Page numbers for photographs are in italics.
A/B comparisons, setup 151
Above the Law 326
Abuse, The 268
Abyss, The 22, 56, 210, 268–9, 352; laser disc edition 211
Academy of Motion Picture Arts and Sciences (AMPAS) 270; brochure 69; soundtracks 47
action: impact 37; occurrence 78; realism, enhancement 70; underscoring, music (usage) 9
actors, line (rerecording) 50
Adams, Cecil 89
ADAT 153
Addams Family, The 326
Addams Family Values 326; Dolby Digital format 99
Adventurers, The (35mm 4-track magnetic stereo format) 95
Adventures of Baron Munchausen, The 353
Adventures of Captain Marvel, The 357
Adventures of Don Juan 359
Adventures of Robin Hood 354
Aladdin 21; nomination 53–4; sonic character, enhancement 284; sound, improvement 35
Alamo: The Price of Freedom 122, 240
Alexander, Gary 117
Alexander Nevsky 174
Alice in Wonderland 5
Alien 212
Alien Nation 352
Aliens III 27
All About Eve 352
All Dogs Go To Heaven 359
all-electronic music film score 11
Allen, Steve 278
All Neat in Black Stockings 148
All That Jazz 352
Altman, Rick 52, 164, 332, 339
Always 57
Amadeus 353
Amazing Stories 105
AMC theater chain 20; projection/sound 24; smoke-free designation 25
Ament, Vanessa Theme 2, 33, 42–3, 134, 137, 271; appearance 45; Foley artist 284, 305; photograph 273; sound approach 295–6; Supervising Foley Artist, role 342; VTA characterization 294
American Cinema Editors: Golden Eddie award, presentation 66; Lucas speech 139
American Federation of Television and Radio Artists 273
American International (AIP) 92
American Tail, An 355
Amityville Horror, The (35mm 4-track magnetic stereo format) 95
analog media 199
Ancillai, Fausto (photograph) 162
Anderson, Richard L. 69, 119–20, 198; Lawrence of Arabia restoration 105–12; photograph 85, 106
Andrews, Julie 97
Andromeda Strain, The 209
Angel and the Bad Man 357
Angel, Angel Down We Go (35mm 4-track magnetic stereo format) 95
Angry Red Planet, The 92
Animaniacs 7
Appel, C.J. 326
Archive Protection Project 142
Around the World in 80. Days 51, 106; discrete stereophonic sound, addition 100; production-recording 88–9; screening 88–9; 35mm version 93
art-business-technology triangle, application 58–9
artistic goals 236
Artist, The 339
Art of the Sound Effects Editor, The (Kerner) 337
Ashfield film labs 72
Asman, Bub 171
Astruc, Alexandre 344
Atmos 233
Attenborough, Richard 192
Aubrey, Kim 251
Audience is Squirming 281
Audioframe stations, usage 250
Audiophilia 21
audio restoration 213
auteurism 104
auteur theory 332, 344; definition 344–5; focus 104
automated dialogue replacement (ADR) 3, 64, 68, 274; editors, crew addition 269; production, integration 211; requirement, avoidance 50; tracks, processing 176; voice actors, off-stage lines 175
background (BG) sound effects 3, 175–6; low end effects 200; mixing/editing 179; usage 91
Back to the Future (BTTF) 68; ride 31; trilogy 27, 185, 355, 356
backward recording 116
Badame, Bob (photograph) 85
Baez, Joan 182
Bainbridge 348
Balsam, Martin 8
Bancroft, Anne 341
B and B Sound 322
barcode-like patterns 150
Barrett, Rona 284
Barron, Louis/Bebe 11
Barry, Joan 340
Barry, John 9
Bartlett, Ron 118
Bartone, Jeffrey 296
Barton Fink 183
Basic Instinct (sonic character, enhancement) 284
Bassman, Don 320
Batman 296
Batman Returns 21, 34, 236; Dolby SR-D format 241–2; soundtrack 284; Split-Surrounds 241–2
BBC Records and Tapes 348
Beard, Terry 225
Beaumont, Harry 100
Beauty and the Beast 217; laser disc release 220, 222–3; sound 35; soundtrack 284
Becker, Harold 341
Becker, Howard 104
Beeman, Greg 198
Behlmer, Anna 140
Being John Malkovich 15
Bellson, Louis 325
Benavente, Mike 118
Ben-Hur 51, 177–9, 301, 359; discrete stereophonic sound, addition 100
Bennett, Earl 15
Bennett, Harve 118
Berger, Ken 322
Berle, Milton 278
Berndt, George 49
Bernstein, Leonard 264
Best Little Whorehouse in Texas, The (35mm 4-track magnetic stereo format) 95
Betty Boop cartoons 357
Beverly Hills Cop III 156, 326
Big 243
Big Country, The 93; 35mm 4-track magnetic stereo format 95
Bird 182, 326; sound quality 163
Birnbaum, Elisha 258
Black Cauldron, The 237
Black, Shane 37
Black Stallion, The 69, 323, 324, 360
Black Stockings 148
Blade Runner-the Director’s Cut 210; laser disc edition 211–12
Blake, Larry 75, 96, 237, 288, 295, 307, 326; answers 310–11; responses, introduction 308
Blood on the Sun 357
Blowout 71
Blow-Up 200
Bluelight Sound 65
Blue Max, The 352; 35mm 4-track magnetic stereo format 95
Blues Brothers, The (35mm 4-track magnetic stereo format) 95
Bodyguard, The 99
Body Heat 243
Boekelhide, Jay 69
Bolt, Robert 112
boom channels, usage 99
Boorman, John 185
Boorstin, Anna 52
Borden, Destiny (photographs) 164, 315, 318
Borders, Gloria 58
Born on the Fourth of July 182, 189, 355
Bounty Hunter 146
Bourdieu, Pierre 23
Boy Friend, The 360; 35mm 4-track magnetic stereo format 95
Brady Bunch Movie, The 326
Bragg, Herbert 97
Brainstorm 326
Bram, Marty 326
Bram Stoker’s Dracula 21, 50, 54, 193; digital editing 250–3; laser disc release 220–1; six-track Dolby SR masters 221; visual/aural stimulation 250
Brave New World 265
Brave One, The 51; 4-Trk Stereo Film 85, 90–2; one-sheet advertising 91; 35mm 4-track magnetic stereo format 95
Breathing Fire 86
Bride of Frankenstein 356
Bridges of Madison County, The 326
Bridge Too Far, A 360
Broadcast Music Incorporated (BMI) 53
Broadway 20
Broken Rainbow 324
Brooks, James 72
Bruce, Nigel 357
Buddy Holly Story, The (35mm 4-track magnetic stereo format) 95
Buena Vista, Dolby (usage) 22
Bullitt 215
Burlingame, Jon 53
Burton, Tim 9, 27, 241; interaction 84; photograph 85; training 82–4
Burton, Willie 171
