I have included everything here that seemed relevant.
Abbott, Craig S., Marianne Moore: A Reference Guide (Boston, Mass., 1978).
Abrams, M. H., ‘Structure and Style in the Greater Romantic Lyric’ (1965), repr. in Harold Bloom, ed., Romanticism and Consciousness: Essays in Criticism (New York, 1970).
Adams, Anna, A Reply to Intercepted Mail (a Verse-Letter to W. H. Auden) (Liskeard, Cornwall, 1979).
Aiken, Conrad, Selected Letters of Conrad Aiken, ed. Joseph Killorin (New Haven, 1978).
Allott, Kenneth, Poems (London, 1938).
Alvarez, A., The New Poetry (1962; rev. edn Harmondsworth, 1966).
Amis, Kingsley, Memoirs (London, 1991).
Amis, Martin, ‘A Poetic Injustice’, the Guardian, Weekend, 21 Aug. 1993.
Ansen, Alan, The Table Talk of W. H. Auden, ed. Nicholas Jenkins (London, 1991).
Appleyard, Bryan, The Pleasures of Peace: Art and Imagination in Post-war Britain (London, 1989).
Aquarius, Roy Fuller Special Issue, ‘Roy Fuller – a Tribute’, 21/22 (1993).
Arendt, Hannah, The Human Condition (Chicago, 1958).
—, Crises of the Republic (New York, 1972).
Ash, John, The Goodbyes (Manchester, 1982).
Ashbery, John, interview with Peter Stitt (1980), repr. in George Plimpton, ed., Poets at Work (London, 1989).
Atkinson, Donald, A Sleep of Drowned Fathers (Calstock, Cornwall, 1989).
Atlas, James, Delmore Schwartz: The Life of an American Poet (New York, 1977).
—, ‘New Voices in American Poetry’, New York Times Magazine, 3 Feb. 1980.
Auden, W. H., Poems (London, 1930).
—, The Orators: An English Study (1932).
—, ed., The Poet’s Tongue: An Anthology, with John Garrett (London, 1935).
—, Look, Stranger! (London, 1936).
—, Letters from Iceland, with Louis MacNeice (London, 1937).
—, Another Time (London, 1940).
—, The Double Man (New York, 1941).
—, New Year Letter (London, 1941), British edn of The Double Man.
—, ‘The Rewards of Patience’, Partisan Review, 9:4 (July/Aug. 1942).
—, ‘New Poems’, New York Times, 15 Oct. 1944.
—, ‘Squares and Oblongs’, in Charles D. Abbott, ed., Poets at Work (New York, 1948).
—, The Enchafèd Flood (1950; repr. London, 1985).
—, Collected Shorter Poems 1930–1944 (London, 1950).
—, Nones (New York, 1951).
—, The Shield of Achilles (New York, 1955).
—, Making, Knowing and Judging (Oxford, 1956).
—, ed., The Faber Book of Modern American Verse (London, 1956).
—, ‘Miss Marianne Moore, Bless Her!’, The Mid-Century, 5 (Fall 1959).
—, Homage to Clio (London, 1960).
—, review of A Marianne Moore Reader, The Mid-Century, 36 (Feb. 1962).
—, The Dyer’s Hand (London, 1963).
—, ‘A Literary Transference’, in A. J. Guérard, ed., Hardy: A Collection of Critical Essays (Englewood Cliffs, N.J., 1963).
—, ‘Homage to Marianne Moore on Her Seventy-Fifth Birthday’, Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, 2:13 (1963).
—, The Faber Book of Aphorisms (London, 1964).
—, About the House (New York, 1965).
—, Secondary Worlds (London, 1968).
—, Academic Graffiti (London, 1971).
—, A Certain World: A Commonplace Book (London, 1971).
—, ‘Louise Bogan 1897–1970’, Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, 2:21 (1971).
—, Epistle to a Godson (London, 1972).
—, Forewords and Afterwords, selected by Edward Mendelson (London, 1973).
