Abramović, Marina
The Artist is Present here–here, here, here, here
1965 action here (see also Beuys, Joseph)
“action-happening” here (see also César)
Asco’s No Movies, artists’ collective here (see also Asco)
canvas as a space for here (see also Pollack, Jackson)
“ecology of acts” here–here (see also Moles, Abraham)
situationist(s) and post-situationists here–here, here
activism, activist artists here
Bruguera, Tania here–here (see also Taitlin’s Whisper #5 event [at Tate])
community here
embodied here
in Fluxus here
Gómez-Peña, Guillermo here–here
Lepecki’s call to here
Liberate Tate organization here
Precaria a la Deriva initiative here
in queer performance here
Situationist(s) and post-Situationists here–here, here
Subversive Aktion group here
Adorno, Theodor here. See also Horkheimer, Max
aesthetics of behavior here. See also Penny, Simon
affect, affective here
affect-driven economy here
“affective investments here (see also Grossberg, Lawrence)
as codification of gesture here
concurrent with feminist ethics of care here
gesture as a codification of here
in Journey to Italy (film) here–here
and labor of care here
magic of photographs here (see also Cvetkovich, Ann)
performance as producer of here
The Politics of Affect here–here (see also Massumi, Brian)
queer theorists’ work here
Schneider’s affective turn here–here (see also Schneider, Rebecca)
Spinoza’s affectations of the body here (see also Spinoza, Baruch)
theory and studies of here, here, here (see also Ahmed, Sara)
agency
appropriation as displaced agency here (see also Mortensen, Mette)
artist and museum co-determination here
artists’ self-publishing and self-documentation here–here
of the culturally disempowered here
in gender performance here
new modes of artist agency here–here
shared between artists and interpreters here
Aguilar, Laura here, here, here
Ahmed, Sara here. See also affect; feminist scholars
Ai Weiwei here, here–here, here. See also refugee crisis
Akilah, Shani here. See also ethical artistry guides
Alexander, Jacqui M. here. See also Chong, Albert
Antivilio, Julia here
Anzaldúa, Gloria here. See also feminism; queer theorists
archive(s), archival practices here
alternative, queer archive here
archival research here (see also Schneider, Rebecca)
“archives de gestes à venir” here (see also Prévieux, Julien)
Becker and Vogel’s archival book on Happenings here (see also Becker, Jürgen; Happenings, survey publications; Vostell, Wolf)
historicizing performance here
Performance Matters Archive here (see also Heathfield, Adrian)
performance’s resistance to preservation here
performative activation of the cultural archive here (see also Pirici, Alexandra)
staging and acquisition of performance scores here (see also Charmatz, Boris)
structure behind a collection here (see also Foucault, Michel)
Taylor’s model here, here (see also Taylor, Diane)
art(s) critics
in the 1960s and 1970s here, here
art criticism, artists ignored in here
and curatorial practice here
existentialist here (see also Rosenberg, Harold)
Greenberg, Clement here
Lütticken, Sven here–here, here–here, here
mainstream here
modernist formalist here–here (see also Greenberg, Clement)
new materialist here
of performance art here, here, here
perpetuating whiteness, heteronormativity, colonialism here
Rosenberg, Harold here
art for children here–here. See also Peters, Sibylle
artist’s body
as enunciating agent here
modernist formalist erasure of here
as performative agent here–here (see also Pirici, Alexandra)
political body here–here, here, here–here
artmaking, modes of here, here, here, here, here, here, here, here
art market here, here, here, here, here, here, here, here–here. See also commodification
Asco, collective of artists here–here. See also action(s); Chicano artists
audience(s), visitors
activated by the live here
amodal sensing here–here (see also TeZ)
artist-audience interchanges here
“audience building” sponsorship here
as a collective here
as consumer here
dialogical exchange here, here
ethics of spectatorship here
the experience economy here
gaze of the Western viewer here
imaginative responsibility here
inundating human perception through technology here
linked to digital technology here (see also Biesenbach, Klaus)
mass experience here, here–here (see also Charmatz, Boris; Tate Modern)
motion tracking of here
multiple levels of spectatorship here (see also Bishop, Claire)
museum turn to audience here–here
new forms of engagement here, here–here
reconceiving viewer role here
role and responsibility here (see also Bishop, Claire)
sharing in live rituals here
spectatorship as act of endurance here (see also Pope.L, William)
surveillance techniques here (see also Larsen, Nina Støttrup)
systems of care between artists and audiences here
tracking visitors
in Gallery Analytics piece here (see also Lund, Jonas)
