Index

Abbotsford (i), (ii), (iii)

academic medievalism (i), (ii)

Acmeism (i)

Addison, Joseph (i), (ii)

adulterous love (i), (ii), (iii), (iv)

aestheticism (i)

Decadents (i), (ii), (iii), (iv)

Age of Reason (i)

Ainsworth, William Harrison (i), (ii)

Albert, Prince Consort (i), (ii), (iii), (iv)

‘Albertopolis’ (i)

and Tennyson’s work (i)

Albigenses (i)

Alfred the Great, king of Wessex (i), (ii), (iii), (iv), (v), (vi)

in Chesterton’s poem (i)

allegory

Hurd on feudalism (i)

Spenser’s Faerie Queene (i), (ii), (iii)

Amis, Kingsley (i), (ii)

analogy in Christian art (i), (ii), (iii), (iv), (v)

anchoresses (i), (ii)n.12

Anglicanism see Church of England

Anglo-Catholicism (i), (ii), (iii), (iv)

Eliot (i), (ii)

Ritualists (i)

see also Oxford Movement

Anglo-Saxon see Old English; romances

Anglo-Saxon Chronicle, The (i)

Anglo-Saxon Church (i)

anti-clericalism of French Revolution (i)

anti-medievalism (i)

anti-Semitism (i)

antiquarian scholarship (i), (ii), (iii)

and Auden (i)

and Beowulf (i)

and Church of England (i)

and Medieval Revival (i), (ii), (iii), (iv)

Middle English verse romances (i)

and Scott’s Merry England (i), (ii)

societies in Victorian England (i)

apostasy: ‘national apostasy’ (i), (ii), (iii)

‘Apostles’ (Cambridge circle) (i)

applied Medievalism (i), (ii), (iii), (iv)

Aquinas, St Thomas (i), (ii), (iii), (iv), (v), (vi), (vii)

archery (i), (ii), (iii), (iv)

architecture see classical art and

architecture; Gothic architecture;

Gothic Revival architecture; social

architecture

Arians (i)

Ariosto, Ludovico (i), (ii), (iii), (iv)

armorial displays (i)

Arnold, Matthew xxxiii

art

analogy in Christian art (i), (ii), (iii), (iv), (v)

history in (i), (ii)

and Medieval Revival (i)

and Reformation (i)

as subjective experience (i)

see also classical art and architecture; Pre-Raphaelite Brotherhood

Arthurianism (i), (ii), (iii), (iv)

in art (i), (ii)

and poetry (i), (ii), (iii)

and popular culture (i)

see also Malory: Le Morte Darthur

Arts and Crafts movement (i), (ii), (iii), (iv), (v)

see also Morris, William

Ascham, Roger (i), (ii)

Auchinleck Manuscript (i), (ii)

Auden, W.H. (i), (ii), (iii), (iv), (v), (vi)

‘In Memory of W.B. Yeats’ (i)

Augustan poetry (i), (ii), (iii), (iv), (v), (vi)

Austen, Jane (i), (ii), (iii), (iv), (v), (vi), (vii)n.14

Northanger Abbey (i), (ii)

authenticity

and historical fiction (i)

and improving older texts (i), (ii)

of manuscripts (i)

Millais’s Sir Isumbras source (i)

see also ‘Ossian’ poems; ‘Rowley’ poems

Bacon, Nathaniel (i)

Baden-Powell, Robert: Young Knights of the Empire Plate 24

Ball, John (i), (ii)

ballads (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii)

see also verse romances

Baring, Maurice (i), (ii)

Barry, Charles (i), (ii), (iii), (iv), (v), Plate 2

basilicas (i)

Battle of Maldon (Old English poem) (i), (ii), (iii), (iv), (v), (vi), (vii)n.13

Baxter, Nathaniel (i), (ii)

Beardsley, Aubrey (i), (ii), (iii), (iv), (v)

Morte Darthur illustrations (i)

The Story of Venus and Tannhäuser (i)

Beattie, James (i), (ii)

Beckford, William Plate 7

Bede, St (the Venerable) (i)

Beerbohm, Max (i)

Belloc, Hilaire (i), (ii), (iii), (iv), (v)

Bennett, Arnold (i), (ii), (iii)

Bentham, Jeremy (i), (ii), (iii), (iv)

Bentley, Richard (i)

Beowulf (Old English poem) (i), (ii), (iii)

and Auden (i)

and Ivanhoe character (i)

manuscript and first edition (i)

Morris’s translation (i)

and Tolkien (i), (ii)

Betjeman, John (i), (ii), (iii)

Bible (i), (ii), (iii), (iv), (v), (vi)

Black Prince (i)

Blackadder (TV series) (i)

Blair, Hugh (i)

Blair, Tony (i)

Blake, Robert (i)

Blake, William (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

Songs of Innocence/Experience (i), (ii)

Blessed Virgin Mary, cult of (i)

Bloomsbury group (i)

Blunden, Edmund (i)

Boccaccio, Giovanni (i), (ii)

Boethius (i)

Boileau, Nicolas (i)

Bolingbroke, Henry St John, 1st Viscount (i), (ii)

book illustrations (i), (ii), (iii), (iv), (v), Plates 8, 24, 25, 26 and 27

Boswell, Alexander (i)

Boswell, James (i)

Bowden, Fr. Sebastian (i)

Braveheart (film) (i)

‘Brexit’ (i)

Bridges, Robert (i)

Hopkins’s letters to (i), (ii), (iii), (iv), (v), (vi), (vii)n.24

British Marxism (i)

Brooke, Rupert (i), (ii)

Brothers of St Luke (i)

Brown, Ford Madox (i), (ii)

Chaucer at the Court of Edward III (i), (ii)

An English Autumn Afternoon (i)

The Seeds and Fruits of English Poetry (i), (ii)

Work (i), Plate 19

Brown, Peter (i), (ii)

Browning, Robert (i), (ii), (iii), (iv), (v)

Buchan, John (i), (ii), (iii)n.15

Buchanan, Robert (i), (ii)

Bulwer Lytton, Edward George Earle Lytton, 1st Baron Lytton (i), (ii)

Bunting, Basil: Briggflatts (i)

Bunyan, John: The Pilgrim’s Progress (i)

Burden, Jane see Morris, Jane

Burges, William (i), (ii)

Burke, Edmund (i)

Reflections on the Revolution in France (i), (ii), (iii), (iv), (v)

The Sublime and the Beautiful (i)

Burlington, Lord (i)

Burne-Jones, Edward (i), (ii), (iii), (iv), (v), (vi)

The Beguiling of Merlin (i), Plate 22

and cult of beauty (i), (ii), (iii)

Grosvenor Gallery exhibits (i)

and Kelmscott Press (i)

King Cophetua and the Beggar Maid (i)

and Pound (i), (ii)

When Adam Delved … Plate 21

Burney, Frances (i)

Burns, Robert (i), (ii), (iii), (iv)

Bute, John Patrick Stuart, 3rd Marquess of (i), Plate 12

Butler, Bishop Joseph (i)

Butterfield, William (i), (ii)

Byron, Lord (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

Camden, William: Remains (i)

Camden Society (i), (ii)