—, ‘Larkin’s Choice’, the Guardian, 29 Mar. 1973.
—, ‘Marianne Moore 1887–1972’, Proceedings of the American Academy of Arts and Letters and the National Institute of Arts and Letters, 2:23 (1973).
—, Thank You, Fog (London, 1974)
—, ‘Sue’, Sycamore Broadsheet 23 (Oxford, 1977).
—, The English Auden: Poems, Essays and Dramatic Writings 1927–1939, ed. Edward Mendelson (London, 1977).
—, Plays and Other Dramatic Writings 1928–1938, with Christopher Isherwood, ed. Edward Mendelson (London, 1989).
—, Collected Poems, ed. Edward Mendelson, 2nd edn (London, 1991).
—, Libretti and Other Dramatic Writings 1939–1973, with Chester Kallman, ed. Edward Mendelson (Princeton, 1993).
—, Juvenilia: Poems 1922–1928, ed. Katherine Bucknell (London, 1994).
—, Tell Me the Truth About Love: Ten Poems by W. H. Auden (London, 1994).
—, Collected Poems, ed. Edward Mendelson, rev. edn (London, 2007).
Austin, J. L., ‘A Plea for Excuses’, Proceedings of the Aristotelian Society, n.s. 57 (1956–57).
Bachelard, Gaston, Water and Dreams: An Essay on the Imagination of Matter, trans. Edith R. Farrell (1914; repr. Dallas, 1983).
Baker, Nicholson, U & I (London, 1991).
Barker, George, Poems (London, 1935).
Barthes, Roland, Camera Lucida (1980), trans. Richard Howard (1981; repr. London, 1984).
Bar-yaacov, Lois, ‘The Odd Couple: The Correspondence between Marianne Moore and Ezra Pound, 1918–1939’, Twentieth Century Literature, 34:4 (Winter 1988).
Bateson, F. W., ‘Auden’s (and Empson’s) Heirs’, Essays in Criticism, 7:1 (Jan. 1957).
Bawer, Bruce, ‘Louise Bogan’s Angry Solitude’, New Criterion, 3:9 (May 1985).
—, The Middle Generation (Hamden, Conn., 1986).
Bayard, Pierre, Comment parler des livres que l’on n’a pas lus? (Paris, 2007).
—, Comment parler des lieux où l’on n’a pas été? (Paris, 2012).
Bayley, John, The Romantic Survival: A Study in Poetic Evolution (London, 1957).
—, ‘The Verse of Accomplishment’, TLS, 27 Aug. 1982.
—, ‘We Shall Not Be Moved’, London Review of Books, 2–15 Feb. 1984.
—, ‘Larkin and the Romantic Tradition’, Critical Quarterly, 26:1/2 (Spring 1984).
—, Selected Essays (Cambridge, 1984).
—, ‘Aardvark’, London Review of Books, 22 Apr. 1993.
Beach, Christopher, ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition (Berkeley, 1992).
Beach, Joseph Warren, The Making of the Auden Canon (Minneapolis, 1957).
Beaton, Cecil, The Wandering Years, Diaries: 1922–1939 (London, 1961).
Bennett, Alan, Objects of Affection (London, 1982).
—, ‘Alas! Deceived’, London Review of Books, 25 Mar. 1993.
Bergonzi, Bernard, Reading the Thirties: Texts and Contexts (London, 1978).
Berryman, John, The Freedom of the Poet (New York, 1976).
—, Collected Poems 1937–1971, ed. Charles Thornbury (London, 1990).
Bethea, David M., Joseph Brodsky and the Creation of Exile (Princeton, 1994).
Birchall, Ian, ‘The smallest mass party in the world’: Building the Socialist Workers Party, 1951–1979 (London, 1981).
Bishop, Elizabeth, Collected Prose, ed. Robert Giroux (London, 1984).
Blackburn, Robin, ‘Marxism and Aesthetics – A Reply to James Fenton’, New Statesman, 22 June 1979.
Blair, John G., The Poetic Art of W. H. Auden (Princeton, 1965).
