Byron Company, Skyline of the Battery from the Water (detail), 1900.
Underwood and Underwood, Charlie Chaplin and Douglas Fairbanks Selling Liberty Loans (detail), 1918.
ON HIS VISIT TO NEW YORK CITY IN 1904,
the novelist Henry James noticed massive changes to the skyline since he had last seen it nearly 25 years earlier. As he entered the city’s harbor, memories and impressions of “sea-foam, of bleached sails and stretched awnings, of blanched hulls, of scoured decks, of new ropes, or polished brasses, or streamers clear in the blue air” had been replaced by “skyscrapers standing up to the view, from the water, like extravagant pins in a cushion already overplanted.” Though it would take another decade for tall buildings to supplant the port as New York’s iconic image, they represented a new economy that by the late 19th century was beginning to overshadow New York’s dependence on trade. These structures indicated the dominance of manufacturing and finance and the rise of industrialists and bankers over merchants as not only as the city’s new elite but also the country’s new power brokers.1
In the decades that followed the Civil War, New York’s banks—and in particular, its investment banks—drove the country’s explosive growth. Business with the South diminished in relative importance as the city shifted its attention toward the building of railroads in the West, as well as related industries such as steel and iron, which merchant bankers like Moses Taylor had already started to finance before the war. Such massive projects required a new financial infrastructure that could provide amounts of capital on a scale never before imagined. Whereas immediately after the Civil War there were 170 bankers and brokers in New York City, by 1870 there were 1,800, and a quarter of all resources related to banking in the United States were located within a one-mile radius, in downtown Manhattan.
Moreover, while investment banking had grown due to the financing of the Civil War, in the late 19th and early 20th century these bankers’ roles became far more complicated. Leading the profession was a small group of men with either New England or German Jewish roots and strong business and political connections, both within the United States and across the Atlantic. They not only raised capital but also facilitated mergers to create large corporations that replaced the smaller, private partnership businesses of an earlier era. The partnerships they created to raise funds for corporations drew in New York commercial banks and trust companies, as well as investment banking firms in Boston, Philadelphia, Chicago, London, Paris, Hamburg, and elsewhere. They were midwives to the nation’s new industrial order.
New York’s banks earned additional prestige by the end of World War I as the United States became, for the first time, a net creditor nation. With the onslaught of the Great War, European countries looked to American bankers for loans to support the purchase—largely from America—of supplies ranging from grain to locomotives and munitions. As a result, the United States came to lend more money overseas than it borrowed from foreign sources.
At home, millions of Americans also learned to participate as lenders and investors in an economy that increasingly revolved around credit. While the late 19th and early 20th centuries saw investment capital largely consolidated in the hands of a few, immigrants were opening savings banks that enabled those arriving from their home countries to build their own assets, which they could in turn invest in property or new businesses. The federal government, banks, and corporations tapped into this population of Americans with smaller earnings. Through Liberty Loan campaigns, millions of working-and middle-class Americans purchased bonds in support of the war effort, buying securities for the very first time. Following the armistice, banks and companies worked to solicit this population—to extend the World War I-era publicity that had tied both investment and credit to patriotism. By the end of the 1920s, much of the country’s population had internalized the message that buying stocks and purchasing consumer goods on installment—regardless of whether they could guarantee the full payment—was a natural part of being an American.

Transatlantic cable section, 1858.
Tiffany & Co. Archives
Tiffany & Company produced this souvenir from the initial attempt at laying the Atlantic cable in 1858. In 1866, the successful completion of the first transatlantic cable ushered in a new era of commerce between the United States and Europe. Driving forces behind the transnational project were American entrepreneur Cyrus Field and his partners: Moses Taylor, president of the National City Bank of New York, and industrialists Peter Cooper and Abram Hewitt. This new form of communication between the United States and Europe generated a surge in foreign investments in the United States and promoted speculation in American stocks and bonds.
Whereas Henry James described the city in somewhat static—if impressive—terms, in 1900, Henry Adams observed the intense energy that characterized the city at the center of this new national economy and foreshadowed its future. “The city had the air and movement of hysteria,” wrote the journalist, historian, and direct descendant of two presidents, “prosperity never before imagined, power never yet wielded by man, speed never reached, by anything but a meteor.” By the end of the century’s third decade, the same investing, lending, and spending that had sent profits skyward would send the nation’s economy into free fall.2
Scene at the New York Stock Exchange, 1853. Engraving.
Museum of the City of New York, X2011.5.28
This engraving depicts the period of the “call market,” during which members of the New York Stock Exchange used actual seats and called out stocks one at a time while brokers bid on them in turn. In Moses Taylor’s early days, participants were even expected to observe an etiquette of politesse so strict that if someone smoked a cigar during the reading of the stocks, he had to pay a five-dollar fine.
Banking for Industry
If cotton had been the “white gold” measured by New York merchants before the Civil War, in the decades that followed, railroads and steel took its place among the most lucrative investment opportunities for New Yorkers. Immigrant laborers laid tracks across the country at a speed that seemed as fast as the trains that would one day cross them. Less than 9,000 miles of track had been laid by 1850; by 1869 there were 35,000. And though the pace of building slowed during the nation’s repeated economic recessions, between 1873 and 1893 railroad mileage nearly tripled. The railroad lines were built not only on a massive scale but also with an amount of capital that surpassed any previous infrastructure project in the United States. Whereas the Erie Canal had cost $7 million, each of the largest rail-roads—the Erie, Baltimore and Ohio, and New York Central—took more than $20 million.
Undertaking projects of such magnitude required special expertise and institutions for facilitating growth. New York was the center of both. The New York Stock Exchange at Broad and Wall Streets—which grew exponentially in the last third of the 19th century—was essential. Stocks in financial enterprises had dominated the exchange’s early business. In the mid-1830s, 70 of the 81 corporations listed on the exchange were banks or insurance companies. Until after the Civil War, New York’s stock market was small enough that “seats” on the exchange referred to actual wooden chairs around a table, and brokers participated in a “call market” where individual transactions occurred at set times, rather than continually. By 1871, however, the formal call market and use of chairs were both discontinued because of the increase in securities listed and trading volumes—caused mainly by the dramatic expansion of the railroad industry. The exchange increased its membership to 1,100 “seats” in 1879 to meet growing demand for capital and investment, and transactions began to take place continuously across the trading floor, each stock assigned a specific location. Between 1878 and 1893, the total value of railroad stocks and bonds climbed from $4.8 billion to $9.9 billion.