Burtt, Ben 4–6, 69, 119–20, 323; avocational work 59; career, expansion 60; contributions 57–8; interview 120–7, 237, 306; photograph 67; sound design responsibility 123; Split-Surround 238
Bye-Bye Braverman 147
By the Sword 324
Cabaret 341
Caesar, Sid 179
Cagney, Jimmy 262
Calamari, Martin 286
California Split 168
Campbell, Chuck 68, 69, 138, 274
Campbell, John W. 207
Cape Fear 183
Capshaw, Kate 6
Captain Blood 10
Captain Lightfoot 93
Captain’s Paradise, The 208
Carden, Paul 312
Cardiff, Jack 91
Carlin, George 262
Carmina Burana 181
Carné, Marcel 284
Car, The (35mm 4-track magnetic stereo format) 95
Carver Sonic Holography 244
Car Wash 86
Cary Grant Theatre, The Last Action Hero industry screening 37
Case, Theodore W. 89
C.A.S. Meetings on Tape 46
Castle, William 78, 244; inspiration 79
Catholic Church, The 327
causal sound 339
Cavaretta, Jim (interview) 141–50
CD FX libraries 76, 348; sale 75
CDS 4
CD Sound, offering 29
cell-inking 266
C.F.I. film labs 72
Chace Productions 298
Chaloukian, Levon “Leo”: interview 134–41; photograph 135; quality control 138
Charge of the Light Brigade 10
“Chicken Tracks” (advertisement) 289
Children of Paradise 284
Chinatown 133
Chinese Theater 93
Christopher, Jim 108
Cimarron 20
Cinderella 6
Cinéaste: sound, attention 53; sound-oriented issue 52
Cinema Audio Society (CAS) 47–8; meetings (CAS-settes) 51; Mixers Mix 46–7, 49–51
Cinema Digital Sound (CDS) 21, 129; CD-like film sound track 55; film versions 27; future 35–6; introduction 159, 244–5; licensing fee 30; problems 247–50; process 242; projection/decoding equipment 28; release prints, imaging 184; speak system channels 36–7; status 34; success 29–30; system, impact 129–30
Cinemagic 92
Cinema Regional Audio Professional (CRAP) convention 286–7
Cinemark 6. six-plex, THX/DTS rooms 22
CinemaScope: 4-track magnetic sound, release 92–3; four-track magnetic stereophonic sound, experience 87; print, usage 51; sound, incorporation 92; 35mm 4-track mag stereo 223
Cineplex Odeon (Century City) 20, 191, 264
Cinerama 59, 191, 292–3, 304; description 304–5; 8-track stereo 223; six-track magnetic formats 97
City Slickers 15; dialogue 152
Clampett, Bob 6
Clark, Mae 262
Class Act 146
Clear and Present Danger 226
Clockwork Orange, A 94
Close Encounters of the Third Kind 176, 326
Cloud Dancer (35mm 4-track magnetic stereo format) 95
Clutch Cargo 190
Coates, Anne V. 107
Cobra 326
Cohan, George M. 181
collective authorship 332; dependence 104; product 57
colorization 261–4; light 262–3; usage 264–5; YCM colorization 283–4
Color Purple, The 105
Comancheros, The (35mm 4-track magnetic stereo format) 95
Concert for Bangladesh, The 98
Coneheads 326
Conqueror, The 91, 93; 35mm 4-track magnetic stereo format 95
Coogan, Jackie 279
Cooke, Ginnie 171
Cooper, Merian C. 97
Coppola, Francis Ford 189, 193, 221, 249–51, 263
Corman, Roger 296
Cornell, Gary 301
Corrigan, Ray 358
Corso, Gene 322
Cotton, Joseph 12
Couch Potato’s Guide 208
Couch Potato’s Guide to Lasersound 350–61
Cowan, Lisa 307
Crooklyn 156
Crowdus, Gary 53
Crow, The 156
Cry Freedom 356
Curda, Greg 20
Curtis, Tony 216
cut-list 234
cut tracks, assignment 234
Cyberframe computer stations, magneto-optical drives 250; Cyberframe digital editing system 251
DA-88 (Tascam) 153
Damnation Alley (35mm 4-track magnetic stereo format) 95
Dancing Lady/Roberta 360
Dante, Joe 77–81, 113, 243, 271, 358; photograph 271
Dark Crystal, The 58
Das Boot 176
data: correction, digital-to-analog stage 247; data-compression algorithms, usage 156; random access 199
databases, effects categorization 76
Davis, Bette 301
Davison, John 107
Daw, Tony 239
Days of Heaven 324
Days of Thunder 151–2, 236, 247; photograph 248
Day the Earth Stood Still, The 298, 352
Dead Poet’s Society 324
Dead Pool, The 326
de-crackle pass 145
deep note (THX logo) 20
Deep, The (35mm 4-track magnetic stereo format) 95
Defending Your Life 71
DeForest, Lee 90
Delerue, Georges 7
Deliverance 147
De-Lovely 71
Delta Music 348
Depp, Johnny 83
De Sade (35mm 4-track magnetic stereo format) 95
DeWolfe Music Library 348
dialogue: compromise, avoidance 99; contribution 64; issues 50; levels, inconsistency 49; line, wild shot 50; mixing, history 85, 96–8; pre-dubs 51; recording 32; sound track element 70
dialogue, music, & effects (D, M, & E’s) 109, 330
Diamond, Ron 298
Diamonds Are Forever 360
Diary of Anne Frank, The 352; 35mm magnetic stereo, usage 100
Dick Tracy 248
didjery-doo, usage 11
Die Hard 163, 167, 269, 320, 352; premise 260–1; videotape clips 52
digital audio tape (DAT) 141, 146, 183; cassette tapes 250; recorders, usage 152; recording 347
Digital Cinema Package (DCP) files, usage 40–1
digital formats, design 88
digital media 199
digital methodologies, emergence 17–18
digital-optical patterns 18
digital projection system 163
digital rerecording, ability 30
digital sound: dynamic range 35; field, research 29
Digital Stereo Surround 225
Digital Theater Systems (DTS) 99, 150–60, 223; back-up analog track, usage 37; CD-ROM discs, usage 38, 40, 191; data disc 39; 4-2-4 DTS 37–8; four-channel discrete release 38, 156; Jurassic sound track 36; printmaster 154; room, usage 22; sound 40; time code 18
Digital Video Disc (DVD) 224; downside 228–9; features 199; format 227; marketing plan 228
Dior, Rick 157
Directors’ Guild, The 273
Director’s Guild Theatre 191
Dirty Dozen, The 360
Dirty Harry 358
Dirty Rotten Scoundrels 324
discrete six-track 237
Disney Studios: Dolby, usage 22; dub stage, mixers meeting 49; film distribution 19–20
Dixiana 324
Dobb, Deborah 141
Doc Hollywood 148
Doctor Zhivago 360