Blanshard, Frances, Portraits of Wordsworth (London, 1959).
Blond, Anthony, The Book Book (London, 1985).
Bloom, Harold, The Anxiety of Influence (New York, 1973).
—, A Map of Misreading (New York, 1975).
—, Poetry and Repression: Revisionism from Blake to Stevens (New Haven, 1976).
—, Agon: Towards a Theory of Revisionism (New York, 1982).
—, ed., Marianne Moore: Modern Critical Views (New York, 1987).
Bloomfield, B. C., W. H. Auden: A Bibliography (Charlottesville, Va., 1964).
—, W. H. Auden: A Bibliography 1924–1969, 2nd edn, with Edward Mendelson (Charlottesville, Va., 1972).
Bogan, Louise, review of Moore’s What Are Years, New Yorker, 1 Nov. 1941.
—, review of Hecht’s A Summoning of Stones, New Yorker, 5 June 1954.
—, review of Moore’s Fables, New Yorker, 4 Sept. 1954.
—, Collected Poems 1923–1953 (New York, 1954).
—, Selected Criticism (New York, 1955).
—, A Poet’s Alphabet: Reflections on the Literary Art and Vocation, ed. Robert Phelps and Ruth Limmer (New York, 1970).
—, trans., The Sorrows of Young Werther and Novella, with Elizabeth Mayer (New York, 1971).
—, What the Woman Lived: Selected Letters of Louise Bogan 1920–1970, ed. Ruth Limmer (New York, 1973).
Boland, Eavan, ‘Undersongs of Another Life’, PN Review, 14:2 (1987).
Bold, Alan, ed., W. H. Auden: The Far Interior (London, 1985).
Boly, John R., Reading Auden: The Returns of Caliban (Ithaca, N.Y., 1991).
Booth, James, Philip Larkin: Writer (Hemel Hempstead, 1992).
Bowles, Gloria, Louise Bogan’s Aesthetic of Limitation (Bloomington, Ind., 1987).
Boyers, Robert, ed., Contemporary Poetry in America (New York, 1974).
Bradbury, Malcolm, and Richard Ruland, eds, From Puritanism to Postmodernism: A History of American Literature (London, 1991).
Brecht, Bertolt, Poems 1913–1956, ed. John Willett and Ralph Manheim (London, 1976).
Brett, Simon, ed., The Faber Book of Parodies (London, 1984).
Brewer, Charlotte, ‘The Second Edition of the Oxford English Dictionary’, Review of English Studies, 44:175 (Aug. 1993).
Bristol, Michael D., Shakespeare’s America, America’s Shakespeare (London, 1990).
Britten, Benjamin, Letters from a Life: The Selected Letters and Diaries of Benjamin Britten, vol. 2, 1939–1945, ed. Donald Mitchell (London, 1991).
Brodsky, Joseph, Less Than One: Selected Essays (1986; repr. Harmondsworth, 1987).
—, Nobel Prize Speech, Index on Censorship, 17:2 (Feb. 1988).
Brown, Christy, Collected Poems (London, 1982).
Brown, Stewart, ed., The Art of Derek Walcott (Bridgend, 1991).
Browne, Ray B., and Donald Pizer, eds, Themes and Directions in American Literature (Lafayette, Ind., 1969).
Brownjohn, Alan, Philip Larkin (Harlow, 1975).
Bucknell, Katherine, ‘Freelance’, TLS, 19 May 1989.
Bucknell, Katherine, and Nicholas Jenkins, eds, W. H. Auden: ‘The Map of All My Youth’: Early Works, Friends, and Influences, Auden Studies 1 (Oxford, 1990).
—, eds, W. H. Auden: ‘The Language of Learning and the Language of Love’: Uncollected Writings, New Interpretations, Auden Studies 2 (Oxford, 1994).
Burt, Stephen, ‘“September 1, 1939” Revisited: Or, Poetry, Politics, and the Idea of the Public’, American Literary History, 15.3 (Fall 2003).
