INDEX OF NAMES (individuals, organizations, places, events), titles (films, books, magazines, newspapers), and selected critical terms. Film title dates, according to year of release, are placed in parentheses. Book title dates are placed in brackets. This index includes selected references to substantive material in endnotes to the preface, introductions, and translated texts.
A.B.C. du cinéma, L’ [1926], 323, 414
Achard, Marcel 195
Action française, 25 n11, 29 n29, 96, 99, 106, 116 n10, 118 n26, 155 n10, 215 n3, 216 n6, 328, 341 n3, 346 n79
Albert-Birot, Pierre, 96, 113, 114; SIC, 96, 113
Allendy, Dr., 337
Almanack du cinéma, 197
Altenloh, Emilie, 15
Altman, Georges, 322
Ame du bronze, L’ (1918), 106, 110
Ames d’étrangers, or Alien Souls (1916), 138, 162
Ami du peuple, L’, 321, 341 n3
Amiel, Denys, 309
Amis de Spartacus, 324–25, 327, 340, 426
Amundsen, Roald, 81
Andersen, Hans Christian, 84
Andrew, Dudley, xiii, xxiii, 23
Angelo, Jean, 252
Annales de la guerre, 98
Annales politiques et littéraires, Les, 52n, 196
Annuaire général de la cinématographe, 95, 322
Antoine, André, xiv, 102, 105, 106, 109, 112, 114, 115, 120 n69, 132–35, 140–42, 182 n1, 189–92, 198, 199, 201, 226, 291 n4, 322; Artésienne, L’ (1921), 288; Coupable, Le (1917), 105, 112, 176; Frères corses, Les (1917), 105, 106, 114, 132–35, 140; Hirondelle et le mésange, L’ (1983), 219 n47 ; Mlle de la Seiglière (1921), 288; Travailleurs de la mer, Les (1918), 142
Apollinaire, Guillaume, 7, 22, 96, 98, 102, 113, 114, 134, 213, 245, 318; Bréhatine, La [1917], 113; Mamelles de Tirésias [1917], 284 ; Soirées de Paris, Les, 7, 22, 96
Aragon, Louis, 65n, 90n, 94, 96, 110–11, 113, 115, 165–68, 205
A rgus-Phono-Cinéma, 5
Artésienne, L’(1921), 288
Arnoux, Alexandre, 321, 322, 323, 365
Aron, Robert, 322, 339, 423–36
Arquillière, 310
Arroseur arrosé, L’ (1895), 421
Arroy, Juan, 197
Artaud, Antonin, xiv, 205, 322, 332, 337, 338–39, 340, 410–12; Coquille et le clergyman, La (1927), 322, 339, 411
Art cinématographique, L’, 323, 324
Assassinat du Duc de Guise, L’ (1908), 7, 19, 24, 50–52, 56
Association professionnelle de la presse cinématographique, 6, 321
Atlantide, L’ (1921), 248, 249, 252, 254, 269, 288, 292
Atre, L’ (1923), 365
Auberge du signe du loup, L’ or Her Fighting Chance (1917), 256
Auberge rouge, L’ (1923), 214
Auriol, Jean-George, 35, 322, 324;
vue du cinéma, La, 322, 339, 435n Autant-Lara, Claude, 196
Autel de l’honneur, L’ or Honor’s Altar (1916), 163
auteur, concept of, xiv, xvii, 19, 70–71, 103, 203, 213, 285, 327
avant-garde, concept of, xiv, xv, xvii, 96, 221 n74, 329, 330, 332, 340, 382–83, 385, 387, 420–21, 429–31
Aventure à New York, Une, or Manhattan Madness (1916), 230
Balâz, Béla, 220 n67
Ballet mécanique (1924), 204, 331
Ballets russes, 284
Bancroft, George, 429
Barker, Reginald, 168 n4, 174 n3, 235 n1, 240 n4; Aryan. The (1916), 230, 233, 256, 257, 365, 374, 376; Between Men (1916), 166; Carmen of the Klondike (1917), 174, 393; Hell’s Hinges (1916), 240 n4; Sister of Six, A (1916), 230, 233, 256
Baroncelli, Jacques de, 102, 105, 106, 109, 111, 112, 115, 121 n72, 125–28, 199, 201, 293, 375, 431; Père Goriot, Le (1921)), 288, 293; Ramuntcho (1919), 109 ; Retour aux champs, Le (1918), 109; Roger la honte (1922), 288; Roi de la mer, Le (1917), 106, 112
Barrés, Maurice, 165, 292, 343 n24
Barthelmass, Richard, 233
Barthes, Roland, 107, 122 n93, 123 n104
Bataille, Georges, 322; Documents, 322
Bataille, Henry, 161
Batailles de la vie, Les, 10
Battleship Potemkin, The (1925), 334, 339, 418, 419, 431
Baudelaire, Charles, 110, 161, 166
Bazin, André, xiii, xviii, 9, 26 n25, 107, 110, 121 n84
Bébé series, 79
Beethoven, Ludwig van, 148, 261, 363, 380
Belle Dame sans merci, La (1921), 312
Belle Nivernaise, Le (1924), 421
Bellevilloise cinema, 257, 325
Benjamin, Walter, xix
Benoît, Pierre, 252
Benoît-Lévy, Edmond, 4, 5, 12, 14, 123 n125
Benoît-Lévy, Jean, 27 n33, 240n
Bérard, Léon, 11
Bercail, Le (1919), 376
Berger, John, xi
Bergson, Henri, 11, 22, 108, 148–49, 205, 220 n66
Bernard, Raymond, 185 n
Bernhardt, Sarah, 161
Bernstamm, Serge, 24
Billy, André, 113
Birth of a Nation, The (1915), 98, 118 n21
Bloc National government, 195
Blum, René, 324
Bonjour Cinéma [1921], 197
Bonne Press, La, 6
Boi, 222 n107
Borie, Paul de la, 95
Boris, Georges, 322
Bossu, Le (1912), 146
Bouclette (1918), 113
Boudrioz, Robert, 365; Atre, L’ (1923), 365
Boulangist movement, 25 n11, 341 n3, 343 n24
Bouquet, Jean-Louis, 320, 324, 327, 329–30, 331, 332, 340, 373–85, 388; Idée et l’écran, L’ [1925–1926], 324, 329
Bour, Armand, 100, 102, 104, 106, 107
Bowlby, Rachel, 10
Braque, Georges, 34 n133, 111, 166
Bréhatine, La [1917], 113
Bresson, Robert, 137 n4
Breton, André, 96, 205, 284n, 338, 354, 355, 357, 358, 361; Soluble Fish [1924], 358; Surrealist Manifesto, The [1924], 338, 354, 355, 358
Brewster, Ben, 33 n120
Brisson, Adolphe, 7, 15, 16, 19, 21, 24, 50–52, 96, 102