It was New York’s banks that raised the capital for railroads and other powerful industries with such alacrity. Between the 1860s and the 1910s, New York City’s commercial banks held the lion’s share of the nation’s bank deposit reserves, benefiting from the National Banking Act of 1863 that required distant banks to keep money in the city. By 1913, an estimated 60 percent or more of all American commercial banks held New York City deposit accounts, and by 1915, 43 percent of all bankers’ balances (the deposits that the National Banking System required its member banks to keep in reserve cities and central reserve cities) were held in New York. New York banks in turn lent the money out to brokers and investors as “call loans” (a loan repayable on demand), thereby providing a massive supply of credit that helped make the New York Stock Exchange the nation’s preeminent exchange after the Civil War.
In the 1890s, the corporation became the dominant form through which industrial companies—many of them originally private partnerships—sought size, stability, profits, and access to the investment capital that American banks and investors could offer. Investment bankers played the crucial role in arranging the consolidation of previously competing firms into new, larger corporations that issued stocks and bonds sold to outside investors through brokers and in securities exchanges, most notably in Boston and New York. Unlike private partnerships that ended when partners died or dissolved their firms, corporations enjoyed legal immortality; they also offered protections limiting the liability of shareholders and were able to print and sell securities at will to raise capital. The creation of U.S. Steel in 1901 was the crowning event of this new era in which the corporation became the characteristic business form. J. P. Morgan and Company, Kuhn, Loeb and Company, and other Wall Street investment banks earned fortunes for industrialists and themselves by arranging mergers and underwriting or “floating” securities issues (i.e., organizing groups or “syndicates” of banks and other investors to buy such issues, often with the intent of reselling them).

Stock ticker in use at the New York Stock Exchange, 1867–1930.
Museum of the City of New York, Gift of Henry Fendall, 43.420A-C
A stock ticker is a running report of the prices and trading volume of securities traded on a stock exchange. Each “tick” records the up or down movement in the sale price of a security. Invented in 1867 by Edward Callahan, the paper ticker tape reported information received over telegraph lines. New technologies, including electronic screens, phased out paper ticker tape in the 1960s.
Member’s Chair, assigned to James Watson Cunningham, 1865–1871. Wood, leather, and brass.
New York Stock Exchange Archives, NYSE Euronext
The new investment banking methods pioneered by New York’s private banking houses transformed the funding and organizing of American corporations. Among the most successful investment bankers to emerge from and after the Civil War were German Jews, who self-identified as “Our Crowd”—from the German phrase “Unser Kreis,” meaning “our circle.” These men not only had business ties but also, having been excluded from the city’s elite institutions because of anti-Semitism, created their own social world.
Most began selling goods—as peddlers or store owners—before moving into the sale of securities, and all profited from their ties to Europe. The earliest example was the Seligman brothers. Following success in the clothing business, Joseph Seligman established J. & W. Seligman in New York City, which made its money selling U.S. government bonds to German lenders during the Civil War. While London’s connection to the cotton industry deterred many English lenders from purchasing Union bonds, Seligman found buyers in Frankfurt and Amsterdam and ultimately sold $200 million in American debt. The firms of Lehman Brothers and M. Goldman followed in 1868 and 1869. An immigrant from Bavaria, Marcus Goldman began as a peddler after moving to Philadelphia in 1848 and then opened a banking and brokerage house upon moving to New York City. (The firm became Goldman, Sachs three years after Samuel Sachs became a partner in 1882.) Also from Bavaria, Henry, Emanuel, and Mayer Lehman ran a merchandise store in Montgomery, Alabama, and a cotton brokerage business in New Orleans and New York City before starting the investment bank Lehman Brothers.
The German Jewish investment banking firm Kuhn, Loeb and Company became one of the two most important American investment banks in the late 19th and early 20th centuries, its longtime president Jacob Schiff “a prince on Wall Street, bested only by the great J. Pierpont Morgan.” Abraham Kuhn and Solomon Loeb first became partners in a dry goods business in Cincinnati, a popular destination for Germans fleeing the 1848 revolutions that swept Europe. They built their wealth selling uniforms and blankets to the Union Army. Following the war, they opened their first bank offices at 31 Nassau Street, near Wall Street. Jacob Schiff joined the company in 1873, two years later also becoming a part of Loeb’s family through marriage to his daughter, Therese. Descended from generations of scholars, rabbis, and businessmen in Frankfurt, Schiff quickly became a noted force in New York City. En route to work, he “strode smartly down Fifth Avenue in frock coat and top hat, short, spiffy, polished, his step nimble, his carriage erect, his passage so punctual that shopkeepers set their watch by him.” From Wall Street, Schiff grew the firm through the sale of railroad securities—by the 20th century, 10 of the largest American railroad companies were Kuhn, Loeb’s clients, most notably the mighty Pennsylvania Railroad—and the company had high-level relationships with bankers in England, France, Scotland, and Germany.3
One of those international relationships was with Germany’s M. M. Warburg, the world’s oldest bank operated by a single family. Kuhn, Loeb relied on Warburg to sell American securities in Germany while Warburg depended on Kuhn, Loeb’s sale of German treasury bonds to American investors—testimony to the growing role of Americans as creditors to the rest of the world, with Wall Street as the focal point of transactions. Ultimately, great-grandsons of the German bank’s founders—brothers Felix and Paul Warburg—became partners in Kuhn, Loeb. Though their moving to the United States (in 1894 and 1895 respectively) marked the first time in 14 generations that members of the Warburg family had left Europe, the men quickly established not only business but also familial ties to the most preeminent German Jewish bankers in America: Felix married Jacob Schiff’s daughter, Frieda, in March 1895 and Paul married Abraham Kuhn’s daughter, Nina, in October of the same year. Of the brothers, Paul had the sharpest mind for banking, “a financial prodigy malgre lui [in spite of himself], who made money without especially caring about money.” He received training in London and Paris banking houses and helped to run his family’s Hamburg bank prior to joining Kuhn, Loeb. Felix, meanwhile, was more interested in philanthropy—known for saying that he spent 75 percent of his day on charity and 25 percent on banking. Among the boards Felix served on were the Educational Alliance, the Henry Street Settlement House, and the New York Association for the Blind. Through Felix Warburg’s endeavors, Kuhn, Loeb money flowed to these and other charities in New York, the nation, and around the world.5

Pennsylvania Railroad Stock underwritten by the American Exchange National Bank, 1919.