Caesar, Adrian, Dividing Lines: Poetry, Class and Ideology in the 1930s (Manchester, 1991).
Callaghan, John, British Trotskyism: Theory and Practice (Oxford, 1984).
Callan, Edward, Auden: A Carnival of Intellect (Oxford, 1983).
Callinicos, Alex, Trotskyism (Milton Keynes, 1990).
Cameron, Deborah, ed., The Feminist Critique of Language: A Reader (London, 1990).
Carlson, Michael, ‘The War of Memory’, The Spectator, 9 Oct. 1982.
Carpenter, Humphrey, W. H. Auden: A Biography (London, 1981).
Caudwell, Christopher, Poems (London, 1939).
Chambers, Harry, ed., An Enormous Yes: In Memoriam Philip Larkin (1922–1985) (Calstock, Cornwall, 1986).
Chekhov, Anton, Select Tales of Tchehov, trans. Constance Garnett (London, 1927).
Clausen, Jan, A Movement of Poets: Thoughts on Poetry and Feminism (New York, 1982).
Collins, Martha, ed., Critical Essays on Louise Bogan (Boston, Mass., 1984).
Connolly, Cyril, Enemies of Promise (London, 1938).
—, ‘Comment’, Horizon, 2:12 (Dec. 1940).
Conquest, Robert, ed., New Lines: An Anthology (London, 1956).
—, The Abomination of Moab (London, 1979).
Corcoran, Kelvin, ‘Spitewinter Provocations: An Interview on the Condition of Poetry with Peter Riley’, Reality Studios, 8:1–4 (1986).
Corcoran, Neil, English Poetry since 1940 (Harlow, 1993).
Costello, Bonnie, Marianne Moore: Imaginary Possessions (Cambridge, Mass., 1981).
—, The Plural of Us: Poetry and Community in Auden and Others (Princeton, 2017).
Coward, Noël, ‘Don’t Let’s Be Beastly to the Germans’, in Barry Day, ed., Noël Coward: The Complete Lyrics (Woodstock, N.Y., 1998).
Cowley, Malcolm, The Literary Situation (New York, 1955).
—, The Flower and the Leaf: A Contemporary Record of American Writing since 1941, ed. Donald W. Faulkner (New York, 1985).
Creeley, Robert, The Collected Essays of Robert Creeley (Berkeley, 1989).
Cross, Amanda, Poetic Justice (1970; repr. London, 1993).
Cunningham, Valentine, British Writers of the Thirties (Oxford, 1988).
—, ‘Sublime Rhyme a Dime’, Observer, 13 Feb. 1994.
Cutrer, Thomas W., Parnassus on the Mississippi (Baton Rouge, 1984).
Daiches, David, The Present Age: After 1920 (London, 1958).
Davidson, Michael, The World, the Flesh and Myself (London, 1962).
Davie, Donald, Brides of Reason (Oxford, 1955).
—, Thomas Hardy and British Poetry (London, 1973).
—, Kenneth Allott and the Thirties (Liverpool, 1980).
Day, Roger, Larkin (Milton Keynes, 1987).
Day Lewis, C., From Feathers to Iron (London, 1931).
—, writing as Nicholas Blake, A Question of Proof (London, 1935).
—, The Buried Day (London, 1960).
Day-Lewis, Sean, C. Day-Lewis: An English Literary Life (London, 1980).
Delaney, Paul, Tom Stoppard: The Moral Vision of the Major Plays (Basingstoke, 1990).
Department for Education, English for ages 5 to 16 (London, 1993).
Derrida, Jacques, The Post Card: From Socrates to Freud and Beyond, trans. Alan Bass (London, 1989).
Donoghue, Denis, ed., Seven American Poets from MacLeish to Nemerov: An Introduction (Minneapolis, 1975).
Drabble, Margaret, ‘Heroes and Villains’, The Independent, Magazine, 16 Mar. 1991.
Dreyfus, Hubert L., and Paul Rabinow, eds, Michel Foucault: Beyond Structuralism and Hermeneutics (Chicago, 1982).
