Index

Names of past ArtPace residents are boldfaced. Italic page references denote illustrations.

Abramovic, Marina, 177, 190

Abstract Expressionism, 39

Acconci, Vito, 190

Acea, Francis. See Ordo Amoris Cabinet

Aguilar, Laura, 20, 104–5

    Stillness #27, 105

    Stillness #28, 273

    Stillness series, 104

Alamo, 34, 155, 240–44, 245, 287

Allen, Terry, 109

Amado, Jesse, 21, 58, 60, 61, 120–23, 135

    At the height of identifying tradition, 123

    I pray when I play in the collective landscape, 120, 122

    White Floating, 61, 121, 248

American West, influence on art, 20

Antoni, Janine, 190

Armstrong, Yvette, 108

arte povera, 196

artist residency programs, 11–13, 101

artists’ spaces, 134–35

ArtPace, A Foundation for Contemporary Art | San Antonio

    board of visitors of, 57, 111

    the building, 11, 12, 13, 52–53, 52, 53, 55

    founding of, 31, 49–54

    funding for, 78

    guest curators, 13, 57, 106–8

    mission statement, 50, 89, 320

    nature of program, 7, 13–14

    opening shows, 59–62

    public programs at, 108

    regional artist travel grant, 108

    residency program, 7–8, 13, 23–24, 51, 57, 101, 106–8

Arts and Crafts movement, 11

Aspen, Colorado, 47, 75

assemblage, 196

Auping, Michael, 51

Avalos, David, 21, 65

    Bullet-Proof Piñata, 251

Bag, Alex

    Untitled, 262

Bahc, Yiso

    Untitled (Sky of San Antonio), 280

Baldessari, John, 109

Baldwin, James, 94, 170

Bamgboyé, Oladélé Ajiboyé, 17

    Unmasking Part 2, 274

Bankemper, Joan, 17, 94

    Sophie’s Garden, 18, 267

Beebe, Mary, 62, 109

Binder, Gene, 51

Bosshardt, Frank, 33

Bosshardt, Hedwig, 33

Bozell and Jacobs, 42

Brancusi, Constantin, 146

Breitz, Candice, 15

    Diorama, 288

Burden, Chris, 146, 174, 177, 190

Burke, Edmund, 71

Byrdcliff (Catskill Mountains, New York), 11–12

Cage, John, 175

Caillouet, Andréa, 84

Cain, Jyl, 47, 84

CAMPstreet, 109–10, 111, 115

Capp Street Project (San Francisco), 12–13, 50, 101

Carr, Orville, 88

Carter, Donna, 84, 108

Casas, David Zamora, 16, 52, 65

    residency exhibition, 251

Cassie, Nate

    olifant/Funhouse, 264

Cattelan, Maurizio

    Untitled, 279

Chamberlain, John, 146

Cisneros, George

    An Excavated Triptych, 271

Clifford, James, 18

Cobb, James, 52

Colpitt, Frances, 108

Conceptual art, 58, 142, 174, 190, 216

Conley, Brian, 17

    Pseudanuran Gigantica, 17, 285

Constructivism, 146

Contemporary Arts Museum (Houston, Texas), 25

Cooke, Lynne, 62

Copperfield, David, 244

Corrin, Lisa, 87

Cross, Dorothy, 68, 101

    CRY, 69

    Kiss, 255

Cruz, Amada, 109

Dada, 177

Darboven, Hanne, 190

Dater, Judy, 104

Daughters of the Republic of Texas, 240

Daughters of the Texas Revolution, 155

Daun, Joseph, 62, 65

    Bun-Making Machine, 65, 65, 249

    Preserve, 249

Debord, Guy, 174

de Frutos, Javier, 202

de Kooning, Willem, 39

de Leon, Alex, 52, 71

    His Insurance Wants the Police Report, 71

    Just kuz you don’t think, doesn’t mean they ain’t, 256

Demand, Thomas, 106

de Menil, Dominique, 58

de Menil, Philippa, 50

deSoto, Lewis, 71

    The Sound of the Trumpet, 70, 71, 256

de St. Phalle, Nikki, 174, 177

Dia Center for the Arts (New York), 13, 50

Diaz, Alejandro

    Cocaine Abstraction I, 258

Diaz, Joe, 51

dreams, 28, 29, 60, 74, 90, 114, 188. See also Pace, Linda, dreams and dreamwork of

