| Preface: On Apparition BERTHOLD HOECKNER |
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| Authors | |
| 1. | Drifting: The Dialectics of Adorno’s Philosophy of New Music DANIEL K. L. CHUA |
| 2. | Labor and Metaphysics in Hindemith’s and Adorno’s Statements on Counterpoint KEITH CHAPIN |
| 3. | Dire cela, sans savoir quoi: The Question of Meaning in Adorno and in the Musical Avant-Garde GIANMARIO BORIO, Translated by Robert L. Kendrick |
| 4. | “The Elliptical Geometry of Utopia”: New Music Since Adorno JULIAN JOHNSON |
| 5. | Wolfgang Rihm and the Adorno Legacy ALASTAIR WILLIAMS |
| 6. | Frankfurt School Blues: Rethinking Adorno’s Critique of Jazz James Buhler |
| 7. | “Die Zerstörung der Symphonie”: Adorno and the Theory of Radio LARSON POWELL |
| 8. | Music, Corporate Power, and the Age of Unending War Martin Scherzinger |
| Notes | |
| Index |