Agamben, Giorgio 146
Allen, Richard 141
Althusser, Louis 54–5, 71–6, 78, 96–7, 168
American Graffiti 101–2, 112, 128
Anderson, Perry 78
Aragon, Louis 25
Arnheim, Rudolf 18–19, 20, 27, 46, 168
Astruc, Alexandre 79
Austin, J.L. 123
authorship 22, 49–50, 95, 100, 143, 158
avant-garde 24–6, 30–2, 39, 99–100, 158
Badiou, Alain 149
Bakhtin, Mikhail 117
Barthes, Roland 59–62, 75, 78, 82, 101, 169
Baudelaire, Charles 41
Baudrillard, Jean 127
Baudry, Jean-Louis 76–7, 83, 111, 168
Bazin, André 45–9, 53, 76, 95, 100, 152, 169
Beauvoir, Simone de 105–6, 116
Benjamin, Walter 37, 40–4, 46, 60, 63, 169
Bersani, Leo 122
Bolter, Jay David 151
Bordwell, David 24, 103, 134, 139–46, 152, 169
Branigan, Edward 140
Brecht, Bertolt 31, 94, 99, 116, 169
Brewster, Ben 94
Cahiers du cinéma 46, 49–50, 79, 87–8, 101
Carroll, Noël 19, 134, 136–9, 144–6, 169
castration 65, 107, 111–12, 159
Cavell, Stanly 153
cinema of attractions 143, 159
Cixous, Hélène 108
classical film theory 5, 50, 54, 153
classical Hollywood cinema 3, 48, 103, 140, 152, 159
close-up 14, 16–17, 24, 26–7, 38, 43
Close-Up 63
Comolli, Jean-Louis 87–8, 94, 98, 109
contemporary film theory 5, 54–5, 71
convergence culture 151–2, 160
counter-cinema 99–100, 108–9, 115–16, 119, 160
counter-hegemony 75, 78, 119, 134, 144
Crary, Jonathan 151
cultural studies 6, 60, 77–9, 160
Currie, Gregory 141
Dayan, Daniel 70
de Lauretis Theresa 114, 122–3, 125, 170
defamiliarization 26–7, 31–2, 35, 42, 47, 160
Derrida, Jacques 138
dialectical materialism 30, 72, 160
digital technologies 4, 150–2, 153–4
dispositif 76
Doane, Mary Anne 111
documentary 34–5, 46, 116, 119, 124, 126
Dyer, Richard 125
Eco, Umberto 82
Edelman, Lee 122
ego psychology 67
Eisenstein, Sergei 1, 29–30, 32–6, 79, 95, 170
entertainment 3, 4, 20, 42–4, 125, 150
Epstein, Jean 23, 25–6, 27, 43, 170
Esperanto 14
Euro-centrism 92, 115, 117, 119, 127
fabula see story
Fanon, Frantz 116
fantasy 4, 24, 64–5, 122, 124, 161
feminist (film) theory 92, 103–5, 108–14, 121–3, 134
film culture 10, 21–2, 23, 28, 45, 85
Flaherty, Robert 34
formalism 18–19, 82, 100, 135, 153, 161
Frankfurt School 36, 39, 40–1, 44–5, 59, 161; see also Institute of Social Research
Freud, Sigmund 25, 42, 63–6, 83, 96, 107, 170
Friedan, Betty 104
Genette, Gérard 82
Getino, Octavio 116
Godard, Jean Luc 49, 86, 99, 100, 116
Gorky, Maxim 4
grande syntagmatique 81–2, 83, 161
Griemas, A.J. 59
Grodal, Torben 141
Grusin, Richard 151
Guattari, Félix 147
Hansen, Miriam 38, 40, 110, 171
Haskell, Molly 104
Harvey, Sylvia 86
Heath, Stephen 70, 95–8, 136–8, 146, 171
Hoggart, Richard 78
Hollywood 10, 20, 22–3, 107–8, 112–13, 152
hooks, bell 118
Horkheimer, Max 44
identification 17, 77, 83, 106, 111, 161–2
ideological state apparatus (ISA) 73–4, 162
ideology 33, 61–2, 73–7, 83, 87–8, 95–9, 138, 162
illusion 4, 34, 76–7, 96, 127, 136
indexical signs 46, 61, 95, 162
Institute of Social Research 36–7, 44; see also Frankfurt School
interpellation 17, 74, 136, 162
Irigaray, Luce 108
Jakobson, Roman 57, 68, 83, 94
Jenkins, Henry 151
Johnston, Claire 104, 105, 107
Kaplan, E. Ann 109
Kittler, Friedrich 149
Kracauer, Siegfried 7, 37–40, 42, 44, 46, 153, 171
Lacan, Jacques 63, 66–70, 73, 75, 83, 105, 171
LEF (Left Front of the Arts) 31
