Index

Adkins, Hasil, 156

Adolescents, 75, 215

“Adult Books” (X), 40, 63

Alexander, Nickey. See Nickey Beat

Alice Bag, 26, 49–50, 92, 103, 195

Alice Cooper, 34

Allen, Kittra, 238

Allen, Steve, 128

Alley Cats

    as part of first generation punk scene, 245

    at the Masque, 18, 148

    description of, 64–65, 222

    “Escape from Planet Earth,” 64

    “Nightmare City,” 64

    “Nothing Means Nothing Anymore,” 64

    “Too Much Junk,” 64

Al’s Bar, 64, 85

Alternative Tentacles, 188

Alvin, Dave

    early musical interests, 221–222

    with The Flesh Eaters, 157, 230–233

    See also Blasters

Alvin, Phil, 219, 224

    See also Blasters

Amato, Will, 145

American Music (Blasters), 158

Anders, Alison, 69

Andy Warhol’s Interview magazine, 31

Angel Baby, 103

Angelyne, 43

Angry Samoans, 74, 220

Antioch College, 124

Aqualung (Jethro Tull), 193

Arguelles, Trudie. See Trudi

Armendariz, Alice. See Alice Bag

Arthur J. and the Gold Cups, 147, 148, 222

Arthur J’s coffeshop, 35

Ash Grove, 221–222

Ashford, Chris, 44

Asleep at the Wheel, 225

“Automatic” (Go-Go’s), 201

Avengers, 42, 50

Ayala, Carlos aka Carlos Guitarlos, 81–82

Azatlan, Hecho, 94

B People, 245

Baby Blue, 43

Baccalero, Sister Karen, 114–115

Baces Hall, 71

Back from Samoa (Angry Samoans), 74

Back Room, 35

Backdoor Man fanzine, 37, 69, 97, 152

Backstage Pass, 37

Bags, 26, 50, 65, 195, 222

    See also Alice Bag; Pat Bag; Terry Bag

Baiza, Joe, 172, 174

Baja Bugs, 103

Ballard, Hank, 228

Bangs, Lester, 87

Barrett, K. K., 40, 41, 48–49, 55, 61–63, 238

Bassett, Dave, 75

Bateman, Bill, 157, 220, 224, 230, 233

Bates, Jules, 162

Bazz, John, 220, 224, 233

BDSM, 21

Beahm, Paul. See Darby Crash

“Beat Your Heart Out” (Zeros), 97, 105

Beatles, 186, 191

“Beatnik Beach” (Go-Go’s), 198

Beauty and the Beat (Go-Go’s), 73, 240

Bell, Judith, 150, 153, 154, 157, 161

Bell, Michelle “Gerber,” 37

Bello, Elissa, 197

Belushi, John, 73, 159

Bentley, Bill, 229

Berle, Marshall, 65

Berlin, Steve, 157, 159, 230

Berry, Chuck, 63, 185, 208

“Berserk Town” (Plugz), 65

Bertha’s, 123

Bessy, Claude. See Kickboy Face

“A Better World” (Screamers), 62

Big Joe, 228

Biggs, Bob, 154, 156, 158

Billy Idol (William Broad), 39

Billy Zoom (Tyson Kindell), 2, 11, 63, 128, 154, 187, 208

Bingenheimer, Rodney, 15, 43, 46, 134

Black Flag

    Damaged, 74–75

    description of, 184, 217

    friendship with Minutemen, 178–179

    logo, 74, 88

    objectives of, 137–138

    photo of, 80

    restructuring of, 72, 188

    violence at shows, 117, 240

Black Randy and the Metro Squad

    description of, 66, 133, 184, 222

    friendship with The Screamers, 42

    at Save the Masque benefit, 50

    violence at shows, 246

    Pass the Dust, I Think I’m Bowie, 66

    “Trouble at the Cup,” 66, 133

Blackie’s, 64, 248

“Blades” (Go-Go’s), 197

Blasters

    American Music, 158

    musical style, 223–225

    at Olympic Auditorium, 217–220, 232–233

    philosophy of, 225

    Queen, opening for, 226

    sponsorship of other bands, 73, 228

    success of, 158–159

    violent situations, 220–221

    Zero Zero, as a favorite hangout, 249

Blessed, 108

Blondie, 8, 184, 185, 188, 194

Blood on the Saddle, 73

Blue Öyster Cult, 71, 168, 192

Bo Diddley, 185, 228

Bo Weavil Jackson, 69

Bobby Pyn. See Darby Crash

Body, Genny, 37

Bolles, Don, 106, 173, 198

Bomp! Magazine, 152

Bomp! Records, 37, 43, 44, 65, 105

Bonebrake, Donald J. “DJ,” 2, 63, 148, 157, 194, 230

Boomtown Rats, 225

Boon, Dennes “D.”