Driver, Paul, ‘Upstaging’, London Review of Books, 19 Aug. 1993.
Duffy, Carol Ann, Standing Female Nude (London, 1985).
Duncan, Robert, The Years as Catches: First Poems (1939–1946) (Berkeley, 1966).
Dunn, Douglas, Dante’s Drum-kit (London, 1993).
Durrell, Lawrence, Cities, Plains and People (London, 1946).
Eagleton, Terry, Exiles and Émigrés: Studies in Modern Literature (London, 1970).
Eco, Umberto, Reflections on The Name of the Rose, trans. William Weaver (London, 1985).
Edmunds, Lowell, Martini, Straight Up: The Classic American Cocktail (Baltimore, 1998).
Ehrenpreis, Irvin, ‘At the Poles of Poetry’, New York Review of Books, 17 Aug. 1978.
Eliot, T. S., To Criticize the Critic (London, 1965).
Ellmann, Mary, Thinking About Women (London, 1968).
Ellmann, Richard, ed., The New Oxford Book of American Verse (New York, 1976).
Engel, Bernard F., ‘A Disjointed Distrust: Marianne Moore’s World War II’, Contemporary Literature, 30:3 (Fall 1989).
Engell, James, and David Perkins, eds, Teaching Literature: What is Needed Now (Cambridge, Mass., 1988).
Enright, D. J., Poets of the 1950’s: An Anthology of New English Verse (Tokyo, 1955).
Everett, Barbara, ‘Philip Larkin: After Symbolism’, Essays in Criticism, 30:3 (July 1980).
—, Poets in Their Time (London, 1986).
Ewart, Gavin, ‘Auden’, Quarto, 7 (June 1980).
—, ‘Larkin About’, Poetry Review, 72:2 (June 1982).
—, The Complete Little Ones: His Shortest Poems (London, 1986).
—, ‘Roy Fuller – Partly Personal’, Poetry Review, 81:4 (Winter 1991/92).
Farnan, Dorothy J., Auden in Love (London, 1984).
Feldman, Gene, and Max Gartenberg, eds, Protest (London, 1959).
Fenton, James, Our Western Furniture (Oxford, 1968).
—, ‘Common at Cnidos’, New Statesman, 21 Aug. 1970.
—, ‘The Instructive Analogies’, New Statesman, 5 Mar. 1971.
—, ‘Popular Rising’, New Statesman, 19 Mar. 1971.
—, ‘The Longest Strike (cont.)’, New Statesman, 27 Aug. 1971.
—, ‘Ulster: The Other Terror’, New Statesman, 5 Nov. 1971.
—, Terminal Moraine (London, 1972).
—, ‘Rhubarb and Sugar Candy’, New Statesman, 11 Aug. 1972.
—, ‘What is a Marxist?’, New Statesman, 13 Oct. 1972.
—, ‘Johnsoniana’, New Statesman, 11 May 1973.
—, ‘In Search of Cambodia’s War’, New Statesman, 9 Nov. 1973.
—, ‘Showing My Hand’, New Statesman, 14 June 1974.
—, ‘Against Honesty’, New Statesman, 23 Aug. 1974.
—, ‘Advice to Poets’, New Statesman, 20 Sept. 1974.
—, ‘Auden’s Last Bow’, New Statesman, 27 Sept. 1974.
—, ‘Poetry and Self-Regard’, New Statesman, 6 Dec. 1974.
—, ‘A Foreigner in London’, New Statesman, 12 Sept. 1975.
—, ‘Democracy and Shirley Williams’, New Statesman, 28 Jan. 1977.
—, ‘A Man Blind of One Eye’, New Statesman, 26 Aug. 1977.
—, ‘Hullo to the Labour Party’, New Statesman, 16 Sept. 1977.
—, ‘Nostalgie de la Guerre’, New Statesman, 7 Apr. 1978.
—, ‘Of the Martian School’, New Statesman, 20 Oct. 1978.
—, ‘The Means of Production’, New Statesman, 25 May 1979.