Britannicus (1912), 84
Broken Blossoms (1919), 203, 213, 229–34, 246, 303, 376, 417, 420
Brunetière, Fernand, 89
Bunuel, Luis, 339, 429, 432–34; Chien andalou, Un (1929), 339, 429, 430, 431, 434
Cabinet of Doctor Caligari, The (1919), xix, 198, 209, 215, 254, 268–70, 271, 292, 294, 299, 351, 362, 377, 385, 395, 409, 425
Cahiers du mois, Les, 323, 324, 328, 330–31, 397, 413
Caille, Alexis, 322
Canar enchainé, Le, 195
Candide, 322
Canudo, Ricciotto, xiv, xviii, 13, 17, 21, 22, 23, 58–66, 113, 122, n101, 194, 195, 196, 198, 199, 201–3, 204, 209, 210, 212, 215, 250, 291— 303, 323, 331, 332, 425; CASA, 198, 202, 209, 324, 425; Gazette des sept arts, 196; Salon d’Automne, 198, 199, 202, 209, 302–3, 425; Usine aux images, L’ [1926], 323
Capellani, Albert, 22, 33 n126, 142 n3, 146 n1; Courrier de Lyon, Le (1911), 160; Misérables, Les (1912), 16, 22, 33 n 126, 75, 144 ; Quatre-vingt treize (1921), 142
Carmen du Klondyke or Carmen ofthe Klondike (1917), 174, 393
Carnaval des vérités, Le (1920), 228, 253, 297, 376
Carné, Marcel, 324
Carra, Bruno, 34
Carré, Michel, 31 n87
Cartel des gauches government, 216 n4, 32 1, 368 n5
CASA, or Club des amis du septième art, 198, 202, 209, 324, 425
Casino de Grenelle cinéma, 325
Castle, Irène, 162
Cendrars, Biaise, 113, 114, 115, 182–83, 197, 213, 24on, 271, 323, 326, 351–52, 414; A.B.C. du cinéma, L’ C1926], 323, 414
Chalopin, André, 11
Chantecoq (1917), 96
Chaplin, Charlie, or Chariot, 109, 111, 138–39, 160, 166–67, 173, 179, 188, 197, 206, 238, 242, 243, 259, 262, 273, 287, 339, 353, 360, 371, 381, 412, 430, 431; Fireman, The (1916), 166; Gold Rush, The (1925), 339, 131 Kid, The (1921), 381; Payday (1922), 360; Pilgrim, The (1923), 3 60 ; Police (1916), 138; Shoulder A rms (1918), 173; Sunnyside (1919), 206, 262 ; Vagabond, The (1916), 167
Cardin, Jean-Baptiste, 158
Charensol, Georges, 196, 323, 331
Chariot [1921], 197
Charpentier, Roger, 426
Chateaubriand, Comte de, 130
Château du Dé, La (1929), 433
Chavance, Louis, 321, 322, 332, 333
Cheat, The (1915), 102, 128–29, 140, 144, 162, 230, 371, 374
Chemin d’Ernoa, Le (1921), 251
Chien andalou, Un (1929), 339, 429, 430, 431, 434
Chomette, Henri, 331, 371–72, 421; Cinq Minutes de cinéna pur (1925), 331; Jeux des réflets et de la vitesse, Le (1925), 331
Chopin, Frédéric, 161
Choux, Jean, 352
Christian, The (1917), 163
Christie, Ian, xiii, 122 n101, 222 n107
Chute de la Maison Usher, La (1928), 431
Cigarette, La (1919), 234
Cinéa-Ciné-pour-tous, 197, 323, 324, 329, 332
cinéaste, concept of xvii, 203, 216 n12, 247, 248, 250, 288–90, 358, 360, 364, 366, 385–87, 391, 415, 416, 420, 421
Ciné-Club de France, 324, 413, 425
ciné-club movement, xv, xvii, 198–99, 314, 321, 324–25, 425–26, 428n Cinégraphic, 284 n4
Cinégraphie, 322
cinégraphie, concept of, xvii, 107, 108, 148–53, 156–58, 170, 206–13, 215, 226, 280–83, 325, 368–70, 389–97
Cine-Journal, 5, 6, 7, 8, 9, 12, 16, 77, 95, 196
Cinéma, Le [1919], 95, 98, 103, 208, 330
cinema: and censorship, 12, 98, 99; and education, 8, 10–11, 97; and moral reform movements, 11–13, 16; and science, 8–9, 10–11, 37, 58–59, 67, 81–82, 87–88, 97; and technology, 8–10, 97, 105, 106, 192, 209, 211, 328–29, 426; and the department store, 14–15; as art 17–23, 99–102, 147–54, 155–59, 206–13; as popular spectacle, 8, 14–17, 67, 77–85, 87, 99–102, 200–201, 327
Cinéma et cie [1919], 95
Cinémagazine, 197, 198, 268, 322
Cinéma-Revue, 6
Cinéma soviétique, Le [1928], 324, 334
cinémathèque, concept of, 11
Cinémathèque française, La, 325
Cinématographe vu d’Etna, Le [1926], 323
Cinématographiefrançaise, La, 95, 196
Cinémonde, 322
cineplastics, concept of, 204, 209, 258–67, 330
Cinéromans, Société de, 200, 325, 329, 383n, 423
Cinq Minutes de cinéma pur (1925), 331
Clair, René, xiv, 195, 196, 200, 207, 210, 211, 213, 279–80, 303–5, 326, 330, 331, 338, 362, 368–71, 373, 378, 387, 414, 429; Entracte (1924), 362, 414, 429; Fantôme du Moulin Rouge, Le (192 5), 362 ; Voyage imaginaire, Le (1926), 414
Claretie, Jules, 9
classical Hollywood cinema, xvii, 104, 115, 120 n63, 185–88, 200, 207, 208, 330, 383 n2
Classical Renaissance movement, 13, 115, 118 n1, 155 n10
Close Up, 341 n6
Clouzot, Henri, 324
Club française du cinéma, 198, 324, 425
Cocteau, Jean, 110, 114, 155 n6, 173–74, 197, 216 n10, 343 n29, 429
Coeur d’Heroine, or Patria (1917), 162
Coeur fidèle (1923), 213, 215, 303–5, 337, 352 Cohl, Emile, 17
Coissac, G.-Michel, 6, 10, 15, 26 n26, 95, 323, 324; Cinéopse, 95, 196; Fascinateur, Le, 6, 10, 12
Coleman, Walter Moore, 245
Colette, xiv, 9, 102, 104, 110, 111, 128–29, 136
Colissée cinema, 163, 198, 257, 277 n1, 425
Comandon, Dr. Jean, 9, 11, 380
Comédie Française, 18, 55, 77, 88, 162
Comoedia, 7, 17, 95, 195, 196, 321, 388
Comoedia illustré, 129n, 197, 234n
Comolli, Jean-Louis, 9
Compson, Betty, 431
Congress on Cinema and Education (1922), 303 n3
Conquête d’or, La, or A Sister of Six (1917), 230, 233, 256