Lesage, Julia 108
Lévi-Strauss, Claude 57–9, 61–2, 68, 95, 172
Lindsay, Vachel 11–15, 19–20, 79, 84, 172
linguistics 31, 55–6, 58, 61, 68–9, 79–81
Lyotard, Jean-Francois 127
MacDonald, Dwight 44
male gaze 73, 106–7, 110, 122, 162
Man With a Movie Camera 35
Manovich, Lev 151
Marcuse, Herbert 44
Marx, Karl 29–30, 72–4, 77, 96, 127, 172
master-slave dialectic 66
Mayne, Judith 122
medium specificity 18–19, 24, 101, 153, 162
Mercer, Kobena 126
Merleau-Ponty, Maurice 59
Metz, Christian 55, 62, 79–84, 88, 94, 111, 172
Mickey Mouse 42
Miller, Jacques-Alain 69
Millet, Kate 104
mirror stage 67–9, 74, 77, 83, 105, 163
Mitchell, Juliet 104
Mitry, Jean 79
Modleski, Tania 110
montage 1, 28, 29–35, 46, 147, 163
Morin, Edgar 79
Mulvey, Laura 73, 105–9, 110–11, 118, 121, 172
Münsterberg, Hugo 11, 14–20, 22–4, 46, 84, 172
Narboni, Jean 87–8, 94, 98, 109
neo-realism 47–8, 94, 116, 149
October (film) 34
ontology 46, 100, 101–2, 123, 153
other 42, 67, 105, 116–17, 120, 164
Oudart, Jean-Pierre 70
patriarchy 69, 92, 104, 108, 109–10, 113–14, 164
Peirce, Charles Sanders 46, 95, 172–3
performative 98, 119–20, 126, 137
performativity 123
phenomenology 144
photography 3, 25, 38–40, 42, 46, 61, 96, 153
political modernism 86, 91, 98, 103, 109, 137
la politique des auteurs 49, 62, 165; see also authorship
popular culture 37, 44, 62, 85, 111, 149
post-colonial theory 92, 115–21, 130, 134
post-modern 92, 126–30, 133, 146, 165
post-structuralism 62, 91, 108–9, 119, 122, 146, 165
Proust, Marcel 38
psychoanalysis 25, 63–70, 75, 83–4, 96, 105–8, 111, 122
queer theory 92, 104, 121–6, 130, 134, 144
Ranciere, Jacques 149
realism 19, 37–8, 40, 46–9, 76, 101–2, 152–3, 165
Rich, B. Ruby 108
Rodowick, D. N. 86, 98, 112–13, 114, 144, 147–8, 152–5, 173
Rohdie, Sam 93
Rosen, Marjorie 104
Russian Formalists 31–2, 57, 117, 165
Said, Edward 117
Sartre, Jean-Paul 59
Saussure, Ferdinand de 55–8, 60, 68, 80–2
Screen 91–5, 98–100, 103–5, 108–9, 129, 135
semiotics 54, 57, 62, 79–84, 95, 144, 166
sexual difference 69, 104, 107–8, 122, 124
Shohat, Ella 115
signifier 55–6, 60, 68–9, 70, 97, 166
Silverman, Kaja 70, 111–13, 114, 173
Situationists 86
Smith, Greg M. 141
Smith, Murray 141
Sobchak, Vivian 144
Society for Education in Film and Television (SEFT) 93–4, 104, 129
Sokal Affair 129
Sontag, Susan 124
sound 10, 19, 33–4, 102–3, 112, 126, 128
spectator 32–3, 83, 97, 106–7, 110–11, 118, 153
spectatorship 16, 83, 125, 139–41
Spivak, Gayatry 120
Spottiswoode, Raymond 80
Stam, Robert 115
structuralism 6, 54–62, 72–3, 79, 84, 166
subject 66–9, 73–5, 97, 105, 114, 118, 124
subject position 70, 101, 111, 113–14, 122, 130
subjectivity 42, 67, 96, 136, 138–9, 146
surrealism 24–5, 27, 42–3, 66, 166
suture 69–70, 75, 97, 136, 166
symptomatic 64, 88, 128, 143, 166
syuzhet see plot
Thompson, E.P. 78
Tocqueville, Alexis de 145
Todorov, Tzvetan 82
Tongues Untied 126
Trinh, T. Minh-Ha 118–21, 123, 126, 128
Turim, Maureen 110
Umberto D 48
Uncle Josh at the Moving Picture Show 96
unconscious 25, 42, 63–4, 69, 83, 96, 167
Vertov, Dziga 29, 31–2, 34–6, 43, 99, 173
Virilio, Paul 149
Weil, Felix 36
White, Patricia 122
Williams, Linda 110, 113–14, 173
Williams, Raymond 78
Wollen, Peter 94–5, 97, 99–100, 108, 145, 173
Zavattini, Cesare 47