Drew, Leonardo, 17, 66–67, 67

    residency exhibition, 252

    Untitled (No. 48), 67

Duchamp, Marcel, 177, 240

Dudley, Betsy, 45

Duncan, Michael, 146

Engelstein, Sharon air GA, 289

Export, Valie, 190

Fernández, Teresita, 94, 98–99, 99, 109, 110, 178–83

    Borrowed Landscape (Citron, Cerulean, Violet, Blue), 98, 178–82, 179–81, 183, 270

    preliminary rendering of Chris’s park, 110

FitzGibbons, Bill, 45–46

Flato, Ted, 54

Fomby, Effie Earle, 36

Ford, O’Neil, 38

Foucault, Michel, 205

Fritsch, Katharina, 50

Fuller, Buckminster, 18

Gabellone, Giuseppe

    Untitled, 291

Gallaccio, Anya, 20, 84–85

    they said there was a paradise way out west, 20, 84–85, 260

Geers, Kendell, 23, 24, 94, 96, 174–77

    T.W. (Shoot), 96, 174–77, 175–76, 268

Gill, Simryn, 19–20, 103–4

    Vegetation, 103–4, 104, 272

globalization of culture, 18–19

Goldsbury, Chris (David Christopher Goldsbury, Linda Pace’s son), 40, 41, 71, 73–82, 75, 76, 77, 87–88, 89, 108–10

Goldsbury, Christopher, Sr. (Linda Pace’s father-in-law), 38

Goldsbury, Kit (Christopher Goldsbury, Jr.), 38–43, 41, 77, 78

Goldsbury, Mardie (Margaret Marie Goldsbury), 40, 41, 48–49, 51, 74, 75, 76, 77

Goldsbury, Margaret Barclay, 38

Gonzales, George, 108

González, Julio, 146

Gonzalez-Torres, Felix, 58–60, 59, 124–27, 135, 190

    Untitled (Beginning), 59, 124–27, 248

Gormley, Antony, 62, 65–66

    Heat, 66

    Lock II, 252

Grand Arts (Kansas City, Missouri), 101

Gray, Alexander, 84, 96, 96

Green Expectations, 45

Guajardo, Daniel, 84

Guerin, John, 39

Ham, Yangah

    Mongyu Do Won Do, 281

Hammann, Sally, 47, 84

Hammons, David, 196

Harte family, 48

Harvest Fellowship Church, 102, 234

Hatch, Ann, 50

Hatoum, Mona, 25, 105, 105, 190–95

    Home, 105, 192, 194–95

    Isolette, 105, 191, 192

    residency exhibition, 273

    Untitled (Baalbeck Birdcage), 105, 192–94, 192–93

Herman Miller furniture, 37

Hernández, Diango. See Ordo Amoris Cabinet

Hernandez, John

    Jerry’s Kids, 282

Herrera, Arturo, 101, 109, 208–13

    All Day, 213

    Here, 210–11, 277

    Still, 209

    Untitled (two works), 212

    Within a Few Days, 277

Herrera, Mary Ellen, 84

Hill, Quita, 108

Hirschhorn, Thomas, 196

Hitchcock, Alfred, Psycho, 94

Hockney, David, 205

Hoffman, Heinrich, 34

Hoffmann, Leni, 67

    PAL, 254

Hofmann, Hans, 39

Holland, Rebecca, 101, 214–19

    Current, 214–16, 215–18, 278

    Untitled, 219

Holley, Tara Elgin, 108

Holt, Peter, 48

Hondo Partners, 47

Horn, Rebecca, 190

Housen, Abigail, 84

Hudson (Show)Room, 106

Huerta, Benito, 62

Huffman, Bill, 148–49

Hyland, Douglas, 52

installation(s), 8, 14, 15, 16, 17, 21, 23, 50, 61, 66, 68, 71, 84, 87, 94, 95, 96, 102, 103, 105, 106, 108–9, 135, 142, 146, 162, 163, 164, 177, 178, 184, 186, 190, 192, 194, 208, 212, 214, 216, 218, 223, 226, 234

