18. In a probing review of John Daverio’s Nineteenth-Century Music and the German Romantic Ideology (New York: Schirmer Books; Toronto: Maxwell Macmillan Canada; New York: Maxwell Macmillan International, 1993) in Journal of Music Theory 40 (1996): 149–160, Kristina Muxfeldt reminds us of the importance of two seminal essays that bear on the idea of fragment: August Wilhelm Schegel’s “Ueber Zeichnungen zu Gedichten und John Flaxmans Umrisse,” in Athenäum, II (1799) : 193–246 (“The fragments in the hypothetical new genre Schlegel envisions here are sketches, left as outline drawings so as to stimulate the imagination to make them fully comprehensible,” writes Muxfeldt); and Friedrich Schlegel’s “Ueber die Unverständlichkeit,” in Athenäum, III (1800): 337–354.