Coppée, François, 176
Coquille et le clergyman, La (1927), 322, 339, 411
Correspondant, Le, 7
Coty, François, 215 n3, 321, 341 n3
Coupable, Le (1917), 105, 112, 176
Courrier cinématographique, Le, 6, 16, 24, 196
Courrier de Lyon, Le (1911), 160
Courrier de Washington, Le, or Pearl of the Army (1916), 161
Crafton, Donald, xxiii
Craig, Gordon, 270
Crapouillot, Le, 96, 99, 196, 322, 323
Crime de Lord Arthur S avilie, Le (192 2), 288
Crisp, Donald, 233
Cubism, 92n, 114, 135 n2, 254, 268, 271, 274–11, 354, 361, 377, 408
culture, concept of, 202
Dadaism, 17, 123 n124, 143n, 268
Dame de Monsoreau, La (1923), 288
D’Annunzio, Gabriele, 62, 141, 145, 162
Dante, 66
Danvers, Guillaume, 102, 111, 197
Daudet, Léon, 99, 106, 155 n10 David, Louis, 260
Debray, Regis, xvii
Debussy, Claude, 131, 247, 300, 363
Decourcelle, Pierre, 18, 32 n105, 96, 242
Deed, André, 78
Delbos, Yvon, 389
Delluc, Louis, xiv, xvi xvii, 5, 9, 16, 94, 95, 96, 97, 98, 99, 101, 102, 103, 104, 105–6, 107, 108–11, 112–13, 115, 123n124, 137–42, 143–46, 159–64, 171–72, 188, 194, 195, 196, 197, 198, 199, 201, 202–3, 204, 207, 208–9, 21°, 212> 215, 228–29, 234n, 250, 251, 253, 255–58, 269, 285–91, 292, 299, 314, 329, 333, 335, 33, 365, 375–7, 377, 393, 425; Chariot [1921], 197; Chemin d’Ernoa, Le (1921), 251; Cinéa, 197, 198, 285; Cinema et eie [1919], 95; Drames du cinema [1923], 197, 208; Femme de nulle part, La (1922), 269, 365, 376; Fête espagnole, La (1920), 230, 234, 251, 253, 254, 365, 376; Fièvre (1921), 203, 208, 248, 249, 251–52, 253, 254, 292, 376, 393; Journal du Ciné-Club, Le, 197; Photogénie [1920], 197, 203; Silence, Le (1920), 251, 254, 365, 376
Delpeuch, André, 324
Delteil, Joseph, 365
Demeny, Georges, 6
De Mille, Cecil B., 102, 103, 129, 140, 228, 404, 427; Cheat, The (1915), 102, 128–29, 140, 144, 162, 230, 371, 374; Joan the Woman (1917), 228; King of Kings (1927), 404; Ten Commandments, The (1923), 408
Derain, Lucie, 322
Déroulède, Paul, 398
Desclaux, Pierre, 196
Deslaw, Eugène, 332
Desnos, Robert, 196, 203, 205–6, 214, 215, 283–84, 320, 322, 327, 332, 333, 337, 338, 339, 340, 39-99, 429”31, 433
Desprès, Suzanne, 283
Destiny (1921), 377
Deux Gamines, Les (1921), 200, 224, 225
Diamant-Berger, Henri, 6, 95, 96, 97, 98, 102, 103, 104, 105, 106, ni, 115, 183–88, 197, 199, 200, 201, 208, 288, 293, 300, 330, 340; Cinéma, Le[1919), 95, 98, 103, 208, 330; Film, Le, 6, 7, 9, 24, 95, 96, 97, 100, 102, 110, 113, 197; Trois Mousquetaires, Les (1921), 208, 241, 288–89, 293
Dixième Symphonie, La (1918), xix, 103, 106, 113, 143–46, 160–61, 168–71
Documents, 322
Don Quixote, 175
Dostoevsky, Feodor, 418
Doumic, René, 9, 13, 14, 15, 18, 21, 86–89, 99
Drames du cinéma (1923), 197, 208
Dream Street (1921), 282
Dréville, Jean, xxiii, 322, 324; Cinégra-
phie, 322; On Tourne, 322; Photo-Ciné, 322
Dreyer, Cari, 334, 336, 427; Passion de Jeanne d’Arc, La (1928), 334, 336, 346 n79, 427
Dreyfus, Affair, 26 n23, 29 n62, 119 n39, 398
Ducom, Jacques, 6
Duhamel, Georges, 365
Dulac, Germaine, xiv, xviii, 195, 199, 200, 201–2, 207, 208, 210–11, 212, 214, 215, 234, 305–14, 323, 324, 327, 331, 332, 333, 339, 340, 372, 378, 389–97; Belle Dame sans merci, La (1921), 312; Cigarette, La (1919), 234; Coquille et le clergyman, La (1927), 322, 339, 411; Fête espagnole, La (1920), 230, 234, 251, 253, 254, 441 365, 376; Folie des vaillants, La (1925), 395; Malencontre (1920), 234; Mort du soleil, La (1922), 311–12, 394; Schémas [1927], 323, 329; Souriante Mme Beudet, La (1923), 211, 214, 309–11
Dullin, Charles, 412n
Dumas, Alexandre, 133–34, 173, 183, 208, 289, 404
Dumesnil, René, 281
Dupont, E. A., 427; Variety (1925), 427
Dura Lex (1926), 427
Dureau, Georges, 5, 12, 13, 15, 16, 19. 95; Ciné-Journal, 5, 6, 7, 8, 9, 12, 16, 77, 95, 196
Dussaud, Franz, 13
Eagleton, Terry, 11
early film genres: chase films, 16, 48; comic films, 16; crime series, 12, 16, 54, 58n, 98, 99; fantasy films, 10, 16, 17, 20, 24, 38–39, 48, 84; melodrama, 16, 48, 102–3; realist films, 10, 16, 24, 27, n30, 54–55, 72, 104–6
early histories of cinema, 6–7, 95
Earthbound(1921), 301
Echo de Paris, L’ 296
Echo du cinéma, L’, 6
écraniste, concept of, 219 1151, 250, 293–302
Edison, Thomas, 65, 173, 284 n4
Eisenstein, Sergei, 327, 334, 339, 417–20, 421; Battleship Potemkin, The (1925), 334, 339, 418, 419, 431; General Line, The (1929), 418; October (1928), 418, 419, 420; Strike (1925), 418
Elder, Marc, 365
El Dorado (1921), xix, 206, 209, 212, 213, 215, 246–49, 252–54, 269, 280, 288, 376
Elsaesser, Thomas, 9, 122 n94, 212
Emak Bakia (1927), 432
Emerson, Ralph Waldo, 59
Enfant prodigue, L (1907), 31 n87, 49
Entr’acte (1924), 362, 414, 429
Entretiens idéalistes, Les, 7
