1. First Contact: 1. Benin relief plaque © The Trustees of The British Museum; 2. Oba Ovonramwen © The Trustees of The British Museum; 3. Photograph of Benin Expedition © The Trustees of The British Museum; 4. David Olusoga at the British Museum © BBC / Nutopia; 5. Portuguese soldier figure, Edo © The Trustees of The British Museum; 6. Carved ivory mask © The Trustees of The British Museum; 7. The Rhinoceros (1515), by Albrecht Dürer © Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA / Bridgeman Images; 8. The King’s Fountain (Chafariz d’el Rey) c.1570–80, artist unknown © akg-images; 9. Carved ivory salt cellar © Lebrecht Music and Arts Photo Library / Alamy Stock Photo; 10. Drawing from the Florentine Codex, Book XII by Bernardino de Sahagún c.1540–85 © Granger, NYC/TopFoto; 11. The Taking of Tenochtitlán by Cortes, seventeenth century, artist unknown © Spanish School/Getty Images; 12. Aztec calendar stone © Universal History Archive/UIG / Bridgeman Images; 13. Mosaic of a doubleheaded serpent © The Trustees of The British Museum; 14. Ms Palat. 218–220 Book IX Aztec musicians from the Florentine Codex by Bernardino de Sahagún c.1540–85 © Biblioteca Medicea-Laurenziana, Florence, Italy / Bridgeman Images; 15. Ms Palat. 218–220 Book IX Aztecs from the Florentine Codex by Bernardino de Sahagún c.1540–85 © Biblioteca Medicea-Laurenziana, Florence, Italy / Bridgeman Images; 16. Still from Spectre, 2015 © Columbia Pictures/ Jonathan Olley/ Courtesy Everett Collection/Alamy Stock Photo; 17. The Crucified Christ with Toledo in the Background (1613), by El Greco © akg-images; 18. View of Toledo (1597–9), by El Greco © H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 / Metropolitan Museum of Art, New York, USA 29.100.6; 19. Namban screen, School of Kanō Naizen, c.1606 © Museu Nacional de Arte Antiga / Luisa Oliveira / José Paulo Ruas, 2015 / Direção-Geral do Património Cultural / Arquivo de Documentação Fotográfica (DGPC/ADF); 20. Detail of Japanese namban screen, c.1600 © Granger Historical Picture Archive / Alamy Stock Photo; 21. Two young women with a picture viewer, c.1750 by Suzuki Harunobu: Courtesy Wikimedia Foundation; 22. Hanging Scroll (pair of pheasants), c.1750–95 by Maruyama Ōkyo © Archivart / Alamy Stock Photo; 23. Cracked Ice (c.1750–95), by Maruyama Ōkyo © The Trustees of The British Museum; 24. Fantasy Interior with Jan Steen and the Family of Gerrit Schouten, c.1659–60 by Jan Steen: Courtesy Wikimedia Foundation; 25. The Night Watch (1642), by Rembrandt can Rijn © On loan from the City of Amsterdam/Rijksmuseum, Amsterdam; 26. Banquet Still Life (1644), by Adriaen van Utrecht © On loan from the City of Amsterdam (A. van der Hoop Bequest)/ Rijksmuseum, Amsterdam; 27. Delft blue tiles © Peter Horree / Alamy Stock Photo; 28. Officer and Laughing Girl (1660), by Johannes Vermeer © akg-images; 29. Girl Reading a Letter by an Open Window (1659), by Johannes Vermeer © Painting / Alamy Stock Photo; 30. Insects of Surinam (1705), by Maria Sibylla Merian © The Natural History Museum / Alamy Stock Photo; 31. Market scene, Patna, 1850, Shiva Dayal Lal © Victoria and Albert Museum, London; 32. Colonel Mordaunt’s Cock Match (c.1784–6) by Johan Zoffany © Tate, London 2017; 33. An artist, thought to be Ghulam Ali Khan (1825) © akg-images / Pictures From History; 34. The Last Supper (1787), by Johann Zoffany © ephotocorp / Alamy Stock Photo; 35. South West View of Government House, Calcutta © Gilman Collection, Purchase, Cynthia Hazen Polsky Gift, 2005 / Metropolitan Museum of Art, New York, USA 2005.100.491.1 (15b).