International Studio Program (New York), 12

Irwin, Robert, 109

Issleib, Hertha, 35

Jack S. Blanton Museum of Art (Austin, Texas), 25

Jafa, Arthur

    My Black Death, 290

Jakobsen, Henrik Plenge, 15, 94

    Untitled (bed), 267

    Untitled (shower), 94–95, 95

Jankauskas, Jennifer, 108

Jankowski, Christian, 16, 101, 102, 234–39

    The Holy Artwork, 16, 24, 102, 235–38, 239, 285

Jezebel (dog), 88, 88

Jiménez, Cisco, 21, 66

    residency exhibition, 253

Jones, Anthony, 62

Judd, Donald, 190

Julien, Isaac, 20, 25, 106, 106, 202–7

    The Long Road to Mazatlán, 106, 107, 202–5, 203–4, 206–7, 276

Jung, Jungian, 28, 46, 82, 83

Jurist, David, 93

Kanjo, Kathryn, 85, 93, 101, 106, 108, 109, 149

Kaprow, Allan, 175–76

Katchadourian, Nina, 106

Kawamata, Tadashi, 19

    Ghost Town Texas, 265

Kelley, Mike, 196

Klein, Yves, 177

Koehler, Emma, 33

Koester, Joachim, 20, 101

    Northwood and Other Locations, 21, 279

Koons, Jeff, 163

Koshalek, Richard, 62

Kusolwong, Surasi, 22

    Minimal Factory ($1 Market), Red Bull Party (with D.J.), 288

La Babia ranch, 40, 75

Laing, R. D., 177

Langhorne, Meg, 84

Lazarus, Michael, 108

Ledgerwood, Judy, 108

Lee, Amy Freeman, 45

Leone, Sergio, 205

Levy, Rebecca, 51

Lewis, C. S., 73

Le Witt, Sol, 190

Ligon, Glenn, 94, 170–73

    Lest We Forget, 94, 172, 266

    Stranger in the Village #11, 171

Little, Ken, 13, 66

    Soaring/The Rules of Engagement, 253

Lloyd, Ann Wilson, 101

London, Barbara, 68

London Studio Program, 51–52

Longoria, Dick, 77–78

Lopez, Alex, 108

Lopez, Jay, 108

Lowe, Constance, 94

    striking likeness, 94, 266

Lubberinger, Louis, 40

Lundberg, Bill, 94

    Opening, 269

Lynes, George Platt, 205

MacDowell colony (Peterborough, New Hampshire), 12, 101

Madonna, 136

Maino, Juan Bautista, 239

Manglano-Ovalle, Iñigo, 25, 158–63

    The El Niño Effect, 158–63, 158–62, 264

Männikkö, Esko, 20

    Casimiro, Batesville, 257

    Frank and Christina, San Antonio, 20

    Mexas series, 257

Mapplethorpe, Robert, 205

Marbut, Marcy, 113

Marbut, Margo and Bob, 113

Marclay, Christian, 14–15, 101

    Accordion, 276

    The Sounds of Christmas, 14, 24

Martin, Agnes, 190

Martínez, César

    Bato/Pachuco series, 263

    la Chata, 263

Mason, T. Kelly, 14, 96

McAllister, Connie, 108

McCarthy, Paul, 196

McColl Center for Visual Art (Charlotte, North Carolina), 12, 101

McDonough, Pat, 42