Cannadine, David: The Houses of Parliament (i), (ii)

misreads ‘Gothic’ (i), (ii)

Capellanus, Andreas (i)

Carlyle, Thomas (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

and Ford Madox Brown (i)

French Revolution (i)

Past and Present (i), (ii)

and Pugin (i)

Social Medievalism (i), (ii), (iii)

Carroll, Lewis: Through the Looking Glass (i), (ii)

Carter, John (i)

Castiglione, Baldassare: Il Cortegiano (i)

castles in Romantic literature (i), (ii)

Catholic Emancipation (1829) (i)

Catholicism

anti-Catholicism (i), (ii)

and Chesterton (i)

craft and design artists (i)

and Decadents (i)

in English history (i), (ii), (iii), (iv), (v)

and geological findings (i)

and Hopkins (i), (ii)

and Jones’s In Parenthesis (i)

in Keats’s ‘Eve of St Agnes’ (i)

and Newman (i)

Pugin’s Contrasts (i)

and reform (i)

religious refugees from French Revolution (i)

restoration of Catholic bishops (i)

romantic representations (i)

Ruskin on (i)n.17

Scholasticism rediscovered (i), (ii)

and twentieth-century recovery of history (i)

and Waugh’s work (i)

see also Anglo–Catholicism; Oxford Movement

Cavalcanti, Guido (i), (ii)

Caxton, William (i), (ii), (iii)

Caylus, Comte de (i), (ii)

celibacy (i), (ii), (iii)

Chanson de Roland (i)

Charles I, king of Great Britain (i), (ii), (iii)

Charpentier, Charlotte (i)

Chartism in Disraeli’s Sybil (i), (ii), (iii)

Chatterton, Thomas (i), (ii), (iii)

Chaucer, Geoffrey (i)

in art (i), (ii), (iii), (iv)

Canterbury Tales: and Eliot’s Waste Land (i); The Knight’s Tale (i), (ii), (iii), (iv); The Nun’s Priest’s Tale (i); Prologue (i), (ii), (iii); Scott’s borrowings (i); Wife of Bath (i), (ii)

Kelmscott edition (i), (ii)

‘normalisation’ of texts (i)

pronunciation problems (i)

Sir Thopas parody (i), (ii)

Troilus and Criseyde (i), (ii), (iii), (iv)

and Victorian scholarship (i)

‘Chesterbelloc’ (i)

Chesterfield, Lord: Letters to his Son (i)

Chesterton, Cecil (i)

Chesterton, G.K. (i), (ii), (iii), (iv), (v)

journalism (i), (ii)

The Ballad of the White Horse (i), (ii), (iii)

children’s fantasy fiction (i)

chivalry (i), (ii), (iii)

dressing up (i)

humanist denunciations (i)

romances as guide to (i), (ii), (iii)

and Victorian gentlemanliness (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

in Waugh’s novels (i)

see also Malory: Morte Darthur

Christ (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)

our Saviour (i)

Christian Socialism (i), (ii), (iii), (iv)

Christian Tories (i), (ii)

Christianity

analogy and symbolism in art (i), (ii), (iii), (iv), (v)

Anglo-Saxon Church (i)

architecture of (i), (ii), (iii), (iv)

and art of PRB (i)

Christian ideals: Chesterton (i); Hopkins (i); and idealised past (i), (ii), (iii), (iv); and Romanticism (i); and social issues in Victorian period (i)

in Disraeli (i)

in Eliot’s work (i)

‘godforsakenness’ (i), (ii)

and heroism (i)

and Medieval Revival (i), (ii)

and poetry (i), (ii), (iii), (iv)

and twentieth-century literature (i)

see also Catholicism; Christian Socialism; Church of England; Oxford Movement; Protestant Reformation

Christmas in Merry England (i)

church architecture (i), (ii), (iii), (iv), (v)

Church of England (i), (ii), (iii), (iv), (v), (vi), (vii)

see also church architecture; Oxford Movement; Protestant Reformation

Churchill, Winston (i)

History of the English-Speaking Peoples (i)

Clark, Kenneth (i)

classical art and architecture (i)

church architecture (i), (ii), (iii)

Classical period (i)

Ruskin’s anti-classicalism (i), (ii)

St Paul’s Cathedral (i)

see also neo-classicism; Renaissance

Cobbett, William (i), (ii), (iii)

History of the Protestant Reformation (i)

Cobham, Richard, Viscount (i)

‘Cockney’ style (i), (ii)

codes of honour (i)

Coghill, Neville (i)

Coleridge, Samuel Taylor (i), (ii), (iii), (iv)

Christabel (i), (ii), (iii), (iv)

and Christianity (i)

‘Frost at Midnight’ (i), (ii)

Lyrical Ballads (i)

‘The Rime of the Ancyent Marinere’ (i), (ii), (iii)

Collins, William (i)

Collinson, James (i)

Commissioner’s Gothic style (i)

Commons Select Committee (i), (ii)

commonwealth: Hopkins on (i)

Communist (i), (ii), (iii), (iv), (v), (vi), (vii)

communitarianism (i)

compound words (i), (ii)

conduct books (i)

Conrad, Joseph (i)

constitutional history (i), (ii), (iii), (iv), (v)

convents (i)

Cooper, Helen (i), (ii)

Coronation dinner (1820) (i)

correctitude and older texts (i)

costumes (i), (ii)

Courtly Love and PRB (i), (ii)

Crabbe, Rev. George (i), (ii)

craft and design

Gill’s guild (i)

and Morris (i), (ii)

Pugin as pioneer (i)

Ruskin’s distrust of perfect finish (i)

Crane, Walter

on Burne–Jones (i)

The White Knight (i)

Cromwell, Thomas (i)

Crook, Mordaunt (i)

Crystal Palace see Great Exhibition

‘dandy’ Catholicism (i)

Daniel, Arnaut (i)

Dante Alighieri (i), (ii), (iii), (iv), (v), (vi), (vii)

and Eliot’s Waste Land (i), (ii)

Darwin, Charles (i)

Dawson, Christopher (i)

Decadents (i), (ii), (iii), (iv), (v)

Defoe, Daniel (i)

democracy

Carlyle’s Past and Present (i)

Saxon democracy (i)

Dent, John see J.M. Dent

design see craft and design

Deverell, Walter: Twelfth Night (i)

Dickens, Charles (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

A Tale of Two Cities (i)

Hard Times (i), (ii)

on Millais’s Christ in the House of his Parents (i)

Mr Podsnap (i)

Digby, Kenelm: The Broad Stone of Honour (i), (ii)

disasters, Victorian (i)

Disraeli, Benjamin (i), (ii), (iii), (iv)

and Oxford Movement (i)

his religion (i), (ii)

Sybil (i), (ii), (iii), (iv), (v)

Dissolution of the Monasteries (i), (ii), (iii), (iv)

Distributism (i), (ii), (iii)

Dixon, R.W. (i)

Hopkins on poetry of (i)

Hopkins’s letters to (i), (ii), (iii)

Dowson, Ernest (i)

Doyle, Arthur Conan (i)

dressing up (i), (ii)

Druids (i)

Dryden, John (i), (ii), (iii), (iv)