in Instant Narrative performance installation here (see also Garcia, Dora)
viewing a film here
Austin, J. L. here–here, here, here, here. See also embodiment
authenticity here, here, here, here, here, here
Bailey, Brett here
Bal-Blanc, Pierre here. See also curators
Bartlett, Neil here. See also queer artists
Bauman, Zygmunt here, here–here. See also refugee crisis
Beacham, Donte here. See also Black artists
Becker, Jürgen here. See also Happenings, survey publications
Belmore, Rebecca here–here. See also decolonist artists; refugee crisis
Biinjiya’iing Onji (From Inside) here–here
Bennet, Tony here. See also museum(s)
Bergman, Ingrid here–here, here. See also Journey to Italy; Rossellini, Roberto
Bergson, Henri here–here, here, here, here. See also duration; gesture
Berlant, Lauren here–here, here–here
Berliner Festspiele, Immersion program of installations here–here
Haptic Field performative environment here–here (see also TeZ)
Feed here (see also Hentschlaeger, Kurt)
Parreno’s installation here–here, here
Welt ohne Aufsen (World without Outside) exhibition (see curators)
Beuys, Joseph here, here, here. See also action(s); Fluxus artists
Bianchini, Samuel here. See also bodies; communal sharing; Fluxus survey publications; Verhagen, Erik
Biesenbach, Klaus here, here. See also audience(s); curators
Bishop, Claire. See also audience(s); exhibition(s); museum(s)
consumer capitalism here (see also capitalism)
critique of relational aesthetics here
modes of attention to artworks here
multiple levels of spectatorship here
museum’s “gray zone” here
performance crossing into installation here
performance unruliness here
spectators’ selfie-image here
theatrical authenticity and realism here
Black artists
Beacham, Donte here
DeFranz, Thomas F. here–here, here
Faustine, Nona here, here–here
“i-image” here–here (see also Philip, M. Nourbese)
Marshall, Monèt Noelle here–here
poe, jumatatu m. here
Pope.L, William here–here, here
“Radical Presence: Black Performance in Contemporary Art” retrospective here
Santa Cruz, Victoria here–here
Black artists, care for
“anagrammical” blackness here–here (see also Sharpe, Christine)
Black bodies here (see also Brown, Kimberly Juanita; Philip, M. Nourbese)
monetary value of Black creativity here
performing for white audiences here–here
shifting terms of experimental dance performance here
thoughtful engagement here
Black audiences
Black performance as a racialized encounter here
understanding deep structures of citation and legacy here
witnessing each other as social dancers here
Black popular and social dance here–here
body, bodies
communal sharing of here (see also Bianchini, Samuel; Verhagen, Erik)
as document here
new relationships between bodies and technologies here–here (see also Hayles, N. Katherine)
the political, radical body here, here–here, here
production, productivity here (see also Kunst, Bojana; Lütticken, Sven)
virtual body and data body here–here (see also Critical Art Ensemble)
body art here, here, here–here, here–here, here–here. See also Antivilio, Julia; Hsieh, Tehching; Jones, Kim
Bottoms, Stephen here
Bourdieu, Pierre here
Brecht, Bertolt here, here–here. See also gesture
Brecht, George here, here. See also Fluxus artists
Brown, Kimberly Juanita here. See also Black bodies
Brown, Trisha
Roof Piece Re-layered here
Walking on the Wall here
Bruguera, Tania here–here. See also activist arts
Buchmann, Sabeth here. See also audience(s)
Buren, Daniel here–here. See also museum(s)
Bustamante, Nao here–here. See also queer artists
Butler, Judith here, here, here, here. See also queer feminist theorists
Gender Trouble here–here, here, here–here, here–here
Butt, Gavin here. See also Live Art Development Agency
Cage, John. See also music
“Event” at Black Mountain College here
predecessor of Happenings here
work for Summergarden progam at Museum of Modern Art here
Camiruaga, Gloria here. See also Latin American women artists
capitalism, capitalist
anti-capitalist aesthetics here (see also Smith, Jack)
the capitalist commodity form here (see also Schneider, Rebecca)
care in choreography here–here, here (see also Tunemyr, Else)
cognitive here
colonial-capitalism here, here–here
consumer here (see also Bishop, Claire)
domestic and sociopolitical here
an ethics of here–here, here, here
exploitation of gestures here, here
extractive here
extreme capitalism here
and gender relations here
industrial here
late capitalism here, here, here, here
need for consumption here
networked here
performance as radical care here
as a shared methodological approach here
the social factory (“fabbrica diffusa”) here (see also Trotoni, Mario)
techno-capitalism here
Carnevale, Graciela here. See also Latin American women artists
César here. See also action(s)
Chaplin, Charlie here, here–here. See also gesture
Charmatz, Boris here–here, here–here. See also archives; curators; museum(s); Tate Modern
