August 2015
My rental car and I are finding our way down the streets of Bel Air, on a trip I hadn’t taken for years. Back then, when I worked for President and Mrs. Reagan, every one of these trips seemed important. Yet this one was perhaps the most important of all. I didn’t know it for certain, of course, and I sure hoped it wasn’t true. But I had a feeling this would be the last time I would see Nancy Reagan alive.
The pop-culture notion of the Reagans’ former neighborhood is of multistory mega-mansions tucked behind elaborate gates and exotic foliage. There are, in fact, many homes like that—Elizabeth Taylor once lived nearby—but by no means does that image apply to all of them. That includes my destination that summer afternoon: the home of Nancy and Ronald Reagan.
With all due respect, if tourists were driving through Bel Air to ooh and aah over houses, they would not give the Reagan home a second look. “It’s a very ordinary house,” an onlooker said once when the former First Couple moved into their multimillion-dollar digs at 668 Saint Cloud Road in January 1989. By the time I make this drive again, the former president has been gone for more than ten years, but that doesn’t matter. I still see the house as theirs. His widow clearly felt that way, too. She’d have never dreamt of abandoning the comparatively modest three-bedroom ranch house they shared a couple of miles from Century City, where the former president maintained his office after leaving the White House, and about an hour’s drive from the Ronald Reagan Presidential Library & Museum in Simi Valley.
There’s a nondescript metal mailbox in front of the gate, and at the appointed hour, I pull into the driveway, past the security station after having been cleared, and make the short drive to the front door.
In earlier days, whenever I came to the house, I’d knock on the large, round, brass door knocker, and either the president or Mrs. Reagan—or sometimes both—would open the door without pretense and show me in. Whenever I left, one or both always walked me to the door and stood there, waving, until my car was out of sight. So it was no surprise to me, on such a balmy day, that a smiling Nancy Reagan—at this point, largely confined to a wheelchair—was at the door to greet me again. Standing beside her were a home health care aide and her housekeeper.
As her health declined, Mrs. Reagan had allowed very few meetings like this one—which she knew in advance was an interview for this book. Her staff didn’t want her to be overwhelmed with requests from former aides and old friends. So my visit was kept quiet. As I understand it, it was the last interview she ever gave.
I didn’t know what to expect, but even at ninety-four, Nancy Reagan looked and acted like—well, Nancy Reagan. Her hair was a little less puffy than when she was First Lady, but still very nicely styled, and her makeup—essentially only lipstick—looked perfect. She wore an orange blouse and cream-colored pants, simple earrings, and her wedding band. Her eyes and smile were warm. And her voice, while slightly softer, was otherwise exactly as it had always been, warm and welcoming. Just hearing it immediately evoked so many fond memories of our many years together—especially when she laughed. As I saw her again, my thoughts returned to the first time I’d met her, when I joined the 1980 Reagan presidential campaign. We had not gotten off to the best of starts.
We had landed somewhere during our dizzying cross-country campaigning, and the Reagans were asked to stay aboard the plane for a short while because their motorcade was not yet ready. It was essentially just the two of them at the front of the plane, and I thought I saw an opportunity to ingratiate myself with Governor Reagan’s influential wife.
I walked up the aisle, presented her with some trinkets I had found in a hotel gift shop, and said, “These might be fun for your grandchildren.”
Mrs. Reagan accepted them, looked at me, and said “Thank you” in a perfunctory manner.
I strutted to the back of the plane, feeling cocky because I had made myself known to the candidate’s wife.
As soon as I got off the plane, however, another staff member came up to me. “You’re a fool,” he said.
“What do you mean?”
“Don’t you realize, Mrs. Reagan doesn’t have any grandchildren?” He explained that the “grandchildren” were the children of Michael Reagan, a son from the governor’s first marriage to the actress Jane Wyman. My heart sank. Needless to say, I never mentioned grandchildren to the First Lady again.
Mrs. Reagan did not hold that incident against me. That may surprise some people who bought into the caricature—created by some critics and carried out in the press—portraying her as some sort of Cruella de Vil. Over the years, I’d learn many times how very wrong and unfair that characterization was.
“I’m not really walking very much anymore,” she confessed as we met for that final time in California, “so I hope you’ll forgive me for not opening the door.”
“Of course,” I replied, and leaned down to kiss her on the cheek. “I brought you something.” An orchid, one of her favorite flowers.
“Oh, how beautiful. Thank you, Mark.” She held it for a second, until the housekeeper reached down to take it to her bedroom.
Probably by design, the house still felt as if the president might be just down the hall, walking into the room at any moment, with a quip or story on hand. This was very much the house, after all, of a woman still mourning a husband who, because of Alzheimer’s disease, was tragically lost to her long before he actually died.
