime for any child (or adult). If that’s too expensive, consider the convenient and far less expensive alternative: a ride on the no. 1 vaporetto (Go to Page). They offer two entirely different experiences: The gondola gives you the chance to see Venice through the back door (and ride past Marco Polo’s house); the vaporetto provides autilitarian—but no less gorgeous—journey down Venice’s aquatic Main Street, the Grand Canal. Look for the ambulance boat, the garbage boat, the firefighters’ boat, the funeral boat, even the Coca-Cola delivery boat. Best sightings are the special gondolas filled with flowers and rowed by gondolieri in livery delivering a happy bride and groom from the church.
The Venice International Film Festival 
, in late August and early September, is the most respected celebration of celluloid in Europe after Cannes. Films from all over the world are shown in the Palazzo del Cinema on the Lido as well as at various venues—and occasionally in some of the campi. Ticket prices vary, but those for the less-sought-after films are usually modest. See www.labiennale.org for more details.
Venetians once more are taking to the open piazze and streets for the pre-Lenten holiday of Carnevale. The festival traditionally was the celebration preceding Lent, the period of penitence and abstinence prior to Easter; its name is derived from the Latin carnem levare, meaning “to take meat away.”
Today Carnevale builds for 10 days until the big blowout, Shrove Tuesday (Fat Tuesday), when fireworks illuminate the Grand Canal, and Piazza San Marco is turned into a giant open-air ballroom for the masses. Book your hotel months ahead, especially for the 2 weekends prior to Shrove Tuesday. In the 18th-century heyday of Carnevale in La Serenissima Republic, well-heeled revelers came from all over Europe to take part in festivities that began months prior to Lent and reached a raucous climax at midnight on Shrove Tuesday. As the Venetian economy declined and its colonies and trading posts fell to other powers, the Republic of Venice in its swan song turned to fantasy and escapism. The faster its decline, the longer, and more licentious, became its anything-goes merrymaking. Masks became ubiquitous, affording anonymity and the pardoning of a thousand sins. Masks permitted the fishmonger to attend the ball and dance with the baroness, the properly married to carry on as if they were not. The doges condemned it and the popes denounced it, but nothing could dampen the Venetian Carnevale spirit until Napoleon arrived in 1797 and put an end to the festivities.
Resuscitated in 1980 by local tourism powers to fill the empty winter months when tourism comes to a screeching halt, Carnevale is calmer nowadays, though just barely. The born-again festival got off to a shaky start, met at first with indifference and skepticism, but in the years since has grown in popularity and been embraced by the locals. In the 1980s, Carnevale attracted an onslaught of what was seemingly the entire student population of Europe, backpacking young people who slept in the piazze and train station. Politicians and city officials adopted a middle-of-the-road policy that helped establish Carnevale’s image as neither a backpacker’s free-for-all outdoor party nor a continuation of the exclusive private balls in the Grand Canal palazzi available to a very few.
Carnevale is now a harlequin patchwork of musical and cultural events, many of them free of charge, which appeals to all ages, tastes, nationalities, and budgets. Musical events are staged in some of the city’s dozens of piazze— from reggae and zydeco to jazz and baroque. Special art exhibits are mounted at museums and galleries.
The city is the perfect venue; Hollywood could not create a more evocative location. This is a celebration of history, art, theater, and drama that one would expect to find in Italy, the land that gave us the Renaissance and Zeffirelli—and Venice, an ancient and wealthy republic that gave us Casanova and Vivaldi. Venice and Carnevale were made for each other. Check www.carnevalevenezia.com for details on upcoming events.
Judging from the squeals of delight, feeding the pigeons in Piazza San Marco (purchase a bag of corn and you’ll be draped in pigeons in a nanosecond; Go to Page) could be the epitome of your child’s visit to Venice, and it’s the ultimate photo op. Be sure your child won’t be startled by all the fluttering and flapping.
A jaunt to the neighboring island of Murano can be as educational as it is recreational—follow the signs to any fornace (kiln), where a glass-blowing performance of the island’s thousand-year-old art is free entertainment. But be ready for the guaranteed sales pitch that follows.