    meeting Matt Watt, 165–166

    discovering punk rock, 170–171

    learning to play guitar, 167–168

    with the Reactionaries, 170–171

    Black Flag, association with, 177–179

    death of, 182

    See also Minutemen

Boston Rock magazine, 152

Bowie, David, 14, 34, 186

Bradley, Mayor Tom, 81–82

The Brat, 66, 93–94, 112–114, 116, 118–120

Braun, David aka David Brown, 41, 61

Braverman, Kate, 126

Broad, William aka Billy Idol, 39

Brown, Roy, 228

Bukowski, Charles, 9, 21, 123, 126, 186

Burnette, Pat, 159

Burns, Raymond aka Captain Sensible, 46

“Buzz or Howl Under the Influence of Heat” (Minutemen), 180

Byrne, David aka David B., 124

Caffey, Charlotte

    classical music background, 193

    early interest in music, 191–193

    with The Eyes, 194–196

    at Immaculate Heart College, 193

    with Manuel and the Gardeners, 192–194

    Jane Wiedlin, as songwriting collaborator, 24, 199–206

    Joe Ramirez, as songwriting collaborator, 193–194

    See also Go-Go’s

Can, 62

Cannibal and the Headhunters, 111

Canterbury apartment building, 19, 22–23, 27, 107

Capallero, Lee. See Lee Ving

Capitol Records, 120

Captain Beefheart (Don Van Vliet), 192

Captain Sensible (Raymond Burns), 46

Carlisle, Belinda

    description of, 23, 37, 39, 45, 238

    relationship with Pleasant Gehman, 50

    rockabilly, conversion to, 51

    See also Go-Go’s

Carlos Guitarlos (Carlos Ayala), 81–82

cars, 207–208

Case, Peter, 44, 45, 227–228

Cash, Johnny, 156

Castration Squad, 26

Cathay de Grande, 52, 64, 73

Catholic Damage, 22

Catholic Discipline, 109, 245

Cavaleri, Grace, 124

CBGBs, 108, 124, 247

Cervenka, Exene. See Exene

Cervenka, Mirielle, 11, 24, 160–162

Chai, Dianne, 64, 65

Champs, 111

Cheap Trick, 54

Chenelle, Baba, 97

Cherie the Penguin, 48, 55

Childers, Leee Black, 51

China White, 188

Chipman, Jack, 125, 129

Chloe (hairdresser, makeup artist), 18, 41

Chris D. (Chris Desjardins)

    at CBS Records tape library, 153, 154

    close calls with cars, 161

    description of, 68

    as English teacher, 146

    personal life, 145–147, 149–150

    as producer of Fire of Love, 70

    punk rock definition, 143

    at Slash magazine, 145, 150–152, 154–158

    at Slash Records, 156–160, 229

    as Upsetter Records founder, 68, 153

    See also Flesh Eaters

Chuck (roadie), 11

cigarettes, 140–141

Circle Jerks, 75, 188, 245

Clarksville, Connie, 51

Clary, Susan, 160, 229

Clash, 43, 155, 156, 222

classic rock, 5

Clichés, 118

Clockwork Orange soundtrack, 193

Club 88, 64, 67, 91, 220, 227, 247

Club Lingerie, 64

Cobain, Kurt, 68

Cochran, Eddie, 185, 208

Cockettes, 41, 62

Coconut Teaszer club, 75

Cohlmeyer, Dave, 60

Coley, Byron, 231

Colver, Ed, 75–77, 79

Conehead, Miss, 25–26

Contortions, 108

Controllers, 18, 71, 154, 245

Cook, Paul, 50

Cook, Stu, 167

Copeland, Miles, 206

Covarrubias, Teresa

    Chicano roots of, 120–121

    early interest in punk, 111–112

    Vex, importance of, 116–117

    See also The Brat

Cramps, 37, 51, 64, 70, 108, 225

Creedence Clearwater Revival, 71, 167

Creem magazine, 31, 59, 87, 96, 168–169

Creeping Ritual, 70

Crosby, Dennis, 36, 47

Crowd, 188, 215

Cruising soundtrack, 67

Cuckoo’s Nest, 220, 227

Curland, Lisa, 47, 48, 50

Curtis, Tony, 31–32

Cutler, Paul, 106

Daalder, Rene, 62

Damaged (Black Flag), 74–75

Damned, 8, 33, 40, 43–46, 86, 185

Dangerhouse Records, 41, 61, 86, 153, 154

Danielle’s coffee shop, 35

Darby Crash aka Bobby Pyn (Paul Beahm)

    alcohol abuse, 44

    description of, 67–68, 237

    peanut butter smearing, 98, 195

    relationship with Pleasant Gehman, 33, 50

    death, 8, 52, 239, 248

    See also Germs

David B. (David Byrne), 124

Days of Wine and Roses (Dream Syndicate), 159

Dead Boys, 64

Deadbeats, 148, 222, 245

Dean, Johanna “Spock,” 37

Decline of Western Civilization (documentary), 11, 52, 67, 109

Del Fuegos, 229

Del Rey, Marina, 37

Delaney, Pat, 100

Delphina, 92, 102, 147

Denny, John, 3, 46

Derf Scratch (Frederick Milner), 159

DeSavia, Tom

    acid-taking experience, 75–77

    album covers, attraction to, 74–75

    photo of Exene, fascination with, 80

Desjardins, Chris. See Chris D.