Epstein, Jean, xiv, xvii, 9, 109, 114, 194, 195, 196, 197, 198, 200, 201, 204–5, 206, 207, 208, 209, 212–13, 214, 215, 235–46, 304, 314–18, 320, 323, 328–29, 330, 332, 335–37, 339, 340, 349–53, 377, 382, 387, 388, 412–14, 419, 421–24, 431; Auberge rouge, L’ (1923), 214; Belle Nivernaise, La (1924), 421; Bon-jour Cinéma [1921], 197; Chute de la Maison Usher, La (1928), 431; Cinématographe vu d’Etna, La [1926], 323; Coeur fidèle (1923), 213, 215, 303–5, 337, 352; Finis Terrae (1929), 336, 423–24; Glace à trois faces, La (1927), 335–36, 412; Poésie d’aujourd’hui, Le [1921], 197; Promenoir, 198
Esparbés, Georges d’, 402, 404
Esprit nouveau, L’, 196, 204, 216 n9
Etiévant, Henri, 199
Etoile de mer (1928), 429
Exploits of Elaine, The (1915), 241, 242
Fairbanks, Douglas, no, 161, 163, 208, 273, 289, 339, 361, 374, 405; Manhattan Madness (1916), 230; Thief of Bagdad, The (1924), 339, 351, 361; Three Musketeers, The (1921), 208, 288–89
Fall of Troy, The (1910), 79
Fantômas (1913–1914), 16, 24, 89–90, 241, 338, 398
Fantôme du Moulin Rouge, Le (1925), 362
Farnum, Dustin, 163
Faure, Elie, 196, 204, 209, 210, 215, 258–67, 302, 327–28, 330
Fauré, Gabriel, 111
Fejos, Paul, 427; Solitude (1928), 426, 427
Femme de nulle part, La (1922), 269, 365, 376
Ferenczi, J., 197
Fescourt, Henri, 201, 320, 324, 327, 329–30, 331, 332, 340, 373–85, 388; Idée et l’écran, L’ [192 5–1926], 324, 329; Mandrin (1924), 201; Mathias Sandorf [1921), 201, 288; Misera bles, Les (1925), 329; Rouletabille chez bohémiens (1922), 201
Fête espagnole, La (1920), 230, 234, 251, 253, 254, 365, 376
Feuillade, Louis, 10, 12, 16, 24, 28 n53, 31 n88, 34 n126, 54–55, 85 113, 96, 98, 104, 174 n1, 200, 201, 224–25, 374; Barrabas (1920), 200, 224–25; Bébé series, 79; Deux Gamines, Les (1921), 200, 224, 225; Erreur tragique, L’ (1913), 28 n53; Fantômas (1913–1914), 16, 24, 89–90, 241, 338, 398; Films esthétiques (1910), 20, 54;Judex (1917), 96, 98, 135, 160, 174 n1; Tare, La (1911), 31 n88; Vampires, (1915–1916), 98, 338, 398, 399; Vie telle qu’elle est, La, 10, 12, 54; Vipères, Les [1911), 24, 55
Feyder, Jacques, 137 n4, 199, 252, 292, 312, 313, 327, 329, 364–67, 425; Atlantide, L’ (1921), 248, 249, 252, 254, 269, 288, 292; Crainquebille (1923), 312–13
Fièvre (1921), 203, 208, 248, 249, 251–52, 253, 254, 292, 376, 393
Film, Le, 6, 7, 9, 24, 95, 96, 97, 100, 102, 110, 113, 197
film: and melodrama, 10, 19, 22, 102–3, 328; and music, xiii, 21, 22–23, 30 n86, 58–59, 70 90–92, 111–12, 114–15, 127, 131, 169, 170, 178, 210–11, 226–27, 282, 293, 363–64, 378–79, 394–97; and painting, 20, 21, 22–23, 58–59, 90–92, no, 114–15, 176–78, 210, 226–27, 260–62, 264, 266, 293, 351, 372–73, 378–79; and photography, xxi n16, 18, 62, 82, 110; and poetry, 108, no, 112–14, 115, 131, 212–13, 282; and theater, 14, 18–20, 51, 61–65, 69–72, 75–76, 83–84, 86–87, 99, 102–3, 126, 130, 144, 189–91, 269–70, 330, 351, 379–80
Film complet, Le, 197
Film d’Art, 5, 6, 18, 19, 20, 31 n88, 50, 55–56, 89 n3
film documentary, 9, 10, 36–37, 47–48, 50, 73, 81–82, 84–85, 86, 130, 137–38, 203, 280, 336, 396, 424
film industry crisis, 97–98, 199, 214, 325–27, 340
film intertitles, 22, 34 n128, 106, 121 n72, 125, 349–50
Filmos, R., 6
Films Aubert, 5
Films Eclair, 10, 12, 58n, 128n
Films esthétiques (1910), 20, 54
Films Gaumont, 5, 6, 9, 10, 12, 14, 19, 20, 32 n114, 54, 3Ô7n Films Pathé-Frères, 5, 6, 7, 9, 10, 12, 13, 14, 15, 16, 22, 48, 65, 102, 119 n52, 160, 171
Finis Terrae (1929), 336, 423–24
Fireman, The (1916), 166
Flammarion, Camille, 300
Flaubert, Gustave, 114, 130, 182 n2;
Madame Bovary [1863], 130 n2
Fleg, Edmond, 365
Florey, Robert, 197
Folie des vaillants, La (1925), 395
Foolish Wives (1921), 430
Fouquet, E. L., 6
Francis, Eve, 254
Franck, Dr., 11
French anarchists, 15
French Communist Party, 168n, 203, 219 n55, 321, 325, 333, 341 n9, 348 n110, 431 n5
French Impressionism (natural milieu), 109, 115
French Impressionism (subjective cinema), xiii, 200, 201–2, 332–33, 393–94
French Radical Party, 12
French Realist/Naturalist aesthetic, 10, 34 n133, 54, 104–6, 109, 122 n99, 124n134, 192n, 202–3
Frères corses, Les (1917), 105, 106, 114, 132–35, 140
Freud, Sigmund, or Freudian psychology, xvii, 205, 268, 354, 362
Fried, Michael, 107
From Morn to Midnight (1920), 294
Futurist aesthetic, 21, 22, 65n, 75, 114, 123 mo4, 181
Gaboriau, Emile, 228
Gallimard, 322
Gallois, Jean, 195
Galtier-Boissière, Jean, 96, 196, 322; Le Crapouillot, 96, 99, 196, 322, 323
Gance, Abel, xiv, 21, 34 n131, 66–67, 98, 103, 106, 110, 112, 113, 115, 122 n2, 143–46, 160, 168–71, 183n, 196, 199–201, 203, 209, 210, 232, 253, 271–80, 288, 294, 299, 316, 318, 326, 327–28, 329, 350, 351, 365, 375, 377, 394, 400–408, 417, 418, 419, 420, 426, 427, 431; Dixième Symphonie, La (1918), xix, 103, 106, 113, 143–46, 160–61, 168–71 J’Accuse (1919), 113, 170, 232, 37’6; Mater Dolorosa (1917), 98, 110, 136, 160, 170, 230; Napoléon (1927), xix, 327–28, 400–408, 426; Roue, La (1922), xix, 196, 203, 204, 209, 210, 214, 215, 271–80, 284, 288, 294, 316, 318, 350, 351, 365, 394–95, 400, 408, 427
Gaugin, Paul, 173
Gaumont, Léon, 228
Gaumont-Palace, or Hippodrome, 10, 29 n67, 79
