10. Webster, Haydn’s “Farewell” Symphony, 127. The point is amplified in Webster’s “The Creation, Haydn’s Late Vocal Music, and the Musical Sublime,” in Haydn and His World, ed. Elaine Sisman (Princeton: Princeton University Press, 1997), 66: “Haydn’s blaze of light resolves the disjunction and mystery of the entire Chaos music that has preceded it. The sublime effect depends on his integration of three separate movements … into a single progression that moves from paradoxical disorder to triumphant order.”