McGrath, Elizabeth, 52, 67

    Broken, 69

    Clucks, 254

    Please watch your step, 68, 254

McLean, Don, 73

McLuhan, Marshall, 18, 177

McMillan, Jeff, 84, 87

McNay, Marion Koogler, 47

Melgaard, Bjarne, 196

Mellyn, John, 68, 69

Mendiola, Jim, 20, 240–45

    works. See next entry

Mendiola, Jim, and Rubén Ortiz-Torres

    The A-Files, 245

    Fountain/Ozzy Visits the Alamo, 241

    Spectacle/Spaztek Aztec Visits the Alamo, 242, 242–43

    Tejano Dream/David Copperfield Visits the Alamo, 244, 245, 287

Messager, Annette, 21, 58, 60–61, 60, 128–34

    Protection, Protection, Protection…, 60–61, 128–33, 249

Miller, Laurence, 49, 57, 66, 68, 82, 93, 96

Miller, Suki, 73–74

Minimalism, 190, 192, 216

    sculpture, 163

Moe, Holly (Holly Moe Saucedo), 16, 94, 95–96

    Good News, 95–96, 268

Moffatt, Tracey, 15, 62–63, 63, 136–39

    Guapa, 62, 136–38, 137–41, 250

    Scarred for Life, 136

Mondini-Ruiz, Franco, 21, 101

    Infinito Botanica @ Art Pace, 24, 24, 257

Moore, Charles, 48

Moore, Jeffrey, 49

Moore, Rick, 108, 108

Morris, William, 11

Museum of Jurassic Technology (Los Angeles), 244

Nanzenji Temple, Kyoto, Japan, 182

National Endowment for the Arts, 101

Nauman, Bruce, 109, 174, 177

Negley, Nancy, 50

Nelson, George, 37

Neubert, George, 115–16

Neuenschwander, Rivane, 226–33

    Pertence. Não Pertence. (Belong. Not Belong.), 233

    Involuntary Sculptures (speech acts), 233, 233

    Omission Points (…), 226, 227–29

    Palavras Cruzadas (Scrabble), 226, 230–32, 233, 283

    Sopro (Blow), 233

Nguyen-Hatsushiba, Jun, 22, 62, 64–65, 64

    Shovel Boat—Perpetual Maze, 22, 64, 250

    Spoon, 22

Noland, Cady, 190

Oldenburg, Claes, 146

O’Malley, Michael, 101

    Still, 261

Ono, Yoko, 177

Opie, Catherine, 106

Ordo Amoris Cabinet, 22

    Mousepads, 22, 286

Orlan, 190

Ortiz-Torres, Rubén, 20, 240–45

    works. See Mendiola, Jim, and Rubén Ortiz-Torres

Osbourne, Ozzy, 240

Pace, Amos Gideon, 36

Pace, David Earl, 33, 35–37, 35, 40–41

Pace, Linda, 33–109, 34, 35, 41, 60, 75, 77, 108

    art training, 38–40, 45–46

    artworks by, 46–47, 113–16

    birth, childhood, and family background, 33–39

    business affairs, 40–43, 45

    collection of art, 47, 66–67, 106, 113–14, 149

    development of CAMPstreet, 109

    dreams and dreamwork of, 28, 31, 42–43, 46, 62, 78, 82–84, 87–89, 98, 102, 106, 111, 113, 114, 116