“Destroy All Music 7” (Weirdos), 71, 131

Devo, 47, 54, 185

Dexter, Levi, 50–51, 72

Dickies

    major label contract, 187

    at the Masque, 149

    musical style, 222

    at Save the Masque benefit, 50

    at the Starwood, 196

    “You’re So Hideous,” 199

Dils, 50, 72, 148

Dinger, Klaus, 62

Disgraceland, 197

Divine Horsemen, 145

Doe, John

    in Baltimore, Maryland, 123–125

    Exene’s sister’s death, reaction to, 24

    with Flesh Eaters, 157, 230

    introduction to The Brat, 114

    living on his own, 129–130

    meeting Billy Zoom, 128

    moving to Los Angeles, 125–126

    partying at Pleasant’s house, 48

    at performance by The Brat, 93

    photo of, 85

    relationship with Exene, 9–11, 126–127, 248

    at X performance at Whisky a Go Go, 1–3

    See also X

Don Vinyl, 42

“Don’t Push Me Around” (Zeros), 97

“Don’t Talk to Me” (Eyes), 194–195

Doors, 6, 8, 123, 139, 156, 186, 208, 249

Dotson, Ward, 70

Double Nickels on the Dime (Minutemen), 188

Dream Syndicate, 159, 160, 229

Duardo, Richard, 94, 118

Dub, Debbie, 19, 21

Dukowski, Chuck, 137, 171

Dunning, Brad, 50

Eagles, 186

Edie and the Eggs, 196, 199

El Vez. See Lopez, Roberto

Electrify Me LP (Plugz), 65

“Electrify Me” (Plugz), 65

Elektra Records, 160, 249

Elks Lodge, 50, 71, 85, 222, 246

Elvis Costello (Declan McManus), 188

English Disco, 15, 34

Epic Records, 155

“Escape from Planet Earth” (Alley Cats), 64

Escovedo, Alejandro, 65, 72

Escovedo, Javier, 65, 97, 99

Escovedo, Mario, 103

Exene (Christine Cervenka)