—, ‘Marxism and Aesthetics’, New Statesman, 20 July 1979.
—, trans., Rigoletto, English National Opera Guide 15 (London, 1982).
—, ‘The Manifesto Against Manifestoes’, Poetry Review, 73:3 (Sept. 1983).
—, The Memory of War and Children in Exile: Poems 1968–1983 (Harmondsworth, 1983).
—, You Were Marvellous: Theatre Reviews from the Sunday Times (London, 1983).
—, ‘Birds and Beads’, Poetry Review, 74:1 (Apr. 1984).
—, ‘James Fenton in Conversation with Grevel Lindop’, PN Review, 11:2 (1984).
—, trans., Simon Boccanegra, English National Opera Guide 32 (London, 1985).
—, Manila Envelope (Quezon City, Philippines, 1989).
—, All the Wrong Places: Adrift in the Politics of Asia (London, 1989).
—, ‘Ars Poetica’, Independent on Sunday, 28 Jan. 1990.
—, ‘Some Mistakes People Make About Poetry’, New York Review of Books, 25 Mar. 1993.
—, ‘War in the Garden’, New York Review of Books, 24 June 1993.
—, Out of Danger (Harmondsworth, 1993).
—, Poetry Book Society Bulletin, 159 (Winter 1993).
—, ‘Four Weddings and a Circle of Poetry’, The Independent, 30 May 1994.
—, ‘Auden’s Shakespeare’, New York Review of Books, 23 Mar. 2000.
—, ‘Auden’s Enchantment’, New York Review of Books, 13 Apr. 2000.
Ferenczi, Sandor, Thalassa: A Theory of Genitality (1938; repr. London, 1989).
Ferguson, Peter, ‘Philip Larkin’s XX Poems: The Missing Link’, Agenda, 14:3 (Autumn 1976).
Ferguson, Suzanne, The Poetry of Randall Jarrell (Baton Rouge, 1971).
Firchow, Peter, ‘The American Auden: A Poet Reborn?’, American Literary History, 11:3 (Fall 1999).
Fisher, Mark, ed., Letters to an Editor (Manchester, 1989).
Fitzgerald, Robert, ‘The Poetic Responsibility’, New Republic, 26 Apr. 1948.
Fletcher, John, ‘Our Man in New York’, The Spectator, 13 Dec. 1969.
Flood, Alison, ‘Unseen W. H. Auden Diary Sheds Light on Famous Poem and Personal Life’, the Guardian, 26 June 2013.
Foden, Giles, ‘Compass of Dismay’, the Guardian, 7 Dec. 1993.
Ford, Boris, ed., The Pelican Guide to English Literature, vol. 7: The Modern Age (2nd edn, London, 1966).
Foucault, Michel, The Archaeology of Knowledge, trans. A. M. Sheridan Smith (London, 1972).
Fowler, Russell T., ‘Charting the “Lost World”: Rilke’s Influence on Randall Jarrell’, Twentieth Century Literature, 30:1 (Spring 1984).
Frank, Elizabeth, Louise Bogan: A Portrait (New York, 1985).
Fraser, G. S., The Modern Writer and His World (London, 1953).
—, ‘Phantoms and Objects’, New Statesman and Nation, 18 Dec. 1954.
—, Vision and Rhetoric: Studies in Modern Poetry (London, 1959).
—, ‘Auden: The Composite Giant’, Shenandoah, 15:4 (Summer 1964).
—, A Stranger and Afraid: The Autobiography of an Intellectual (Manchester, 1983).
French, Sean, ‘W. H. Auden on the Production Line’, New Statesman and Society, 25 Aug. 1989.
—, ‘The Red Pen and the Golden Word’, The Observer, Review, 2 Jan. 1994.
Freud, Sigmund, The Standard Edition of the Complete Psychological Works of Sigmund Freud, trans. and ed. James Strachey, in collaboration with Anna Freud, assisted by Alix Strachey, Alan Tyson and Angela Richards, 24 vols (London, 1953–74).