Dolby 4; Atmos 18; 4-track stereo (35mm presentations) 245–9; matrixed optical release 29; Pro-Logic Surround 308; Stereo Variable Area (SVA) optical soundtrack, success 33; systems 31
Dolby A: A-type noise reduction 30, 310; A-type printmaster, fullcoat magnetic film reels 34–5; 4-2-4, usage 156–7, 191; noise reduction 166; stereo optical prints 38; Stereo, setup 38; usage 35
Dolby AC-3: products, purchase 227; six-track discrete system 225; system 223–4
Dolby B 310; B-type noise reduction circuit 211; system 55
Dolby Box 126
Dolby C 310; noise reduction 55
Dolby Digital: enthusiasm 99; potential 31–2; presentations 223; 6.1 18; SR-D 34–6
Dolby Laboratories Cinema Processor 310
Dolby Spectral Recording (SR) 9, 119, 240–1; analog track 18, 55; application 143; Matinee mixing usage 82; optical system, demonstration 56; optical version 34; sound quality 21; SR-optical stereo LCRS matrix 224; Stereo Variable Area (SVA) 35; Stereo Variable Area (SVA) tracks 245; usage 20
Dolby SR-D 4; demonstration 56; Disney/Warner Brothers usage 35–6; marketplace arrival 28; sound 35; speaker system channels 36–7; system, introduction 55–7
Dolby stereo 214; exhibition, ticket sales 293; initiation 155–6; processor, steering logic 292
Dolby Stereo Digital, usage 22
Dolby Surround 243; AC-3Digital, six-track (5.1) stereo surround process 226–7; systems 30; track, usage 210
Dolby SVA 99
Donaggio, Pino 9
Donald Duck 6
Don’t Tell Mom the Babysitter’s Dead 324
Doors, The 179–82; sweetening 182
Dorman, Terry 171
Dorn, Dody 269
Do the Right Thing 356
double-system 31; film exhibition 32; playback 32; single-system, contrast 32; usage 92
Dracula 209, 222, 236; digital layback material 253; story/music 249–50
Drake, C.V. 282
Dream is Alive, The 58, 60, 121, 123, 240
Dressed to Kill 357
Dr. No 360
dropouts 147
Dr. Tongue’s 3-D House of Soundtracks 244
Dufva, Ken 20, 118, 258–9, 274
Dunn, John 118
Dunn, Linwood 324
Durgnat, Raymond 83
Duvall, Shelley 169
dye-transfer process 218
Dylan, Bob 182
Earthquake 81; 35mm 4-track magnetic stereo format 95
Eastwood, Clint 54
Easy Rider 182
Eber, Bob 54
Eckton, Terry 169
Eddy Duchin Story, The 93
Edemann, Lou 68
editing: completion 64; filmmaking, comparison 67; room set/location 72
Editors’ Guild, impact 269
Edwards, Blake 96
Edward Scissorhands 27, 83; love theme 84; soundtrack 284
effects (FX): categorization 76–7; contributions 64; importance 346–7
1812 Overture 188
Eisenstein, Sergei 174
Elder, Will 358
Electrician’s Union, impact 159
electronic matrixing 99
Elektra Records 348
Elfman, Danny 9; scores, guidance 84
Elizondo, Hector 183
Elvis-That’s the Way It Is (35mm 4-track magnetic stereo format) 95
Empire Strikes Back, The 6, 352; luncheon photograph 67; video transfer, quality (control) 124
Endless Summer II, The 156
Enforcer, The 357
Engel, Jay 171
EQ, reverse 130
E.T., the Extra-Terrestrial 58, 127–34, 207, 274, 341, 356; six-track 70. running 155
Evershade, Julia 133
Exorcist, The 94; laser disc edition 214–15
Exploratorium (San Francisco) 42–4
Explorers 10, 78, 113–14, 127, 128; sonic character, enhancement 284
“Fahrenheit 451” 327
Fandango 127
Fantasia 11, 23; laser disc edition 217; reissue 92; remixed original Stokowski track 249; 35mm 4-track magnetic stereo format 95
Fantasia 2000 216
Fantastic Voyage 93
Farewell to the King 9
Fasal, John 133
Fat Man and Little Boy 132
Fearless Vampire Killers, The (laser disc release) 220, 222
Fein, David 20, 118, 258–9, 274
Fellini, Frederico 84
Ferber, Edna 217
Ferguson, Graeme 123
Ferris Bueller’s Day Off 128
Few Good Men, A 54; nomination 53–4
Fiddler on the Roof 360
Field of Dreams 356
Fifth Element, The (sonic character, enhancement) 284
Fillmore 98; 35mm 4-track magnetic stereo format 95
film: appreciation 53; artistic achievements, assessment 22; big-event films, digital projectors (usage) 24; dialogue, issues 50; editing, interest 67; editors, audio engineers (interaction) 162; images, digital-optical patterns 18; production ID codes 246; records, application 13–14; sound units, photograph 235; studies, scholarship 62; vococentric film 293
filmmaking: editing, comparison 67; language 73
film sound: production 32; techniques, public relations demonstration 46–7
Film Sound Today 307
Finkelstein, Arnold (photograph) 316
Finnell, Mike 77, 270–1; photograph 271
Fire in the Sky 326
FirstCom Broadcast Services 349
Five Easy Pieces 354
Flatliners 28
Fleet Space Theater 122
Flick, Chris 314
Flick, Steven Hunter 68, 114, 118–19, 284; photographs 112
Flight of the Intruder 128
Flower Drum Song (35mm 4-track magnetic stereo format) 95
Flynn, Errol 10
FOCUS student film contest 51
Foley 3; demonstrations 44; exhibit (California State Fair) 46; FX 43; movement 180–1; replacement, electronics (impact) 138–9; stage 271–3; textures 83
Foley Artists 11, 43, 258–9, 272
Foley Grail, The 257, 271, 273–4
Foley, Jack 217
Force of Evil 357
Ford, Michael 169
For the Boys 27
For Your Eyes Only 360
Fosgate 3608, usage 301
4-2-4: encoding 111; matrix, problem 156; matrixing system 242; mixing 157; presentation 193; stereo format 193
4-track magnetic sound: list 95; release 92–3
four-channel; discrete releases 38; LCRS matrix 214
Four Star Theater 51
four-track magnetic: availability 92; format 97; stereophonic sound 90–2; stereophonic sound, experience 87
Fox: 3-channel stereo 223; 4-Track Mag Sound 85; experience 87–9; Fox-Case, 24. fps usage 90
Fox, Jordan 307
Franco, Larry (photograph) 85
Frankenstein 356
French Connection, The 94
Frenzy 356
Fried Green Tomatoes 326
From Russia with Love 360
Frova, Carl 29
fullcoat 116; magnetic film reels 34–5