    apartment behind Circus Books, 40, 53–54

    at Club 88, 91

    as codesigner of Tooth and Nail record labels, 154

    description of, 38

    hand-lettering technique, 88

    influences on, 63

    introduction to The Brat, 93, 114

    John Doe, relationship with, 9, 126–127, 248

    partying at Pleasant’s house, 48

    photos of, 79, 85

    sister Mirielle’s death, 24, 160, 162

    songwriting, 186–187

    See also X

Eyes, 71, 148, 149, 194–195, 245

Fabulous Thunderbirds, 225

Factory, 35

“Fake Contest” (Minutemen), 180

Fall, 68

Farrah Fawcett Minor aka Fay, 40, 53–55, 141

“Fashion Seekers” (Go-Go’s), 198

Father Yod, 193

Fatima Records, 94

Fats Domino, 186

Faye, D. D., 98, 152

Fear, 73, 160, 188, 217, 229

Fenders, 116

Fernandez, Vincent, 103

Fields, Robbie. See Posh Boy

Fire of Love (Gun Club), 70, 158

Flaming Groovies, 194

Fleetwood (club), 214

Fleetwood Mac, 186

Flesh Eaters

    at the Masque, 149

    description of, 68–69

    musical style, 72

    early recordings, 152

    Forever Came Today, 69

    A Hard Road to Follow, 69

    A Minute to Pray, A Second to Die, 68, 157, 158, 230–231

    No Questions Asked, 68, 155

Fleury, Joseph, 198

Flipside magazine, 152

Fly Boys, 153

Fogerty, John, 167

Forever Came Today (Flesh Eaters), 69, 159

“Forming” (Germs), 67

Fowley, Kim, 37, 43, 47

Fragile (Yes), 192

Friedkin, William, 67

Fuller, Sam, 157

“Fun With Ropes” (Go-Go’s), 199

Funhouse (Stooges), 146

F-Word, 3, 245

“A Gain A Loss” (Plugz), 65

Gallup, Cliff, 63

Gamboa, Harry, 118

Gargani, Frank, 80, 81, 83, 85, 89

Garrett, Pat “Rand,” 40

Gaye, Marvin, 1

Gear, Tommy, 41, 48, 61

Gears, 245

Gehman, Pleasant

    alienation from 70s pop culture, 34–35

    as club booker, 52

    Darby Crash and Pat Smear, 32–33

    epic party at mom’s house, 48–49

    favorite hangouts, 35–36

    with Hellin and Trudi, 38–39

    Jane Wiedlin, friendship with, 17, 38, 50

    Levi Dexter, relationship with, 72

    make-out companions, 49–50

    out all night with The Damned, 46

    prurient interests, 36

    as publisher of Lobotomy, 52

    rockabilly, conversion to, 51

    Screamers, fascination with, 41–42

    in Screamin’ Sirens band, 52

    writing career, 47, 51, 52

Generation X fanzine, 38

Genzale, John Jr aka Johnny Thunders, 108

Germs

    debut at Orpheum Theater, 44–45, 98

    description of, 222

    fans of, 66–67

    at Whisky a Go Go, 47

    death of Darby Crash, 133

    penultimate show at Starwood, 54

    Zero Zero, as a favorite hangout, 249

    “Forming,” 67

    GI, 51, 67, 133

    “Lexicon Devil,” 67, 199

    “Shut Down,” 133

GI (Germs), 51, 67, 133

Ginn, Greg, 87, 137, 178, 179, 240

Give ‘Em Enough Rope (Clash), 155

glitter rock, 14, 16–17

Go-Go’s

    beginning of, 22, 22–23, 28

    songwriting by, 28, 198–205

    success of, 73, 188, 240, 248

    recording contract, 206

    “Automatic,” 201

    “Beatnik Beach,” 198

    Beauty and the Beat, 73, 240

    “Blades,” 197

    “Fashion Seekers,” 198

    “Fun With Ropes,” 199

    “He’s So Strange,” 200

    “How Much More,” 197

    “Living at the Canterbury,” 197

    “London Boys,” 198

    “Lust to Love,” 200–201

    “Our Lips Are Sealed,” 201–203

    “Over Run,” 197

    “Party Pose,” 197

    “Robert Hilburn,” 197

    “Screaming,” 200

    “Skidmarks on My Heart,” 198

    “This Town,” 204–205

    “We Got the Beat,” 203–204, 206

Goblin, 104

Gold Cup coffee shop, 35

Gorilla Rose, 42, 108

Gormé, Eydie, 103

Graham, Terry. See Terry Bag

Granny Takes a Trip punk rock clothing store, 17, 38

Grapes, Jack, 126

Grasso, Bob, 148

Graves, Rob, 106

Gravity Talks (Green on Red), 159

Green on Red, 159, 229

Grisham, Jack

    backlash from violence, 209, 216

    discovery of hardcore punk, 212–213

    father, hatred of, 213

    hostility toward authority, 213–214

    LA punks, opinion of, 211–212

    as member of Vicious Circle, 214–215

    release of hate and hurt, 215

Gun Club, 37, 70, 72, 158, 160, 228, 245

Hal Negro and the Satin Tones, 42, 100

Hall, Terry, 201

“Hand Grenade Heart” (Zeros), 97

A Hard Road to Follow (Flesh Eaters), 69

Harrigan, David. See Tomata du Plenty

Hart, Fay, 161–162

Hauser, Fayette, 41

Heartbreakers, 124

Hellin Killer

    alleged loss of virginity, 50

    hanging out at the Whisky, 40

    meeting Pleasant Gehman, 38–39

    meeting The Damned at Bomp!, 44

    partying at Pleasant’s house, 48

    in the Plunger Pit apartment building, 55, 105

    Screamers, friendship with, 42

Henry, Blaze, 128

heroin, 28, 52, 140, 142

Herron, Willie, 115

“He’s So Strange” (Go-Go’s), 200

“Hey Joe”/“Piss Factory” (Patti Smith), 59

hippies, 18, 25

“History Lesson, Part II” (Minutemen), 178

Hoffman, Kristian, 96, 198

Holiday, Chase, 107–108

Hong Kong Café, 64, 65, 70, 114, 247

Hooker, John Lee, 228

Horses (Patti Smith), 59, 124

“How Much More” (Go-Go’s), 197

Howie Pyro (Howard Kusten), 108

Hurley, George, 170, 178, 181

Hüsker Du, 181

“I Got a Right/Gimme Some Skin” (Stooges), 145

“I Wanna Be Your Dog” (Stooges), 170

“I Wanna Hurt” (Screamers), 62

Iggy and the Stooges. See Stooges

Iggy Pop (James Osterberg, Jr), 15, 96, 145

“In This House That I Call Home” (X), 236

I.R.S. Records, 73, 206

Jackson, Wanda, 185

Jam, 112, 196

James, Ethan, 181

Jameson, Robyn, 159

Jefferson Airplane, 156

Jerks, 108

Jesus Christ Superstar soundtrack, 193

Joan Jett (Joan Larkin), 15, 37, 40, 47–50, 51, 67

Jones, Steve, 50

Jonze, Spike, 63

“Joy” (Minutemen), 179

Kalberg, Bruce, 152

Kaye, Randy, 36, 40, 43, 47, 50

Kereakes, Theresa, 38, 50

Kickboy Face (Claude Bessy)

    friendliness of, 173

    giving speed to John Doe, 142

    move to England, 241

    as writer for Slash, 60, 86, 100, 109, 145, 147, 240

Kid Congo aka Kid Congo Powers (Brian Tristan)