Musée de la danse (“Dancing Museum”), director of here–here
Cheng, Meiling. See also art(s) critics
critique of Ai Weiwei here
cross-disciplinary criticism here
Chetwynd, Monster here–here. See also performance(s)
Chicano artists’ movement here, here. See also Asco
Chong, Albert here–here. See also Alexander, Jacqui M.; Black artists
The Cockettes here, here–here. See also queer artists
Collingwood, R. G. here
colonial, colonialism here, here, here, here–here, here, here, here, here, here, here–here, here–here, here
commodification, commercialization (of art, gesture, museums, and performance) here, here, here, here, here–here, here, here. See also art market
Critical Art Ensemble here. See also body
cultural capital here, here, here, here
curators
Bal-Blanc, Pierre (Tate) here
Biesenbach, Klaus (Museum of Modern Art) here
Charmatz, Boris here–here, here–here
Doyle, Jennifer here, here, here
Fajardo-Hill, Cecilia here
Hauser, Jens here
Keidan, Lois (Live Art Development Agency) here
Lepecki, André here–here, here
Oberender, Thomas (Berliner Festspiele) here
Sanders, Jay (The Whitney) here
Seghal, Tino (Berliner Festspiele) here
Sheddan, Susan (Tate families) here
Szeemann, Harald here
von Osten, Marion here
Wood, Catherine (Tate Modern) here
Cvetkovich, Ann here–here, here. See also queer theorists
dance, dancers
awkwardness in museums and galleries here
Brown, Trisha, work in museum here, here
“Buy My Soul” here–here (see also Marshall, Noelle Monèt)
codification here
copyright here–here (see also Fuller, Loïe)
“dance exhibitions” here–here, here (see also Bishop, Claire)
“Dance Factory” here (see also Lütticken, Sven)
dance and tech movement in the 1990s here–here
De Keerssmaeker, Anne Teresa, work in museum here–here
Donnarumma’s Eingeweide (Guts) here (see also dance)
enlivening galleries here
featured in museums here
Fuller, Loïe here
Happenings choreographers here
instrumentalized by museums here
liveness and ephemerality here
in “prosthetic costumes” here
Santa Cruz, Victoria here–here
Sehgal’s choreographic “situations” here–here (see also Sehgal, Tino)
von Laban, Rudolf here, here–here, here
Davis, Angela here. See also labor
de Certeau, Michel here
decolonialist artists
Belmore, Rebecca here–here, here–here
DeFrantz, Thomas F. here–here, here–here, here. See also Black artists
De Keersmaeker, Anne Teresa here–here
Demir, Nilüfer here–here, here. See also refugee crisis
Derrida, Jacques
debate on performativity here–here (see also Searle, John)
“globalatinized” here (see also Mignolo, Walter)
“hauntology” here
intentional locution here
performativity as iteration here, here–here
Donnarumma, Marco here. See also dance
Doyle, Jennifer here, here, here. See also curators
dramaturgy
in Complexity of Being here–here (see also Richter, Falk; van Dijk, Anouk)
“dramaturgy of the real” here (see also Martin, Carol)
handling the complexity here
intermedial here–here (see also Stiles, Kristine)
linking aesthetic relations to artistic intention here, here (see also Ekersall, Peter)
need for critical distance here
“new dramaturgy” here, here, here (see also Van Kerkhoven, Marianne)
political dynamics of mise-en-scène here (see also Stiles, Kristine)
radical austerity of here (see also Mauss, Nick)
of staging performances in museums here
in Work/Travail/Arbeid here–here (see also De Keersmaeker, Anna Teresa)
Druker, Zackary here–here. See also queer artists
duration
indefinite duration in literalist art here (see also Fried, Michael)
series of year-long performances here (see also Hsieh, Techching)
we exist in a continuum here (see also Bergon, Henri)
Eckersall, Peter here. See also dramaturgy
Eliasson, Olafur here
embodiment
Austin’s concept of the performative here–here (see also Austin, J.L.)
Butler’s body materialities here (see also Butler, Judith)
digital disembodiment here
exhibitions as shared embodied experience here–here (see also exhibitions)
enactment here, here, here, here, here, here
ethical artistry guides
Akilah, Shani here
Muhammad, Abdul-Aliy Abdullah here
ethics
of an action here
animating performance art here
of the art work here (see also Fraser, Andrea)
of care here, here (see also care; Doyle, Jennifer)
of diversity and inclusion here
ethical care as attending to others here
ethical leadership of institutions here
ethics of fundraising symposium here
inclusivity in UK arts here
of queer performance here (see also Smith, Jack)
radical ethics in performance art here
of spectatorship here
Euba, Mikel, here. See also gesture
Eurocentric, Eurocentrism
anti-colonial position towards here
Austin’s historical model (narrative) of performance art here, here, here–here (see also Austin, J.L.)
concept of art here
culture, as imperialist here
models of creative modernity here, here–here (See also De Franz, Thomas F.)
