7. For a conspectus, see my “Das Organische der Fuge: On the Autograph of Beethoven’s String Quartet in F Major, Opus 59, No. 1,” in The String Quartets of Haydn, Mozart, and Beethoven: Studies of the Autograph Manuscripts, Isham Library Papers III, ed. Christoph Wolff (Cambridge, Mass.: Harvard University Music Department, 1980), esp. 223–265, and, in the same volume, Robert Winter’s “Response,” 266–272, and the discussion that follows at 273–277. I take the opportunity to correct two printer’s errors that are of some consequence to the arguments set forth below: 228, bottom, item 1, read “Fugue in B♭ minor”; 229, top, item 2, read “Fugue in B minor.”