Museum of American Finance, New York City
The Richest Woman in America
Hetty Green on Wall Street
“She has reduced money-making to a fine art and let avarice replace some of women’s highest attributes,” a New York newspaperman wrote of Hetty Green, the wealthiest American woman of the late 19th and early 20th century, and one of the most controversial. Green’s financial activities were so exceptional among women at the time that the reporter wrote she had “usurped the place of men and does not seek the privilege of her sex.” Although women had owned shares in New York banks since the 1790s, by the mid-19th century, prevailing mores limited and segregated most of their financial affairs. An 1850 New York law gave married women more autonomy by allowing them their own deposit accounts, although the aim was largely to shield money from their husbands’ creditors. Many commercial banks had separate “ladies” windows to serve women customers and their purportedly less sophisticated and more limited transactions. Green, however, not only survived but flourished despite this environment, shrewd in her investment decisions and choice of advisors and parsimonious until the end.4
Hetty Green was born in 1834 to a wealthy whaling and merchant family in Massachusetts, where she learned skills in investing and wealth building at an early age. After inheriting millions of dollars in 1864 from her father, Edward Mott Robinson, she quickly multiplied her fortune many times over by investing in Civil War bonds. A few years later she married wealthy Wisconsinite Edward Green, with the stipulation that their bank accounts remain separate. When Edward blurred that distinction by using his wife’s wealth as a basis for securing loans, an angry Hetty moved to New York City. Once there, Green expanded her holdings through investing in real estate (possessing almost $45 million in city mortgages alone), railroad and bank securities, government bonds, and numerous other interests. By her death in 1916 she had accrued a fortune estimated to be as high as $200 million, or $3.8 billion in 2006 dollars.
In order to grow her wealth to such proportions, Green needed assistance from the undisputed masters of financial accumulation—New York banks. In 1885, she began depositing her money in the Chemical National Bank, founded in 1824 and renowned both for its prestige (members of the Roosevelt and Vanderbilt families were shareholders) and its conservative policy of always maintaining large cash reserves. In subsequent years she relied on the institution’s expertise to further expand her wealth, and—standing to benefit from its client’s financial goals—Chemical gave Green boutique service. Every weekday morning she arrived at the bank’s headquarters at 270 Broadway and strode to the back of the main hall to talk business with Chemical’s clerks. (She refused to pay for a permanent office to conduct her business.) While they discussed matters ranging from buying securities to clipping coupons, a second line of Chemical employees protected her privacy from unwanted guests and reporters. At a time when most banks segregated women into separate divisions that provided only a small fraction of the services men enjoyed, Chemical gave Green the same respect as her male counterparts.
While bankers treated Green as an equal, popular opinion was suspicious and often hostile. She was labeled “the witch of Wall Street,” and reporters enjoyed insulting her appearance as much as they did recounting her miserly habits. She moved to Hoboken, New Jersey, in 1898 to escape high taxes and housing costs, avoided using hot water or heat in her apartment, and usually wore one black dress that she replaced once it was worn out. Most infamously, her son Ned required an amputation because she sought his admission to a free clinic for the poor before paying for a doctor to treat his broken leg. In recent years Green’s reputation has been somewhat restored, with historians depicting her as a path-breaking inspiration to women trying to succeed in finance—an industry whose boys’ club culture remains pervasive.
Hetty Howland Robinson Green, ca. 1897.
Library of Congress, Prints and Photographs Division
—Daniel London
The Rise of the Syndicate
Though railroads and investment banks emerged hand in hand, it was the rise of the “syndicate” that enabled them both to reach new proportions. A syndicate was a group of investment banks and affiliated companies that came together to finance a company of such size that the individual banks would be unable to raise or invest enough capital for it on their own. An originating syndicate acted like an investment bank in the way that it issued securities (stocks and bonds) and sold them to dealers and investors; syndicates were also organized to buy (and often resell) the stocks and bonds of large new industrial or railroad conglomerates. But a syndicate had the added advantages of sharing risk, allowing banks to diversify their holdings, and enabling them to extend their geographic market. Syndicates also reduced competition by strengthening the relationship of these banks to one another and to the companies they managed. As The New York Times noted on March 4, 1901, the syndicate made possible “the formation of companies with hundreds of millions of dollars’ of capital; it … brought great banking houses into harmonious working agreements; it … brought American and financial institutions into closer cooperation.” To originate a syndicate was also the ultimate mark of prestige—the bank’s name was featured at the top of any advertisement announcing a new offering. So great was the jockeying for that position in print that Judge Harold R. Medina—who presided over an important 1947 antitrust case, U.S. v. Morgan et al.—later described it as “very much like the concern that Hollywood and Broadway stars have about the order in which their names appear on theater marquees.”6

Pach Brothers, J.P. Morgan, ca. 1902.
Museum of the City of New York, F2012.58.938
In the late 19th and early 20th century, it was typical to see one name at the top of that billing: John Pierpont Morgan, a name described in terms so amplified that they were matched only by the size of his earnings and his influence on the nation’s economy and politics. Son of the wealthy Massachusetts-born, London-based merchant and banker Junius Spencer Morgan, the junior Morgan created the firm J. P. Morgan and Company with his cousin at age 24. Through the arrangement of his father, J. P. joined the much older—and more experienced—Charles Dabney three years later, in 1864, in the formation of Dabney, Morgan and Company, which became Junius’s New York agent. In 1871, he became a partner in Drexel, Morgan and Company, which in 1895 ultimately became J. P. Morgan and Company. Simultaneously called the “financial Moses of the New World” and a “beefy, red-faced, thick-necked financial bully, drunk with wealth and power,” Morgan was respected and admired, but also hated.7
Morgan’s influence grew so large that on separate occasions he played the chief role in saving the country and New York City from financial ruin. He helped bring the country out of the 1893 Panic by forming a syndicate to underwrite and sell $60 million in government debt, and during the Panic of 1907 he rescued New York City from bankruptcy by buying $30 million in city bonds, cajoling fellow bankers into making emergency loans to vulnerable banks, and persuading President Theodore Roosevelt’s treasury secretary to place $25 million in federal deposits in city banks. Morgan effectively served as the nation’s central bank, a role that had been vacant since the demise of the Bank of the United States in 1836 and would not be officially filled until the creation of the Federal Reserve in 1913.