Gavarni, Paul, 135
Gazette des sept arts, 196
Gémier, Firmin, 136
General Line, The (1929), 418
Gerlach, Arthur von, 363; Vanina (1922), 362
German Expressionism, 299, 351
Gide, Charles, 101
Girl in Every Port, A (1928), 426
Gish, Lillian, 164 n15, 233, 238, 420
Glace à trois faces, La (1927), 335–36, 412
Goldwyn Films, 301
Gorbman, Claudia, xxiii, xxiv, 291, 425
Gordon, Linda, xiv
Goudal, Jean, 328, 338, 339, 340, 353—62
Gourmont, Rémy de, xv, 8, 9, 12, 13, 15, 16, 17, 20, 23, 47–50, 130
Grand Frère, or The Cold Deck (1917), 171–72, 256
Grave, Jean, 15
Great War, the, xv, xvi, xvii, 95, 321
Greed(1923), 430
Greek theater, 60, 63, 64–65, 188, 257
Griffith, D. W., 98, 103, 112, 188 n1, 203, 213, 229–34, 245, 253, 254, 269, 275, 282, 290, 316, 318, 350, 417, 418, 420, 427; Birth of a Nation, The (1915), 98, 118 n21 ; Broken Blossoms (1919), 203, 213, 229–34, 246, 303, 376, 417, 420; Dream Street (1921), 282; Hearts of the World (1918), 230; Intolerance (1916), 98, 112, 118 n21, 230, 231, 234, 290, 376, 417 ; True Heart Susie (1919), 245; Way Down East (1920), 269
Gromaire, Marcel, 99, 101, 103, 106, in, 114–15, 174–82, 204, 330
Guazzoni, Enrico, 86; Quo Vadis? (1912), 86–87
Guerre sociale, La, 15
Guitry, Lucien, 146
Guy, Alice, 55n
Guyau, Marie Jean, 152
Hammond, Paul, 206
Hands of Orlac, The (1924), 362
Harbou, Thea von, 365
Hart, William S., or Rio Jim, 109, 111, 168 n4, 171–72, 206, 212, 255–58; Aryan, The (1916), 230, 233, 256, 257, 365, 374, 376; Between Men (1915) , 166; Blue Blazes Rawden (1918), 206, 256, 365; Cold Deck, The (1917), 171–72, 256; Hell’s Hinges (1916) , 240 n4; Her Fighting Chance (1917), 2 5 6 ; Passing of Two-Gun Hicks, The (1914), 256; Silent Stranger, The (1915), 172 n2; Sister of Six, A (1917), 230, 233, 256
Haugmard, Louis, 10, 13, 14, 15, 16, 21, 77–85, 99
Hawks, Jack, 365
Hayakawa, Sessue, 109, 129 n1, 138— 39, 162, 239, 243; Alien Souls (1916), 138, 162; Cheat, The (1915), 102, 128–29, 140, 144, 162, 230, 371, 374; Honor of His House, The (1918), 243
Hearts of the World (1918), 230
Heine, Heinrich, 146
Hell’s Hinges (1916), 240 n4
Hériat, Philippe, 254
Hernani [1830], 269
Herriot, Edouard, 12
Hervé, Gustave, 15
Hervil, René, 113, 154, 375; Bouclette (1918), 113 ; Crime de Lord Arthur Sa-ville, Le (1922), 288; Torrent, Le (1917), 113, 157
Heuzé, André, 6, 146 n1; Bossu, Le (1912), 146
Hirondelle et la mésange, L’ (1983), 219
Hoffman, E.T.A., 84
Homme aux yeux clairs, L\ or Blue Blazes Rawden (1918), 206, 256, 365
Homme du large, L’ (1920), 230, 253, 254, 292, 376
Honor of His House, The (1918), 243
Hugo, Victor, 22, 75, 90, 280 n1, 367;
Hernani [1830], 269
Hugon, André, 17
Husserl, Edmund, 220 n67
idealist or expressive theory of language, 211–13
Idée et l’écran, L’: Opinions sur le cinéma [1925], 324, 329
Idylle aux champs, or Sunny side (1919), 206, 262
Illusion, or Home (1916), 163
Impressionist painting, 109, 114, 122 n97, 176, 181
Ince, Thomas, 98, 103, 105, 174, 233, 253, 417, 427; Civilization (1916), 98, 365
independent cinema, concept of, 197
Inhumaine, L’ (1924), 202, 328, 339, 353, 361, 362, 388 n2, 429, 431
International Congress on Cinematography (1911), 18, 68
Intolerance (1916), 98, 112, 118 n21, 230, 231, 234, 290, 376, 417
Intransigeant, L’, 7, 25 n1, 195, 321, 322
Invasion des Etats-Unis, or The Battle Cry of Peace (1915), 131
Iribe, Marie-Louise, 252
Isle-Adam, Villiers de 1’, 28 n45
J’Accuse (1919), 113, 170, 232, 376
Jacob, Max, 123 n107
Janowitz, Hans, 365
Jasset, Victorin, 10, 12, 19, 20, 55–58 75, 85 n7, 104, 374; Auto grise, L’ (1912), 12, 75; Batailles de la vie, Les, 10
Jeanne, René, 195, 196, 197, 199, 322
Jeunesses Patriotes, Les, 321
Jeux des réflets et de la vitesse (1925), 331
Joan the Woman (1917), 228
Jocelyn (1922), 288
Journal, Le, 7, 24, 95, 96, 195
Journal du Ciné-Club, Le, 197
Journal Littéraire, Le, 322
Judex (1917), 96, 98, 135, 160, 174
Kant, Immanuell, 167
Kaufman, Boris, 431 n5
Kean [1924), 211, 307–308, 310
Keaton, Buster, 238, 339, 412, 434–35; Navigator, The (1926), 339, 434; Steamboat Bill Jr. (1928), 339, 434
Kid, The (1921), 381
King, Basil, 301
King Lear, 115
King of Kings (1927), 404
Kock, Paul de, 367
Koubitzky, Alexandre, 401
Kracauer, Sigfried, 342 n2 2
Kraely, Hans, 365
Kuleshov, Lev, 119 n41, 427; Dura Lex (1926), 427
Labrely, Emile, 9
Lacroix, Georges, 19
Lafitte, Paul, 52 n1
La Fontaine, 224
Laglenn, Jean-Francis, 204
Landry, Lionel, 197, 199, 202, 206, 212, 246–49, 268–70
Lang, Fritz, 410; Destiny (1921), 377; Metropolis (1927), 333, 408–10; Nibelungen, The (1924), 361
Lanterne, La, 12
Larousse, 196
Laurent, F., 15
Lavendan, Henri, 50, 52; Assassinat de Duc de Guise, L’ (1908), 7, 19, 24, 50–52, 56
Le Bon, Gustave, 31 n99
Le Corbusier, 196
Lectures pour tous 12, 96
Léger, Charles, 324; Tribune libre, 324, 426
Léger, Fernand, 182n, 196, 198, 204, 210, 215, 271–74, 326, 327, 330, 331, 361, 372–73; Ballet mécanique (1924), 204, 331