performance art as Eurocentric concept here
exhibition(s)
border with performance here (see also Oberender, Thomas)
dance as an here–here, here–here (see also Bishop, Claire)
immersive-like here
interaction with art practice here
liveness in here
in nineteenth century here
role of performance in here, here
as shared embodied experience here
survey here
technically advanced here, here
“theatricalization of the museum” here (see also Groys, Boris)
experience economy here–here, here, here, here, here. See also von Hantelmann, Dorothea
Fajardo-Hill, Cecilia here. See also curators
Farocki, Harun here. See also bodies
Faustine, Nona here, here–here. See also Black artists
feminism, feminist
Black feminist art here (see also McMillan, Uri)
Chicana feminism here (see also Anzaldúa, Gloria)
ethics of care, care studies here
German feminism here
Marxist feminists here
queer feminist performance theory here
feminist artists
Antivilio, Julia here
Precarias a la Deriva (Precarious Women Adrift) here
Smith, Barbara T. here
Ukeles Laderman, Mierle here
Yi, Anicka here
feminist scholars
Ahmed, Sara here
Alexander, Jacqui M. here
Antivilio, Julia here
McMillan, Uri here
Phelan, Peggy here, here, here–here, here, here, here, here
Tronto, Joan here
Flusser, Vilm here, here. See also gesture
Fluxus affiliates’ disputes here
Fluxus artists
Halprin, Anna here
Higgins, Dick here
Shiomi, Mieko here–here (see also action[s])
Young, La Monte here
Fluxus auto-histories, mappings here–here, here–here. See also Happenings
Fluxus-chart here–here (see also Maciuna, George)
Intermedia Chart here (see also Higgins, Dick)
Paik’s “island” here–here (see also Paik, Naim June)
Spatial Poem score here–here (see also Shiomi, Mieko)
Vostell’s drawings here (see also Vostell, Wolf)
Fordism, Fordist here, here–here, here, here–here. See also post-Fordist
Foster, Hal here, here, here. See also art(s) critics
Foucault, Michel here, here, here, here. See also archives
Franco, James here
Franko, B.
I Miss You here
not a number here, here, here, here, here, here
Fried, Michael. See also art critics
attack on “theatricality” here
condemnation of minimalism here
on “literalist art” and purity here
threat of art dependent on audience here
Fuchs, Elinor here. See also theater(s)
Fuller, Loïe here. See also dance
Garcia, Dora here. See also audiences, visitors
Garcia, Leslie here. See also Latin American women artists
gesture
automatism here
Chaplin’s slapstick here (see also Chaplin, Charlie)
choreography of patented gestures here. (see also Prévieux, Julién)
chronocyclegraphs and “fatigue study” here–here (see also Gilbreth, Frank and Lilian)
definitions of here–here, here
gesturality of speech here (see also Euba, Mikel)
in industrial production here
kinetography and Labananalysis here–here (see also von Laban, Rudolf)
moving across time through media here
“operational” here (see also Pias, Claus)
photographing non-standard movement here (see also Mili, Gjon)
the social gest here–here (see also Brecht, Bertolt)
as symbol and aesthetic artifice here–here (see also Flusser, Vilm)
Gilbreth, Frank and Lilian here. See also gesture
Giunta, Andrea here. See also curators
Glissant, Édouard here
globalatinization here–here. See also Mignolo, Walter
Goffman, Erving here, here, here–here, here–here. See also performance(s)
Goldberg, RosaLee here
Gómez-Peña, Guillermo here–here. See also queer artists
Greenberg, Clement here. See also art critics
Grossberg, Lawrence here. See also affect
Groys, Boris here. See also art critics; exhibition(s); museum(s)
Gutai group here
Haff, Peter here–here. See also technosphere
Halprin, Anna here. See also Fluxus artists
Hansen, Al here. See also Happenings, survey publications
Happenings, survey publications
Assemblage, Environments & Happenings here, here–here (see also Kaprow, Allan)
The Drama Review’s special issue, edited by Kirby, Michael here, here
Happenings, historical periods here, here
Happenings: An Illustrated Anthology here (see also Kirby, Michael)
Happening & Fluxus exhibition here (see also Szeeman, Harald)
Happenings. Fluxus—Pop Art—Nouveau Réalism here, here–here (see also Becker, Jürgen; Vostell, Wolf)
A Primer of Happenings here, here (see also Hansen, Al)
A Primer of Happenings and Time/Space Art here (see also Kirby, Michael)
“Harper’s Pictorial History of the Civil War (Annotated)” here–here. See also Walker, Kara
Hartman, Saidiya here
Hauser, Jens here. See also curator; performativity
Hayles, N. Katherine here–here. See also bodies
Heathfield, Adrien here, here. See also archive(s); Live Art Development Agency
Henri, Arian here
Hentschlaeger, Kurt here. See also Berliner Festspiele
“Hibiscus” (George Edgerly Harris) here. See also queer artists
Higgins, Dick here. See also Fluxus artists; Fluxus auto-histories; mappings
Horkheimer, Max here. See also Adorno, Theodor