Palamon and Arcite (i), (ii)

du Maurier, George: ‘Ye Æsthetic Young Geniuses’ (i), (ii), Plate 23

Dunbar, William (i)

Duns Scotus, John (i)

Dyce, William (i)

Early English Text Society (i), (ii), (iii)

Eastlake: History of the Gothic Revival (i)

economics: laissez-faire approach (i), (ii)

editing texts

improving older texts (i), (ii)

Ritson’s authenticity (i)

Scott’s Sir Tristrem (i)

education

against medieval history (i)

English degree courses (i), (ii)

medievalist mission (i)

imperial service (i)

of working men (i), (ii), (iii)

Edward I, king of England (i), (ii), (iii)

Edward II, king of England (i)

Edward III, king of England (i), (ii), (iii), (iv)

Edward the Black Prince (i)

Edwardian literature (i), (ii)

Eglinton tournament (i)

Eliot, George: Romola (i)

Eliot, T.S. (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

on Chesterton (i), (ii)

Four Quartets (i)

influence on English students (i)

on Jones’s In Parenthesis (i)

‘The Love Song of J. Alfred Prufrock’ (i), (ii)

as medievalist (i), (ii)

Murder in the Cathedral (i)

and Pound (i), (ii), (iii)

The Waste Land (i), (ii), (iii), (iv), (v)

Elizabeth I, queen of England (i), (ii), (iii)

‘Elizabethan English’ (i)

‘Elizabethan’ style (i), (ii)

Ellis, George (i), (ii), (iii), (iv), (v)

on Lancelot and Guenevere (i), (ii)

émigrés (i)

emotion and aestheticism (i)

Engels, Friedrich (i)

English language

Auden’s studies (i)

Hopkins’s use of older English (i)

improving older texts (i)

see also Middle English; Old English

English literature courses (i), (ii), (iii)

English Review, The (i)

English Revolution (1688) (i), (ii)

‘English styles’ (i)

Enlightenment, the (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

and classical architecture (i)

and fantasy fiction (i)

and history (i), (ii), (iii), (iv), (v)

reason and imagination (i), (ii)

resistance to the medieval (i), (ii)

eschatology (i)

Everyman’s Library (i)

Exeter Book (i)

fantasy fiction

‘Gothic’ genre (i), (ii)

Tolkien and Lewis (i)

Fascism (i), (ii)

Fellows’ Library, Winchester College (i)

feudalism (i), (ii)

and Carlyle’s Past and Present (i), (ii)

see also ‘Norman Yoke’ theory of history

Fielding, Henry (i), (ii)

film and medievalism (i), (ii), (iii), (iv)

fin amors see Courtly Love

Finberg, H.P.R. (i)

First World War poetry (i)

Flaubert, Gustave (i)

Fleming, Ian (i)

‘Fleshly School of Poetry’ (i), (ii)

folio manuscripts (i), (ii)

Fonthill Abbey (i), Plate 7

Ford, Ford Madox (i), (ii)

The English Review (i)

Ford, H.J.: ‘Faugh, sir!’ (i), Plate 25

Forster, E.M. (i)

Frazer, Sir James (i)

Freeman, Edward Augustus (i), (ii)

French Revolution (i)

anti-clericalism (i)

British ideas of (i)

Burke’s Reflections (i), (ii), (iii), (iv)

émigrés (i)

Temples of Reason (i)

Furnivall, F.J. (i), (ii), (iii), (iv)

Fussell, Paul (i)

Game of Thrones (i)

Garrick, David (i)

Gaudier-Brzeska, Henri (i)

gentlemanliness (i), (ii), (iii)

Geoffrey of Monmouth (i)

geology and Scripture (i)

George III, king of Great Britain (i), (ii)

George IV, king of Great Britain (i), (ii), (iii)

Georgian poetry (i)

Germ, The (PRB journal) (i), (ii)

Germanic philology (i), (ii)

Gibbon, Edward (i), (ii), (iii)

Decline and Fall (i), (ii), (iii)

Gibbs, James (i), (ii)

Gilbert and Sullivan

Patience (i), (ii)

Princess Ida (i)

Gill, Eric (i), (ii), (iii), (iv)

Gill, Petra (i)

Gillray, James: Tales of Wonder (i), Plate 11

Gladstone, William Ewart (i)n.17

Glastonbury Abbey (i), (ii)

Goethe, Johann Wolfgang von (i)

Gonne, Maud (i)

‘Gothic’

architecture see Gothic architecture

and constitutional heritage (i), (ii), (iii)

humanist disdain for (i), (ii), (iii), (iv)

as literary genre (i), (ii)

poetry (i), (ii)

in Scott’s Lay of the Last Minstrel (i)

Spenser’s use of Gothic style (i)

use of term (i), (ii)

Gothic architecture (i), (ii), (iii)

and churches (i), (ii), (iii), (iv), (v), (vi)

as ‘national style’ (i), (ii), (iii)

origins in German forests (i)n.17

and Romantic poems (i), (ii)

Ruskin champions (i), (ii), (iii)

stages of (i)

Victorian public buildings (i), (ii), (iii), (iv), (v)

see also Strawberry Hill

Gothic Revival architecture (i), (ii), (iii), (iv), (v), (vi), (vii)

churches (i)

innovations in (i)

Palace of Westminster (i), (ii), (iii), (iv)

and Scott (i)

use of ‘Gothic Revival’ as term (i)

in Victoria’s reign (i), (ii)

Windsor Castle (i)

see also Pugin, A.W.

Grand Hotel, St Pancras Station (i)

Grant, Sir Francis (i), Plate 5

Gray, Thomas (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

‘The Bard’ (i), (ii), (iii), (iv), (v)

‘Elegy in a Country Churchyard’ (i), (ii)

and literary antiquarianism (i), (ii)

Great Exhibition (1851) (i)

‘Mediæval Court’ (i), (ii)

Greek romances (i)

Greene, Graham (i), (ii), (iii), (iv)

Grosvenor Gallery (i), (ii), (iii), (iv), (v), (vi)

Guenevere (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), Plate 20

Gunn, Sir James: Conversation Piece (i)

Gunn, Thom (i)

Haggard, Rider (i)

hagiography (i)

Hague, Réné (i)

Hailes, Lord (i)

Hallam, Arthur Henry (i), (ii)

Hallam, Henry (i)

Hampstead, London (i), (ii)

Hardy, Thomas (i), (ii), (iii), (iv), (v), (vi)

Harley Lyrics (i)

Hawksmoor, Nicholas (i)

Heaney, Seamus (i), (ii)

Hearne, Thomas (i), (ii)n.13

‘hearts of oak’ (i)

Heber, Richard (i)

Henry VII, king of England (i), (ii), (iii)

Henry VIII, king of England (i), (ii), (iii)

heraldry (i), (ii)

Herland, Hugh (i), Plate 9

Herodotus (i)

heroines in verse romances (i), (ii)

heroism and Christianity (i), (ii), Plate 26

Hewlett, Maurice (i)

Hill, Geoffrey (i)

Mercian Hymns (i)

