Fig 0.1: Caravaggio, The Musicians 8
Fig. 3.1: Memling, Christ Blessing 77
Fig. 3.2: Millais, Christ in the House of His Parents 81
Fig. 3.5: Millais, sketch for The Eve of the Deluge 83
Fig. 3.6: Alma-Tadema, A Reading from Homer 93
Fig. 3.7: Alma-Tadema, Sappho and Alcaeus 93
Fig. 3.8: Alma-Tadema, Unconscious Rivals 95
Fig. 3.9: Millais, Trollope illustration (Orley Farm) 98
Fig. 4.1: Quarry for Middlemarch 106
Fig. 5.1: Henry James, discarded sheet from The Sense of the Past 147
Fig. 6.1: William Morris, notes on the letter “h” 162
Fig. 6.2: Emery Walker, split-slide from lantern lecture 163
Fig. 6.3: Morris/Walker, photographic reductions of a letter design 165
Fig. 6.4: “Smokes,” reduced photograph used in font design 166
Fig. 6.5: Epical/ornamental (a page from Recuyelle of Troye) 170
Fig. 9.1: Buster Keaton’s Seven Chances, the inadvertent proposal 217
Fig. 9.2: Lilian Gish in Broken Blossoms, Buster Keaton in Go West 221
Fig. 9.3: Our Hospitality: the crushed hat and the porkpie 222–223
Fig. 9.5: The Boat: hoping the leak is a dream; touching the painted water 229
Fig. 9.6: Sherlock Jr: he watches for cues; the stars kiss; he kisses 234–235
Fig. 9.7: Sherlock Jr: he watches again for cues; the twins appear; he is bemused 236–237
Color Plates of Figures 0.1, 3.1, 3.2, 3.3, 3.4, 3.6, 3.7, and 3.8 are contained in chapter six