“Where shall we go?” Mrs. Reagan asked. “How about in here?” She motioned toward the den. Outside the room hung Norman Rockwell’s famous painting of the president, done in 1968 when Reagan was governor of California, which had been there for as long as I could remember.
The den, too, was precisely the way it was the day the Reagans moved into the home. Two of the walls were lined with bookshelves holding many leather-bound collections of books on various topics. There were a few decorative silver plates and framed photos interspersed among the shelves: Mrs. Reagan with Queen Elizabeth II—the two had become good friends over the years—and another of the Reagans with Pope John Paul II at the Vatican.
The den had dark paneling, but the room was very bright because one wall was glass and looked onto the backyard. There was a small fireplace tucked into one wall and a TV hidden by the paneling. On the large red-and-white couch sat an embroidered pillow that bore a map of the United States, highlighting the forty-nine states Reagan won in 1984 (all but Minnesota, Democratic opponent Walter Mondale’s home state), the words “You Ain’t Seen Nothing Yet”—one of the ’84 reelection campaign slogans—and an embroidered inscription, “Love, Fran and Ray.” The pillow was a gift from Fran and Ray Stark, he the legendary Hollywood producer who, many lifetimes ago, discovered Barbra Streisand, and gave her a film career. Ray Stark was involved with dozens of motion pictures, including West Side Story, The Misfits, Funny Girl, The Way We Were, and Steel Magnolias. In front of the couch stood a very large coffee table, piled high with videos of movies in which Ronald Reagan had starred.
Nearby was a round wooden table, on which sat a beautiful orchid plant and some hand-painted enamel boxes.
The home health care aide gently wheeled Mrs. Reagan to this table, and I took a chair right next to her.
After I updated her—at her insistence—on my wife and children, we came to the reason for my visit. I reminded her that I was writing this book: the story of the Reagan presidency through the movies we watched at Camp David, the presidential retreat nestled in the wooded hills of Maryland, about an hour northwest of Washington, DC.
“I know you are,” she said, smiling.
Her eyes sparkled when she talked about our weekends at Camp David. For all that has been written about the Reagans over the years, it was an aspect of their lives about which little was, or is, known. She seemed eager to relive the memories and to see them live on in print.
“That was such a special time.”
Indeed it was. Which is the reason I wanted to write this book. It had been thirty-four years since I was a twenty-three-year-old White House press aide assigned to travel with the Reagans to Camp David for the weekends, and became one of the few members of the administration who saw them off guard and up close.
The idea of having a Press Office staffer accompany the president to Camp David was White House Press Secretary Jim Brady’s. He thought it was essential that there be a point of contact with the chief executive at all times—someone who could act as his eyes and ears “just in case.” Because Jim and his two deputies were married with young children, the role fell to the two assistant press secretaries: David Prosperi and me. For the first year of the administration, we alternated weekends, but after David left the White House staff for a big job in the private sector, word came that “the missus is comfortable with Mark,” so I was more than happy to go every weekend.
I was assigned to a small cabin called Sycamore, located down the path from Aspen Lodge, the presidential residence, and just a stone’s throw—literally—from Laurel Lodge: the main and largest building, where there was a big living room with a brick fireplace, conference room, presidential office, and dining room for senior staff.
Almost every weekend, a small number of the staff spent our evenings with the Reagans doing one of the things they loved best: watching movies. Over the eight years, we watched nearly every major motion picture of the 1980s—from 9 to 5, to E.T., to Back to the Future, to Raiders of the Lost Ark, to Ferris Bueller’s Day Off. The last film we saw together, the 363rd in their eight years—was Cattle Queen of Montana. The last wasn’t an eighties film but one of the president’s “golden oldies,” as he liked to call the films he’d starred in, and yes, we did watch other films in the Reagan repertoire: Knute Rockne All American, Hellcats of the Navy, and Bedtime for Bonzo. And we were very glad to do so.
The official “call time” for the movie in Aspen Lodge was always 8:00 p.m. But invitees knew to gather at 7:40 because, without fail, at 7:45 the front door would open, and President Reagan would usher in his guests, which usually included his personal aide, physician, military aide, Camp David commander, senior Secret Service agent in charge, Marine One pilot, senior White House Communications Agency (WHCA) officer, and me. Mrs. Reagan was usually standing in front of a roaring fireplace or near a large picture window, depending on the season, of course, and as soon as she saw us, she would wave us in with a big smile and say, “Come in, come in. Get out of the cold [or heat]. So glad you’re here.”
If it was a Friday night, the president’s hair would look much softer and shinier than usual, because he had washed it that afternoon. (He did not dye it, nor did he slick it down with grease.) When I first saw it, I was struck by how nice it looked and told him so. He smiled, winked, and then did a spot-on imitation of the old TV shampoo commercial featuring an actress saying “I just washed my hair, and I can’t do a thing with it.” Everyone had a good laugh. Mrs. Reagan—never a fan of the wet look—motioned me over and whispered, “Keep telling him that. Ronnie needs to hear how nice it looks.” I obliged every Friday thereafter.