Before you leave town, take the elevator to the top of the Campanile di San Marco (the highest structure in the city;) for a scintillating view of Venice’s rooftops and church cupolas, or get up close and personal with the four bronze horses on the facade of the Basilica San Marco. The view from its outdoor loggia is something you and your children won’t forget. Climbing the Torre dell’Orologio or the bell tower at San Giorgio Maggiore should also be lots of fun.
Some children enjoy the Museo Storico Navale (Naval History Museum) and Arsenale (Arsenal) with its ship models and old vessels, and the many historic artifacts in the Museo Civico Correr (Correr Civic Museum; Go to Page), tangible vestiges of a time when Venice was a world unto itself.
The winged lion, said to have been a kind of good luck mascot to St. Mark, patron saint of Venice, was the very symbol of the Serene Republic and to this day appears on everything from cafe napkins to T-shirts. Who can spot the most flying lions? They appear on facades, atop columns, over doorways, as pavement mosaics, on government stamps, and on the local flag.
In a city that for centuries has thrived almost exclusively on tourism, remember this: Where you buy cheap, you get cheap. Venetians, centuries-old merchants, aren’t known for bargaining. You’ll stand a better chance of getting a good deal if you pay in cash or buy more than one item. In our limited space below, we’ve listed some of the more reputable places to stock up on classic Venetian items.
A mix of low-end trinket stores and middle-market-to-upscale boutiques line the narrow zigzagging Mercerie running north between Piazza San Marco and the Rialto Bridge. More expensive clothing and gift boutiques make for great window-shopping on Calle Larga XXII Marzo, the wide street that begins west of Piazza San Marco and wends its way to the expansive Campo Santo Stefano near the Accademia. The narrow Frezzeria, just west of Piazza San Marco and running north-south, offers a grab bag of bars, souvenir shops, and tony clothing stores like Louis Vuitton and Versace. There are few bargains to be had; the nonproduce part of the Rialto Market is as good as it gets for basic souvenirs, where you’ll find cheap T-shirts, glow-in-the-dark plastic gondolas, and tawdry glass trinkets. The Mercatino dei Miracoli ( 041-2710022), held only six times a year in Campo Santa Maria Nova (Cannaregio), is a fabulous flea market with all sorts of bric-a-brac and antiques sold by ordinary Venetians—haggling, for once, is acceptable. It usually takes place on the second Saturday or Sunday of March, April, May, September, October and December, between 8:30am and 8pm. There’s also the Mercatino dell’Antiquariato (www.mercatinocamposanmaurizio.it), a professional antiques market in Campo San Maurizio, San Marco, which takes place 4 times a year (usually Mar–Apr, June, Sept, and Dec; see the website for dates).
Venice is uniquely famous for local crafts that have been produced here for centuries and are hard to get elsewhere: the glassware from Murano, the delicate lace from Burano, and the cartapesta (papier-mâché) Carnevale masks you’ll find in endless botteghe (shops), where you can watch artisans paint amid their wares.
Now here’s the bad news: There’s such an overwhelming sea of cheap glass gewgaws that buying Venetian glass can become something of a turnoff (shipping and insurance costs make most things unaffordable; the alternative is to hand-carry anything fragile). There are so few women left on Burano willing to spend countless tedious hours keeping alive the art of lace-making that the few pieces you’ll see not produced by machine in China are sold at stratospheric prices; ditto the truly high-quality glass (although trinkets can be cheap and fun). The best place to buy glass is Murano itself—only ever buy items with the “Vetro Artistico Murano” trademark, and expect to pay as much as 60€ for just a wine glass.
Anticlea Antiquariato This shop specializes in the shiny glass beads known as perle Veneziane (“Venetian pearls”), with drawers full of every conceivable type and color, as well as ready-to-wear rings, necklaces and bracelets. It’s open Monday to Saturday 9:30am to 1pm and 3:30pm to 7pm. Calle San Provolo 4719A, Castello (just off Campo San Provolo). 041-5224045. Vaporetto: San Zaccaria.
Atelier Segalin di Daniela Ghezzo Founded in 1932 by master cobbler Antonio Segalin and his son Rolando, this old leather shoe store is now run by Daniela Ghezzo (the star apprentice of Rolando), maker of exuberant handmade shoes and boots, from basic flats to crazy footware designed for Carnevale (shoes from 650€–1,800€). It’s open Monday to Friday 10am to 1pm and 3pm to 7pm, and Saturday 9am to 12:30pm. Calle dei Fuseri 4365, San Marco. www.danielaghezzo.it. 041-5222115. Vaporetto: San Marco.