Hilton, Timothy (i)

history (i), (ii), (iii), (iv), (v)

academic study of medieval history (i), (ii), (iii), (iv), (v)

in art (i), (ii), (iii)

comparative sense (i), (ii), (iii)

in Disraeli’s Sybil (i), (ii)

and Enlightenment (i), (ii), (iii), (iv), (v), (vi)

Gothic and constitutional heritage (i), (ii), (iii), (iv)

historical fiction (i), (ii), (iii); see also Scott

historical sense (i)

ignorance of Middle Ages (i), (ii), (iii), (iv)

and legend (i), (ii), (iii), (iv)

‘Norman Yoke’ theory (i), (ii), (iii)

origins of term (i)

periodisation (i), (ii)

and poetry in art (i)

popular history (i)

and religion (i), (ii), (iii), (iv)

romances as historical accounts (i), (ii), (iii)

in twentieth century (i)

Victorian legacy (i)

see also idealised past; political history

Hoare, Henry, the Second (i)n.26

Hogg, James (i)

holiness, beauty of (i)

Hollis, Christopher (i)

Holman Hunt, William (i), (ii), (iii), (iv), (v), (vi)

The Scapegoat (i)

Tennyson’s Poems illustrations (i)

Homer: Odyssey (i)

homosexuality and Decadents (i), (ii)

Hooker, Richard (i)

Hopkins, Gerard Manley (i), (ii), (iii)

aestheticism (i), (ii)

and Auden (i)

‘Duns Scotus’s Oxford’ (i)

‘Felix Randal’ (i)

‘Harry Ploughman’ (i)

letters R.W. Dixon (i), (ii)

letters to Robert Bridges (i), (ii), (iii), (iv), (v)

medievalism of (i), (ii), (iii)

shipwreck poems (i)

Social Medievalism (i), (ii)

‘sprung rhythm’ (i)

‘To What Serves Mortal Beauty’ (i)

‘Tom’s Garland’ (i)

‘The Windhover’ (i), (ii)

horror fantasy literature (i), (ii), (iii)

House of Commons Select Committee (i), (ii)

Houses of Parliament see Cannadine, David

Houses of Parliament see Palace of Westminster

Housman, A.E. (i), (ii)

Hueffer, Ford Madox see Ford, Ford Madox

Hughes, Arthur: In Madeline’s Chamber (Ashmolean) (i), (ii), Plate 6

Hughes, Thomas (i)

humanism (i)

condemnation of romances (i), (ii)

preference for antiquity (i), (ii), (iii), (iv)

rhetorical theory (i)

Hume, David (i)

Hunt, Leigh (i)

The Story of Rimini (i)

Hunt, William Holman see Holman Hunt

Hurd, Richard, Bishop (i), (ii), (iii), (iv), (v), (vi)

Letters on Chivalry and Romance (i), (ii), (iii)

Huysmans, Joris-Karl (i)

Hyde, Douglas, (i), (ii)

Iceland

Morris’s ideal society (i)

Norse saga and Auden (i), (ii)

idealised past (i), (ii), (iii)

Carlyle’s Past and Present (i)

and Catholicism (i)

Pugin’s Contrasts (i)

illustration see book illustrations

imagination and reason (i)

immurement (i)

imperialism (i)

Industrial Revolution (i)

Carlyle on conditions of workers (i), (ii)

and Medieval Revival (i)

Ruskin’s distrust of perfect finish (i)

urbanisation (i)

see also social issues; workers

Inklings, The (Oxford group) (i), (ii)

insider trading in Marconi shares (i)

Ireland (i), (ii), (iii)n.16

irony misapplied (i)

Isaacs, Godfrey and Rufus (i)

Iseut (Iseult) (i), (ii)

J.M. Dent, Everyman’s Library Morte Darthur (i)

James I, king of Scotland: The Kingis Quair (i)

Jefferson, Thomas (i), (ii), (iii), (iv)

Jeffrey, Francis (i)

Jenkins, Roy (i)

Jesuits (i), (ii), (iii)

Jocelyn of Brakelonde (i), (ii)

Johnson, Lionel (i), (ii)

Johnson, Samuel (i), (ii), (iii), (iv), (v), (vi)

Dictionary (i), (ii)

Lives of the English Poets (i)

and romances (i), (ii), (iii)

The Vanity of Human Wishes (i)

Johnston, Arthur (i), (ii), (iii)

Jones, David (i), (ii), (iii), (iv), (v), (vi)

The Anathemata (i)

In Parenthesis (i)

Jonson, Ben (i), (ii)

‘journalistic balladry’ (i)

Judaism

anti-Semitism (i)

‘completed Judaism’ (i)

Julian of Norwich (i), (ii), 273n.12

Keats, John (i), (ii), (iii), (iv), (v), (vi)

‘La Belle Dame Sans Merci’ (i), (ii), (iii)

‘The Eve of St Agnes’ (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); in art (i), (ii), Plate 6; and Tennyson’s ‘Lady of Shalott’ (i)

Hopkins on (i), (ii)

Isabella, or the Pot of Basil (i)

and literary reading (i)

and PRB (i), (ii)

Keble, John (i), (ii), (iii), (iv)

Kelmscott Press Chaucer edition (i), (ii)

Kemble, John Mitchell (i), (ii)

Kew Gardens (i)

Kingsley, Rev. Charles (i), (ii), (iii), (iv)

and Christian Socialism (i), (ii)

and Oxford Movement (i), (ii), (iii), (iv), (v)

Kipling, Rudyard (i), (ii), (iii)

knighthood see chivalry

Knights of the Garter (i), (ii)

Knowles, David (i)

Knox, Ronald (i), (ii)

Labour Party (i)

laissez-faire economics (i), (ii)

Lancelot du Lac (i), (ii), (iii), Plate 20

Courtly Love (i), (ii), (iii)

Landseer, Sir Edwin (i)

Lang, Andrew: Book of Romance Plate 25

Langland, William (i)

Piers Plowman (i), (ii), (iii), (iv), (v), (vi), (vii)

Larkin, Philip (i), (ii)

Lawrence, D.H. (i), (ii)

Leasowes, Worcs (i)

legend, and history (i)

see also Arthurianism; mythology

Leo XIII, Pope: Rerum Novarum (i)

Lewis, C.S. (i), (ii)

Lewis, ‘Monk’ (M.G.) (i), (ii), (iii)

Liberal medievalism (i)

Lindsay, Sir Coutts (i)

Lingard, John: History of England (i)

linguistic ‘Yoke’ (i)

literary antiquarianism see antiquarian scholarship

literature

children’s literature (i), (ii)

and Christianity in twentieth century (i), (ii)

English literature courses (i)

‘Gothic’ genre distinct from Medieval Revival (i), (ii)

in vernacular (i), (ii)

see also poetry; romances

Locke, John (i)

Londonderry, Marquis of (i)

Lonsdale, Roger (i)

love

Courtly Love and PRB (i)

romantic love (i), (ii)

in work of Yeats (i), (ii)

see also adulterous love

Lukasbrüder (Brothers of St Luke) (i)

Macaulay, Thomas Babington (i)

MacDiarmid, Hugh (i)

McGonagall, William (i)

Maclise, Daniel: Sir Francis Sykes and Family Plate 10

Macpherson, James ‘Ossian’ (i), (ii), (iii)