FX 68; compromise, avoidance 99; definition 3; hearing 74; impact 12; importance 346–7; music, contrast 12; usage 189
Galaxy 1 (Hollywood theater) 35
Gardner, Chauncey 190
Gateway America 123
Gateway RTV 349
Gemette, Sam 169
Gentlemen Marry Brunettes 93
Geronimo: An American Legend (SDDS format) 99
Ghostbusters II 353
Gibson, Mel 170
Gigi 360
Gimme Shelter (35mm 4-track magnetic stereo format) 95
Ginsberg, Alan 182
Glascock, Aaron (photograph) 315
Glengarry Glen Ross 326
Glenn Miller Story, The 356
Glory 126, 128, 133; digital master 248
G-Men vs. The Black Dragon 357
Goeldner, Jonathan 303
Golden Child, The 128
Golden Eddie award, presentation 66
Golden Reels 281; award 52, 326
Goldfinger 360
Gold Master 499
tape, usage 143
Goldwyn Sound 141
Gomer Pyle 190
Gone With the Wind 264, 265, 360
Goodman, Benny 181
Goodman, Miles 7
Goodman, Richard 49
“Good Morning” 26
Good Mother, The 113
Good, the Bad, and the Ugly, The 360
Gorbman, Claudia 164
Graduate, The 354
Grandmother, The 323
Grant, Cary 200
Gravenor, Bob 169
Gray, Charles 109
Grayson, Kathryn 218
Great American Cowboy, The 121
Great Balls of Fire! 127, 131, 181
Great Escape, The 360
Great Man theory 57
Great Train Robbery, The 341
Greedy 156
Gremlins 10, 51, 113, 243, 359
Gremlins 2: The New Batch 127, 128, 270–1, 359
Griffith, Hugh 179
Grignon, Lorin 97
Groening, Matt 206
group ADR 3, 187; tracks, walla creation 71
group loops, usage 122
guillotine splicer 66
Gulliver’s Travels 357
Guns of Navarone, The (35mm 4-track magnetic stereo format) 95
Guy Named Joe, A 57
Guys and Dolls 352
Gypsy (35mm 4-track magnetic stereo format) 95
Haas, Charlie 77
Habberfield, Mary 207
Haboush, Jeff (photograph) 85
Hall, Cecelia (CeCe) 20, 115, 119, 273
Hallelujah Trail, The 360
Hammerstein, Oscar 217
Handzo, Stephen 53
Haney, Mike 270
Hanks, Tom 185
Hanna-Barbera 15, 349; productions 76
Hannemann, Volker 300
Happiest Millionaire, The (35mm 4-track magnetic stereo format) 95
Harlem Nocturne 342
Harmetz, Aljean 104
Harris, Robert A. 107, 112, 216
Harry and the Hendersons 105, 356
Hawaii 94, 212; reprocessed stereo 360
Hawkins, Jack 109
Hawks, Howard 339
HBO Studio Productions 50
head-shake noise 6
head stacks, variations 149
Hecker, Scott (photograph) 234
Help! 354
Hemmings, David 200
Henderson, Ron 44
Hendrix, Jimi 187
Henry and June 324
Henson, Jim 58
Heston, Charlton 178
Heuer, Ellen 270
He Wants It Bad 289
Hill, Jeff 297
Hindenburg, The 69, 209, 210–11; 35mm 4-track magnetic stereo format 95
Hines, Gregory (photograph) 230
Hirsch, Julian 307
historical articles, context (setting) 61–3
Hitchcock, Alfred 7–8, 62, 217, 339
Hodges, Hilda 258
Hoggatt, Tim (interview) 141–50
Holiday, Billie 181
Holland, Rodney 169
Hollywood Pictures brand/logo 280
Hollywood production, standardization 32
Hollywood Reporter, The 25
holophonic sound process 119
Home from the Hill 360
home systems 306; video 270; video crisis 226–30
Honey, I Blew Up the Kids 21
Honeymooners, The 288
Hope, Bob 83
Hoppity Goes to Town 357
horizontal editing 236
Horrors of the Black Museum 92
Houston, Whitney 18
Howard the Duck 58
How the West Was Won 59, 94, 360; discrete stereophonic sound, addition 100
Hughes, Scott 309
Hulk Footsteps 193
humor: impact 276–7; pieces 278–80
Hunt for Red October, The 56, 174–7, 273–4, 326; Oscar award 57
Hutchison, David 302
Hyams, Peter 6
hydrophonic recordings 167
IB Technicolor print, usage 91, 96
Ice Station Zebra 360
IMAX films 31, 233: presentation 58, 59; production 59
I’m Gonna Drawl 11
Incredible Shrinking Man, The 355
Indiana Jones and the Last Crusade 120, 236; soundtrack, creation 237; Split-Surround 237–41; split-surround mixing 120–1
Indiana Jones and the Temple of Doom 6, 121, 124
Indiana Jones franchise 60; Burtt, contributions 57–8
Industrial Light and Magic (ILM) 185
In God We Tru$t 86
Innerspace 127, 128; sonic character, enhancement 284
Inside Daisy Clover 71
Internet Movie Database (IMDB) 269–70
In the Mouth of Madness 156
In the Name of the Father (DTS format) 99
Invasion of the Body Snatchers (remake) 57
Ippolito, Joey 326
Ironweed 127
Ishtar 23
It’s A Wonderful Life 354, 357
Jacob’s Ladder 56
Jaffe, Sam 177
James Dean Collection, The 358
Jammin’ with the Cosmos 113–20
Jay, Ricky 190
Jesse Owens Story, The 86
Jesus Christ Superstar 356
J-Men Forever 324
Johnson, Dale 294
Johnson, Keith 292, 297, 307; letter 305
Jolson Story, The (reissue) 92
Jones, Chuck 78
Jordan, Tim 167
Joseph, Jeff 96
Journey to the Center of the Earth 352; 35mm magnetic stereo, usage 100
Judd, Phil 167
Judgment at Nuremberg 360
Judgment Night (DTS format) 99
Judkins, Fred 50
Jumbo (35mm 4-track magnetic stereo format) 95
Jurassic Park 191–4, 293; DTS format 99; DTS sound track 36; SpielaPhone sound 38
Kadrey, Richard 295
Kafka 210; laser disc edition 211
Kamp, Alec (photograph) 85
Kane, Doc 54
Kaye, Danny 83
Kaye, Simon 54
Keaton, Michael 83
Kelly’s Heroes 360
Kerner, Marvin M. 337
Kern, Jerome 217
Kessler, Gina (photographs) 315, 317
Khartoum 360
Kidman, Nicole 341
Killing, The 354
Kind Hearts and Coronets 208
Kinema 28
Kinepolis 28
King, Alan 74
King Kong 5, 201, 265, 325–6, 355; laserdisc release 283–4; 35mm 4-track magnetic stereo format 95
King of Hearts 355
King of Kings 360
Kiselyak, Charles (LD packages) 203
Kiss Tomorrow Goodbye 357
Kizer, Robert 86
Kline, Kevin 71
Klyce, Ren 267
Knights of the Round Table 360
Knudson, Buzz 72
Koepnick, Bill 50
Koretz, Elliott (photograph) 225
Kostelanetz, André 284
Kovacs, Ernie 179
Kramer, Ken 51
Kroeber, Ann 323
Kubrick, Stanley 6
Kurtz, Gary (photograph) 67
LaCanne, Chris 303
Lady and the Tramp II: Scamp’s Adventure 127
Lady Vanishes, The 354
Lahr, Burt 26
Landaker, Gregg 111; photograph 67