Morgan’s financial success depended on reducing competition. “Morganization”—a term first applied to the railroad industry—involved consolidating unprofitable corporations, trimming allegedly “excess” human and physical resources, and making the final, consolidated corporation safe and profitable for investment. In the wake of the 1893 depression, Morgan had reorganized a railway system broken by speculation, excess, and cutthroat competition, ultimately gaining control of one-sixth of the country’s railroads. In the first decade of the 20th century, he and other investment bankers turned their attention to investing in corporations in industries such as electricity and steel, so that by 1910, securities issued for utilities and industrials outpaced those for railroads.
The creation of U.S. Steel represented the zenith of Morgan’s ability to marshal men and their money behind a merger. This largest of the industrial mergers came about through Morgan’s negotiations with the steel magnates. Bolstered by the pro-business views of President William McKinley, whose second campaign had been financed chiefly by northeastern bankers, Morgan formed the country’s first billion-dollar company. The first meeting about consolidation plans took place around Christmas 1900, when Morgan summoned Robert Bacon (a Morgan partner) and Charles Schwab (president of Carnegie Steel) to the “black library” in his mansion on Madison Avenue and 36th Street—so called by his servants for its dark and uninviting interior. Ultimately, the U.S. Steel merger involved over 300 underwriters in the United States, Britain, and Europe. The consolidation was enormously profitable for the business magnates taking part; Andrew Carnegie, whose Carnegie Steel Company was merged into the new mega-corporation, personally received about $300 million in U.S. Steel bonds, while John D. Rockefeller’s stock holdings in U.S. Steel made him the second wealthiest man in America (Carnegie was the first). Morgan also organized General Electric (1892), became the banker for American Telephone and Telegraph (1906), and promoted the consolidation of other corporations that dominated their fields. Not all his efforts proved successful; the International Mercantile Marine Company (1902), an attempt to merge and monopolize transatlantic shipping lines, proved costly and unwieldy, although one of its constituent companies, the White Star Line, did launch the world’s largest steamship, the RMS Titanic, in 1912.

Poem by John Friend, ca. 1907.
The Pierpont Morgan Library, New York. ARC 1196
While the press reported on bankers’ rescue of the financial system, John Friend, of Bangor, Maine, wrote this personal tribute to J. P. Morgan and John D. Rockefeller.
Morgan effectively served as the nation’s central bank, a role that … would not be officially filled until the creation of the Federal Reserve in 1913.
In this period, no laws separated investment banking from commercial banking. By founding state-chartered securities affiliates, national commercial banks in the city and elsewhere sidestepped restrictions imposed by the Comptroller of the Currency in 1902 on banks participating in certain types of investments. Along with similarly organized trust companies, these affiliates—such as the First National Bank’s First Security Company (1908)—issued and sold large blocks of securities for railroads and industrial corporations across the country, often in collaboration with Wall Street investment banks.
The National City Bank (the bank earlier made prominent by Moses Taylor) led the commercial banks in investment banking activities (assisting corporate clients in meeting their financial needs). Its president, James Stillman, was skilled at forging business connections in the United States and abroad. Having been a partner in his father’s cotton brokerage business (the largest in the United States) and director of Hanover National Bank, Stillman took the helm of National City in 1891. He brought with him “a gift for being with men of power and financial knowledge,” who placed their deposits with National City and purchased securities from Stillman. Such men included William Rockefeller, a founder, with his brother John, of Standard Oil, who made National City his company’s and his personal main bank; New York Life Insurance Company president John A. McCall; Theodore Havemeyer, an executive at the American Sugar Refining Company; Daniel S. Lamont, who would become Secretary of War under Grover Cleveland; and George W. Pullman, of the Pullman Palace Car company, famous for manufacturing luxury passenger train cars staffed with white conductors and African American porters. Abroad, Stillman served as advisor on the state of American securities to Lord Revelstoke of Baring Brothers and managed a portfolio of securities for the U.S. Trust Company of London, a British investment firm. These relationships paved the way for partnerships with investment banks to underwrite major corporations. The most significant move into the investment banking world was Stillman’s partnership with Kuhn, Loeb to reorganize the Union Pacific Railroad. Under Stillman’s and then Frank Vanderlip’s leadership, by World War I the National City Bank at 55 Wall Street had become the nation’s largest commercial bank, and one of the world’s largest.8
Expansion
At the turn of the century, New York banks began to expand their activities abroad in earnest, especially as the United States extended its influence in the Caribbean and Pacific following the Spanish-American War of 1898–1902. Global activities prompted boasting by financial publications about the country’s new role on the world stage. In a look back on the money market, stock market, and foreign exchange in 1900, The Financial Review noted, “Our Bankers were able to make a departure and began to take part in the floating of European government loans, thus reversing our old-time position, where we had to seek rather than furnish capital abroad.” Acting as the agent for the Bank of England, J. P. Morgan had secured money for one of the largest loans that year: $12 million for the British National War Loan during the Boer War. Three years later, Kuhn, Loeb & Co. underwrote German imperial bonds, and in 1904–1905 it organized a syndicate for the largest foreign loan to date: $75 million in Japanese war bonds that helped Japan win its war against Czarist Russia. In total, between 1900 and 1913 American banks made close to 250 foreign loans valued at around $1.1 billion.9
Physical expansion followed banking activities abroad. Numerous investment banks had maintained agents and branches in Europe, but the Federal Reserve Act, approved December 23, 1913 (and largely the work of New York financiers), enabled the spread of dozens of American commercial bank branches not only in the financial capitals of England, France, and Germany but also as far away as Chile, Uruguay, and Japan. Inspired by the combined interest of political leadership, corporations, and bank leaders in advancing international trade, the legislation meant New York’s commercial banks could now hold the money of companies with large export businesses as well as finance the foreign investments of American companies in such industries as nitrate, coffee, and sugar. National City was the first nationally chartered bank to open a foreign branch, on November 10, 1914, in Buenos Aires. Initially, National City’s president (and former Assistant Secretary of the Treasury under William McKinley), Frank Vanderlip, expressed skepticism, writing to his friend Henry S. Pritchett that he did “not expect much profit out of it” but hoped “to get very considerable return by offering facilities that other banks cannot offer to exporters.” By 1917, the bank’s Buenos Aires branch had become the ninth largest bank in Argentina, its deposits making up 1.8 percent of the deposits in the country’s entire banking system. It was the acquisition of the International Banking Corporation, however, that led National City to become the American bank with the most expansive foreign presence, operating 35 foreign branches by 1917. Granted a special charter by the Connecticut legislature to conduct banking business abroad, the IBC was started in order to advance trade in the Far East, and consequently had offices in the Philippines, Singapore, China, and Japan by 1914. A president of IBC, Marcellus Hartley, had developed connections with National City through financing of the transatlantic cable in 1866.10

United States Steel Corporation Bond Specimen.