Maitland, F.W. (i)

Maldon, Battle of (Old English poem) (i), (ii), (iii), (iv)

Malory, Thomas: Le Morte Darthur (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

Beardsley’s illustrations (i)

Burne-Jones (i), Plates 21 and 22

condemnation of Arthurian romance (i)

and Eliot’s Waste Land (i), (ii)

manuscript and editions (i), (ii), (iii), (iv), (v)

and Tennyson (i); compared (i)

Mandelstam, Osip (i)

manuscripts (i), (ii), (iii), (iv)

Beowulf (i)

and monks (i), (ii)

Percy Folio (i)

Victorian imitation (i)

Marconi shares: insider trading (i)

Marlowe, Christopher: The Jew of Malta (i)

Marseillaise, La (i)

Marsh, Edward: Georgian Poetry (i)

Marshal, William (i)

Martin, John: The Bard (i), Plate 3

martyrs in medievalist literature (i), (ii)

Marx, Karl (i), (ii), (iii), (iv), (v), (vi)

Marxism, British (i)

Mary I (Mary Tudor), queen of England (i)

Mason, William (i)

Maurice, Rev. F.D. (i), (ii), (iii), (iv)

Mayhew, Henry (i)

‘Mediæval Court’ at Great Exhibition (i), Plate 13

Medieval Revival/medievalism (i)

definition and use of term (i), (ii)

and historical periodisation (i), (ii)

‘medieval’ meaning and use of term (i), (ii)

mockery and decline in late Victorian period (i), (ii)

and modernism (i), (ii), (iii)

Victorian legacy (i), (ii), (iii), (iv)

medium aevum (i), (ii)

Meredith, George (i)

‘Merry England’ (i), (ii), (iii), (iv), (v), (vi), (vii)

Middle Ages

anti-medievalism (i), (ii), (iii)

as historical period (i), (ii)

see also Medieval Revival/medievalism

Middle English

lack of standardisation (i), (ii), (iii)

of Langland’s Piers Plowman (i), (ii)n.24

in university courses (i), (ii)

see also antiquarian scholarship; romances

Middle English Dictionary (i)

Midland Grand Hotel, St Pancras (i)

Millais, John Everett (i), (ii)

Christ in the House of his Parents (i), (ii)

A Dream of the Past: Sir Isumbras at the Ford (i), (ii), Plate 17

Isabella (i)

Mariana (i), Plate 16

Ophelia (i)

Tennyson illustrations (i)

Milner, John (i)

Milton, John (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix)

and Arthurian subjects (i), (ii)

‘Il Penseroso’ (i), (ii)

minstrels and minstrel romance (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

see also Scott: Lay of the Last Minstrel

modernisation of texts (i), (ii)

modernism

in architecture (i), (ii)

and Chesterton (i), (ii), (iii)

and medievalism (i), (ii), (iii), (iv), (v)

modernist poetry (i), (ii), (iii), (iv), (v), (vi)

and politics (i), (ii)

Pugin’s architectural functionalism (i)

Ruskin and reaction to modern art (i)

in Ruskin’s periodisation (i)

monks and monasteries

anti-monasticism (i), (ii), (iii), (iv), (v)

black monks (i), (ii)n.12

in Carlyle’s Past and Present (i), (ii)

cloisters (i)

Dissolution of the Monasteries (i), (ii)

and ‘medieval’ (i)

refugees from French Revolution (i)

and reproduction of romances (i), (ii)

in Scott (i), (ii), (iii), (iv), (v)

Montgomery, Archibald, Earl of Eglinton (i)

Monty Python and the Holy Grail (film) (i), (ii)

moral allegory of The Faerie Queene (i)

Morris, Jane (née Burden) (i)

Morris, William (i), (ii), (iii), (iv), (v)

Beowulf translation (i)

craft and design principles (i), (ii), (iii)

The Defence of Guenevere (i)

A Dream of John Ball (i), (ii), (iii)

The Earthly Paradise (i), (ii)

and Kelmscott Chaucer (i), (ii)

as medievalist (i), (ii), (iii), (iv), (v)

as poet (i), (ii)

and PRB (i), (ii), (iii)

and Pugin (i)

Sigurd the Volsung (i), (ii), (iii)

Socialist principles (i), (ii), (iii), (iv), (v), (vi)

in Weekly Review (i)

Morris & Co. (i)

King René’s Honeymoon Plate 15

Morte Darthur see Malory, Thomas

Murray, James (i)

mythology (i), (ii), (iii)

Yeats’ mythical subjects (i)

Napoleon I, emperor of France (i), (ii)

narrative verse (i), (ii)

Nash, Joseph (i)

Nashe, Thomas (i), (ii)

‘national apostasy’ (i), (ii)

‘national style’ (i), (ii)

National Trust (i)

nationalism (i), (ii)

natural supernaturalism (i)

naturalism of PRB paintings (i), (ii), (iii)

Nazarenes (i)

Neale, J.M. (i)

neo-classicism

in art (i)

church architecture (i)

codes of honour (i)

and literary theory (i), (ii)

and Romanticism (i)

and Ruskin (i)

and Scott’s romances (i)

see also Augustan poetry

neo-Gothic see Gothic Revival architecture

Newman, John Henry (i), (ii), (iii)n.13

Apologia pro Vita Sua (i), (ii), (iii)

and beauty in holiness (i)

and Darwin (i)

and gentlemanliness (i)

and Oxford Movement (i)

and Scott (i)

Nibelungenlied (medieval epic) (i)

nobility (i), (ii)

Non-Jurors (i), (ii), (iii)n.13

‘normalisation’ of texts (i)

‘Norman Yoke’ theory (i), (ii), (iii)

nuns

Disraeli’s Sybil (i)

immurement libel (i)

Pope’s Eloisa (i)

in Scott (i), (ii)

refugees from French Revolution (i)

Odyssey (i), (ii), (iii), (iv), (v)

Offa, King of Mercia (i)

Offa Rex coin (i)

Old English (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

and Auden (i)

and Hopkins (i)

Morris’s translation (i)

Pound’s Saxon idiom (i), (ii)

and Tolkien (i), (ii)

in university courses (i), (ii)

see also Beowulf

Oldys, William (i)

Oratory (i), (ii)

Order of the Garter (i), (ii)

Orwell, George (i)

‘Ossian’ poems (i), (ii), (iii), (iv), (v)

Owen, Wilfred (i)

Oxford architecture (i), (ii)

Oxford English Dictionary (i), (ii), (iii)

Oxford Movement (i), (ii), (iii)

and PRB artists (i)

Paine, Thomas

The Age of Reason (i)

The Rights of Man (i)

Palace of Westminster (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), Plate 2

Gothic political style (i)

and Pugin (i), (ii), (iii)

Palmer, Samuel (i)

Palmerston, Lord (i)

‘Panopticon’ design (i)

‘Papal Aggression’ (i)

Paris, Gaston (i)

Parker, Matthew, Archbishop of Canterbury (i)

Parliament: Gothic heritage (i)

Pater, Walter (i), (ii), (iii), (iv)

paternalism (i), (ii), (iii)

Patmore, Coventry (i), (ii), (iii)

patriotism (i), (ii), (iii)