Land Before Time, The 356
Land of the Pharaohs, The 51
Larson, John 169
laser disc (LD) 199; CLV laser discs 228–9; packaging, critiques 203; restorations 212–13; reviews 209; sound 201–2; transition 350
Laserdisc Newsletter 309
Last Action Hero, The 34; Cary Grant Theatre industry screening 37
Last of the Mohicans (nomination) 53–4
La Strada 354
Last Remake of Beau Geste, The 86
Last Temptation of Christ, The 356
Late Night with David Letterman Show 43–4, 52; Ament, appearance 45
L’Audio-Vision 164
Laurence, Gerald 184
Lavender Hill Mob, The 208
L’Avventura 354
Lawrence of Arabia 79, 125–6, 238, 353–5; execution 260; 4-2-4 encoding 111; laser disc edition 212–13; photographs 105, 107, 213; restoration 105–12, 264–5; sound effects, addition 110–11; sound materials, restoration management 105
Lean, David 105–6, 111–12, 212
Lebenzon, Chris (photograph) 85
Led Zeppelin 295
Lee, Jerry 181
Lee, Steve 4–6, 62, 271, 311; bibliography 292; trivia collection 334–6; Trivia Tin Bin 282–3
Lee, Walt 4
Lees, John 243
Left-Center-Right-Surround (LCRS) 288, 303; digital LCRS matrix 223–4; Dolby matrix 309; Dolby SR-optical stereo LCRS matrix 224; four-channel LCRS matrix 214; usage 82
Legend 7
Legion of Iron 86
Le Mans (35mm 4-track magnetic stereo format) 95
LeNeveu, Bill 299
Lennon, John 190
Leonard, John 182
Lethal Weapon II 148, 169–71, 326
Let the Good Times Roll (35mm 4-track magnetic stereo format) 95
Leveque, John 54
Levison, Jeff 305; interview 150–9
Lewis, Jerry 83
Leyh, Blake 269
Lion King, The (sonic character, enhancement) 284
Lithgow, John 6
Little Prince, The (35mm 4-track magnetic stereo format) 95
Little Rascals, The 157
Lizard King 181
LoBrutto, Vincent 112, 233, 332
Logan’s Run 360
Lone Ranger, The 23
Lone Wolf McQuade 127
Longest Day, The 352; 35mm 4-track magnetic stereo format 95
Looks Like a Tablecloth 11
Looney Tunes: Back in Action 78
loops (looping) 3; quality, variation 88
Los Angeles Times, The 25; sound timing 20
Love Me or Leave Me 360
Lowe, Danny 243
Lowe, Rob 284
Lucasfilm engineers, impact 47
Lucas, George 47, 58–60, 98, 125, 263; American Cinema Editors speech 139; film editing interest 66–7; photograph 67; Star Wars trilogy 237
Lust for Life 360
McBride, Jim 132
McCarthy, Kevin 80
MacFarlane, Kurt 40
MacGowran, Jack 222
McPherson, Heather 43
McVey, Paul 299
Magnasync interlock system 294
magnetic: prints, usage 54; striped tracks, wear 246
magnetic systems, sound quality 54
magneto-optical: disk, printmastering 34–5; drives, usage 250
Magnificent Ambersons, The 354
Making of a Legend, The 360
male gaze 277
Man from Snowy River, The 133
Mangini, Mark 6, 10, 54, 112–13, 198, 267; photograph 113, 117, 118; Star Trek IV/V sound work 116–20
Man in the White Suit, The 5, 207–8
Mann’s Chinese Theater 35
Mant! 78, 82; monster, sound design 80; reaction 80–1; sound effects 82
Man Who Knew Too Much, The 356
Man Who Would Be King, The 213
Margaret Herrick Library 270
Marshall, Frank 132
Mary Poppins: non-anamorphic film, stereo release 92, 97; 35mm 4-track magnetic stereo format 95
M.A.S.H. 236
Mask, The 156
Maslow, Steve 131; photographs 67, 85, 271
Masquerade 9
Master of the World 92; 35mm 4-track magnetic stereo format 95
matrix-magnetism, problem 157
Maxfield, Dennis 46
Max Headroom 50
Medicine Ball Caravan 98; 35mm 4-track magnetic stereo format 95
Meet Me in St. Louis 212
Melody, James J. 298
Memories of Me 73
Mercer, Jack 168
Meridian Studios (Burbank) 43
Merrill, Keith 121
Meteor (35mm 4-track magnetic stereo format) 95
Metro-Goldwyn Mayer (MGM) 15; MGM Labs, 4-track mag prints 93; MGM-UA, Turner property access 25
Michaan, Allen 26
MIDI: control information 246; sampling devices 129
Midler, Bette 27
Midnight Run 356
Mighty Ducks, The 21
Milagro Beanfield War, The 356
Milius, John 9
Milland, Ray 301
Mind, Body and Soul 86
Mississippi Burning 128
Mitchell, Rick 31–4, 62, 128, 324; biography 86–7; Fox 4-Track Mag sound review 87–8; photograph 85; rerecording mixer 146; research 85–7; Screening 46; sound, attainment 89–90; sound historian, passion 330; stereo sound 98–101; 35mm 4-track magnetic stereo 92–6
Mitt, Oscar 270–1; photographs 163, 315
mixed media 249
mixing 3; contributions 64; difficulties 133; purpose 186–7
Modern Romance 66, 72–73. Mom and Dad Save the World 198; soundtrack 284
Monkey Shines 198
mono magnetic sound 94
Mon Oncle 355
Monte Carlo Story, The 93
Monterey Pop (35mm 4-track magnetic stereo format) 95
Moon Over Parador 356
Moonraker 360
More American Graffiti (dubbing) 109–10
Moriarty, Cathy 82
Mosquito Coast, The 324
Moth Man–The Motion Picture 282
Motion Picture Research Council 96
Motion Picture Sound Editors (MPSE) 47–8, 51, 202; Golden Reel award 52
Mountains of the Moon 324
movies: crawl, below-the-line credits 269; music supervisor coordination 14; sound practitioners, contributions 57; stars, games 279–80; TV, boundaries (blurring) 19
Movies Learn to Talk, The 89
movie sound: art, discussion 1–2; interest 44; workers, credit 269–70
Movietone Variable Density Sound-onfilm process 89
Moviola: nameplate 65; take-up moviola (photograph) 277; usages 197
Mr. Saturday Night 327
MTV video scene, song (association) 8
Muffling the Neighbors 307
multichannel pre-dubs, usage 17–18
multiple-inventory 31
Mummy’s Curse, The 355
Murder by Death 5
Murdoch, George 116
Murray, Alan 119
Murray, Doug 165
music: compromise, avoidance 99; cues, scoring 14; FX, contrast 12; legal clearance 14; scoreboard 6–13; sound FX, conflict 84; sound track element 70; temp music, preparation 10; usage 9
Music Man, The (35mm 4-track magnetic stereo format) 95
Music Supervisor, title 8
