44. It may be symptomatic of these allegiances that the subscription lists for the six volumes “für Kenner und Liebhaber” include no name from any location in the Rhineland—that Neefe (presumably lacking the means to subscribe) was unable or unwilling to urge a subscription from among the music-loving nobility of Bonn. For the subscription lists, see Ernst Suchalla, ed., Carl Philipp Emanuel Bach: Briefe und Dokumente. Kritische Gesamtausgabe, II, (Göttingen: Vandenhoeck & Ruprecht, 1994), 1471–1475, 1491–1496, 1507–1510, 1515–1520. The single work of Emanuel Bach’s to have been recorded in Beethoven’s Nachlaß is the setting of Klopstock’s Morgan-Gesang am Schöpfungsfeste in a manuscript copy inscribed by Beethoven “Von meinem theuren Vater geschrieben” in a late hand. The work was published in 1784, and it is again the case that Bonn does not appear in the subscription list. The remnants of the manuscript are now at the Beethoven-Haus in Bonn.