Contents
List of Illustrations
Acknowledgments
INTRODUCTION:
Cinema as Digital Dream Machine
1. ENLARGED SPECTATORSHIP
From Realism to Surrealism: Bazin, Barthes, and
The
(Digital)
Sweet Hereafter
2. INTERACTIVE SPECTATORSHIP
Gaming, Mimicry, and Art Cinema: Between
Un chien andalou
and
eXistenZ
3. GLOBALIZED SPECTATORSHIP
Ring
Around the Superflat Global Village: J-Horror Between Japan and America
4. POSTHUMAN SPECTATORSHIP
The Animal in You(Tube): From
Los olvidados
to “Christian the Lion”
5. COLLABORATIVE SPECTATORSHIP
The Surrealism of the Stars: From
Rose Hobart
to
Mrs. Rock Hudson
AFTERWORD
Marking Cinematic Time
Notes
Bibliography
Index