Le Jeunesse, Ernest, 24
Lemonnier, Léon, 334
Leni, Paul, 362
Lenin, Vladimir Ilich, 417
Léonce cinématographiste (1913), 28 n53
Lepine, Louis, 12
Leproust, Maxime, 15
Le Sidaner, 136
Levinson, André, 325, 333, 342 n12, 345 n71
L’Herbier, Marcel, xiv, 99–100, 103, 107, 108, 112, 113, 115, 147–54, 155–59, J99, 201, 2°2’ 203> 2°6> 207, 209, 212, 228, 246–49, 252–54, 269, 280, 284 n4, 288, 292, 297, 299, 3!8, 326> 328> 329, 331, 337, 339, 353, 361, 373, 371-77, 382, 425, 429; Bercail, Le (1919), 376; Carnaval des vérités, Le (1920), 228, 253, 297, 376; El Dorado (1921), xix, 206, 209, 212, 213, 215, 246–49, 252–54, 269, 280, 288, 376; Homme du large, L’ (1920), 230, 253, 254, 292, 376; Inhumaine, L (1924), 202, 328, 339, 353, 361, 362, 388 n2, 429, 431; Prométhée banquier (1922), 425; Rose-France (1919), 107, 113, 376; Villa Destin (1921), 253
Librairie Félix Alcan, 323
Liebman, Stuart, xiii, xxiii, xxiv, 35, 120 n67, 174, 205, 268, 271, 305, 349
Ligue française de l’engseignement, 10, 25 n8
Lindsay, Vachel, 222 n119
Lods, Jean, 431 n5; 24 Heures en 30 minutes (1928), 429, 430
Lordier, Georges, 6
Loti, Pierre, 130
Loups, Les or Between Men (1915), 166
Love, Bessie, 257
Lucas, Georges, 248
Lulle, Raymond, 246
Lumière, La, 322
Lumière brothers, xxi n16, 10, 50 n4, 65, 142, 390, 398; Arroseur arrosé, L’ (1895), 421
Lumière qui s’éteint, La (1917), 161
Lynn, Emmy, no, 136, 145, 146, 161, 169
lyrosophy, concept of, 205, 209, 335
Lys et la rose, La, or The Lily and the Rose (1915), 163
Mac Orlan, Pierre, 254–46, 365
MacPherson, Jeannie, 365
Madeleine cinema, 288
Mlle de la Seiglière (1921), 288
Maître, André, 197
Malencontre (1920), 234
Mallarmé, Stephane, 168 n6, 228, 350
Mallet-Stevens, Robert, 199
Mamelles de Tirésias [1917], 284
Mandrin (1924), 201
Manès, Gina, 214
Man Ray, 339, 421, 429, 432~34, 435; Château du Dé, La (1929), 433; Emak Bakia (1927), 432; Etoile de mer (1928), 429
Marchand, Colonel, 13
Marchand, René, 324
Maré, Rolf de, 196
Marey, Jules-Etienne, xxi n16, 26 n26, 37, 81 Marges, Les, 7, 77
Marion, Francis, 365
Mary, Jules, 293
Masson, Frédéric, 405
Mater Dolorsa (1917), 98, 110, 136, 160, 170, 230
Mathias Sandorf (1921), 201, 288
Mathot, Léon, 214
Matin, Le, 7, 96, 195, 321, 325
Matuszewski, Boleslas, 11
Mauclair, Camille, 122 n102, 123 n106
Mauclaire, Jean 324; Studio 28, 324
Maupassant, Guy de, 49
Maurras, Charles, 25 n11
Mauvais Etoile, La, or Civilization’s Child (1916), 163
Mayer, Carl, 365
Melchior, Georges, 252
Méliès, Georges, xiv, xv, 8, 10, 17, 18, 20, 21, 23, 35–46
Mendel, Charles, 6
Mercanton, Louis, 113, 375, 154n; Bouclette (1918), 113; Torrent, Le (1917), 113, 157
Mercure de F ranee, 7, 8, 96, 118 n26, 155, 196, 322
Mérimée, Prosper, 49
Merry-Go-Round (1922), 430
Metropolis (1927), 333, 408–10
metteur-en-scène, concept of xvii, 19, 103, 183–84, 203, 249–50
Metz, Christian, 335
Meyerhold, V. S., 417
Millet, Jean-François, 158
Millo, A., 6
Mirbeau, Octave, 101, 119 n139, 162
Misérables, Les (1912), 16, 22, 33 n126, 75, 144
Misérables, Les (1925), 329
Mitry, Jean, xviii, no, 122 n100, 196, 324
Modernist aesthetic, xvii, 22–23, 24, 99, 111, 204, 215, 331
Molly (1915), 163
Monde illustré, Le, 322
Monte-Cristo (1917–1918), 174 n1
Morand, Paul, 412
Morlhon, Camille de, 29 n65, 84; Bri-tannicus (1912), 84
Mort du soleil, Le (1922), 311–12, 394
Moscow RAPP Conference (1927), 325, 326, 333
Mosjourkine, Ivan, 307
Mother (1926), 427
Mounet, Paul, 146
Moussinac, Léon, xiv, xv, xviii, 194, 195, 196, 197, 198–99, 200, 201, 202–3, 204, 206, 207, 208–9, 210, 211, 212, 213, 214, 215, 229–34, 249–54, 280–83, 320, 322, 323, 324, 326–27, 328, 331, 332, 333–34, 336, 340, 414–21, 425–28, 430; Amis de spartacus, 324–25, 327, 340, 426; Ciné-Club de France, 324, 413, 425; Cinéma soviétique, Le [1928], 324, 334; Club françoise du cinéma, 198, 324, 425; Musée Galliera, 199, 211, 306, 313, 324, 425 ; Naissance du cinéma [1925], 323, 426; Panoramique du cinéma [1929], 323
Murray, Mae, 238
Musée Galliera, 199, 211, 306, 313, 324, 425
Myrga, Mlle, 324, 397 n2; Studio des Ursalines, 324, 397 n2, 413
Mystères de New York, Les (1915–1916), 96, 246 n1, 338, 398, 399
Mystères de Taris (1922), 288
Naissance du cinéma [1925], 323, 426 nalpas, Louis, 199, 200, 375, 431
Nanook (1922), 203, 371 napierkowska, Stacia de, 252
Napoléon (1927), xix, 327–28, 400–408, 426
Nardy, Auguste, 195
Nationalist Revival movement, 12, 168 n1, 346 n79
Navigator, The (1926), 339, 434
Nazimova, 238
Neale, Steve, 9
Nibelungen, The (1924), 361
Niblo, Fred, 427
Nietzsche, Friedrich, 66 n3, 167, 367
Night of Sylvester, The (1923), 350
Nord-Sud, 96
Nouvelle Revue française, La, 322, 430
Nouvelles littéraires, Les, 196, 322, 330
Novalis, Friedrich, 294
Obey, André, 309, 328, 332, 365
Oeil de Paris, L’, 324
Oeuvre, L’, 195
Oeuvre, L’ [1892], 105
Offenbach, Jacques, 70
Olin, Marcel, 89