Collection of Mark D. Tomasko
Meanwhile, Wall Street investment banks increasingly displaced English and German banks (distracted by the domestic financial pressures of World War I) as the leading underwriters of bond issues for the governments of Cuba, Brazil, Peru, Chile, and other Caribbean, Central, and South American states; by 1920, New York had displaced London as the leading source of capital in Latin America. Thus Manhattan’s commercial and investment banks laid the groundwork for the unrivaled role they would play globally later in the century.
Interior of IBC Harbin Bank, northern China, ca. 1925.
Heritage Collection – Citi Center for Culture
Ten-dollar note of local currency issued by the IBC Shanghai Office, 1905.
Heritage Collection – Citi Center for Culture
Flyer for Germania Bank, 1899.
New-York Historical Society
Founded in 1869 to meet the needs of New York’s burgeoning German population, the Germania Bank opened this dignified Beaux-Arts edifice on the corner of the Bowery and Spring Street in 1898. Renaming itself the Commonwealth Bank in 1918 in response to anti-German sentiment during World War I, the bank continued to grow until it was acquired by the Manufacturers Trust Company in 1927.
Meanwhile, banks’ geography and architecture at home in New York City further reflected the growth of the industry. While Midtown Manhattan began to emerge as a secondary business and office district, the area around Wall Street in Lower Manhattan remained the nerve center of finance and corporate decision making. “The Street” was the acknowledged center of the city’s “downtown” business district, an increasingly dense cluster of offices for brokers, insurers, private bankers, publishers, and corporate lawyers, amid the stock exchange, other securities and commodities markets, and the city’s U.S. Subtreasury and Custom House. As towers rose to house the offices of partnerships and corporations, banks—and particularly savings banks—sought to impress their customers with displays of copious wealth. Beaux-Arts structures with richly ornamented, cavernous halls of marble, granite, steel, and bronze replaced the restrained Greek Revival temples of the antebellum years. Though “a fine building will not make a bad bank good,” one critic wrote, “it will make a good bank better in the eyes of many.”11
The Financial Elite
In the last third of the 19th century, New York’s bankers became among its wealthiest citizens and moved to the center of its social elite. Frederic J. DePeyster, who came from several generations of merchants, noted his family’s declining social influence. “The mighty city of today knows little or nothing of our traditions,” he insisted during a speech at the 1892 St. Nicholas Society Dinner. That same year, a multipart New-York Tribune survey of America’s millionaires said that “nothing could indicate New York more clearly as the financial centre of the United States than the length of the roll of names presented below; the standing, ability and enterprise of the men composing it; the multitude of great financial institutions they have established.” On the list were George F. Baker, president of First National Bank and numerous railroad companies; Charles D. Dickey of Brown Brothers & Co; William Dowd, president of the Bank of North America and director in the Bowery Savings Banks, who had made his money in wholesale dry goods and banking; and Eugene Kelly of Eugene Kelly & Co., who was also director in the Bank of New-York and Emigrant Industrial Savings Bank. New York’s bankers were prominent among a small group of men and women who marked the city—and their status—through building its most opulent homes, creating its most elite cultural institutions, and funding its philanthropies.12
The city’s elite residential district expanded beyond Washington and Stuyvesant Squares and lower Fifth Avenue to include the area between 42nd Street and Central Park at 59th Street. Wealthy bankers—along with industrialists whose stocks and bonds they sold—were conspicuous in this “march uptown.” While J. P. Morgan’s mansion and private library occupied its own space on Madison Avenue, other bankers broke ground on upper Fifth Avenue facing Central Park. This display of metropolitan wealth extended all the way to 92nd Street by 1908, when Felix Warburg built for his family a six-story French Gothic palace staffed by 13 servants, which would eventually become the Jewish Museum. The families of these magnates further flaunted their wealth during daily carriage parades in the urban oasis of Central Park.
After the Civil War, the city’s bankers also used their fortunes to try to make New York a center of Western civilization to rival London and Paris. They built new opera houses, concert halls, and museums, some to “elevate” the working poor and others as exclusive palaces for the affluent to showcase and enjoy the fine visual and performing arts. The Metropolitan Museum of Art straddled both roles, born of an impulse common among founders of museums in the decades after the Civil War. The museum’s board hoped it would surpass colleges and universities in diffusion of knowledge at a time when those institutions opened their doors only to the elite. The museum’s earliest benefactors—including Wall Street banker Henry G. Marquand, J. P. Morgan, and Herbert R. Bishop, a banker and director of many railroad companies who was on the original committee of 50 men assembled in 1869 to establish the museum—aimed to distinguish their institution from the type of sensational amusements they had seen featured at P. T. Barnum’s American Museum on lower Broadway. The Metropolitan Museum would offer mechanics and artisans vocational classes and provide knowledge to the masses rather than “kill time for the idle.” As time went on, however, the museum’s focus turned away from popular instruction and toward buying up Old Master artworks. In 1897, Morgan himself began donating art to the museum, and he helped to finance acquisitions and expeditions. Indeed, in the last 20 years of his life, Morgan spent close to $1 billion in today’s dollars on art, most of which was either donated to the Metropolitan Museum or displayed in what became The Morgan Library & Museum.13

Byron Company, Ladies’ Department at New Amsterdam National Bank, Broadway and 39th Street, 1906.
Museum of the City of New York, 93.1.1.17235
The divided spaces of Beaux-Arts banks reflected the diversified operations and activities of Gilded Age banking. Clerks, tellers, and cashiers were separated from the public by elaborate brass grillwork, and female customers were segregated. Responding to the fast-growing population of women depositors while adhering to Victorian gender norms, banks provided women with their own teller windows and maid service.
Immigrant Banks
As bankers’ homes grew in size, New York City’s tenements swelled with immigrants. By 1910, more than 1.9 out of Manhattan’s 2.3 million residents were foreign born or had at least one parent who had been born abroad. Irish, German, Italian, and Jewish immigrants erected the city’s bridges, filled its swamps, laid its railroad tracks, paved its streets, and manufactured clothing, pianos, and cigars for its residents. Until World War I, most of these immigrants or children of immigrants deposited wages in and relied on credit from sources that reflected their ethnic identities as well as familiarized them with the ways of the American economy.