    as clerk at Bomp! Records, 37, 43

    joining The Cramps, 70

    as member of The Gun Club, 37, 47

    name change to Kid Congo Powers, 70

    as president of Screamers fan club, 41, 92

    return to roots rock, 103

“Kill Your Parents” (Eyes), 194

Kindell, Tyson. See Billy Zoom

Kinman, Chip, 42, 72

Kinman, Tony, 42, 72

Kipper Kids, 100

Kirk, Don, 69, 159

Knack, 187

Kraftwerk, 34

KROQ, 15, 111, 118, 134

Krusoe, James, 126

Kusten, Howard aka Howie Pyro, 108

“La Bamba” (Plugz), 65, 219

La Penna, Jim, 38

LA Weekly, 51, 52, 109, 248

Langland, Jane aka Jade Zebest, 38

Larkin, Joan. See Joan Jett

Larriva, Tito

    with The Flesh Eaters, 148

    interview with Los Angeles Reader, 65

    introducing Los Lobos to punk, 66

    as producer of Fire of Love, 70

    return to Latino roots, 103

    See also Plugz

Larry the Scientologist, 25

Led Zeppelin, 96, 191, 193

Lee, Arthur, 1

Lee, Craig, 51, 100, 109

Lee Ving (Lee Capallero), 217–218, 232, 238

Lens, Jenny, 81, 83–84, 87

Leonard, Gary, 82–85

Levi and the Rockats, 72, 225

Lewis, Jerry Lee, 185

“Lexicon Devil” (Germs), 67, 199

Liebezeit, Jaki, 62

Lipstick Killers, 155

Little Richard (Richard Penniman), 185

“Living at the Canterbury” (Go-Go’s), 197

Lobotomy fanzine, 50, 52

“London Boys” (Go-Go’s), 198

London Calling (Clash), 155

Lone Justice, 73

Lopez, Robert aka El Vez

    early interests, 95–96

    in New York City, 107–108

    as part of Los Angeles punk scene, 99–103

    Tomata du Plenty, admiration for, 104

    return to Latino roots, 103

    See also Zeros

Lorna Doom (Terry Ryan), 11, 23, 37

Los Angeles

    counterculture in, 84–86

    in 1970s, 85, 207, 235

Los Angeles album (X), 156, 240, 248

Los Angeles Reader (alternative weekly), 64, 65, 71, 87, 248

Los Angeles Times, 24, 70, 86, 87, 206, 248

Los Angeles Trade-Technical College, 14

Los Illegals, 66, 93–94, 113, 115, 116

Los Lobos, 66, 73, 103, 116, 118, 160, 228, 229

Loud, Lance, 96, 198

Love, 186, 249

Lucas, Sue aka Soo Catwoman, 39

“Lust to Love” (Go-Go’s), 200–201

Lydon, John aka Johnny Rotten, 66

Madame Wong’s, 85, 118, 248

Madness, 112, 206

“Main St. Brat” (Zeros), 97

Manuel and the Gardeners, 192

Manzarek, Ray, 1

Masque

    opening of, 33–34, 49

    description, 18, 49, 148, 189, 195

    featured bands, 65, 149, 196

    Save the Masque benefits, 50, 246

    closing of, 63, 246

Massey, Edith, 196

Max’s Kansas City, 35, 51, 108, 124, 247

MC5, 185, 249

MCA Records, 64

McCarthy, John, 64

McDonnell, Allen “Basho Macko,” 145, 147

McKee, Maria, 73

McKenna, Kristine, 87

McLean, Ann, 47, 51

McManus, Declan aka Elvis Costello, 188

McNally, Rand, 41

Medina, Rudy, 93, 112

Medina, Sidney, 93, 112

Melody Maker (music paper), 152

Meltzer, Richard, 71, 156, 176, 182

Mendez-Lopez, Roy, 168

Mercury Records, 59

Middle Class, 154, 188, 214

Thee Midniters, 111

Millar, Christopher aka Rat Scabies, 46

Milner, Frederick aka Derf Scratch, 159

A Minute to Pray, A Second to Die (Flesh Eaters), 68, 157, 158, 230–231

Minutemen

    band name, 176

    econo lifestyle, 175, 188

    musical style, 71, 176–178

    rehearsing, 174

    touring, 181–182

    Black Flag, association with, 178–179

    “Buzz or Howl Under the Influence of Heat,” 180

    Double Nickels on the Dime, 188

    “Fake Contest,” 180

    “History Lesson, Part II,” 178

    “Joy,” 179

    Paranoid Time, 178

    Project: Mersh, 181

    Punch Line, 71, 179

    Three-Way Tie (For Last), 181

    “What Makes a Man Start Fires?”, 180

Misfits, 74, 229

Mitchell, Joni, 191

Modern Lovers, 185

