1 Meeting dancers, making stories and meaning making
PART 1: ‘WHY CAN’T I DANCE IN THE STREETS?’
2 Politics and performance entwine
3 Surveillance weaving through body, mind and performance
4 Occupation, to occupy and to be occupied
PART 2: ‘ARE THESE BORDERS MAKING ME MORE CREATIVE?’
5 Breaking boundaries and borders of dance
6 Freedom inside and outside of dance
7 Censorship choreographed, propaganda performed
PART 3: ‘I’M A FEMALE CONTEMPORARY DANCER […] AND BY THE WAY, I’M ARAB, IS THAT A PROBLEM?’
8 The female dancing body in the Arab world