Contents

1. Preface
2. Notes on the Contributors
3. Introduction
4. 1 Kant’s Transformation of the Symbol-Concept
5. 2 ‘Mere Nature in the Subject’: Kant on Symbolic Representation of the Absolute
6. 3 ‘Neither mere allegories nor mere history’: Multi-layered Symbolism in Moritz’s Andreas Hartknopf
7. 4 Comparative Morphology and Symbolic Mediation in Goethe
8. 5 Friedrich Schlegel’s Symbol-Concept
9. 6 Bread, Wine and Water: Hegel’s Distinction between Mystical and Symbolical in The Spirit of Christianity and its Fate
10. 7 ‘All are but parts of one stupendous whole’? Henry Crabb Robinson’s Dilemma
11. 8 The Spark of Intuitive Reason: Coleridge’s ‘On the Prometheus of Aeschylus’
12. 9 Emerson’s Exegesis: Transcending Symbols
13. 10 Pointing at Hidden Things: Intuition and Creativity
14. 11 Aesthetic Cognition and Aesthetic Judgment
15. Afterword
16. Bibliography
17. Index

1. Cover
2. Half Title
3. Title
4. Copyright
5. Contents
6. Preface
7. Notes on the Contributors
8. Introduction
9. 1 Kant’s Transformation of the Symbol-Concept
10. 2 ‘Mere Nature in the Subject’: Kant on Symbolic Representation of the Absolute
11. 3 ‘Neither mere allegories nor mere history’: Multi-layered Symbolism in Moritz’s Andreas Hartknopf
12. 4 Comparative Morphology and Symbolic Mediation in Goethe
13. 5 Friedrich Schlegel’s Symbol-Concept
14. 6 Bread, Wine and Water: Hegel’s Distinction between Mystical and Symbolical in The Spirit of Christianity and its Fate
15. 7 ‘All are but parts of one stupendous whole’? Henry Crabb Robinson’s Dilemma
16. 8 The Spark of Intuitive Reason: Coleridge’s ‘On the Prometheus of Aeschylus’
17. 9 Emerson’s Exegesis: Transcending Symbols
18. 10 Pointing at Hidden Things: Intuition and Creativity
19. 11 Aesthetic Cognition and Aesthetic Judgment
20. Afterword
21. Bibliography
22. Index

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Guide

1. Cover
2. Half Title
3. Title
4. Copyright
5. Contents
6. Preface
7. Notes on the Contributors
8. Start of Content
9. Bibliography
10. Index