Mohr, Bill, 126

Moody Blues, 186

Morris, Chris

    avoidance of certain bands, 66–68, 71–72

    Chris D., description of, 68–69

    as DJ, 57–59

    hardcore bands, opinion of, 71–72

    Jeffrey Lee Pierce, meeting, 69–71

    as LA Reader columnist, 87

    at Parallax Theatre Systems, 58–60

    punk rock scene, discovery of, 61–63

    at Rhino Records, 61

    on roots-punk wave, 72–73

Morris, Keith, 70, 188

Morrison, Jim, 1

Motels, 33, 197, 225

Mudd Club, 108

Mullen, Brendan, 33, 60, 63, 195, 238–239

Mumps, 96, 198

Murphy beds, 53–54

Muskadine Records, 69

Myron’s Ballroom, 68

Nagler, Nancy, 50

Nanos, Jimmy, 128

Natasha, 38

Neat Neat Neat (Damned), 40

Neats, 160

Negative Trend, 154

Negro, Hal and the Satin Tones, 42, 100

Nerves, 44, 222, 245

Neu, 62

New Musical Express (newspaper), 152

new wave music, 46

New York Dolls, 35, 96, 97, 98, 99, 186

New York Rocker magazine, 52

Nickey Beat (Nickey Alexander), 26, 49–50

Nieve, Steve, 161–162

“Nightmare City” (Alley Cats), 64

Nissen, Melanie, 82, 86–87, 151

NME music paper, 37

No Mag magazine, 152

No Questions Asked (Flesh Eaters), 68, 155

Nomi, Klaus, 108

Norte, Marisela, 118

“Nothing Means Nothing Anymore” (Alley Cats), 64

Nuns, 42, 65, 149

Odd Squad, 113, 116, 118

Offs, 42

Olavarria, Margot, 23, 107, 196, 197

Olympic Auditorium, 219

“122 Hours of Fear” (Screamers), 62

Orpheum Theater, 33, 44, 45, 97

Osterberg, James Jr. See Iggy Pop

“Our Lips Are Sealed” (Go-Go’s), 201–203

“Over Run” (Go-Go’s), 197

Page, Bettie, 21

Panter, Gary, 42, 100, 151

Paranoid Time (Minutemen), 178

“Party Pose” (Go-Go’s), 197

Pass the Dust, I Think I’m Bowie (Black Randy), 66

Pat Bag (Pat Rainone), 38, 44, 50

Pat Smear (Georg Ruthenberg), 33, 44, 68, 195

Patronette, Rosemarie “Wyline,” 51

Patterson, Phast Phreddie, 37, 48, 69

“Peer Pressure” (Screamers), 62, 199

Penalosa, Hector, 97, 103, 106

Penniman, Richard aka Little Richard, 185

Perloff, Marsha, 40

Persons, Billy, 51

Pettibon, Raymond, 75, 87–88, 173

Phast Phreddie Patterson, 37, 48, 69, 97, 152, 228

Phillips, Leonard, 196

Pierce, Jeffrey Lee aka Ranking Jeffrey Lee, 37, 51, 69–71, 145, 147, 158

Plimsouls, 225, 227

Plugz

    musical style, 222

    treatment of “La Bamba,” 103

    at the Vex, 116

    “A Gain A Loss,” 65

    “Berserk Town,” 65

    “Electrify Me,” 65

    Electrify Me LP, 65

    “La Bamba,” 65, 219

Plunger Pit, 55, 105

Plungers, 105

Poly Styrene, 112

Population: One (musical), 62

Port of LA, 71

Posh Boy (Robbie Fields), 154, 238

Thee Precisions, 69, 228

Pretenders, 188

Project: Mersh (Minutemen), 181

Prole magazine, 179

Public Image Ltd., 66

Punch Line (Minutemen), 71, 179

“Punish or Be Damned” (Screamers), 62

punk rock

    band solidarity, 226–228

    changes in punk scene, 28, 43, 51–52, 71–72, 109, 113, 117–119, 180–181, 188, 231–232, 239–241

    clothing styles, 38–39, 44, 174, 237

    compilation LPs, 131, 153

    deaths, 6, 138, 162

    defined, 184–185

    diversity in, 101–102, 236

    drug and alcohol use, 25, 27–28, 48, 73, 135, 137, 138, 140–142

    in East LA, 113–119

    first generation bands, 222

    first generation punk scene, 7, 22, 33–34, 169–170, 172, 177, 184–185, 189, 195, 223, 236, 239, 246

    flyers, 88

    hangouts, 247–248

    hardcore, 71, 116, 117, 121, 188, 217, 218, 240–241

    hippies, attitude toward, 18, 25

    “Hollywood” influence on, 136

    joke bands, 100

    Latino/Chicano musicians, 91–94, 102–103, 111

    logos, 74–75

    magazines about, 152

    night clubs, 64 (See also Masque; Whisky a Go Go)