La Bottega dei Mascareri High-quality, creative masks—some based on Tiepolo paintings—crafted by the brothers Sergio and Massimo Boldrin since 1984. Basic masks start at around 15€–20€, but you’ll pay over 75€ for a more innovative piece. The original branch lies at the foot of the Rialto Bridge (San Polo 80; 041-5223857). Both locations tend to open daily 9am to 6pm. Calle dei Saoneri 2720, San Polo. www.mascarer.com. 041-5242887. Vaporetto: Rialto.
Ca’ del Sol Maschere Another treasure trove of Venetian masks, run by a group of artists since 1986 (prices range from 15€–250€). They also make elaborate 18th-century costumes and even run mask-making courses. It opens daily 10am to 8pm. Fondamenta de l’Osmarin 4964, Castello. www.cadelsolmascherevenezia.com. 041-5285549. Vaporetto: San Zaccaria.
Il Canovaccio Remember the creepy orgy scenes in Stanley Kubrick’s “Eyes Wide Shut”? The ornate masks used in the movie were made in this vaunted store, a relative newcomer founded in 1995. All manner of traditional, feathered and animal masks are knocked out of their on-site workshop. It’s open daily 10am to 7:30pm. Calle delle Bande 5369 (near Campo Santa Maria Formosa), Castello. www.ilcanovaccio.com. 041-5210393. Vaporetto: San Zaccaria.
Il Grifone Toni Peressin’s handmade leather briefcases, satchels, bound notebooks, belts and soft-leather purses have garnered quite a following, and justly so—his craftsmanship is truly magnificent (he makes everything in the workshop out back). Items start at around 15€. Hours can be erratic, but it’s usually open Tuesday to Saturday 10am to 1pm and 4pm to 7:30pm. Fondamenta del Gaffaro 3516, Dorsoduro. 041-5229452. Vaporetto: Piazzale Roma.
Marco Polo International This vast showroom, just west of the Piazza San Marco, displays quality glass direct from Murano (although it’s more expensive than going to the island yourself), including plenty of easy to carry items such as paperweights and small dishes. It opens daily 10am–7pm. Frezzeria 1644, San Marco. www.marcopolointernational.it. 041-5229295. Vaporetto: San Marco.
Venini Convenient, classy but incredibly expensive, Venini has been selling quality glass art since 1921, supplying the likes of Versace and many other designer brands. Their workshop on Murano is at Fondamenta Vetrai 50 ( 041-2737211). Both locations tend to open Monday to Saturday 9:30am to 5:30pm. Piazzetta Leoncini 314, San Marco. www.venini.it. 041-5224045. Vaporetto: San Marco.
Visit one of the tourist information centers for current English-language schedules of the month’s special events. The monthly “Ospite di Venezia” is distributed free or online at www.unospitedivenezia.it and is extremely helpful but usually available only in the more expensive hotels. If you’re looking for serious nocturnal action, you’re in the wrong town—Verona and Padua are far more lively. Your best bet is to sit in the moonlit Piazza San Marco and listen to the cafes’ outdoor orchestras, with the illuminated basilica before you—the perfect opera set—though this pleasure comes with a hefty price tag.
Other popular spots to hang out include Campo San Bartolomeo, at the foot of the Rialto Bridge (although it is a zoo here in high season), and nearby Campo San Luca. In late-night hours, for low prices and low pretension, the absolute best place to go is Campo Santa Margherita, a huge open campo about halfway between the train station and the Accademia bridge.
Venice has a long and rich tradition of classical music, and there’s always a concert going on somewhere. Several churches and confraternities (such as San Stae, the Scuola di San Giovanni Evangelista, and the Scuola di San Rocco) regularly host classical music concerts (with an emphasis on the baroque) by local and international artists. This was, after all, the home of Vivaldi. People dressed in period costumes stand around in heavily trafficked spots near San Marco and Rialto passing out brochures advertising classical music concerts, so you’ll have no trouble finding up-to-date information.