Immigrants were apt to trust savings banks and informal associations run by those from their original country, or even town, over a commercial bank. In one of his novels, Isaac Raboy, who immigrated to New York in 1903 following an anti-Semitic pogrom in Czarist Russia and spent part of his life working in the city’s factories, detailed this tendency. Whereas the main character, Jacob, is “filled with fear” upon walking into the National Bank, he loves bringing “a small amount of cash into the Jewish bank” where “the president of the bank himself stands behind the table, greets him cordially and smiles.” Less formal were mutual aid societies, organizations within ethnic communities that pooled money from members to assist in everything from paying for funerals to doling out a regular allowance to those who were sick or out of work. In the decades before the New Deal era’s social welfare programs, these ethnic organizations offered essential resources to poor and working-class immigrants.14
The Emigrant Industrial Savings Bank was the most successful of the ethnic savings banks. It grew directly out of the Irish Emigrant Society, an organization that helped Irish immigrants adjust to life in New York. Founded in 1841 and based on the model initiated in New York by the Bank for Savings in 1819, it steered these immigrants away from the hucksters waiting to exploit them in the port and toward legitimate jobs and shelter. Together with the German Emigrant Society, the Irish Emigrant Society worked to improve the immigration process, establishing the Emigrant Refuge and Hospital on Ward’s Island in 1847 for those who arrived sick and helping to found the first official state-sponsored immigration center at Castle Garden in 1855. The bank, which began accepting deposits in 1850, offered Irish immigrants opportunities nearly impossible to find in their home country, which was ravaged by famine and poverty. By accumulating savings, unskilled workers were able not only to build a safety net but also to start businesses and buy property. Patrick Lennon, for example, who came to New York in 1848 and started out as a porter, took out $800 from his Irish Emigrant Society account in 1860 to open a grocery. By 1870 he had $3,500 worth of real estate.15

Byron Company, Metropolitan Opera House, ca. 1908.
Museum of the City of New York, 93.1.1.320
Refused boxes at the New York Academy of Music by the city’s old elite, men of new industrial wealth decided to found an opera house of their own. William H. Vanderbilt, J. P. Morgan, and Jay Gould were among the original stockholders of the Metropolitan Opera, which opened in 1883 at 39th Street and Broadway. With 3,700 seats, it was the largest opera house in the world upon its opening, and became popular so quickly that the academy closed in 1885, its owner declaring that he could “not fight Wall Street.”
The Jarmulowsky Bank, meanwhile, mainly served the Russian, Ukrainian, Polish, and Lithuanian Jews of the Lower East Side. Its founder, Sender Jarmulowsky, was from Russia and a religious Jew. Like Kuhn and Loeb, he began his career in a business that involved exporting goods, and he became not just a respected banker but also an esteemed community leader and philanthropist. Born in Lonza, Russia (now east-central Poland), Jarmulowsky graduated from a Talmudic academy as an ordained rabbi, married into a wealthy family, and in 1868 opened a business in Hamburg that transported people and products to the United States. He moved to New York by 1873, opening an office of his German business at 193 Canal Street and his bank by 1884. Though private—and therefore unregulated—the bank earned customers’ trust through its stability and its leader’s reputation. Tageblat, a Yiddish language newspaper, wrote that “Sender Jarmulowsky was a name that was known to every Jew in the Old and … New World. His business brought him into contact with hundreds of thousands of immigrants to whom the name Jarmulowsky was the guarantee of honesty.” Jarmulowsky’s bank had survived four bank runs through his prudent management, and protecting of sizeable cash reserves in the Corn Exchange Bank and in his own safe. In fact, the bank grew large enough to merit the first skyscraper on the Lower East Side in 1912. The New York Times referred to the neo-Renaissance building at the southwest corner of Canal and Orchard as “equal in every respect to the highest grade banking buildings throughout the city.” At 12 stories, it narrowly exceeded the height of the building of the Yiddish socialist newspaper the Daily Forward, which had busts of Karl Marx and Friedrich Engels on its façade.16
Serving Immigrants’ Financial Needs
In 1865 Francesco Rosario Stabile, a 20-year-old veteran of the wars for Italian unification, arrived in New York City from the province of Salerno in southern Italy and headed to Mulberry Street, the center of New York City’s nascent Italian community. At 74 Mulberry, he founded the Banca Stabile, which over the next 60 years became a pillar of the community comparable to the local church. The bank offered a wide range of services that catered to the needs of first- and second-generation Italian Americans. Its history illuminates the broader story of immigrant banks in New York, a type of bank that coexisted with the better-known firms on Wall Street.
Banca Stabile, like other 19th-century savings banks, opened its doors to small depositors looking to create a nest egg. It was more than merely a financial institution, however, for Stabile played a role in almost every important stage of an Italian immigrant’s journey to and within New York. From Italy, an immigrant could wire Stabile and purchase a steamship ticket to America (Francis Ford Coppola’s great-grandmother Caroline was one such purchaser). After arriving, he or she would often meet family or a contact person in the offices of Stabile itself. Stabile further functioned as an employment center and real estate office; it would help the immigrant find a job and apartment nearby. Finally, once firmly established in New York, he or she could wire telegrams and money to relatives and friends back in Italy and help them begin their own process of immigration.
By the early 20th century, however, second-and third-generation Italian Americans, well acclimated to their city’s language and mores, began to patronize mainstream banks in increasing numbers. In addition, companies and labor unions began to offer services that in the past had been solely the province of ethnic associations and mutual-aid societies. These factors, in addition to the vulnerability of even profitable immigrant banks to economic fluctuations, spelled the end of Stabile’s golden years. In 1932, as the banking crisis of the Great Depression worsened, the New York State government closed the bank; its remaining funds went to Banco D’Commerciale, which was later absorbed by Bank of America. While the Stabile family continued to operate a steamship ticket purchasing agency until 1965, Stabile’s days as a financial institution were over.
Telegraph sent from the offices of Banca Stabile, early 19th century.
Italian American Museum
Di Stefano family portrait, 1917.
Italian American Museum
The bank held this photograph of a family of Italian immigrants as identification for their contact person in America, who would meet them in the bank. It is unknown if the family ever arrived there.
Original storefront location of the Banca Stabile at 74 Mulberry Street, ca. 1875.
Italian American Museum
Receipt for third-class steamship ticket, July 30, 1903.