Hsieh, Tehching here–here. See also body art
human rights here, here, here, here
If Tate Modern Was Musée de la danse? here, here–here
Insignares, Catalina here, here–here. See also labor
institutional critique here, here, here, here. See also Fraser, Andrea; Ukeles, Mierle Laderman
Jackson, Shannon
intermediality here–here, here
medium specificity here
online performance anthology here
encountering here
history of performance as paradoxical here
the live as commodity here
re-enactment as repetition here
relationality in determinations of “queer” here, here
Jones, Kim here. See also body art
Journey to Italy here–here, here. See also Rossellini, Roberto
Kaprow, Allan here, here. See also Fluxus artists; Happenings, survey publications
Keidan, Lois here. See also curators; Live Art Development Agency
Kirby, Michael here, here. See also Happenings, survey publications; new theater
Kulik, Oleg here
Kunst, Bojana here–here. See also body, productivity; labor; Lütticken, Sven
Kusama, Yayoi here. See also Grand Orgy to Awaken the Dead (Museum of Modern Art)
labor
affective labor (of care) here, here, here, here
algorithmic dead labor here
art as a form of here
of the artist and performer here, here, here–here
in The Artist is Present here (see also Abramović, Marina)
in Catalina Insignare’s us as a useless duet here–here
Chaplin and industrial labor here
feminist and political debates here
in Helke Sander’s films here–here
in Hollywood’s studio system here
immaterial here
Laban’s mapping of here
and leisure here
in Manifesto for Maintenance Art here, here–here (see also Ukeles, Mierle Laderman)
mental and physical here
and poetics here (see also Kunst, Bojana)
reproductive here
practices in curating and performance art here, here
Schneider, Rebecca
affective and performative
the agency of artists here
civil war reenactments here
dematerialized art as critique here
the live and the dead here
turn here
semiotic here
semio-affective here
socialization of reproduction here (see also Davis, Angela)
as subject in performance here–here (see also Hsieh, Tehching)
swarms of data bodies here (see also Farocki, Harun)
testing the museums’ regulations for employees here–here (see also Sehgal, Tino)
Work/Travail/Arbeid here–here (see also De Keersmaeker, Anne Teresa)
Larsen, Nina Støttrup here. See also audiences
Latin American women artists
Antivilio, Julia here
Camiruaga, Gloria here
Carnevale, Graciela here
Garcia, Leslie here
Maiolino here
Mendieta, Ana here
Radical Women: Latin American Art, 1960–1985 here (see also Fajardo-Hill, Cecilia; Guinta, Andrea)
Santa Cruz, Victoria here–here
Soares, Teresinha here
Vicuña, Cecilia here
Leckey, Mark here. See also museums
Lehmann, Hans-Thies here. See also postdramatic theater; theater, experimental theater
Lepecki, André here–here, here, here. See also curators
Liberate Tate collective here
“liquid modernity” here. See also Bauman, Zygmunt
Live Art Development Agency (LADA) here, here, here–here, here–here. See also Tate Modern
the live, Live Art, liveness
activating audiences here
as commodity and spectacle here
of dance in museums here
exhibition of “collective bacteria” here (see also Yi, Anicka)
an expansive practice in UK here
impact of technology on here
institutionalism in UK here–here
the live and not live in film here–here
“the live” in visual arts programming here (see also Schneider, Rebecca)
and non-living (mimesis) here
Performa here
positioning the discourse here
potential of liveness here (see also Jones, Amelia)
SPILL Festival of Performance here
as visible laboring here
in visual arts programming here
What is Live Art? here (see also Sofaer, Joshua)
The Living Currency exhibition here
Lopez, Yolanda here–here. See also Latin American women artists
Lund, Jonas here. See also audiences, visitors
Lütticken, Sven here–here, here–here, here. See also body; critics; dance; Kunst, Bojana; museum(s)
Maciunas, George here–here. See also Fluxus artists; Fluxus auto-histories, mappings
McMillan, Uri here. See also feminist scholars
Maiolino, Anna Maria here. See also Latin American women artists
Marmolejo, Evelia here–here. See also Latin American women artists
Marranca, Bonnie here. See also theater
Marshall, Monèt Noelle here–here. See also Black artists, dance
Martin, Carol here. See also dramaturgy
Marxism, Marxist, Marx
analysis of labor here
dead labor here (see also Schneider, Rebecca)
and feminist theory here
masculinity
alienated here (see also Jones, Kim)
non-normative (Smith) here
white here
Massumi, Brian here–here, here. See also affect
materialism here
as compromised online here
of gesture here
of photography paper here
of the unprimed canvas here
Mayer, Mónica here–here. See also performance(s)
Memo Akten here. See also Whitely, Alexander
Mendieta, Ana here. See also Latin American women artists