Santa Maria della Pietà The so-called “Vivaldi Church”, built between 1745 and 1760, holds concerts throughout the year; check the website for specific dates. Lauded ensemble I Virtuosi Italiani gives a concert series here every September. Full price tickets are usually around 25€. Riva degli Schiavoni 3701, Castello. www.chiesavivaldi.it. 041-5221120. Vaporetto: San Zaccaria.
Teatro La Fenice One of Italy’s most famous opera houses (it officially ranks third after La Scala in Milan and San Carlo in Naples), La Fenice opened in 1836, but was rebuilt after a devastating fire and reopened in 2003. The opera season runs late November through June, but there are also ballet performances and classical concerts. Tickets are expensive for the major productions; around 77€ for the gallery, and 110€–205€ for a decent seat. Campo San Fantin 1965, San Marco. www.teatrolafenice.it. 041-2424. Vaporetto: Giglio.
For tourists and locals alike, Venetian nightlife mainly centers on the many cafes in one of the world’s most remarkable piazze: Piazza San Marco. It is also the most expensive and touristed place to linger over a Campari or anything else for that matter, but it’s a splurge that should not be dismissed too readily. For those on a particularly tight budget, you can hang out near the cafes and listen to the sometimes quite surprisingly good live classical music (you won’t be alone). If you’re looking for some scrumptious ice cream to slurp as you admire the piazzas by night, “Gelato”.
Il Caffè (aka Caffe Rosso) Established in the late 19th century, Il Caffè has a history almost as colorful as its clientele, a mixture of students, aging regulars and lost tourists. This is an old-fashioned, no-nonsense Venetian cafe/bar, with reasonably priced drinks and sandwiches, and plenty of seating on the campo. Open Monday to Saturday 7am to 1am. Campo Santa Margherita 2963, Dorsoduro. www.cafferosso.it. 041-5287998. Vaporetto: Ca’Rezzonico.
Caffè Florian Occupying prime piazza real estate since 1720, this is one of the world’s oldest coffee shops, with a florid interior of 18th-century mirrors, frescoes and statuary. If you sit outside expect to pay 10€ for a cappuccino, 13€ for a beer and 20€ for a Bellini (prosecco and fresh peach nectar), plus another 6€ if the orchestra plays (Mar–Nov). Open daily 9am–midnight (closed Wed in winter). Piazza San Marco 56. www.caffeflorian.com. 041-5205641. Vaporetto: San Marco.
Caffè dei Frari Established in 1870, the walls of this inviting bar and cafe are still adorned with the original murals, an antique wooden bar, and a wrought-iron balcony upstairs. The seafood is especially good here, and there are usually at least three excellent German beers on tap. The laid-back owner doubles as DJ on Friday and Saturday evenings (he’s pretty good). Open daily 8am to 9pm. Fondamenta dei Frari 2564, San Polo. 041-5241877. Vaporetto: San Tomà.
Caffè Lavena Said to be Wagner’s favorite cafe (look for the plaque inside), and the hangout of fellow composer Franz Liszt, Lavena lies on the opposite side of the piazza to Florian and was founded just a few decades later in 1750. Expect the same high prices and surcharges here (a famous case in 2013 saw seven tourists charged 100€ for four coffees and three liqueurs), though unlike Florian, if you stand and drink at the bar you’ll pay much less than sitting at a table (coffee is just 1€). Open daily 9:30am–11pm (closed Tues in winter). Piazza San Marco 133–134. www.lavena.it. 041-5224070. Vaporetto: San Marco.
Caffè Quadri The final member of the San Marco “big three,” Quadri opened in 1638 as “Il Rimedio” (“The Remedy”), but it was more of a retail coffee operation at first, with the restaurant upstairs added in 1830. It’s currently being revitalized by chef Max Alajmo. Most coffees are 9€. April to October, guests are serenaded by the 121 St. Mark’s Band (an extra 6€). Open daily 9am–midnight (closed Mon in winter). Piazza San Marco 120. www.alajmo.it. 041-5222105. Vaporetto: San Marco.
Marchini Time Plush modern cafe that acts as the outlet for the famed Marchini pasticcerie (almost 50 years old), offering a range of addictive pastries, biscotti, chocolates, coffees, cakes and savory pizzette. It’s open Monday to Saturday 7am to 8:30pm. Campo San Luca 4589, San Marco. www.marchinitime.it. 041-2413087. Vaporetto: Rialto.