Italian American Museum
Caroline Coppola, ancestor of the director Francis Ford Coppola, purchased this steamship ticket for the Barcelona Transatlantic Company through Banca Stabile. (Note the stamp at the bottom.)
Nonetheless, more than 50 years later the building would once again became a center for New York’s Italian American community. In 2007, Dr. Joseph V. Scelsa, then vice president of Queens University, was looking for a permanent home for the Italian American Museum, the first of its kind in the United States. Banca Stabile’s building, abandoned for more than 40 years, fit the bill perfectly. After necessary fund raising and restoration, the Italian American Museum opened its doors on October 12, 2008. Today the museum is a rich repository of Italian American history, containing religious and cultural artifacts, numerous visual and textual records of life in Little Italy, and such esoteric items as Frank Serpico’s gun and a Black Hand letter. It is fitting that Banca Stabile, an institution valued by New York’s Italian American community a century ago, has been reborn as a repository of that community’s history and heritage.
—Daniel London
By the late 19th century, savings banks were more than institutions that encouraged thrift among workers or enabled safety nets for underserved immigrant groups. Led by New York institutions, they were also instrumental to the economic health of the country. In 1821, deposits in New York City’s savings banks had paid for a third of the debt involved in building the Erie Canal; by the end of the 19th century, the potential of savings banks to accumulate capital and invest in the city’s and country’s growth was staggering. By 1865, there were already over one million depositors with $280 million total deposits in 336 savings banks around the country. By 1900, the number of savings banks in the United States had nearly tripled, and the total number of deposits risen to nearly 2.5 billion. New York State residents made up a little over a third of the country’s total depositors, placing $922,081,596 in their accounts. (And the majority of those depositors were located in New York City.)
The federal government facilitated this growth through the U.S. Comptroller’s decision in 1903 to let national banks operate a savings department. As a result, by 1913 more than half of the national banks accepted savings deposits. Journalists, bankers, and political scientists broadcast the growth of savings institutions as a marker of the United States’ global standing. An 1878 newspaper article noted that savings institutions “are so important in their industrial, financial, beneficial, national and individual relations, and are growing so much more numerous and important over all the world.”17
Banner, Kipiler Vol. Y.M.B.A., undated.
YIVO Institute for Jewish Research
The Kipiler Vol. Y.M.B.A. was one of hundreds of Jewish landsmanshaften—immigrant mutual aid societies—on the Lower East Side that provided members with sick benefits, assistance to widows and orphans, and a sense of community. By the 1920s, one out of every three males on the Lower East Side was a member of a mutual aid society.
Americans Buy Bonds
Once the United States entered World War I on the Allied side in April 1917, the government no longer urged Americans to grow their bank savings, but instead actively worked to persuade them to invest in the national debt. New York bankers and banks had already taken sides in the conflict as the armies and navies of England, France, and Russia confronted those of Germany, Austria-Hungary, and the Ottoman Empire in 1914. Jacob Schiff, James Goldman of Goldman, Sachs, and other German Jewish financiers initially were conspicuous in their pro-German patriotism and, just as passionately, in their opposition to Czarist Russia, whose anti-Semitic policies made the czar’s alliance with “progressive” England and France seem a travesty. Meanwhile, J. P. Morgan & Company’s long-standing ties to London and Paris predisposed it to become the great investment bank for the Allied powers. In 1915, the bank’s organization of the largest bond-underwriting syndicate in history to provide $500 million in loans to the English and French governments arguably made the “House of Morgan” at 23 Wall Street the conflict’s most important building, despite American neutrality and the fact that it stood some 3,000 miles from the trenches of the European Western Front. After the United States entered the war, New York banks—both “Yankee” and “German”—pulled together behind the Allied cause and became the U.S. Treasury’s most important collaborators in issuing and selling war bonds to the American public to pay for the nation’s involvement in the overseas conflict.

Sender Jarmulowsky, ca. 1900.
Museum at Eldridge Street and the descendants of Sender Jarmulowsky
There was early skepticism among the banking elite that men and women with modest amounts of money would buy the bonds. When the Secretary of the Treasury sought bankers’ advice on issuing war bonds, they concluded that Wall Street “was no place for the average salaried man without a surplus.” Not only salaried but also wage-earning men proved them mightily wrong. The Civil War had offered Americans the opportunity to buy government debt through the banks in both large and small increments; the scale at which they purchased government bonds between 1917 and 1919 was unprecedented. In its 1917 annual report, the U.S. Treasury noted the “great movement that vibrated with energy and patriotism and swept the country from coast to coast in the greatest bond-selling campaign ever launched by any nation.” The treasury passed four Liberty Loan Acts between 1917 and 1918, issuing bonds whose value totaled $17 billion, and just between May and November 1918, the number of bondholders (of different bond types) grew from 350,000 to an estimated 10 million.18
The federal government charged bankers, businessmen, and advertisers with convincing everyday Americans that investing was as much a patriotic duty as marching off to war. Though bankers had become the targets of great political mistrust by the early 20th century (as will be discussed in Chapter Five), in the national and international crisis of World War I, the treasury turned to the banking community—and especially those in New York—to broker the sale of bonds. Lewis B. Franklin, president of the Investment Bankers Association, directed the Second Liberty bond drive while Jacob Schiff, Thomas W. Lamont, and George F. Baker all sat on different Liberty Loan committees. The Magazine of Wall Street highlighted these new roles, noting that they were “a signal recognition of the importance and necessity of the financial district and financial leaders in the flotation of the Liberty Loan.” Indeed, the government depended on a host of commercial banks, investment houses, and brokerage firms to place war bonds in the hands of millions.19

Through purchasing government debt, no matter how small the amount, immigrants could prove they were citizens.