    Orange County fans, 28, 51, 109, 117, 209–215

    photographers of, 79–89

    pre-punk bands, 194

    roots of, 6

    roots-punk wave, 72

    sexual relationships, 49–50

    song-writing, 183–188, 194, 199–205

    violence at shows, 71–72, 74, 117–118, 220, 232

Punk Rock Prom, 115

Pure Hell, 64

Quad Teck, 159

Queen, 225–226

Queens of Noise (Runaways), 40

Quick, 33, 46

Quintana, Charlie “Chalo,” 65, 92

Rainone, Patricia. See Pat Bag

Raji’s, 52

Ramirez, Joe, 148, 192–196

Ramones, 7, 184, 185, 194

Randoms, 50

Rank and File, 72, 228, 229

Rat, Mary, 44, 55

Rat Scabies (Christopher Millar), 46

Raw Power (Stooges), 146

Ray Campi and his Rockabilly Rebels, 225

Record Plant, 6

Recycler, 127, 170

Redding, Otis, 1

Reed, Lou, 34

R.E.M., 181–182

Rhino Records, 61, 69, 245

Richard Hell (Richard Meyers), 174

Richey, John, 148

Ridgway, Stan, 153

Rik L Rik, 3, 154, 238, 245

Rilly, Billy Lee, 156

Ritter, Rob, 70

Rivers, Johnny, 8

“Robert Hilburn” (Go-Go’s), 197

Rock Scene magazine, 31

rockabilly, 51

Roessler, Kira, 37

Roessler, Paul, 37, 61

Rollin’ Rock Records, 158

Rollins, Henry

    early interest in punk rock, 131, 133

    reaction to Los Angeles music scene, 134–137

    development of underground punk network, 188

    See also Black Flag

roots-punk wave, 72

Roxy Music, 14, 186

Roxy Theatre, 62, 118

Rubber City Rebels, 225

Rubell, Steve, 108

Ruby Records, 158, 160, 229

Runaways, 33, 37, 40, 67

Ruthenberg, Georg. See Pat Smear

Ryan, Gary, 11

Ryan, Terry. See Lorna Doom

Saccharine Trust, 93, 137, 217

Samiof, Steve, 47, 59, 86, 151

Santana, Carlos, 103

Saturday Night Live (TV show), 73

Schwartz, Andy, 152

Screamers

    description of, 61–62, 104, 136, 222

    originality of, 3

    at Orpheum Theater, 45

    photos of, 81, 86–87

    reaction to, 40–41

    Save the Masque benefit, 50

    “122 Hours of Fear,” 62

    “A Better World,” 62

    “I Wanna Hurt,” 62

    “Peer Pressure,” 62, 199

    “Punish or Be Damned,” 62

    “Vertigo,” 62

    “Wilton Hilton,” 18, 41–42

Screamin’ Sirens, 52, 73

“Screaming” (Go-Go’s), 200

Search and Destroy magazine, 152

Seeds, 97

Selecter, 112

Self Help Graphics and Art, 114–115, 117–118

Seventh Heaven (Patti Smith), 59

Sex Pistols, 50, 101, 156, 222, 236

Shark Club, 220

Shaw, Greg, 37, 65, 98, 152

Schock, Gina, 199

“Shut Down” (Germs), 133

Silverhead, 15

Siouxsie Sioux (Susan Ballion), 39, 112

Sir Douglas Quintet, 225

“Skidmarks on My Heart” (Go-Go’s), 198

Skulls, 71, 148, 245

Slash magazine, 47, 59, 86–87, 145, 150–152, 155, 157, 240, 246

Slash Records, 65, 67, 154, 156, 228

Slits, 112

Smith, Frances, 126

Smith, Patti, 34, 59, 124, 185, 194

Snowden, Don, 70

Social Distortion, 215

Sonics, 185

Soo Catwoman (Sue Lucas), 39

Sounds music paper, 37, 152

Source Family, 193

Sparks, 14

Spastics, 148

Spazz Attack, 238

Spheeris, Penelope, 67, 109

Split Enz, 225

Springsteen, Bruce, 108

SST Records, 87, 137, 178, 188, 240

Stains, 93–94, 116, 121, 188

Standells, 97

Stardust Ballroom, 72

Starwood Club, 33, 43, 46, 54, 112, 206, 246, 248

Statman, Anna, 37, 51, 52, 69

Stevens, Rocky, 153

Stevenson, Gordon, 160

Stodola, Randy, 64, 152

Stone, Carl, 176

Stones, 191

Stooges, 34, 96, 145, 146, 170, 185, 249

Strummer, Joe, 143

Studio 54, 108, 247

Suburban Lawns, 217

Sugar Shack, 35

Suitcase, 42

Summa, Ann, 81, 83, 86

Sun Records, 105–106

sunglasses, 208

Suquette, Joe “Vex,” 115

“Survive” (Bags), 65

Suspiria soundtrack, 104

T-Rex, 14

Talking Heads, 124

Tamburovich, Martin, 171

Tapestry (Carol King), 193

Taylor, Gene, 220, 224, 233

Teenage Jesus, 108

Television, 185, 194

Terrell, Tammy, 1

Terry Bag, 21, 27, 70

“This Town” (Go-Go’s), 204–205

