Contents

“I needed both. . .”

CRITICAL

The Days Before

Reflections on Willa Cather

A Note on The Troll Garden

Gertrude Stein: Three Views

“Everybody Is a Real One”

Second Wind

The Wooden Umbrella

“It Is Hard to Stand in the Middle”

Eudora Welty and A Curtain of Green

The Wingèd Skull

On a Criticism of Thomas Hardy

E. M. Forster

Virginia Woolf

D. H. Lawrence

Quetzalcoatl

A Wreath for the Gamekeeper

“The Laughing Heat of the Sun”

The Art of Katherine Mansfield

The Hundredth Role

Dylan Thomas

“A death of days. . .”

“A fever chart. . .”

“In the morning of the poet. . .”

A Most Lively Genius

Orpheus in Purgatory

In Memoriam

Ford Madox Ford (1873–1939)

James Joyce (1882–1941)

Sylvia Beach (1887–1962)

Flannery O’Connor (1925–1964)

PERSONAL AND PARTICULAR

On Writing

My First Speech

“I must write from memory. . .”

No Plot, My Dear, No Story

“Writing cannot be taught. . .”

The Situation of the Writer

The Situation in American Writing

Transplanted Writers

The International Exchange of Writers

The Author on Her Work

No Masters or Teachers

On “Flowering Judas”

“The only reality. . .”

“Noon Wine”: The Sources

Notes on the Texas I Remember

Portrait: Old South

A Christmas Story

Audubon’s Happy Land

The Flower of Flowers

A Note on Pierre-Joseph Redouté

A House of My Own

The Necessary Enemy

“Marriage Is Belonging”

A Defense of Circe

St. Augustine and the Bullfight

Act of Faith: 4 July 1942

The Future Is Now

The Never-Ending Wrong

Afterword

MEXICAN

Why I Write About Mexico

Reports from Mexico City,

The New Man and the New Order

The Fiesta of Guadalupe

The Funeral of General Benjamín Hill

Children of Xochitl

The Mexican Trinity

Where Presidents Have No Friends

In a Mexican Patio

Leaving the Petate

The Charmed Life

Corridos

Sor Juana: A Portrait of the Poet

Notes on the Life and Death of a Hero

A Mexican Chronicle, 1920–1943

Blasco Ibanez on “Mexico in Revolution”

Paternalism and the Mexican Problem

La Conquistadora

¡Ay, Que Chamaco!

Old Gods and New Messiahs

Diego Rivera

These Pictures Must Be Seen

Rivera’s Personal Revolution

Parvenu. . .

History on the Wing

Thirty Long Years of Revolution

AUTOBIOGRAPHICAL

About the Author

The Land That Is Nowhere