Musique Concrète 11
Mutiny on the Bounty 360
Napoleon 356
Nash, Charles “Ducky” 6
Nashville (35mm 4-track magnetic stereo format) 95
Nassour, Edward 96
National Lampoon’s Animal House 356
National Public Radio 328
Natural, The 353
Nericcio, Josie 270–1; photographs 313, 315
Network Production Music, Inc. 349
New Jack City 148
Newlan, Bob (photograph) 313
Newman, Alfred 325
Newman, Randy 186
Newsies 34
newsletter, journal (comparison) 256–7
newspaper articles, list 336
Nicholas, Harold (photograph) 229
Nichols, Mike 13
Night at the Opera, A 354
Nightmare Before Christmas, The (Dolby Digital format) 99
Night of the Hunter, The 354
Nightshift 326
Nightwing (35mm 4-track magnetic stereo format) 95
noise: creation 63; elimination 145; estimate, interpolation 147; noise-reduction chips, usage 210; reduction, Dolby SR (usage) 152; usage 76–8
No Maps on My Taps 229
non-anamorphic films, stereo (usage) 98
No Noise processing, usage 306
Nordine, Ken 278
Norenberg, Herb 301
Nosferatu 28
Nosh, Sol 289
Notorious 354
Nous La Liberté, À 62
Noyce, Phillip 166
NuAge Midi Channeler with Karmic tuner 285, 286
Nuart theater 264
Nyby, Chris 207
O, Brother, Where Art Thou? 13
O’Connell, Kevin 54, 162; photographs 67, 271
Octopussy 360
Oklahoma! 324, 352; dubbing 325
Old Mill, The 321
Olivier, Laurence 216
Omnimax projection dome 27, 120
Ondra, Anny 339
One Flew Over the Cuckoo’s Nest 353
On Her Majesty’s Secret Service 360
optical-digital: 35mm systems 226; multichannel sound formats, availability 24; soundtracks 247–8
Optical Radiation Corp. (O.R.C.) 245; CDS-capable movie installations 56; CDS-system 151; Cinema Digital Sound films 21, 27; expense, reduction 31; licensing fee 30; owner resistance 30–1
optical track: description 35; Dolby Stereo Variable Area (SVA) optical soundtrack, success 33; stereo, usage 28
Orchestral scores, usage 12
Orff, Carl 181
Orinda Theater 26
O’Shaughnessy, Brigid 263
Otteson, Paul 267
Outer Limits 183
Oz, Frank 58
Pacific Theaters 133
Pacino, Al 341
Painted Stallion, The 358
Painten, Jim 112
Paper, The 156
Paramount, CDS usage 40
Parker, Charlie 182
Paths of Glory 354
Pedersen, Hans Kristian 304
Pee Wee’s Big Adventure 326
Pepe (35mm 4-track magnetic stereo format) 95
Perfect 127
personal artistry, subjective expression 266
Pete Kelly’s Blues 93
Pettijohn, Sonya 271; photograph 315
Phantom of the Paradise (35mm 4-track magnetic stereo format) 95
Philadelphia (SDDS format) 99
Phillips, Bill 169
Phonofilms 90
Photoplays 339
Picture Palace Etiquette 257, 259
pitch, change 89
Planet of the Apes 93
Polk SDA speaker systems 244
Poltergeist III 127
Pond Scum 309
Porter, Cole 71
Pospisil, John 68, 114, 284–5; constructions (photograph) 285; Pospisil Sinklavier 285, 286–7
Postcards from the Edge 13
post-production issues 33, 327
post-production sound 43; defining 63
post-production sound mixing/rerecording, women (presence) 140
post sound people: impact 330–1; theories 331
POV shots, effects 89
Pratt, Douglas 309
Predator 176, 269, 320, 352; Golden Reels 105; soundtrack 284; videotape clips 52
pre-reverb, usage 116
pre-set EQs, usage 149
Princess Bride, The 354
printmastering 34; Final dub 14
Producers Sound Effects 349
production: dialogue (DIA) 3; issues 33
Professionals, The 353
profitability, standards (reduction) 59
Project A 320
Project X 269
Proton consumer surround decoder, usage 159
public demos 52
Public Enemy, The 262
Pullman, Bill 341
Pure Country 21
Q-Sound 236–7, 242–4; post-production 244; usage, types 243
Quiet Earth, The 352
Quigley Down Under 360
radio mikes, problems 49
Raiders of the Lost Ark 69, 105, 113, 245; sound, changes 124
Rain Man 126, 302, 360; sound quality 163
Ralston, Ken 185
Ran 352
Rathbone, Basil 357
Rattle and Hum 243
R-DAT tapes, sound storage 75
reader participation 291
reading materials, guide 334
Rebel Without a Cause 358
Red River 212
Reeves, Hazard 97
Reitz, John 118
Reivers, The (35mm 4-track magnetic stereo format) 95
release dates, change 67
re-recording 3; digital rerecording 30; mixer 4
restoration: efforts, consequences 263; payment, colorization (usage) 264–5; standards 261–4; usage 265–6
Revell, Graeme 166
Reversal of Fortune 148
ribbon mike, usage 116
Rich, Robert 90
Ride the High Country 360
Rise of the Planet of the Apes 23
Risner, Brian 50
River, The 69
RKO-Radio Pictures 91
Robbins, Jerome 264
Robeson, Paul 217
Robe, The 27, 87, 325; 35mm magnetic stereo, usage 100
Robinson Crusoe of Clipper Island 358
Rocky 360
Rocky Horror Picture Show, The (35mm 4-track magnetic stereo format) 95
Ronne, David 118
Room With a View 352
Root, Alex (photograph) 318
Rose, Kay 69
Roth, Eric 73
Royal Theater (Dolby A usage) 35
Ruby-Spears Productions 76
Rudloff, Greg 118
Rumik World, The 222
Runyon, Damon 75
Russell, Roz 358
Rutledge, Bob 68; Bluelight Sound 65
Ryder, Loren 135–6; Ryder Sound Services 134–7, 141
Ryder, Winona 131
Ryder, Winston 110
Sabella, Joe 171
Salerno, Hank 171
Salvetta, Mike 165
Samuel Goldwyn Theater of the Academy of Motion Picture Arts and Sciences 34, 88–9, 180
Sanders, Hal 169
Sands, Dennis 190
Sartre, Jean-Paul 184
Saul Zaentz Studios 43
Sayonara (35mm 4-track magnetic stereo format) 95
Scarface (35mm 4-track magnetic stereo format) 95
Schifrin, Lalo 7
Schindler’s List 157; DTS format 99
School Ties 326
Schwalbe-Boisseau, Solange 118
Schwarzenegger, Arnold 37
Screen Actors’ Guild (SAG) 273
Sea Hawk, The 360
Sea of Love 230
Searchers, The 51
Second Chance 91
Secret of my Success, The 128
Secret of NIMH, The 360
Seeger, Pete 182
Segal, Roy 43
Seid, Tom (photograph) 85
Sellers, Peter 149
Sensurround 81