Invariably, one person would be running a little late, so the group would stand near the fireplace and talk with the Reagans about such innocuous topics as the weather or sports. Once the straggler arrived, everyone would take his or her regular seat in the living room. The president and Mrs. Reagan sat on the couch with two ottomans, the personal aide and I were in easy chairs with ottomans next to the couch, and everyone else was in comfortable chairs behind the Reagans’ couch.
Once everyone was seated, a screen would automatically come down from the ceiling, the lights dimmed, and the movie started. It was just like in a commercial theater. There was a projection room behind the dining room in Aspen Lodge, but the “window” through which the film was shown was hidden by a framed print, which was removed just prior to the showing of the film. A projectionist operated a state-of-the-art projector and ran the reels, which had come in the typical metal “cans” in order. About thirty minutes into the film, the presidential food service coordinators from the Navy White House mess who attended the Reagans wherever they went served popcorn in individual baskets, first to the Reagans and then to the guests. Water was also served. I once considered asking for a beer but did not have the nerve. After the president was diagnosed with diverticulitis, nuts and seeds were eliminated from his diet, and popcorn was banned. So on Fridays, a few hours before departure, I walked to a candy store across the street from the White House and purchased a large box of smooth-center chocolates, which the president liked. I thought about going back there one day and telling the nice ladies who’d carefully packed the box each Friday that their chocolates had been for the leader of the free world, but I never did.
Once the movie was over, everyone stood up, reassembled near the fireplace, and shared views on the film for a few minutes. The president always spoke first. Not because he insisted on it, but because the guests all wanted to know what he thought. If the movie was one that either the president or Mrs. Reagan had been in, the conversation could go on for quite a while, as all of the guests had lots of questions. Both Reagans were more than happy to regale us with tales of their days in Hollywood, which were always interesting. Their memories were razor sharp, and they made us feel as if we were actually on the soundstages with them. If it was a Friday night, the president would dismiss his guests with a cheery “See you at noon tomorrow,” which was the time of his weekly radio address to the nation.
The Reagans scrutinized every one of those films—watching them without moving their eyes from the screen—like students of the artistry of filmmaking. At the end of each movie, the president would immediately look at his watch to note the running time (he would track his radio addresses the following morning the same way). During the first couple of movies, I ended up watching the Reagans watching the films more than watching the films themselves.
Even though some of us younger folks in the “Aspen Movie Club” (which is what the regulars dubbed ourselves) were usually skeptical about the older movies the Reagans sometimes favored, we were always anxious to see films that the president and/or Mrs. Reagan had been in. Ronald Reagan said that watching his old movies was like “looking at a son I didn’t know I had.” To watch them with him was almost surreal.
As I sat with the president and Mrs. Reagan in their cabin at Camp David on our many movie nights, I was privileged to get a rare glimpse into their inner lives. I saw a small part of what made them tick—what resonated with them and what didn’t. I saw what merited their glowing praise and what was gently cut down with their trademark good humor. It was during our weekends at Camp David, and especially as we watched movies together over the eight years the Reagans were in the White House, that I got to know them.
It did not take long before I realized that, for the Reagans, the movies weren’t just pleasant distractions from the burdens of office. It was the world from which they originated during the prime of their lives, the language in which they sometimes communicated, the profession that changed their lives’ trajectory, and the source of many life lessons. Old habits die hard. Sometimes, when asking for a Saturday radio speech text, for example, the president would call it a “script.” And from time to time, he referred to me as his “publicity man.”
“We were introduced to a whole new world and so many new people,” Mrs. Reagan recalled, when I asked her about her Hollywood days. “You learned how to develop a tough skin and how to protect your privacy.”
Those of us who knew President Reagan understood keenly that his years in the motion picture industry were probably the most enjoyable of his life. That is not to say he did not enjoy the presidency, but it did seem that he had more plain old fun making movies. Who wouldn’t?
Though his political opponents routinely sought to diminish him as a “B-movie star,” Ronald Reagan was never embarrassed about having been an actor. In fact, he was quite proud of being in “the motion picture business,” as he called it. During our White House days, I remember once joking with a colleague that if Ronald Reagan could carve his own tombstone, it might read:
RONALD REAGAN
Movie Star
(Who Later Served in Public Office)
I have always felt that part of what he loved most about Hollywood was that that was where he met Nancy in 1949 and where they began their life together. Mrs. Reagan made that point as well. “It brought us together,” she told me. “Ann Straus, who worked in publicity at Metro [Metro-Goldwyn-Mayer, or MGM Studios], suggested we meet. I thought that was a nifty idea.”