2. Cult of Progress: 36. David Olusoga in Egypt © BBC/Nutopia; 37. The Slave Market (1866), by Jean Leon Gerome © Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, USA / Bridgeman Images; 38. Interior of a Weaver’s Workshop, from Volume II Arts and Trades of Description of Egypt © Private Collection / The Stapleton Collection / Bridgeman Images; 39. Temple Portico of Esna, engraving from Description of Egypt © De Agostini Picture Library / G. Dagli Orti / Bridgeman Images; 40. Napoleon Bonaparte visiting the Plague Victims of Jaffa, 11 March 1799 (1804), by Antoine Jean Gros © Leemage/Corbis via Getty Images; 41. The Women Of Algiers In Their Apartment (1834), by Eugène Delacroix © Fine Art Images/Heritage Images/Getty Images; 42. The Iron Forge (1772), by Joseph Wright of Derby © Broadlands Trust, Hampshire, UK / Bridgeman Images; 43. Arkwright’s Cotton Mills by Day (1795–6), by Joseph Wright of Derby © Derby Museum and Art Gallery, UK / Purchased with assistance from the Heritage Lottery Fund, the Art Fund (with a contribution from The Wolfson Foundation), the V&A Purchase Grant Fund, and the Friends of Derby Museums / Bridgeman Images; 44. An Experiment on a Bird in the Air Pump (1768), by Joseph Wright of Derby © Photo12/UIG via Getty Images; 45. Descriptive map of London Poverty (1889), by Charles Booth © Museum of London, UK / Bridgeman Images; 46. Dudley, Worcestershire (1832), by Joseph Mallord William Turner © Lady Lever Art Gallery, National Museums Liverpool / Bridgeman Images; 47. Manchester from Kersal Moor (1852), by William Wyld: Royal Collection Trust © Her Majesty Queen Elizabeth II, 2018 / Bridgeman Images; 48. Kaaterskill Falls (1826), by Thomas Cole © Private Collection / Bridgeman Images; 49. Niagara Falls (1857), by Frederic Edwin Church © Corcoran Collection, National Gallery of Art, Washington D.C., USA / Museum Purchase, Gallery Fund / Bridgeman Images; 50. The Course of Empire: The Savage State (1834), by Thomas Cole © New York Historical Society/Getty Images; 51. The Course of Empire: The Arcadian or Pastoral State (1834), by Thomas Cole © New York Historical Society/Getty Images; 52. The Course of Empire: The Consummation of Empire (1835–6), by Thomas Cole © New York Historical Society/Getty Images; 53. The Course of Empire: Destruction (1836), by Thomas Cole © New York Historical Society/Getty Images; 54. The Course of Empire: Desolation (1836), by Thomas Cole © New York Historical Society/Getty Images; 55. The Oregon Trail (1869), by Albert Bierstadt © Universal History Archive/UIG via Getty Images; 56. George Catlin (1849), by William Fisk © FineArt / Alamy Stock Photo; 57. Top left: Stu-mick-o-súcks Buffalo Bull’s Back Fat, Head Chief, Blood Tribe (1832), by George Catlin © FineArt / Alamy Stock Photo; 58. Top Right: Shon-ta-yiga, Little Wolf, a Famous Warrior (1844), by George Catlin © Photo 12 / Alamy Stock Photo; 59. Bottom Left: Kah-beck-a (1832), by George Catlin © Niday Picture Library / Alamy Stock Photo; 60. Bottom Right: Sioux mother and baby, c.1830 by George Catlin © Private Collection / Peter Newark Western Americana / Bridgeman Images; 61. Painted Deer Hide © National Museum of