    founding of ArtPace, 12–13

    Green Peace, 116

    marriage to Dick Roberts, 47, 51–52

    marriage to Kit Goldsbury, 38–40

    Red Project, 113–17, 114–15, 117

Pace, Margaret Bosshardt (Margaret Pace Willson), 33, 34, 35, 35, 37–42, 48, 77

    photograph by, 79

Pace, Paul, 35, 36, 38, 41

Pace Foods, 36–37, 40, 42–43

Pace Roberts Foundation for Contemporary Art, 50, 134

Parker, Cornelia, 17, 85–87, 152–57

    Mass (Colder Darker Matter), 25, 87, 153–54, 156, 262

    The spider that died in Mark Twain’s house, 155, 155

    Temple of Dagon is Destroyed, 157

    Wedding Ring Drawing (circumference of living room), 155, 156

Pearl Brewery (San Antonio), 33–35

performance art, 14, 21, 102, 190

Picasso, Pablo, 146

Piper, Adrian, 190

Pittman, Lari, 108

Porter, Mark, 84, 108

P.S. 1 (New York), 12

Ramirez, Chuck

    Bean & Cheese, 289

    Godiva 1, 289

Ramos, Juan Miguel

    Southside Lotería, 291

Rasdjarmrearnsook, Araya, 16, 94, 98

    Pond, 270

    Reading for Male and Female Corpses, 19

Reed, David, 108

Rhoades, Jason, 21, 196

    Long Long Trailer Trailer, 21, 282

Rinder, Lawrence R., 101

Roberts, Dick, 47, 51–52

Roberts, Liisa

    Sidewalk, 275

Robinson, Riley, 59, 60, 64, 84, 85, 94, 108

Robleto, Dario, 14–15

    If We Do Ever Get Any Closer at Cloning Ourselves…, 281

    The Polar Soul, 281

Rockefeller Foundation, 49

Rodriguez, Lordy, 21

    Texas 50, 286

Rodríguez-Díaz, Angel, 21, 98

    Splendid Little War, 271

Rose, Tracey, 23, 220–26

    TKO, 220–23, 221–22, 224–25, 278

Rothko Chapel (Houston, Texas), 58

Rubins, Nancy, 84, 85, 146–49

    5,500 Lbs. of Sonny’s Airplane Parts, Linda’s Place, and 550 Lbs. of Tie-Wire, 85, 86, 147–51, 260

Ruilova, Aïda

    Untitled, 292

Ruskin, John, 11

Russell, Jan Jarboe, 109

    writing collaboration with Linda Pace, 28–29

San Antonio, Texas, 7, 11, 20, 50, 109, 134, 240

    Chicano and Latino influence in, 15, 16, 21, 50, 60

San Antonio Art Institute, 38, 45, 47–48

San Antonio College, 38

San Antonio Museum of Art (SAMA), 11, 17, 25, 50, 52, 115–16

Santiago, Paula, 83, 83

    Numen, 259

Saucedo, Holly Moe. See Moe, Holly

Sauter, Chris, 105–6, 196–201

    Graft, 105–6, 196–201, 197–201, 275

Sawyer, Margo, 16–17

    Ten + One Illuminations, 16, 280

Scheibitz, Thomas, 106

Schneemann, Carolee, 16, 25, 102–3, 103, 184–89

    Vesper’s Pool, 16, 102–3, 184–87, 189, 272

Schneider, Gregor, 198

Scorsese, Martin, 205

Scott, Joyce J., 22

    Dead Boy Dead, 23

    Inside Scoop, 259

Sculpture Space (New York), 51

September 11, 2001, events, 96

Serra, Richard, 146

Sherman, Cindy, 136

Sidén, Ann-Sofi

    3 miles an hour, 290

Sikander, Shahzia, 22

    Intimacy, 24, 25, 284

Sims, Lowery, 62

Skowhegan (Maine), 12

Smith, Alexis, 109

Smith, David, 146

Smith, Kiki, 109

Snyder, Hills, 84, 108

Sone, Yutaka, 20–21

    Double Six, 283

Spaztek Aztec, 244

Spencer, Rev. Peter, 102, 234

Steinbomer, Henry J., 38

Storr, Robert, 13–14, 57–58

Sun, May, 67

    Trajectory: How Am I Driving? 67, 255

Surls, James, 48–49, 51

Sutherland, Dan, 52

Sweeney, Gary, 108

Tanner, Trisha, 108

Tenger, Hale, 90, 164–69

    The Closet, 24, 90, 164–69, 165–69, 265

Texas

    Bible Belt in, 198, 234

    museums in, 24–25

    practice of art in, 11, 19–20

Thater, Diana, 94, 96–98

    The future that almost wasn’t, 14, 96, 97, 269

Tobin Building, 109–10

Toomik, Jaan, 17

    Untitled, 89–90, 91, 263

transgressive work, 174, 188

Ulay, 177

University of California at San Diego, Stuart Collection, 62, 108–9

University of North Texas Art Gallery, 25

University of Texas at Austin, 25

University of Texas at El Paso, 25

Vanderlip, Diane, 62

Van Der Zee, James, 205

van Gogh, Vincent, 73

Vargas, Kathy, 16

    State of Grace: Angels for the Living/Prayers for the Dead, 261

Vater, Regina, 17

    Cosmologies, 274

Velliquette, Michael, 108

Villejo, Tony

    residency exhibition, 284

Visual Thinking Strategies, 84

Walker, Courtney, 54

Walker Art Center (Minneapolis, Minnesota), 108

Wall, Jeff, 136

Wallace, Randy, 108

Warhol, Andy, 205

Wegman, William, 109

Wells, Jennifer, 93