II.

Where was I in the world? I’m not so certain

Anymore. Assembling & dissembling. The pane of circumstance

Broken always by one’s own reflections. Inscriptions of the “you.”

Think about it long enough, & you really start to seem

Like somebody. Really, anybody. Maybe

That’s who I’ve been all along, just this restless anybody

Assembling the reflections along the windows of drugstores, dress shops,

Fruit sellers, hair stylists, stationery specialists & health food/

Supplement wizards on Main Street—no, it really is

Called “Main Street”—walking as I always walk with all of

The beautiful & bored, all of us waiting for our cell phones to ring

With that new identity, any new identity, offered us by editors,

Family friends, lovers, or even our lovers’ lovers, fated enemies,

Former companions now in exile in Connecticut, or really anybody

Who sees right through the somebody we are. So I always hate

Those calls, from anybody who tries to tell me something

About the somebody I might be or should be or could be

In the new movie they’re making about the story of my life,

Or the new version of the old movie of my life, the one I was so

Good in acting as myself, so good in fact that nobody really knew

I was acting. Of course (I say modestly) anybody, really anybody

Could have played that role. Still, Infanta, the producer, calls to say,

“This is the chance of a lifetime, don’t pass up this part! This

Movie I’m making starring you (& well, starring me, too, who

Knows you better than anybody—if anybody knows anybody,

Though, of course, I do, I mean, know you…!)…So in this movie

I’m making there’s nobody but us, it’s an us-against-the-world

Kind of movie, & I know from all of your old work

It’s just the part you’re made for, & not just anybody could do it,

So—I’m telling you—it’s a killer role. In fact, I can say

Right now that I’d stake my life on it, but

So would, well, I mean, so would anybody…Sweetheart, this is

The role you’ve always dreamt of & were always meant to play.”