Ombre déchirée, L’ (1921), 283, 288
Omnia-Pathé cinema, 102
On Tourne, 322
Outlaw and His Wife, The, or Les Proscrits (1918), 105, 109, 188, 230, 252, 269, 377
Ozenfant, Amédée, 196
Paderewski, Ignac, 229
Panama n’est pas Paris (1928), 431
Panoramique du cinéma [1929] 323
Paracelsus, 243
Paramount Films, 142 n2
Pardaillan, Les, 164 n1
Paris Exposition of the Modem Decorative Arts (1925), 204, 323, 324, 329, 414
Paris International Film Congress (1926), 324, 326
Paris Universal Exposition (1900), xv, 8, 13, 15, 20, 398
Pascal, Jean, 197
Passion de Jeanne d’Arc, La (1928), 334, 336, 346 n79, 427
Pastrone, Giovanni, 79; Fall of Troy, The (1910), 79
Pathé, Charles, 18, 50, 97, 98, 103, 104, 105, 142, 199, 200, 201
Payday (1922), 360
Peggy (1916), 163
Pcguy, Charles, 249n Pélléas et Mélisande [1902], 163
Penseur, Le (1920), 365
Pepinière cinema, 198
Père Coriot, Le (1921), 288, 293
Peret, Benjamin, 206
Perret, Léonce, 19, 28 n53, 300, 374, 383 n1; Léonce cinématographiste (1913), 28 n13
Petite Baignade, Le, or The Old Swimmin Hole (1921), 349
Petit Parisien, Le, 96, 195, 196, 321, 322, 323
Phantom Carnage, The (192 1), 301, 362, 364, 377
Philosophes, 321
Phono-Ciné-Gazette, 5
Photo-Ciné, 322
photogénie, concept of, xvii, 107–11, 112–13, 115, 122 n10o, 207–9, 215, 220 n63, 236, 238, 243, 244, 253, 257, 298, 314–18, 325, 352, 375
Picabia, Frances, 429
Pick, Lulu, 349; Night of Sylvester, The (1923), 350; Rail, Le, or Shattered (1920, 349
Pilgrim The, (1923), 360
Pitoeff, Georges, 270
Poe, Edgar Allen, 61, 167, 176
Poésie d’aujourd’hui, Le: Un nouvel état d’intelligence [1921], 197
Poiret, Paul, 388
Poirier, Léon, 199, 201, 283, 288; Joce-lyn (1922), 288; Ombre déchirée, L’ (1921), 283, 288; Penseur, Le (1920), 365
Polaire, 71
Police (1916), 138
populist or proletarian fiction and film, 321, 333–35, 336, 340, 345
Porte, Pierre, 327, 331–32, 340, 385–88
Pouctal, Henri, 96, 146, 174 Chantecoq (1917), 96; Monte-Cristo (1917–1918), 174 n1
Poulaille, Henri, 334, 340, 346 n75
Pour sauver sa race, or The Aryan (1916), 230, 233, 256, 257, 365, 374, 376
Pour Vous, 322
Poussin, Nicolas, 127
Pradot, Marcelle, 254
Prévost, Jean, 322, 333, 408–10, 430
Prince Rigadin, 70, 71, 78, 179, 262
Promenoir, 198
Prométhée banquier (1922), 425
Proust, Marcel, 333, 354; Du Côté de chez Swann, 241
Pudovkin, Vsevolod, 327, 334, 419, 421, 427; Mother (1926), 427
Puget, Louisa, 135
pure cinema, concept of, 209, 210, 215, 321, 323, 329, 330–32, 333, 334, 337, 340, 353–54, 370–71, 385–88, 395–97, 410–11, 421
pure poetry, concept of, 330, 331
Purist theory of art, 204, 274n
Quatre-vingt treize (1921), 142
Quesnoy, Pierre, 333
Quotidien, Le, 195
Rachilde, or Marguerite Valette, 388
Rail, Le or Shattered’(1921), 349
Ramain, Paul, 327, 333, 337, 362–64
Ramuntcho (1919), 109
Ray, Charles, 349, 164 n15; Home (1916), 163; Honor’s Altar (1916), 163 ; Old S wimmin ‘ Hole, The (1921), 349; Peggy (1916), 163
Raynal, Maurice, 7, 16, 24, 89–90
Redemption de Panamint, Le, or The Parson
of Panamint (1916), 163
Réjane, 14
Renaissance, La, 199
Renaissance du livre, La, 95, 96, 116 n4
Renan, Ernest, 153
Renault, 65
Retour aux champs, Le (1918), 109
Revue des deux mondes, La, 7, 89n Revue du cinéma, La, 322, 339, 435n Revue fédéraliste, La, 323
Revue hebdomadaire, La, 196, 199, 322, 353
Rio, Armand, 241
Robinson, Arthur, 362; Warning Shadows (1923), 362, 429
Rocambole, 54
Rodin, Auguste, 157, 233, 236, 380
Roger la honte (1922), 288
Roi de la mer, Le (1917), 106, 112
Rolland, Romain, 89
Romains, Jules, 17, 20, 53–54, 113, 365
Romantic aesthetic, 21, 34n133, 107, 121 n75, 122 n95, 202, 211, 213, 279, 331, 404
Rose-France (1919), 107, 113, 376
Rose rouge, La, 96
Rostand, Edmund, 146, 161, 262, 402, 404
Roue, La or The Wheel (1922), xix, 196, 203, 204, 209, 210, 214, 215, 271–80, 284, 288, 294, 316, 318, 350, 351, 365, 394–95, 400, 408, 427
Rouge et le noir, Le, 323
Rouletabille chez les bohémiens (1922), 201
Rousseau, Jean-Jacques, 13
Roussel, Henry, 106, 110, 115, 297; Amedubronze, L’(1918), 106, 110; Vérité (1922), 297
Rubenstein, Mme Ida, 162
Russian Formalists, the, no
Ruttman, Walter, 421
Sade, Marquis de, 284
Saint-Saëns, Camille, 52
Salammbô (1915), 130
Salle des Agriculteurs, 324
Salon d’Automne, 198, 199, 202, 209, 302–3, 425
Salt, Barry, 33 n120
Sapène, Jean, 200, 325, 327, 329, 425; Cinéromans, Société des, 200, 325, 329, 383n, 423; Matin, Le, 7, 96, 195, 321, 325
Sardou, Victorien, 404
Sartre, Jean-Paul, xi, 33 n127, 28 n43
Sauvage, André, 322, 327, 339, 430
Savignon, André, 423
SCAGL, 6, 10, 18, 32 11105, 58 n3, 71, 132, 185 n1
Scènes de la vie cruelle, Les, 10
Schwob, René, 323
Seize, Pierre, 195
Scott Expedition, The (1912), 9
Sée, Edmond, 18
Sennett, Mack, 371
Serment de Rio Jim, Le, or The Passing of Two-Gun Hicks (1914), 256
Séverin-Mars, 145, 146, 161, 169, 278
Shackleton Expedition, The (1920), 203
Shakespeare, William, 49, 66, 178, 258, 262, 382, 405