set recording, equipment/technique preferences 49
Seven Brides for Seven Brothers 360
Seven Samurai (mono track split) 281–2
sexism, impact 140
sex, lies, and videotape 10, 11, 354
Sex Lives of Famous Directors 284
Shakiest Gun in the West, The 355
Sharif, Omar 106
Shaw, Sam 169
Sheean, Annabelle 167
Sherlock, Dan 87
Sherlock Holmes and the Secret Weapon 357
Shoot the Piano Player 354
Shoot to Kill 198
Showboat 339, 354; laser disc edition 218–19; Show Boat (AKA Showboat) LD release 217
Showscan 29, 31; frames per second rate 121
Sikking, James 183
Silent Movie (35mm 4-track magnetic stereo format) 95
Silk Stockings 360
Sill, Joel 186
Silverado 209
Silver, Joel 171
Silver Pictures 171
Simpson, George 77, 96, 141, 164, 198, 351; answers 309; Cinerama description 304–5; home theater, technical makeup 292; Laserblasts 281; photograph 199; responses, introduction 308; reviews 208; sound historian, passion 330
Singer, Larry 169
Singin’ in the Rain 26, 71, 204, 339, 354, 360; laser disc edition 218; rerelease 216
single-inventory 31
single-system 31; digital audio playback, capability 40; double-system, contrast 32; playback standard, establishment 32
six-dubber Magnasync interlock system 294. six-track: magnetic formats 97; M&E, usage 142; spread 107; (5.2) stereo surround process 226
Skandia, The 21
Skouras, Spyros 54
Skywalker Ranch 4, 47, 237; post sound team, editorial work 58; sound editors/mixers, Jurassic Park work 192–3
Slipper and the Rose, The (35mm 4-track magnetic stereo format) 95
Smith, Mark 54
Smokey the Bear 52
Sniff the Jacket 11
Snow White & the Three Stooges (35mm 4-track magnetic stereo format) 95
Society of Motion Picture and Television Engineers (SMPTE) 34, 75; Standards Committee 90; time code 245–6
Soldier’s Story, A 127
Something Wicked This Way Comes 7
Sondheim, Stephen 264
Sonic Boon-Dorsey Productions, Inc. 349
Sonic Disturbance event 42, 46
sonic environment, establishment 192
Sonic Solutions 141–3, 306; function 145; transfer 145
Son of Paleface 83
Sony, digital audio system (invention/promotion) 36–7
Sony Dynamic Digital Sound (SDDS) 99, 150, 223; digital-optical patterns 28; necessity 37; playback systems 25; usage 36
Sorkin, Aaron 341
S.O.S. Coast Guard 357
sound: award, function 70; causal sound 339; colorization 261–2, 264; crafts 48; discrete location 193; editing crews, expansion 161–2; editor, bench (appearance) 65; effect 339; FX, music (conflict) 84; holophonic sound process 119; reports 42; shops, impact 269; sound-on-film optical tracks, adaptation 141; sound-on-film techniques 32; system, respectability 26; thinking, defining 68–73; timing 20; units, pickup (photograph) 235
Sound Cinema, transformed art 62
sound effects: achievement, judging (criteria) 70; award, judging 70; creation 77; cutting/arranging 64; editor function 74–5; history, problem 68–9; libraries, usage 75–6; recognition 274; sound track element 70; trim box location 77
Soundfield Remix Processor (SRP44) 288
Sound-on-Film (LoBrutto) 233
Sound Pressure Level meter (Radio Shack) 154
Sounds Your Father Never Heard 304–5
sound track: elements 70; listenability 84
South Pacific 352
Spaceballs 360
Sparks, Amy 46
Spartacus 79, 204, 356; remixed original Stokowski track 249; re-release 216
special effects (SFX) 330; catalogue 346–9; understanding 74–5
Speed 156
Spence, Dave 118
Spielberg, Steven 7, 57, 98, 132, 191–2, 262; Golden Eddie award 66; photograph 271; Vidiot phrase 278
Spirit of St. Louis, The (35mm 4-track magnetic stereo format) 95
Spivack, Murray 201, 265, 324–6
Splet, Alan 69, 322–3; credits 324
split-surround: image layer, availability 56–7; mixing 120–1
Spotnitz, Frank 10
spread-six 237
Spy Who Loved Me, The 360
squawk boxes, sound (duplication) 176
Stalling, Carl 84
Stambler, Bruce 54
“Stargate” sequence 117
Star is Born, A 212
Starkiller 78
Star Trek (television version) 218–19
Star Trek III: The Search for Spock 219–20
Star Trek IV—The Voyage Home 5, 10, 113–14, 220, 237; sonic character, enhancement 284
Star Trek sound effects 11
Star Trek: The Motion Picture 105, 119, 219
Star Trek-the Movies–25th Anniversary Collection (laser disc editions) 219–20
Star Trek: The Wrath of Khan 219
Star Trek V: The Final Frontier 10, 113–20, 220; background effects 114–15; conversational Probe 119; design FX 115–16; photograph 113; six-track Dolby SR, usage 119; sonic character, enhancement 284; sound effects, design 114
Star Wars 4–5, 129, 245, 352; achievement award 69; Burtt, contribution 57–8; LT-RT, creation 125; optical stereo, usage 28; post-Star Wars audiences, multiple speaker requirement 33; reissue, remixing 306; sound designer to direct 59–60; trilogy 22, 237
Stayin’ Alive 326
steering logic 292
Steinway piano, usage 7
stereo: dialogue mixing, history 96–8; enhancement 214–15; films, quality 129; imaging, impact 87–8; reprocessed stereo 214–15; restoration 108; temps, dubbing 128
Stereo Image Display (SID55) 288
Stereo Sonic Sound 92
stereo sound: knowledge 79; personal/historical observation 98–101
Stereo Variable Area (SVA) 35, 98–9; optical sound track, success 33; optical tracks, introduction 94
Stereo Variable Density track, usage 96
Stevenson, Bill 138
Stone, David E. (photographs) 85, 312
Stone, Richard 6–8; conducting 15
storage, multi-track SR form 143
Streets of Fire 356
Stuart, Ralph (photograph) 318
Studio Theater 155
sub-harmonic synthesizer, usage 116
subjective Point-Of-View 175–6, 180
subwoofers, usage 36, 156, 301
Supervising Foley Artist, role 342
Supervising Sound Effects Editor (Supes) 236, 272, 295; function 70
surround-sound dramas 54
Suspiria (35mm 4-track magnetic stereo format) 95