the American Indian, Smithsonian Institution (18/4323). Photo by NMAI Photo Services; 62. Self portrait (1862), by Gottfried Bohumir Lindauer © Courtesy of the West-Bohemian Museum in Pilsen, Czech Republic Inv No NMP 71672; 63. Māori Chief Tamati Waka Nene (1890), by Gottfried Lindauer © VCG Wilson/Corbis via Getty Images; 64. Heeni Hirini and Child (1878), by Gottfried Lindauer © Christie’s Images / Bridgeman Images; 65. Carved figure on main pole at marae meeting house © LOOK Die Bildagentur der Fotografen GmbH / Alamy Stock Photo; 66. David Olusoga and portrait of Te Rangiotu by Gottfried Lindauer © BBC/Nutopia; 67. View of a Paris Street (1838), a daguerreotype by Louis-Jacques-Mandé Daguerre © GraphicaArtis/Getty Images; 68. Detail of above; 69. Sarah Bernhardt (1864), by Nadar © Artokoloro Quint Lox Limited / Alamy Stock Photo; 70. Top of the rue Champlain (view to the right) (20th arrondissement), 1877–8, by Charles Marville © Musee de la Ville de Paris, Musee Carnavalet, Paris, France / Bridgeman Images; 71. Aerial views of the Arc de Triomphe, c.1860s by Nadar © SSPL / Getty Images; 72. Gare St Lazare (1877), by Claude Monet, Musee D’Orsay © Peter Barritt / Alamy Stock Photo; 73. Paris Street; Rainy Day (1877), by Gustave Caillebotte, Art Institute of Chicago © VCG Wilson/Corbis via Getty Images; 74. In a Cafe, or L’Absinthe, 1875–6 by Edgar Degas © Musee d’Orsay, Paris, France / Bridgeman Images; 75. La Petite Danseuse de Quartorze Ans (1881), by Edgar Degas, Musee d’Orsay © Christophel Fine Art/UIG via Getty Images; 76. A Bar at the Folies-Bergère (1882), by Edouard Manet © Samuel Courtauld Trust, The Courtauld Gallery, London, UK / Bridgeman Images; 77. Under the Eiffel Tower, from L’Album de l’Exposition 1889 by Glucq © The Stapleton Collection / Bridgeman Images; 78. Javanese dancers © ND/Roger Viollet/Getty Images; 79. The Ancestors of Tehamana (1893), by Paul Gauguin, Art Institute of Chicago © VCG Wilson/Corbis via Getty Images; 80. Pastorales Tahitiennes (1893), by Paul Gauguin © State Hermitage Museum, St. Petersburg, Russia / Bridgeman Images; 81. Where Do We Come From? What Are We? Where Are We Going? (1897–8), by Paul Gauguin © Museum of Fine Arts, Boston, Massachusetts, USA / Tompkins Collection / Bridgeman Images; 82. Mask © Musée du Quai Branly – Jacques Chirac, Dist. RMN-Grand Palais/Patrick Gries/Bruno Descoings; 83. Study for the painting Les Demoiselles d’Avignon (1907), by Pablo Picasso © Succession Picasso/DACS, London 2018/ Courtesy akg-images; 84. Les Demoiselles d’Avignon (1907), (oil on canvas) by Pablo Picasso © Succession Picasso/DACS, London 2018/Courtesy of Museum of Modern Art, New York, USA / Bridgeman Images; 85. Sturmtruppe geht unter Gas vor (1924), by Otto Dix © DACS 2018/ Courtesy akg-images; 86. War (1932), (mixed media on panel) by Otto Dix © DACS 2018/Courtesy of Staatliche Kunstsammlungen Dresden / Bridgeman Images.
While every effort has been made to contact copyright-holders of illustrations, the author and publishers would be grateful for information about any illustrations where they have been unable to trace them, and would be glad to make amendments in further editions.