Silence, Le (1920), 251, 254, 365, 376
Silent Stranger, The (1915), 172 n2
Silver, Marcel, 306–7, 308; Horloge, L’ (1924), 307, 308
Silvestre, Armand, 89
Sjostrom, Victor, 105, 109, 188, 253, 269, 287, 362; Outlaw and His Wife, The(1918), 105, 109, 188, 230, 252, 269, 377; Phantom Carriage, The (1921), 301, 362, 364, 377
Société des auteurs, 18
Société des auteurs des films, 103
Soir, Le, 322
Soirées de Paris, Les, 7, 22, 96
Soluble Fish [1924], 358
Souday, Paul, 99, 128 n1, 129–30, 148–49
Soupault, Philippe, xiv, 96, 101, 110, 113, 142–43, 205, 206, 338, 357
Souriante Madame Beudet, La (1923), 211, 214, 309–11
Sous les armes, or Shoulder Arms (1918), 173
Spa, Robert, 195
Spinoza, Baruch, 150
Steamboat Bill Jr. (1927), 339, 434
Stiller, Maurice, 287; Treasure of Ame, The (1919), 230, 252, 377
Stravinsky, Igor, 363
Strike (1925), 418
Stroheim, Erich von, 339, 430, 431; Foolish Wives (1921), 430; Greed (1923), 430; Merry’-Go-Round (1922), 430; Wedding March, The (1925), 339, 430, 431
structuralist/semiotic theory of language, 211–13
Studio des Ursulines, 324, 397 n2, 413
Studio Diamant, 324
Studio 28, 324
Sue, Eugène, 173
Suisse, La, 352
Sullivan, C. Gardner, 365
Surrealism, xvii, 17, 123 n124, 143n, 168n, 205–6, 283–84, 321, 327, 337–40, 348 n10, 353–62, 4H-12, 431 n5
Surrealist Manifesto, The [1924], 338, 354, 355, 358
Survage, Léopold, 22–23, 90–92, 112, 114, 204, 330
Symbolist aesthetic, 7, 21, 23, 24, 106–7, 108, 202, 211, 331, 350
Tailhade, Laurent, 148
Taine, Hippolyte, 356
Tallier, Armand, 324, 397 n2; Studio des Ursalines, 324, 397 n2, 413
Tare, La (1911), 31 n88
Tavernier, Bertrand, xiii Taylorism, 403
Tedesco, Jean, 197, 284 n3, 323, 324, 450, 327, 382, 421, 425; Cinéa-Ciné-pour-tous, 197, 323, 324, 329, 332; Vieux-Colombier cinema, 284 n3, 324, 329, 413, 421
television, 428
Temps, Le, 7, 12, 96, 97, 99, 100, 148, 195, 321
Ten Commandments, The (1923), 408
Terdiman, Richard, xvi
Téry, Gustave, 195
Théâtre et Comoedia illustré, 196
theory of narrative film: Impressionism, xiii, 22, 75–76, 106–7, 115, 200, 201–2, 204, 209, 211, 215, 222
mo7, 293–94, 298–99, 300–301, 332–33, 336, 337, 393–94; mainstream, 103–4, 115, 185–88, 200–201, 224–25, 329–30, 332, 337, 340, 366, 373–85; Realism, xvii, 10, 21, 54–55, 72, 104–6, 200, 202–3, 204, 211, 215, 292, 333–35, 340, 392–93; theory of non-narrative film: musical, xiii, 21–23, 90, 92, 111–12, 114–15, 131, 178, 210–11, 330–32, 354, 386–88, 394–97; plastic, 21–23, 90–92, 114–15, 176–78, 200, 204, 210–11, 260–62, 271–74, 330–32, 386–88, 394–97; poetic, 112–14, 115, 131, 212–13, 330–31, 394
Thérive, André, 334
Thief of Bagdad, The (1924), 339, 353, 361
Thierry, Gaston, 322
Thompson, Kristin, xxiii, 120 n63
Those Who Pay (1917), 365
Three Musketeers, The (1921), 208, 288–89
Titian, 181
Tokine, B., 196
Torgus (1920), 299
Toulet, Emmanuelle, xxiii, 15, 20
Toulouse, Dr. Edouard, 25 n17
Tournier, Gaston, 296
Travailleurs de la mer, Les (1918), 142
Treasure of Ame, The (1919), 230, 252, 377
Trimbach, Pierre, 22 185 ni
Trois Mousquetaires, Les (1913), 144
Trois Mousquetaires, Les (1921), 208, 241, 288–89, 293
True Heart Susie (1919), 245 24 Heures en 30 minutes (1928), 429, 430
Ubu Roi [1896], 166
Underworld (1927), 426
Usine aux images, L’ [1926], 323
Vagabond, The (1916), 167
Valentino, Rudolph, 353
Vampires, Les (1915–1916), 98, 338, 398, 399
Vanina (1922), 362
Variety (1925), 427
Vérité (1922), 297
Verlaine, Paul, 228
Vertov, Dziga, 205, 327, 334, 419, 421, 427
Vidor, King, 335; Crowd, The (1928), 335, 426
Vie telle qu’elle est, La, 10, 12, 54
Vieux-Colombier cinema, 284 n3, 324, 329, 413, 421
Vieux-Colombier Théâtre, 113, 353 n2
Vignaud, Jean 196
Villa Destin (1921), 253
Vinneuil, François, or Lucien Rebatet, 155 n10 Vipères, Les (1911), 24, 55
Virgil, 127
Vitagraph Films, 20, 56–58, 72, 132 n1
Volkoff, Alexandre, 211, 307; Kean (1924), 211, 307–8, 310
Voyage imaginaire, Le (1926), 414
Vuillermoz, Emile, xvi, 94, 96, 97, 100, 101, 102, 103, 104, 106–7, 118, 109, ni—12, 113–14, 115, 131–35, 148–49, 155–59, 168–71, 195, 196, 197, 200, 201–2, 204, 206, 207, 209, 210, 213, 215, 225–28, 268–69, 274–79, 281, 327, 328, 330, 331, 332, 333, 401–8
Wagner, Richard 21, 22, 67, 75, 210, 258, 293, 300
Wahl, Lucien, 195, 196, 197, 199, 323
Warning Shadows (1923), 362, 429
Waxworks (1924), 362
Way Down East (1920), 269
Wedding March, The (1925), 339, 430, Weinstein, Pierre, 324
White, Pearl, 96, 111, 246 m, 399; £x- ploits of Elaine, The (1915), 241, 242; Mysteres de New York, Les (1914), 96, 246 n1, 338, 398, 399; Pearl of the Army (1915), 161
Wiene, Robert, 209, 268, 362, 425; Doctor Caligari (1919), xix, 198, 200, 215, 254, 268–70, 271, 292, 294, 299, 351, 362, 377, 385, 395, 409, 425
Willemen, Paul, xxiii, 25 n10, 335
Williams, Linda, xxiii, 28 n45, 337, 338, 339, 340
Yhcam, 7, 8, 11, 12, 13, 15, 16, 19, 20, 21–22, 23, 24, 67–77, 101’, 104, 105