To the consternation of his staff, Ronald Reagan would sometimes say he did not see how someone could do the job of president without having been an actor. Critics seized on that as evidence that he was shallow, insincere, and just playing a role. Ridiculous. I asked him about it once, and he told me what he meant: that because of television (there was no internet during the Reagan years) the modern-day US presidency required an understanding of how to influence public opinion in a new way. He was keenly aware that most people formed their opinions based on what they saw on-screen, and that a simple gesture, expression, or image could have far more impact than a perfectly crafted policy platform or speech.
He also was acutely aware of the fact that when people saw their president on television, they expected to see a person who conducted himself or herself with dignity because the president represented the American people. He viewed himself as a symbol and knew that what people in other countries thought about the US president was what they thought about America. Yet he did not obsess about details of these events. He wisely left that to the staff, whose expertise he respected as fellow professionals. It was nice to work for someone who understood and appreciated the technical requirements of the presidency, such as lighting, camera angles, and backdrops, which he had learned about in Hollywood.
Some of us on his ever-cautious, ever-worried Washington press team would have preferred the commander in chief downplay his Hollywood years. We thought there was something frivolous about the movie business, but Ronald Reagan did not. He viewed it as an honorable profession, one that required talent and hard work, and he often reminded us that, as a business, the motion picture industry was quite successful. I remember him pointing out on more than one occasion that the export of American culture and values—primarily through movies—was how many countries got to know and form opinions of the United States.
It’s true that Ronald Reagan was most animated when recounting his Hollywood days, which led to unfair and unflattering stories about his lack of interest in more weighty matters of policy. But in fairness, his film career was what people asked him about most often. It was a lot more interesting to hear about being on a soundstage with Errol Flynn than it was talking about budget negotiations with bland politicians.
Reagan’s friends and detractors alike often described the president’s elusive nature. That he was, as many put it, a hard man to get to know. Sometimes I think that’s true, and sometimes I think that’s total nonsense. But his Hollywood career does provide some explanation for it.
In 1965, long before he entered the White House, Reagan entitled his first memoir Where’s the Rest of Me? This was a famous line from one of his movies—the dark 1942 drama Kings Row—in which he played a man injured in a railroad accident who wakes up from surgery to discover to his horror that his legs have been amputated. Reagan worked for days on end to perfect that delivery. And the line stuck with him for years thereafter. “No single line in my career has been as effective in explaining to me what an actor’s life must be,” he wrote in the book. “So much of our profession is taken up with pretending . . . that an actor must spend at least half his waking hours in fantasy, in rehearsal or shooting.”I That life also encouraged actors to keep to themselves, since every few months or so, they’d have to make friends with a whole new cast and crew, shoot a film, and then move on to something else.
“My world contracted into not much more than a soundstage, my home, and occasional nights on the town. The circle of my friends closed in. The demands of my work—sometimes as much as fourteen hours a day—cut me off even from my brother, Neil, who lived within half a mile of my apartment.”II President Reagan had a very warm relationship with his only sibling, his older brother, Neil, who went by the nickname “Moon.” They both went to Eureka College, and Neil also began his career in Hollywood. He was a radio director, an actor, and a television director. Even though he never appeared with his brother, Neil directed him in the television series Death Valley Days. Neil eventually went on to become a successful advertising executive.
The Reagans became accustomed to short, though often valued and memorable friendships, and depended more and more on each other for support and comfort. That was one of the secrets to their great love and enduring marriage.
Together, of course, they starred on the greatest and most important stage in the world. And they did it using all of the skills they’d honed during their many years in Hollywood—particularly a belief in the importance of telling a story. Which, of course, is the goal of every film.
Each movie I selected for inclusion in this book—from a list of the hundreds we watched together—tells a story of its own. Each occurs at a particular moment in time in the Reagan presidency and provides a view of what was going on in the administration behind the scenes. For example, we watched Rocky IV during a crucial turning point in the Cold War. Each film also tells us something about the 1980s, a decade many Americans still recall nostalgically. Top Gun, for example, is generally regarded as one of the definitive films of the era. And, just as important, each reveals new insights into the Reagans themselves.
Let me be clear at the outset: I am a proudly biased fan of President and Mrs. Reagan. I feel incredibly honored to have had the rare opportunity to work for them, travel with them, and share some of their deeply treasured time at Camp David with them. I hope this book enables readers to rediscover some of the most iconic movies in our country’s history through the eyes and experiences of two of its most memorable public figures, who were also two deeply proud artists of the craft of filmmaking. I hope, too, that this book gives some more insight into their life together at Camp David, the White House, and afterward, and offers some understanding of what the Reagans were like behind the scenes. And I hope you enjoy reliving these memories at least a fraction as much as I did.
I. Ronald Reagan with Richard G. Hubler, Where’s the Rest of Me? (New York: Duell, Sloan and Pearce, 1965), 6.
II. Ronald Reagan with Hubler, Where’s the Rest of Me?, 6.