Peacock, Thomas Love (i), (ii), (iii)

The Misfortunes of Elphin (i)

Percy, Bishop Thomas (i), (ii), (iii), (iv), (v)

religious obligations (i)

Reliques of Ancient English Poetry (i), (ii), (iii), Plate 4; as artistic inspiration (i), (ii), (iii); contents (i); ‘improvement’ of texts (i); and Merry England (i), (ii); Percy Folio (i); and Romanticism (i), (ii), (iii); and Scott (i), (ii), (iii), (iv), (v), (vi)

as translator (i)

periodisation (i), (ii), (iii)

Perpetua typeface (i)

Petrarca, Francesco: Africa (i)

Phillips de Lisle, Ambrose (i)

philology (i), (ii), (iii), (iv)

see also antiquarian scholarship

‘pictures in the fire’ (i)

Pindar (i)

Pitt, Humphrey (i)

Plato (i), (ii)

‘plebian learning’ (i)

poetry

and Christianity (i), (ii)

fakes in eighteenth century (i), (ii)

First World War poetry (i)

Gothic poetry (i)

history of poetry in art (i), (ii)

Hopkins on ‘Anglo Saxon verse’ (i)

Medieval Revival in (i), (ii), (iii), (iv)

modernist poetry (i), (ii), (iii), (iv)

perils of periodisation (i)

Rossetti’s symbolism (i), (ii)

‘sprung rhythm’ of Hopkins (i)

twentieth-century poets (i), (ii), (iii)

Victorian poetry: aestheticism (i), (ii); and legend (i); Morris as poet (i), (ii)

see also Augustan poetry;

Romanticism; verse romances

pointed architecture (i), (ii)

political history

Disraeli’s Sybil (i)

and Gothic heritage (i), (ii), (iii), (iv), (v), (vi), (vii)

and Saxons (i), (ii)

politics

and Edwardian medievalism (i), (ii)

and idealised past (i), (ii)

of modernists (i)

poor houses: Pugin’s Contrasts (i)

Pope, Alexander (i), (ii), (iii)

The Dunciad (i), (ii)

‘Eloisa to Abelard’ (i)

Odyssey (i), (ii)

Scott’s epigraphs (i), (ii)

as Shakespeare editor (i)

popular culture

and history (i), (ii), (iii)

and medievalism (i), (ii)

post-structuralism (i)

Pound, Ezra (i), (ii), (iii), (iv), (v)

Cantos (i), (ii), (iii), (iv); Pisan

Cantos (i); Usura canto (i)

and Chesterton (i), (ii)

and Eliot (i), (ii), (iii), (iv), (v), (vi)

and Fascism (i)

and Ford Madox Ford (i), (ii)

Gaudier-Brzeska’s depictions (i)

Hugh Selwyn Mauberley (i), (ii), (iii), (iv)

as medievalist (i), (ii), (iii)

‘The Seafarer’ (i), (ii)

and Yeats (i), (ii), (iii)

Powell, Anthony (i)

PRB see Pre-Raphaelite Brotherhood

pre-modern in Eliot and Pound (i)

Pre-Raphaelite Brotherhood (PRB) (i), (ii), (iii)

and Courtly Love (i), (ii)

Hopkins on (i), (ii)

medieval subjects (i)

patrons (i)

and social issues (i)

Tennyson as inspiration (i)

and women (i), (ii), (iii), (iv), (v), (vi)

Prettejohn, Elizabeth (i)

Prinsep, Val (i)

printing

improving older texts (i)

Perpetua typeface (i)

problem of variant spellings (i)

prisons: Panopticon model (i), (ii)

prose romances (i), (ii), (iii), (iv), (v), (vi)

see also Malory: Morte Darthur; Scott: romances

Protestant Reformation (i), (ii)

and art (i), (ii), (iii)

Cobbett’s treatise (i), (ii)n.17

Dissolution of the Monasteries (i), (ii), (iii), (iv), (v)

Protestantism see Church of England; humanism

public building in Gothic style (i), (ii), (iii), (iv)

Pugin, Auguste Charles (i)

Pugin, Augustus Welby (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

An Apology for the Revival of Christian Architecture in England (i)

Catholicism (i), (ii), (iii), (iv); Catholic town (i); retracts idealised Medievalism (i)

Contrasts manifesto (i), (ii), (iii), (iv), (v), Plate 8; Poor House (i)

An Earnest Address, on the Establishment of the Hierarchy (i)

gift for design (i)

Gothic legacy (i), (ii)

‘Mediæval Court’ (i), Plate 13

and Palace of Westminster (i), (ii)

and Social Medievalism (i), (ii), (iii)

theatrical designs (i)

The True Principles of Pointed or Christian Architecture (i), (ii), (iii)

Punch: ‘Ye Æsthetic Young Geniuses’ caricature (i), Plate 23

Purdie, Dr Rhiannon (i)n.14

Pusey, Edward (i)

Rackham, Arthur (i)

Radcliffe, Mrs (i)

Raphael (i)

realism and modernity (i), (ii), (iii)

reason and imagination (i)

Red House, Bexleyheath (i), (ii)

Reformation see Protestant Reformation

religion

celibacy and Anglican church (i)

and history (i), (ii), (iii), (iv)

Oxford Movement (i)

PRB religious paintings (i)

refugees from French Revolution (i)

see also Catholicism; Christianity; monks; nuns; Protestantism

Renaissance

humanism and Spenser (i)

limited access to art of (i)

and PRB manifesto (i)

use of term (i)

see also classical art and architecture

Reynolds, Sir Joshua (i)

rhetoric/rhetorical theory (i), (ii), (iii)

rhythm

Hopkins’s ‘sprung rhythm’ (i)

Richard I, king of England (i), (ii), (iii), (iv)

Rickman, Thomas (i)

Ricks, Christopher: Poems of Tennyson (i)

Rieu, E.V. (i)

Ritson, Joseph (i), (ii), (iii)

Ritualists (i)

Robin Hood (i), (ii), (iii)

in Ivanhoe (i), (ii), (iii)

in popular culture (i)

Robin Hood, Prince of Thieves (film) (i)

romances (i)

and chivalry (i)

as historical accounts (i), (ii), (iii)

and humanism (i), (ii)

as literary mode (i)

Morris’s Earthly Paradise retellings (i)

origins of term (i)

Percy’s Reliques (i), (ii), Plate 4

and popular culture (i), (ii)

PRB art and legend (i), (ii)

prose romances (i), (ii), (iii), (iv), (v), (vi), (vii)

tradition in (i)

verse romances (i), (ii), (iii), (iv)

see also Scott: romances

romantic love (i), (ii)

Romantic Revival (i), (ii)

Romanticism (i), (ii), (iii), (iv), (v), (vi)

and earlier literature (i)

Hopkins on (i)

Lyrical Ballads (i)

and modernists (i), (ii)

reason and imagination (i)

revival of ballad style (i), (ii)

rood-screens (i)

Rosenberg, Isaac (i)

Ross, Robert (i)

Rossetti, Christina (i)

‘Goblin Market’ (i), (ii)

‘In An Artist’s Studio’ (i)

