ACKNOWLEDGEMENTS

The author recognizes the following people for their involvement in helping to produce this book: Dr. Kim K. P. Johnson, for asking me to write a proposal on fashion theory for the Understanding Fashion series; Marcia Morgado for her patience with my endless question, “does this make sense?”; Dr. Attila Pohlmann for his assistance with photography; Dr. Barbara (Bobbie) Yee, chair of the Department of Family and Consumer Sciences at the University of Hawai‘i, Mānoa, for her support of my writing; all team members at Bloomsbury Academic (formerly Berg) for their guidance, suggestions, and patience, including Anna Wright, Hannah Crump, and Emily Roessler; and my mother, Judith Charboneau, father, Terry Reilly, brother, Noah Reilly, my grandparents, Bill and Doris Hinchcliffe, and dog Holly for their continued support of my career.

The author and publisher gratefully acknowledge the permission granted to reproduce the copyright material in the book.

Nata Aha/Shutterstock.com

Anne Bissonnette

S_buckley/Shutterstock.com

Roz Chast/The New Yorker Collection/www.cartoonbank.com

Mary Lynn Damhorst

Fairchild Books

Mark Hamilton

Natali Glado/Shutterstock.com

International Textile and Apparel Association

Kim Miller-Spillman

Lobke Peers/Shutterstoc.com

Levi Strauss & Company, San Francisco

Estate of Roy Lichtenstein

Joseph McKeown

George Chinsee/WWD © Condé Nast 1992

Helga Esteb/Shutterstock.com

Dominique Maitre/WWD © Condé Nast 2009

Christopher Meder – Photography/Shutterstock.com

Northfoto/Shutterstock.com

The Ohio State University Historic Costume and Textiles Collection

Paffy/Shutterstock.com

Tony Palmieri/WWD © Condé Nast 1984

Attila Pohlmann

Josephine Schiele/Lucky © Condé Nast

Pascal Le Segretain/Getty Images

Jen Sorensen

Vladyslav Starozhylov/Shutterstock.com

University of Hawai‘i Historic Costume Museum

Victoria and Albert Museum, London

Greg Ward NZ/Shutterstock.com

Julie Whitehead

Billy Whitney, 808 Tattoo

Every effort has been made to trace copyright holders and to obtain their permission for the use of copyright material. This publisher apologizes for any errors or omissions in the above list and would be grateful if notified of any corrections that should be incorporated into future reprints to editions of this book.