sweatbox 339
Sweet Smell of Success 361
Swiss Family Robinson (35mm 4-track magnetic stereo format) 95
“Sync Tanks” 53
synthesizers, usage 11
Takahashi, Rumiko 222
Take My Skirt Off 11
take-up moviola (photograph) 277
Tangerine Dream 7
Tap 229
Taxi Driver 355
Tchaikovsky, Pyotr 188
teaching, invisible labor 197–8
technical innovation, impact 40–1
Technicolor print, usage 26
Technics 4-channel receiver, usage 300–1
Technirama 93
technology, usage 23
television: competition 125; sound issues 140–1
temp music, preparation 10
Terror by Night 357
That’s Entertainment 361
That’s Entertainment III 156
Them 80
theory, availability 53
There’s No Business Like Show Business 352
They Shoot Horses, Don’t They? 94; 35mm 4-track magnetic stereo format 95
35mm 4-track magnetic stereo 92–6; format, list 95
This Is Cinerama 97
Thomas J. Valentino, Inc. 349
Thomas, Lowell 97
Thom, Randy 58, 115, 121, 190, 322
Thoroughly Modern Millie: dubbing 98; 35mm 4-track magnetic stereo format 95, 98
Thorpe, Dennie 274
Thunderball 361
THX 19, 37; acoustic demands 22; branding effort 47; Laser Disc Program, usage 22; news 21–2; R-2 analyzer unit, usage 154; theater sound quality 47; THX at Home 46, 47; trivia 20
THX Sound System 307; THX: The Audience Is Listening 19
Tiki Room 286
Till the Clouds Roll By 361
Tilt! (35mm 4-track magnetic stereo format) 95
time code 18, 158, 245–6; counting track, usage 150
Time to Love and a Time to Die, A (35mm 4-track magnetic stereo format) 95
Titanic 23
Todd-AO 70mm process 97; Todd A-O Glen Glenn Sound 243
Todd, Michael 97
To Live and Die in L.A. 243
Tom and Jerry cartoons 26
Tomita 10
Tommy (35mm 4-track magnetic stereo format) 95
Tom Sawyer 325
Top Gun 183–4, 190, 237, 245, 326; digital master, making 248
Total Recall (sonic character, enhancement) 284
Townend, Peter 167
tracks: crafting 64; digital creation 350; making 78–83
Train Ride to Hollywood (35mm 4-track magnetic stereo format) 95
transfer departments, setup 148
transitions, attention 187
Travolta, John 71
Treasure of the Sierra Madre 361
Trent, Jerry 165
Trial of Billy Jack, The (35mm 4-track magnetic stereo format) 95
trim box, sound effects storage 77
Trip, The 182; 35mm 4-track magnetic stereo format 95
Trombone Gobble 6
Truffaut, François 344
Trumbo, Dalton 90
Trumbull, Douglas 233
Turner and Hooch 198
TV/movies, boundaries (blurring) 19
Twelve Angry Men 355
20th Century-Fox, CDS films 27
Twilight Zone: the Movie 358, 359
Twister (sonic character, enhancement) 284
Two Jakes, The 127
2001: A Space Odyssey 6, 184, 200, 204, 346, 354–5
two-track optical track 99
Tyson, Elliot 126–7, 341–3, 361; photographs 127, 162
UltraSound 243
Ultra-Stereo, matrixed optical releases 29; prints 310
Unbearable Lightness of Being, The 323, 324
Uncle Buck 356
Undersea Kingdom 357
Under Siege 21; nomination 53–4
Under the Roofs of Paris 62
Underwater! 91
United Artists 93
Universal Studios 86
Unsinkable Molly Brown, The (35mm 4-track magnetic stereo format) 95
Van Buren, Abigail 278
Vancho, Brian 258
Variable Area Systems 96
Varney, Bill 115; photographs 67, 271
Victors, The (35mm 4-track magnetic stereo format) 95
Victor, Victoria 361
videotape, destruction 228
video version, example 214
Vidiot phrase 278
View to a Kill, A 361
Vikings, The 51
Violent Men, The 93
virtual experience 233
Viscounts, The 342
VistaVision (Paramount) 93, 359
visual special effects, usage 27
Vitaphone 32, 38; projector, studio publicity still 39; sound-on-disc system 90
vococentric: film 293; photoplays 62
Voyager Gallery Space Disc 354
Voyage to the Bottom of the Sea (35mm 4-track magnetic stereo format) 95
Walas, Chris 165
Wallace, George 189
walla creation 71
Wall-E 120
Wallin, Dan 169
wall-to-wall music 9
Walowitz, Marvin 92
Walston, Ray 169
Walt Disney Company 282; Foley stage 321
Walter Murch (Fox) 307
Walter Reade Theaters (lawsuit) 92
Warner Brothers 6, 241; CDS, usage 40; musical scores, writing 6–7; Vitaphone 38
Warner-Hollywood 129
Warner-Hollywood Studios Foley stage (photograph) 272
Warner, Jack 93
Warning Sign 324
Watson, Greg 15
Watters, George 115, 119–20, 273
Wayne, John 179
Weaver, Sigourney 27
Webber, Billy (photograph) 85
Webber, Michael 190
Webb, Tim 270
Weekend at Bernie’s 324
Weis, Elizabeth 52, 63, 164, 332, 337
Weng, Hugo 49
Wessler, Rick 258
Western Electric Company 90
West Side Story 204, 265, 325, 354–5; re-release 205–7; sound, 4-track Dolby Surround 35mm mag master 206
Where the Heart Is 185
White Hunter Black Heart 326
Whitfield, Alfred North 322
Whitfield, Leslie 169
Whittaker, David 118, 391
Who Framed Roger Rabbit? 68, 185
Wide Screen Cinema (Belton) 98
Wikke, Ralph 165
Wild Bunch, The 51
Wild in the Country (35mm 4-track magnetic stereo format) 95
Wild in the Streets (35mm 4-track magnetic stereo format) 95
Wild Rovers 96
Wilhelm scream 59
Williams, John 191
Williams, Robin 169
Will Success Spoil Rock Hunter? 83
Wind 324
Wings 20
Winkler, Henry 73
Winning (35mm 4-track magnetic stereo format) 95
Winter People 324
Winter, Ralph 114
wireless microphones, usage 51
Witness 326
Wizard of Oz, The 26, 104, 204, 265, 354
Woman in Green, The 357
Woodstock 98
Words and Music 361
World According to Garp, The 169
Wray, Fay 5
Xerographic reproduction 266
Yankee Doodle Dandy 361
Year of the Comet, The 146
Yellow Submarine 361
Yentl 94; 35mm 4-track magnetic stereo format 95
Yogi Bear 52
Yojimbo 355
Young, Rob 54
Young, Victor 91
You Only Live Twice 361
Yucca Flat test, distortion 78
Zavada, Ronald J. 90
Zelig? 190
Zelly and Me 9
zips, usage 83
Zoran chip, usage 154
Zorro’s Black Whip 358
Zorro’s Fighting Legion 358
Zulu 355
Zwick, Ed 133