Merleau-Ponty, Maurice here
Mignolo, Walter here–here. See also globalatinization
Minujín, Marta here
modernity here, here, here, here, here, here, here–here, here, here–here, here, here
Moles, Abraham here–here. See also action(s); technology
Morris, Robert
“Notes on sculpture” here
retrospective (at Tate) here
sculpture here
Mortensen, Mette here–here, here. See also agency
Muhammad, Abdul-Aliy Abdullah here. See also ethical artistry guides
Musée de la danse (“Dancing Museum”) here–here. See also Charmatz, Boris
museum(s)
awkwardness of dance in here
Birth of the Museum here (see also Bennet, Tony)
challenging the museums’ regulations and systems here–here (see also Sehgal, Tino)
contemporary museology here
corporate sponsorship here, here–here
determining best practices here
digital media, use of here, here
drive to privatization here–here
the emerging “mass museum” here
entering the flow here (see also Groys, Boris)
as factory here (see also Lütticken, Sven)
“The Function of the Museum” here–here (see also Buren, Daniel)
“grey zone” here (see also Bishop, Claire)
institutional critique here, here, here
International Council of Museums here
naturalizing art’s radicality here
performance turn in here, here
pitfalls as service organization here
professionalization of here–here (see also Weil, Stephen)
proximity to entertainment here–here
rise of professional organizations here
as a space for histories here
staging performances in here
transformation of the Tate Modern here–here
Museum of Modern Art (MoMA), performances
The Artist is Present here–here, here, here, here (see also Abramović, Marina)
Björk MoMA here
Marta Minujín’s Kidnappening here
Work/Travail/Arbeid here–here, here (see also De Keersmaeker, Anne Teresa)
Yayoi Kusama’s performance here, here
Museum of Old and New Art (MONA), Tasmania here. See also Walsh, David
music, musicians
in De Keersmaeker’s Work/Travail/Arbeid here
in Leckey’s Big Box Statue Action here
nationalism, rise of here, here–here
Nef, Hari here. See also queer artists
neoliberalism here, here. here, here
new theater here. See also Kirby, Michael; theater
Oberender, Thomas here. See also Berliner Festspiele; exhibition(s)
Opie, Cathy here. See also queer artists
Pacitti Company cultural institution here
Paik, Naim June here, here. See also Fluxus artists; Fluxus auto-histories, mappings
Parreno, Philippe here–here, here, here
Pelmus, Manuel here–here. See also Pirici, Alexandra
Penny, Simon here. See also aesthetics of behavior
Performa here. See also the live, performance(s); performance art
an art in the first person here–here (see also Mayer, Mónica)
capacity for self-historization here
curatorial understanding of here
endurance in Black performance praxis here–here
as Eurocentric concept here
gesture in performance theory here
in the Global South here
how it mediates the past here
involving “biocommunication” here
Latin American terms for body art here–here
new historical respectability for here–here
as participatory workshop here–here (see also Chetwynd, Monster)
performance, as a term and practice here
performance studies here–here (see also Schechner, Richard)
performance turn, the here, here
a political art done by the body here (see also Antivilio, Julia)
queer feminist theory here
as a revolutionary ethos here
social interactions as performances here (see also Goffman, Erving)
a theory of here
performance(s) in museums
to attract audiences here
commissioned and programmed here
contradictory conditions here
install-ability here (see also Sehgal, Tino)
as live rituals, at Tate here
relational approaches here
performativity, performative
of curating here
a genealogy of the concept here (see also Jones, Amelia)
intersectionality here
“microperformativity” here (see also Hauser, Jens; technology)
origin of term here
of public’s participation here
Peters, Sibylle here–here. See also Live Art Development Agency; Tate Modern
Phelan, Peggy here, here, here–here, here, here, here, here. See also feminist scholars
phenomenology of technology here–here. See also Simondon, Gilbert
Philip, Marlene Nourbese here–here. See also Black artists
Pias, Claus here. See also gesture
Piper, Adrien here–here. See also Black artists; feminist artists
Pirici, Alexandra here–here, here–here. See also archives; artist’s body; Pelmus, Manuel
PLAYING UP here–here. See also Peters, Sibylle
poe, jumatatu m. here. See also Black artists
Pollack, Jackson here, here–here
Pope L., William here–here. See also Black artists
heightened here
of neo-liberal divisions here
new populism here
postdramatic theater here. See also Lehmann, Hans-Thies
post-Fordist, Fordism, Fordist here, here–here, here, here–here
post-industrialization here, here
Post-Partum Document here–here. See also Ukeles, Mierle Laderman
Precarias a la Deriva (Precarious Women Adrift) here. See also feminist artists