Fuller, John, ‘Randall Jarrell’, The Review, 16 (Oct. 1966).
—, A Reader’s Guide to W. H. Auden (London, 1970).
—, Epistles to Several Persons (London, 1973).
—, ‘Pleasing Ma: The poetry of W. H. Auden’, Kenneth Allott Lecture 1992, unpublished typescript.
—, W.H. Auden: A Commentary (London, 1998).
—, The Worm and the Star (London, 1993).
Fuller, Roy, ‘New Year’ & ‘Poem’, New Verse, 19 (Feb./Mar. 1936).
—, unpublished letters to Julian Symons, 1937–39 (in possession of John Fuller).
—, ‘Recent Verse’, New English Weekly, 8 Dec. 1938.
—, ‘Poem’, Poetry (Chicago), 54:2 (May 1939).
—, Poems (London, 1939).
—, The Middle of a War (London, 1942).
—, A Lost Season (London, 1944).
—, With My Little Eye (London, 1948).
—, ‘Byron’, The Listener, 7 Oct. 1948.
—, ed., Byron for To-day (London, 1948).
—, Epitaphs and Occasions (London, 1949).
—, Counterparts (London, 1954).
—, Fantasy and Fugue (London, 1954).
—, review of Spender’s The Making of a Poem, London Magazine, 2:11 (Nov. 1955).
—, review of Wain’s A Word Carved on a Sill, London Magazine, 3:8 (Aug. 1956).
—, Brutus’s Orchard (London, 1957).
—, ‘Mood of the Month – VII’, London Magazine, 5:11 (Nov. 1958).
—, review of Murch’s The Development of the Detective Novel, London Magazine, 6:1 (Jan. 1959).
—, The Ruined Boys (London, 1959).
—, Collected Poems: 1936–1961 (London, 1962).
—, ‘Ten Comments on a Questionnaire’, London Magazine, n.s. 4:8 (Nov. 1964).
—, ‘Life?’, The Listener, 12 Oct. 1967.
—, ‘Virtuoso Fiddling: Marianne Moore’s Syllabics’, TLS, 30 May 1968.
—, ‘Poetry in my Time’, The Listener, 27 June 1968.
—, ‘Views’, The Listener, 18 July 1968.
—, ‘The Isis Interview’, interview with Tony Holden, Isis, 12 Feb. 1969.
—, ‘Views’, The Listener, 27 Feb. 1969.
—, ‘From Blackheath to Oxford’, London Magazine, n.s. 8:12 (Mar. 1969).
—, ‘At the Picnic’, New Statesman, 26 Sept. 1969.
—, The Carnal Island (London, 1970).
—, ‘Views’, The Listener, 11 Mar. 1971.
—, Owls and Artificers: Oxford Lectures on Poetry (London, 1971).
—, ‘The Need for the Non-Literary’, TLS, 10 Nov. 1972.
—, ‘W. H. Auden, 1907–1973’, The Listener, 4 Oct. 1973.
—, ‘Poet’s Prose’, London Magazine, n.s. 13:4 (Oct./Nov. 1973).
—, Professors and Gods: Last Oxford Lectures on Poetry (London, 1973).
—, ‘Langham Diary’, The Listener, 18 Apr. 1974.
—, ‘Short Measure’, TLS, 31 Jan. 1975.
—, From the Joke Shop (London, 1975).
—, ‘Lancastrian Syllabics’, TLS, 10 Sept. 1976.
—, ‘A Good Job We Were Young’, New Review, 3:28 (July 1976).
—, ‘Taxpayers, the Arts and Big Balloonz’, Encounter, 49:4 (Oct. 1977).
—, Letter to Encounter, 49:6 (Dec. 1977).
—, The Other Planet (Richmond, Surrey, 1979).
—, The Reign of Sparrows (London, 1980).
—, Souvenirs (London, 1980).
—, Vamp Till Ready: Further Memoirs (London, 1982).