Rossetti, Dante Gabriel (i), (ii), (iii), (iv), (v), (vi)

background (i)

‘The Blessed Damozel’ (i), (ii), (iii)

and Burne-Jones (i), (ii)

and Dante Alighieri (i), (ii)

Ecce Ancilla Domini (i), (ii)

fondness for wombats (i)

Girlhood of Mary Virgin (i), (ii)

poetry (i), (ii), (iii), (iv)

Sir Lancelot in the Queen’s Chamber Plate 20

Tennyson illustrations (i), (ii)

Woman in works (i), (ii), (iii)

and Working Men’s College (i)

Rossetti, Elizabeth (née Siddal) (i), (ii), (iii)

Rossetti, Gabriele (i), (ii)

Rougemont, Denis de (i)

Round Table (i), (ii), (iii)

Rousseau, Jean-Jacques (i)

Rowe, Thomas (i)

‘Rowley’ poems (i), (ii)

Rowling, J.K. (i)

Royal Academy (i), (ii), (iii), (iv)

Ruskin, Effie (i)

Ruskin, John (i), (ii), (iii), (iv), (v), (vi), (vii)

anti-classicalism (i), (ii)

on Cobbett and Catholicism (i)n.17

on Ford Madox Brown (i)

and geological truths (i)

and Gothic architecture (i), (ii)

as Medieval Revivalist (i), (ii), (iii), (iv)

and Millais (i), (ii)

and periodisation (i)

political ideals (i)

politics (i), (ii)

and PRB artists (i), (ii), (iii), (iv), (v), (vi), Plate 16

Sesame and Lilies (i)

and Social Medievalism (i), (ii), (iii), (iv), (v)

The Stones of Venice (i), (ii), (iii)

and Whistler (i), (ii)

and Working Men’s College (i), (ii)

Russell, Lord John (i)

St Pancras Station: Grand Hotel (i)

St Paul’s Cathedral (i), Plate 1

Saintsbury, George (i)

Salisbury, Frank O.: The Great Roof Plate 9

Samson, Abbot (i)

San Zeno, Verona (i)

Sandys, Frederick: A Nightmare (i), (ii), Plate 18

Sassoon, Siegfried (i)

satire (i), (ii), (iii)

Saxons

and democracy (i)

and Disraeli’s Sybil (i)

and English political history (i), (ii), (iii), (iv), (v)

in Scott’s Ivanhoe (i), (ii)

see also Anglo-Saxon Church; Old English

Sayers, Dorothy L. (i)

scholarship

academic study of history (i)

and Enlightenment (i)

and imaginative writing (i)

societies in Victorian England (i)

in twentieth century (i), (ii)

see also antiquarian scholarship

Scholasticism (i)

Scots Musical Museum, The (anthology) (i)

Scott, Sir George Gilbert (i), (ii)

Scott, Sir Walter (i), (ii), (iii), (iv), (v), (vi)

Abbotsford architecture (i), (ii)

ballads (i)

borrowings from Chaucer (i)

and chivalry (i), (ii)

and Disraeli’s Sybil (i)

Eloisa figures (i)

Grant’s portrait (i), Plate 5

historical fiction (i), (ii), (iii), (iv), (v); implausibilities of Ivanhoe (i), (ii); romances (i), (ii), (iii), (iv); Shakespearean model (i)

Ivanhoe (i), (ii), (iii), (iv), (v); and Carlyle’s Past and Present (i), (ii); epigraphs and sources (i), (ii); historical implausibilities (i), (ii); popular representations (i), (ii)

Kenilworth opera-ballet (i)

The Lady of the Lake (i), (ii), (iii)

The Lay of the Last Minstrel (i), (ii), (iii), (iv), (v), (vi), (vii); comparison with Christabel and ‘Eve of St Agnes’ (i), (ii), (iii)

literary output (i)

The Lord of the Isles (i), (ii)

Marmion (i), (ii), (iii)

and Merry England (i), (ii), (iii)

The Minstrelsy of the Scottish Border (i), (ii)

The Monastery (i)

and Morte Darthur (i)

Newman cites as influence (i)

and popular culture (i)

reception of George IV (i)

and rehabilitation of romance (i)

reputation (i), (ii)

romances: prose (i), (ii), (iii), (iv), (v); verse (i), (ii), (iii); see also Ivanhoe above

and Scottish sectarianism (i)

Sir Tristrem (i)

and Spencer (i)

on Thomas Warton (i)

Waverley (i), (ii), (iii), (iv), (v)

on Windsor Castle (i)

Scott Monument, Edinburgh (i)

Scottish Enlightenment (i), (ii)

Sellar, W.C.: 1066 and All That (i)

‘Sense’ and ‘Sensibility’ (i)

Shakespeare, William

in art (i), (ii)

and Chaucer’s Knight’s Tale (i)

history reworked in plays (i)

‘improved’ editions (i)

King Lear (i), (ii)

Midsummer Night’s Dream (i), (ii), (iii)

and Morte Darthur (i)

and neo-classicism (i)

and PRB subjects (i), (ii), Plate 16

and Romantic poetry (i)

in school syllabuses (i)

Scott’s epigraphs (i), (ii)

variant spellings of name (i)

and Victorian medievalists (i), (ii)

Shaw, George Bernard (i), (ii)

Shelley, Percy Bysshe (i), (ii), (iii), (iv)

Shenstone, William (i)

shipwrecks in poetry (i)

Shortreed, Robert (i)

Siddal, Elizabeth (i), (ii), (iii)

Sidney, Sir Philip

Arcadia (i)

Astrophil and Stella (i)

Defence of Poesy (i)

and Morte Darthur (i)

Silkin, Jon (i)

Sir Gawain and the Green Knight (romance) (i), (ii)

Sir Isumbras (romance) (i)

Sir Orfeo (romance) (i), (ii)

Sir Tristrem (romance) (i), (ii)

Skeat, Walter (i), (ii)

Smart, Christopher (i)

Smollett, Tobias (i), (ii)

Smythe, Sir George (i)

social architecture of Pugin (i), (ii)

social issues/Social Medievalism (i), (ii)

Chesterton (i)

Ford Madox Brown’s work (i)

and Hopkins (i)

and politics (i)

and PRB (i), (ii)

Working Men’s College (i), (ii), (iii)

see also Christian Socialism

Socialism (i), (ii), (iii)

see also Christian Socialism

Socialist League (i), (ii), (iii)

societies in Victorian England (i)

Society of Jesus (i), (ii), (iii)

Society for the Preservation of Ancient Monuments (i)

Society for the Protection of Ancient Buildings (i)

Solomon, Simeon (i), (ii)

Southey, Robert (i), (ii)

Spanish Civil War (i)

spelling and printing (i)

Spenser, Edmund (i)

The Faerie Queene (i), (ii), (iii)

‘sprung rhythm’ of Hopkins (i), (ii)

Staël, Madame de (i)

stained glass (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), Plates 15 and 16

Stansby, William (i), (ii)

Sterling, John (i)

Sterne, Laurence (i)

Stevenson, Robert Louis (i), (ii)

Stoddart, Sir John (i)

Stoker, Bram: Dracula (i)

Stowe: ‘Temple of Liberty’ (i)