Pasticceria Nobile The most happening cafe in this section of town, founded in the 1930s and celebrated for its tempting range of sweets, snacks, pizzette, pastries, and chocolate. Locals congregate here for breakfast and for aperitivo after work. Open Tuesday to Sunday 7am to 8:30pm (closed July). Calle del Pistor 1818, Cannaregio. www.pasticcerianobile.it. 041-720731. Vaporetto: San Marcuola.
Birreria, Wine & Cocktail Bars
Although Venice boasts an old and prominent university, dance clubs barely enjoy their 15 minutes of popularity before changing hands or closing down (some are open only in the summer months). Young Venetians tend to go to the Lido in summer or mainland Mestre. Evenings are better spent lingering over a late dinner, having a pint in a birrerie, or nursing a glass of prosecco in one of Piazza San Marco’s or Campo Santa Margherita’s overpriced outdoor bars and cafes. (Note: Most bars are open Mon–Sat 8pm–midnight.)
Al Prosecco Get acquainted with all things bubbly at this smart enoteca, a specialist, as you’d expect, in Veneto prosecco. Features plenty of tasty cichetti to wash down the various brands, and a gorgeous terrace from which to observe the campo below. Drinks 3€–5€. Open Monday to Saturday 9am to 10:30pm (closes at 8pm in winter; closed Aug and Jan). Campo San Giacomo da l’Orio 1503, Santa Croce. www.alprosecco.com. 041-5240222. Vaporetto: San Stae.
Margaret DuChamp Popular student and fashionista hangout, with plenty of chairs on the campo for people-watching, cocktails and a spritz or two (most cocktails just 7€). Also serves decent panini and tramezzini (2€ at the table, or 1.50€ at the bar). Free Wi-Fi. Open Wednesday to Monday 10am to 2am. Campo Santa Margherita 3019, Dorsoduro. 041-5286255. Vaporetto: Ca’ Rezzonico.
Bar Torino This is a mediocre, shabby cafe during the day, but better at night when it transforms into a lively bar (aka Torino@Notte), with live music, jazz, and DJs spinning everything from reggae to house. Most drinks 5€. It’s open Tuesday to Saturday 9am to 1am. Campo San Luca 4591, San Marco. 041-5223914. Vaporetto: Rialto.
Caffè Centrale Not really a cafe but a super hip bar and restaurant, located within the 16th-century Palazzo Cocco Molin, just a short walk from Piazza San Marco. Intriguing selection of local and foreign beers (6€), and a huge cocktail list (9€–12€)—bellinis are just 8€ here. Get a table by the canal or lounge on one of the super comfy leather sofas. Open daily 6:30pm to 1am. Piscina Frezzeria 1659, San Marco. www.caffecentralevenezia.com. 041-2413952. Vaporetto: Vallaresso.
Harry’s Bar Possibly the most famous bar in Venice (and now a global chain), established in 1931 by Giuseppe Cipriani and frequented by the likes of Ernest Hemingway, Charlie Chaplin and Truman Capote. The Bellini was invented here in 1948 (along with carpaccio 2 years later), and you can sip the signature concoction of fresh peach juice and prosecco for a mere 17€. Go for the history but don’t expect a five-star experience—most first-timers are surprised just how ordinary it looks inside. It also serves very expensive food, but just stick to the drinks. Open daily 10:30am to 11pm. Calle Vallaresso 1323, San Marco. www.cipriani.com. 041-5285777. Vaporetto: Vallaresso.
Paradiso Perduto “Paradise Lost” is the most happening bar in this neighborhood, crammed with students most nights and featuring the occasional live music set (full concerts every Mon and every first Sun of the month), great cichetti (piled in mountains at the bar) and cheap(ish) wine. Some people come to dine on the tasty seafood, but it’s usually too busy and noisy to enjoy a proper meal here—stick to the drinks and the snacks. Open Monday and Thursday 6pm to midnight, Friday and Saturday noon to 1am, and Sunday noon to midnight (closed Tues–Wed). Fondamenta della Misericordia 2540, Cannaregio. 041-720581. Vaporetto: Madonna dell’Orto.
