5. Lawrence Kramer, “Haydn’s Chaos, Schenker’s Order; or, Hermeneutics and Musical Analysis: Can They Mix?” 19th Century Music, 16 (1992):3–17; the critique of Schenker is put somewhat differently in his “Music and Representation: the Instance of Haydn’s Creation,” in Music and Text: Critical Inquiries, ed. Steven Paul Scher (Cambridge: Cambridge University Press, 1992), 139–162.