Thomas, Dean, 50

Three-Way Tie (For Last) (Minutemen), 181

Tomata du Plenty (David Harrigan), 3, 41, 48, 62

Tonche, Frank, 174, 177, 178

Tony the Hustler, 48

“Too Much Junk” (Alley Cats), 64

Tooth and Nail (compilation LP), 68, 153

Top Jimmy and the Rhythm Pigs, 73, 157

Tristan, Brian. See Kid Congo

Trixie, 100, 105, 107

Tropicana Motel, 46, 51

“Trouble at the Cup” (Black Randy), 66, 133

Trout Mask Replica (Captain Beefheart), 192

Trudi (Trudie Arguelles), 38, 42, 44, 48, 49, 50, 55, 105, 238

T.S.O.L., 75, 188, 215

Turner, Big Joe, 186, 228

Tyranny and Mutation (Blue Öyster Cult), 192

Under the Big Black Sun (X), 11

Undertakers, 113, 116

Upsetter fanzine, 150

Upsetter Records, 68, 153, 155

Urban, Peter, 42

Urinals, 71

Valens, Ritchie, 65, 92

Valentine, Kathy, 206

Van Halen, 33

Van Vliet, Don aka Captain Beefheart, 192

Vandals, 74

Vanian, Dave, 44, 46, 86

Velvet Underground, 97, 98, 99, 185

Venice Poetry Workshop, 126

Ventures, 225

“Vertigo” (Screamers), 62

Vex club, 64, 94, 115–117, 119

Vicious Circle, 214

Village Voice, 156

Vincent, Holly, 37

Violent Children, 121

Violent Femmes, 160

Wahl, Chris, 159

Waits, Tom, 46, 126

Wall of Voodoo, 153, 225

Waller, Don, 37, 152

Warhol, Andy, 35

Wasted Youth, 75

Waters, John, 123–124

Watt, Mike

    Black Flag, association with, 177–179

    death of D. Boon, 182

    discovering punk rock, 170–171

    econo defined, 175

    learning to play bass guitar, 167–168

    meeting D. Boon, 165–166

    with the Reactionaries, 170–171

    See also Minutemen

“We Don’t Need the English” (Bags), 65–66

“We Got the Beat” (Go-Go’s), 203–204, 206

“We Got the Neutron Bomb” (Weirdos), 71, 199

Weirdos

    description of, 3, 44, 46, 71, 98, 222

    as kings of LA punk scene, 18

    at the Orpheum Theater, 97

    at Save the Masque benefit, 50

    “Destroy All Music 7,” 71, 131

    “We Got the Neutron Bomb,” 71, 199

Weiss, Robin, 158

Weiswasser, Marc, 169

Went, Johanna, 100

“We’re Desperate” (X), 199

West, Nathaniel, 123

Westwood, Vivienne, 21

“What Makes a Man Start Fires?” (Minutemen), 180

Whisky a Go Go, 24, 47, 61, 112, 194, 246, 248

Who, 191

Wiedlin, Jane

    at the Canterbury, 19–22, 25–28, 106–107

    Charlotte Caffey, songwriting collaboration with, 24, 199–206

    drug use, 20, 25, 27

    glitter rock obsession, 14–17

    hairstyles, 18

    at Los Angeles Trade Tech, 14

    parents’ reaction to, 14, 16, 19

    Pleasant Gehman, friendship with, 17

    punk rock fashion, 16–17

    suicide attempt, 15–16

    Terry Bag (Terry Graham), relationship with, 21–22, 27

    See also Go-Go’s

Wild Gift (X), 11, 158

“Wild Weekend” (Zeros), 105

Wiley, David, 106

Wilhelm, Shannon, 26, 28

Williams, Mark, 229

Wilton Hilton, 18, 41–42, 104

“Wimp” (Zeros), 97

Winogrand, Garry, 83

Winstanley, Philomena, 145, 147

Winterland Ballroom, 50

Women’s Wear Daily, 16

“The World’s a Mess (It’s in My Kiss)” (X), 143

Woronov, Mary, 42

X

    description of, 184, 222

    performing in New York, 247

    promotion of the Blasters, 228

    release of Los Angeles, 156, 240

    at Save the Masque benefit, 50

    signing with Elektra, 160, 249

    on tour, 248

    at the Vex, 115

    “Adult Books,” 40, 63

    “In This House That I Call Home,” 236

    Los Angeles album, 156, 240, 248

    Under the Big Black Sun, 11

    “We’re Desperate,” 199

    Wild Gift, 11, 158

    “The World’s a Mess (It’s in My Kiss)”, 143

X8, 102

Yes, 192

Yes L.A. (compilation album), 153

Yoakam, Dwight, 73, 228

Young, Neil, 191

“You’re So Hideous” (Dickies), 199

Zacha, Paul, 162

Zandra, 38

Zarkons, 65

Ze Whiz Kidz, 62

Zero Zero club, 73, 225, 248

Zeros, 33, 44, 45, 65, 97–99, 105–106

Zolar X, 15