—, The Individual and His Times: A Selection of the Poetry of Roy Fuller, ed. V. J. Lee (London, 1982).
—, Home and Dry: Memoirs III (London, 1984).
—, Subsequent to Summer (Edinburgh, 1985).
—, New and Collected Poems (London, 1985).
—, ‘Roy Fuller in Conversation with Brian Morton’, PN Review, 12:6 (1986).
—, The World Through the Window: Collected Poems for Children (London, 1989).
—, Available for Dreams (London, 1989).
—, Stares (London, 1990).
—, Spanner and Pen: Post-war Memoirs (London, 1991).
—, Last Poems (London, 1993).
Fussell, Paul, Poetic Meter and Poetic Form (New York, rev. edn, 1979).
Garfitt, Roger, ‘Intimate Anxieties’, London Magazine, n.s. 15:5 (Dec. 1975/Jan. 1976).
Gelpi, Albert, A Coherent Splendor: The American Poetic Renaissance, 1910–1950 (Cambridge, 1987).
Gershwin, Ira, Lyrics on Several Occasions (London, 1977).
Giddens, Anthony, The Third Way: The Renewal of Social Democracy (London, 1998).
Gilbert, Sandra M., and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (New Haven, 1979).
—, eds, Shakespeare’s Sisters: Feminist Essays on Women Poets (Bloomington, Ind., 1979).
—, No Man’s Land: The Place of the Woman Writer in the Twentieth Century, vol. 1: The War of the Words (New Haven, 1988).
Gitzen, Julian, ‘A Tour of the Pitt-Rivers Museum’, Helix, 17 (1984).
Goethe, Johann Wolfgang, Selected Verse, ed. David Luke (Harmondsworth, 1964).
Goldensohn, Lorrie, Elizabeth Bishop: The Biography of a Poetry (New York, 1992).
Gooch, Brad, City Poet: The Life and Times of Frank O’Hara (New York, 1993).
Goodridge, Celeste, Hints and Disguises: Marianne Moore and Her Contemporaries (Iowa, 1989).
Goodwin, K. L., The Influence of Ezra Pound (London, 1966).
Gopnik, Adam, ‘The Double Man’, New Yorker, 23 Sept. 2002.
Gowrie, Grey, ‘Accomplishing Auden: The Later Poems in Context’, Agenda, 31:4–32:1 (Winter/Spring 1994).
Grant, David, Letter to W. H. Auden (Axminster, 1993).
Graves, Robert, ‘These Be Your Gods, O Israel!’, Essays in Criticism, 5:2 (Apr. 1955).
Gray, Richard, American Poetry of the Twentieth Century (London, 1990).
Gray, Simon, ‘Otherwise Enraged: A Paranoid View of Reviewing’, TLS, 2 Sept. 1983.
Greacen, Robert, A Bright Mask (Dublin, 1985).
Green, Henry, Pack My Bag (London, 1952).
Grigson, Geoffrey, ed., Poetry of the Present: An Anthology of the Thirties and After (London, 1949).
Grobel, Lawrence, Conversations with Capote (New York, 1985).
Groddeck, Georg, The Book of the It (London, 1935).
Grubb, Frederick, A Vision of Reality: A Study of Liberalism in Twentieth-Century Verse (London, 1965).
Gunn, Thom, interview with Ian Hamilton, London Magazine, n.s. 4:8 (Nov. 1964).
Hadlock, Richard, Jazz Masters of the Twenties (New York, 1965).
Haffenden, John, Viewpoints: Poets in Conversation with John Haffenden (London, 1981).
—, ed., W. H. Auden: The Critical Heritage (London, 1983).
Hagenbüchle, Helen, The Black Goddess: A Study of the Archetypal Feminine in the Poetry of Randall Jarrell (Zurich, 1975).
Hall, Donald, ‘Dry Farming’, New Statesman, 9 July 1960.
—, Marianne Moore: The Cage and the Animal (New York, 1970).
Hamilton, Ian, review of Fuller’s Buff, London Magazine, n.s. 5:3 (June 1965).
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