precarity
depicting human responses to here
embodied and affective here
governance through here
Precarias a la Deriva (Precarious Women Adrift) here
of reproduction here
of work here
Prévieux, Julien, choreographer here. See also archive(s); gesture
private philanthropy
sponsorship of Tate by Egg Bank here–here
“Take the Money and Run?” symposium (LADA) here
public space, sphere
algorithmic crowd control of here
disappearance of here–here, here
government disinvestment here
the museum as a here
Tate’s reconsideration of here
queer artists
Barlett, Neil here (see also queer and gender performativity)
Bustamante, Nao here, here–here
Gómez-Peña, Guillermo here–here
“Hibiscus” (George Edgerly Harris) here
Nef, Hari here
Opie, Cathy here
Sisters of Perpetual Indulgence here
Smith, Jack here, here–here, here–here
Sylvester here
queer and gender performativity
camp, theatricality, and gay men here
connection of sexuality to performativity here (see also Sedgwick, Eve Kosofsky)
and creative communities here–here
Gender Trouble here (see also Butler, Judith)
Genealogy of Queer Theory here (see also Turner, William)
“On Camp” here (see also Sontag, Susan)
performance ethic of Jack Smith here (see also Smith, Jack)
Queer British Art 1861–1967 (Tate Britain) here
A Vision of Love Revealed in Sleep here (see also Bartlett, Neil; queer artists)
queer theorists
Anzaldúa, Gloria here (see also feminism)
Butler, Judith here, here, here, here (see also queer and gender performativity)
Cvetkovich, Ann here–here, here
Sedgwick, Eve Kosofsky here–here, here–here, here (see also queer and gender performativity)
Sontag, Susan here, here (see also queer and gender performativity)
Radical Women: Latin American Art 1960–1985, exhibition here, here
Rainer, Yvonne
Continuous Project Altered Daily (at Whitney) here
9 Evenings: Theater and Engineering here
redefinition to redistribution here. See also Gaines, Malik
reenactment(s)
access to live experience as here
of Aylan Kurdi’s pose here, here–here (see also Ai Weiwei; refugee)
Beuys’ 1965 action here (see also Beuys, Joseph)
discourse of spectrality here
empathy, not fueled by here
of forgotten live histories here
a methodological critique here
Public Collection of Modern Art here–here (see also Pelmus, Manuel; Pirinci, Alexandra)
portraiture as here
“writing of history” as here
refugee (crisis) here
Belmore’s exhibition in Greece here (see also Belmore, Rebecca)
camps, as laboratories here–here (see also Bauman, Zygmunt)
Richter and van Dijk’s performance installation here (see also Falk, Richter; van Dijk, Anouk)
Syrian, critique of Ai Weiwei’s reenacted pose here, here–here, here (see also Ai Weiwei)
Syrian, Franko B’s stitched canvas here (see also Franko B.)
Syrian, photo by Nilüfer Demir here–here, here
relational, relationality
in care studies here
in determinations of “queer” here, here (see also Jones, Amelia)
glorification of here
in queer and gender performativity here–here, here–here, here, here
reproduction, Marxist feminist definition here–here, here
retrospectives
The Artist is Present here–here, here, here (see also Abramović, Marina)
Happening and Fluxus here (see also Szeemann, Harald)
Immaterial Retrospective (Venice Biennale) here
“Radical Presence: Black Performance in Contemporary Art” here
Robert Morris retrospective at the Tate here
Richter, Falk here, here–here. See also The Complexity of Being; van Dijk, Anouk
Rivera, Sophie here–here. See also Latin American women artists
Rojas, Emilio. See also decolonialist artists
Instructions for Becoming here–here, here
Open Wounds (to Gloria) here–here
Rosenberg, Harold here. See also art critics
Rossellini, Roberto here–here, here. See also Journey to Italy
Sander, Helke here–here. See also activist artists, feminist artists
The All-round Reduced Personality—Redupers here
Excerpts from Reports of the Guard and Patrol Service here–here
politics of emancipation here
spheres of labor here
Sanders, George here–here. See also Journey to Italy; Rossellini, Roberto
Sanders, Jay here. See also curators
Santa Cruz, Victoria here. See also Black Artists; dance; Latin American women artists
Santone, Jessica here
Schechner, Richard here, here, here. See also performance studies
Schilder, Paul here
Schneider, Rebecca here–here, here, here–here, here–here, here, here. See also affect; archives; live
Searle, John here–here. See also Derrida, Jacques
Sedgwick, Eve Kosofsky here–here, here–here, here. See also queer and gender performativity
Seghal, Tino here, here–here, here. See also labor; museums and performance(s)
Serota, Nick here. See also The Tate Modern
settler colonialism, narrative here, here, here, here
Sharpe, Christine here–here. See also Black artists, care for
Sheddan, Susan here. See also curator; Tate Modern
Shiomi, Mieko here–here. See also Fluxus auto-histories, mappings