Strawberry Hill, Twickenham (i), (ii), (iii), (iv), (v), (vi)

Street, George (i), (ii)

Strutt, Joseph (i)

Stuart dynasty (i), (ii)

Stuart, Gilbert (i)

Stubbs, William (i), (ii)

subjectivity and art (i)

sublime and Augustan poetry (i)

supernaturalism of Hopkins (i)

Sweet, Henry: Anglo-Saxon Reader (i)

Swift, Jonathan (i), (ii), (iii), (iv)

Swinburne, Algernon Charles (i), (ii), (iii)

Laus Veneris (i)

symbolism

and analogy in art (i), (ii), (iii), (iv), (v)

and PRB art (i), (ii), (iii)

in Rossetti’s work (i), (ii)

Symons, Arthur (i), (ii)

Tacitus (i)

Tannhäuser legend (i)

Tasso, Torquato (i)

Tawney, R.H. (i), (ii)

Taylor, Paul (i)

Taylor, Tom (i), Plate 18

Temple, William, Archbishop of Canterbury (i)

‘Temple of Liberty’, Stowe (i)

Temples of Reason (i)

Tennyson, Alfred (i), (ii), (iii), (iv)

Arthur as gentleman (i), (ii)

‘Battle of Brunanburh’ translation (i)

‘The Epic’ (i)

The Idylls of the King (i), (ii); ‘Morte d’Arthur’ (i), (ii), (iii), (iv); ‘The Passing of Arthur’ (i), (ii)

In Memoriam (i), (ii)

‘The Lady of Shalott’ (i), (ii), (iii), (iv), (v), (vi), (vii)

and literary medievalism (i)

literary sources (i)

‘Mariana’ (i), (ii)

and Morte Darthur (i), (ii), (iii), (iv), Plate 22

and PRB (i), (ii), (iii)

The Princess (i)

and Shakespeare (i)

Terry, Daniel (i)

Thackeray, William Makepeace (i)

Rebecca and Rowena (i), (ii)

Thierry, Augustin (i)

Thomas the Rhymer of Erceldoune (i)

Thomas, Edward (i)

Thomson, James (i), (ii)

The Castle of Indolence (i), (ii)

Thorkelin, G.J. (i)

Tolkien, J.R.R. (i), (ii), (iii), (iv)

and Auden (i), (ii)

Battle of Maldon sequel (i), (ii)

The Hobbit Plate 27

Lord of the Rings (i), (ii)

Tories

Christian Tories (i)

and ‘Gothic’ law (i), (ii)

paternalism (i), (ii), (iii)

‘Young England’ movement (i), (ii), (iii), (iv), (v)

Tractarians see Oxford Movement

Trade Union movement (i), (ii)

tradition

and Larkin (i)

in romances (i)

tragic events in poetry (i)

Trinity College, Oxford (i)

Tristan and Iseut legend (i), (ii)

Trollope, Anthony (i), (ii), (iii)

Tudor dynasty (i), (ii), (iii)

Turner, J.M.W. (i), (ii)

Twain, Mark (i)

Tyrwhitt, Thomas (i)

Ullathorne, William Bernard (i)

Unitarianism (i)

University Museum of Natural History, Oxford (i)

urban architecture: Gothic style (i), (ii), (iii)

urbanisation (i), Plate 19

Ussher, Archbishop James (i)

utilitarianism (i)

Venice in Pound and Eliot (i)

vernacular literature (i), (ii)

verse romances (i), (ii), (iii), (iv), (v), (vi)

see also ballads

Victoria, queen of the United Kingdom

Medieval Revival in reign of (i), (ii)

and Tennyson’s work (i), (ii)

Victorian gentlemanliness (i), (ii), (iii), (iv), (v)

Villon, François (i)

Virgil (i)

Wagner, Richard: Tannhäuser (i)

Wainwright, Clive (i)

Waldensians (i)

Walpole, Horace (i), (ii), (iii), (iv), (v), (vi), (vii)

The Castle of Otranto (i), (ii), (iii), (iv), (v)

Strawberry Hill (i), (ii), (iii), (iv), (v), (vi)

war poetry (i), (ii)

Warton, Joseph (i), (ii)

Warton, Thomas (i), (ii), (iii), (iv), (v), (vi), (vii), (viii)

History of English Poetry (i)

Observations on the Faerie Queene (i), (ii), (iii)

Waterhouse, Alfred (i)

Watts, George Frederick (i)

Waugh, Evelyn (i), (ii), (iii), (iv), (v), (vi)

A Handful of Dust (i)

as medievalist (i), (ii), (iii)

Sword of Honour (i), (ii)

Webb, Philip (i), (ii)

Webster, Noah (i)

Wedgwood, Alexandra (i)

Weekly Review (i)

‘Welfare State’ (i), (ii), (iii)

Wellington, Duke of (i)

Wells, H.G. (i), (ii)

West, Benjamin (i)

Westminster see Palace of Westminster

Westminster Abbey (i), (ii)

Westminster Hall (i), Plate 9

Weston, Jessie L. (i)

Wheeler, Michael (i)

Whigs

and Disraeli’s Sybil (i), (ii)

projection of history (i), (ii), (iii)

Whistler, James McNeill (i), (ii), (iii), (iv)

White, T.H.: The Sword in the Stone (i)

Wilberforce, Archdeacon Robert (i)

Wilde, Oscar (i), (ii), (iii), (iv)

aestheticism and Patience (i), (ii)

and Decadents (i), (ii)

William of Newburgh (i)

Williams, Charles (i)

Wilson, Edmund: To the Finland Station (i)

Winchester and King Arthur (i), (ii), (iii), (iv)

Windsor Castle (i)

Wiseman, Nicholas Patrick Stephen, Archbishop of Westminster (i), (ii), (iii)

Wodehouse, P.G. (i)

wombats: PRB fondness for (i)

women

Courtly Love (i), (ii)

PRB ‘stunners’ (i), (ii), (iii)

in Rossetti’s work (i), (ii), (iii)

see also heroines; love

Woolf, Virginia (i)

Wordsworth, William (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x)

Lyrical Ballads (i), (ii), (iii)

workers

in Carlyle’s Past and Present (i), (ii)

education (i), (ii), (iii)

Ford Madox Brown’s Work (i), Plate 19

Hopkins’s working men (i)

Morris and sanctity of labour (i)

and Victorian conscience (i)

Worker’s Educational Association (i), (ii)

Working Men’s College (i), (ii), (iii)

Wotton, Sir Henry: Elements of Architecture (i), (ii), (iii)

Wren, Christopher (i), (ii), (iii), Plate 1

Wyatt, A.J. (i)

Wyatt, James (i), (ii), Plate 7

Wyattville, Jeffrey (Wyatt) (i)

Wycliffites (i)

Wystan, St (i)

Yeatman, R.J.: 1066 and All That (i)

Yeats, W.B. (i), (ii), (iii), (iv), (v), (vi)

mythical subjects (i), (ii)

and Pound (i), (ii), (iii)

yeomen in romances (i), (ii)

Yevele, Henry (i)

‘Young England’ Toryism (i), (ii), (iii), (iv), (v)

Yourcenar, Marguerite (i)