Simondon, Gilbert here–here. See also phenomenology of technology
The Sisters of Perpetual Indulgence here. See also queer artists
Situationist(s) and post-Situationists here–here, here. See also actions; activism
Smith, Barbara T. here. See also feminist artists
Smith, Jack here, here–here, here–here. See also queer artists
Soares, Teresinha here. See also Latin American women artists
social justice here, here, here
Sofaer, Joshua here. See also live
Sontag, Susan here, here, here, here, here. See also queer feminist theorists
as all-consuming here (see also Debord, Guy)
bias against here
Broadway here
critique against here
the live as commodity here (see also Jones, Amelia)
neoliberal context here
selfie-taking here
spectatorship here, here, here, here, here, here, here–here. See also audiences
SPILL Festival of Performance here. See also live
Spinoza, Baruch here. See also affect
Stafford, Barbara here
Stiles, Kristine here–here. See also dramaturgy
Subversive Aktion Group here. See also activism, activist artists
Sylvester here. See also queer artists
Szeemann, Harald here. See also curators, retrospectives
Taylor, Diana here, here, here. See also archive(s); technology
audience inextricably linked to digital technology here (see also Biesenbach, Klaus)
Berliner Festspiele’s Immersion program of installations here–here
communal sharing of bodies here (see also Bianchini, Samuel; Verhagen, Erik)
dance and tech movement in the 1990s here–here
digital disembodiment here
digital media in musuems here, here
impact on Live Art here
inundating human perception through technology here
machine learning (ML) here–here
“microperformativity” here
Moles, Abraham here–here (see also action[s])
new relationships between bodies and technologies here–here (see also Hayles, N. Katherine)
new virtuality here
9 Evenings: Theater and Engineering here–here (see also Ranier, Yvonne)
shaping affects here
skenobiotope here–here (see also Norman, Sally Jane)
technical systems as beings here
technosphere, the age of the here–here, here (see also Haff, Peter)
TeZ’s Haptic Field performative environment here–here (see also Berliner Festspiele)
virtual body and data body here–here (see also Critical Art Ensemble, body)
Tate Modern
If Tate Modern Was Musée de la danse? here, here–here (see also Charmatz, Boris)
Live Culture program here (see also Live Art Development Agency)
proximity to entertainment here–here (see also Amorales, Carlos; Chetwynd, Monster; Leckey, Mark)
questioning institutional authority here–here (see also Bruguera, Tania)
Tate Families here–here (see also art for children; Peters, Sibylle; Sheddan, Susan)
theater(s), theatricality
attack on “theatricality” here
critical concepts in here
experimental practices entering mainstream venues in UK here
experimental theater practices here, here (see also Fuchs, Elinor Lehmann, Hans-Thies; Live Art Development Agency; Marranca, Bonnie)
modeling the skenobiotope here–here (see also Norman, Sally Jane)
new theater here (see also Kirby, Michael)
of objects and machines here–here
postdramatic theater here–here (see also Lehmann, Hans-Thies)
presentational acting styles here
theatricality opening art to time here
“theatricalization of the museum” here (see also Groys, Boris)
too bound in commercial concerns here (see also Groys, Boris)
Tronti, Mario here. See also capitalism, the social factory
Tronto, Joan here. See also feminist scholars
Tunemyr, Else here–here, here. See also care
Turner, William here. See also queer performativity
Ukeles, Mierle Laderman. See also feminist artists; institutional critique; labor
Manifesto for Maintenance Art here–here, here, here
Post-Partum Document here–here
Touch Sanitation Performance here–here
Washing/Tracks/Maintenance: Outside here
Valdez, Patssi here–here. See also Latin American women artists
van Dijk, Anouk here, here–here. See also Richter, Falk
Van Kerkhoven, Marianne here, here. See also dramaturgy
Verhagen, Erik here. See also Bianchini, Samuel; bodies
Vicuña, Cecilia here–here. See also Latin American women artists
visitors, in museums. See audience(s)
von Hantelmann, Dorothea here–here. See also the experience economy
von Laban, Rudolf here, here–here, here. See also dance; gesture
von Osten, Marion here
Vostell, Wolf here, here. See also Fluxus artists; Fluxus auto-histories, mappings; Happenings, survey publications
Walker, Kara here–here. See also Black artists; “Harper’s Pictorial History of the Civil War (Annotated)”
Walsh, David here. See also Museum of Old and New Art
Weil, Stephen here–here. See also museum(s)
Whitley, Alexander here. See also Akten, Memo
Wood, Catherine here. See also curators; Tate Modern
Woolf, D.R. here
Yi, Anicka here. See also feminist artists, live
Young, La Monte here. See also Fluxus artists
Zygmunt, Bauman here. See also “liquid modernity”