These financial firms in turn depended on a legion of businesses, institutions, associations, publications, and individuals—both nationally renowned and locally esteemed—to sell bonds in campaigns called “Liberty Loan drives.” Though big city bankers had dominated the publicity during the first Liberty Loan drive of 1917, famous politicians, actors, and religious figures, including William Jennings Bryan, Charlie Chaplin, and the Reverend Billy Sunday, spoke at rallies and meetings alongside local clergy and educators considered “molders of sentiment.” Morning to night, men, women, and children either had opportunities to buy the country’s debt or encountered advertisements reminding them it was their duty to take that opportunity. A mother might walk into a Woolworth’s (with Liberty Loan posters in its window) and purchase bonds from the store clerk, receiving change in the form of war savings stamps; upon arriving at school, her children might give handfuls of pennies to their teachers in exchange for War Savings stamps; and their father, on coming home from work, might settle down with a newspaper featuring advertisements about supporting the war effort.20
The message behind most of the publicity was that buying war bonds was part of being American. Through purchasing government debt, no matter how small the amount, immigrants could prove they were citizens. As the vice president of the National Bank of Commerce in New York observed in March 1918, the advertising campaign showed that “the American people is sound at the core, is more truly a unit than we would have dared believe could be moulded from the heterogeneous jumble of races that makes up the nation. Through nation-wide publicity, the American people has discovered itself.”21
The Liberty Loan campaign made visible a largely untapped market and tremendous source of potential profit for New York’s banks. Banks and other corporations just needed to figure out how to shift popular investment in government bonds to wideranging corporate securities and consumer goods. Even before the war was over, companies bought space in publications for Liberty Loan and Red Cross advertisements, thereby yoking patriotism with investments in corporations. In exchange, the companies could include their name in the ad, enabling such statements as “This page contributed to the Winning of the War by Westinghouse.” Brokerage companies also encouraged investment in these corporations by explicitly invoking Americans’ new wartime habits of bond buying. The New York-based brokerage company John Muir and Co., for example, wrote in its publicity material following the war’s end: “You know now that you can invest,” exhorting the “small capitalist” to take the same opportunities as the “large capitalist.”22

Advertisement for Second Liberty Loan, 1917.
Museum of the City of New York, 43.40.19
Charlie Chaplin and Douglas Fairbanks Selling Liberty Loans During the Third Loan Campaign at the Sub-Treasury Building on Wall Street, New York City, 1918. Gelatin silver print (7⅝× 9½ in).
Purchase, The Horace W. Goldsmith Foundation Gift through Joyce and Robert Menschel, 1996 (1996.246). © The Metropolitan Museum of Art. Image source: Art Resource, NY
This rally in front of the Subtreasury (now Federal Hall National Memorial) was one stop in Charlie Chaplin’s and Douglas Fairbanks’s travels around the United States promoting the sale of liberty bonds. The same year, Chaplin also produced a film at his own expense called The Bond, similarly meant to sell U.S. Liberty Bonds.
Banks and their security-selling affiliates used aggressive marketing to solicit those “small capitalists.” They bought advertisements in popular publications such as Scribner’s, Harpers, McClures, The Saturday Evening Post, and Atlantic Monthly that enlightened readers on the difference between stocks and bonds. They distributed free literature and circulars, some hiring an advertising man to create text and language that would educate and engage. Bank presidents themselves were adept at using persuasive prose to both link the buying of stocks and bonds to established banking behavior and convince potential customers that—like holding war bonds—holding securities enabled full participation in American democracy. Charles Mitchell, president of National City Bank, exemplified the former in a speech he delivered to a class on banking in 1919. Using language common to the founders of early savings banks, Mitchell argued that “if, by advertising, we could spread the gospel of thrift and saving and investment,” the bank could “render a service to the individual investor such as had theretofore never been rendered.” National City’s marketing worked; between 1921 and 1929 the bank underwrote close to one-fifth of bonds issued by investment banks, among them J. P. Morgan; Kuhn, Loeb; Guaranty Co.; and Bankers Trust.23
Commercial banks similarly sought customers of more modest means as new sources of capital. The federal McFadden Act of 1927 allowed national banks to open local branches, enabling them to target middle-class as well as working-class populations. By opening an office on 42nd Street, for example, National City could serve employees of the corporations establishing themselves in Midtown. The branch solicited checking accounts with “a monthly average balance of three figures” and a minimum balance of $500, numbers only possible for “the businessman” and “fairly successful members of the middle class.” The top five banks with the largest number of branches by the end of 1929 were the Corn Exchange Bank (67 branches); Bank of Manhattan Trust Co. (64 branches); Bank of United States (58 branches); Manufacturers’ Trust Co. (45 branches); and National City Bank (37 branches). Their growth contributed substantially to the increase in depositors—particularly small ones. At National City, the number of savings depositors shot up from 6,300 in June 1922 to 232,000 by mid-1929, though the average balance remained at $300.24
While commercial banks encouraged Americans to deposit and invest their money, they also—indirectly—fueled the spending of it. They began providing loans to finance companies, which in turn gave loans to both businesses and individuals. Car companies originated these finance companies. Before 1919, a New York car buyer was likely to be a member of the upper class who would walk into a car dealership and hand over a check or a stack of cash; by the 1920s, a middle-class buyer would purchase his Ford Model T on an installment plan. As car companies increased production, dealerships could no longer afford to pay cash for the total stock. As a result, manufacturers created wholesale finance companies to lend these dealers money, and later retail finance companies to offer credit directly to the consumer. Coupled with the rise in production and the advent of the used car market, wholesale and retail financing allowed the number of cars on the city’s streets to soar. Whereas in 1914 there had been 125,000, by 1924 there were 800,000, one automobile for every eight New Yorkers. In 1929, 60 percent of automobiles bought nationwide were purchased on installment. Meanwhile, banks quickly moved from helping to finance the buying of automobiles to other high-ticket, mass-produced goods like refrigerators, radios, washing machines, and vacuum cleaners. By providing ample credit to retailers across the country, New York’s commercial banks helped to drive a postwar revolution in middle-class consumer spending.
Whereas most Americans had previously conflated debt and luxury goods with immorality, by the 1920s they considered them an entitlement. New regulations and mass production played a large role in the shift. Prior to 1917, lending to ordinary working-class and middle-class Americans had often been the domain of ethnic societies, individual stores, pawn shops, and loan sharks, and those who turned to the last might pay interest as high as 480 percent. Inspired by investigations of lending practices commissioned by the Russell Sage Foundation, three states passed a small loan lending law in 1917 that capped the interest a company could charge on credit. By 1928, 25 states—including New York—had passed a version of the law, which defined small loans as $300 or less and declared the maximum monthly interest rate to be 3.5 percent. As a result of the law, new lending businesses proliferated as well as profited. Though public profits were not published for New York City, in nearby New Jersey, small lenders’ net profits on loans totaled 13 percent. Meanwhile, investment banks and most commercial banks avoided direct financing to customers. After all, as historian Louis Hyman has argued, “why would the Carnegies and Morgans of the world want to tie up their capital in loans to steelworkers, when they could make so much more money by building steel plants?” According to an address at the 1929 annual meeting of the National Association of Sales Finance Companies, “no bank [could] afford to have more than a certain proportion of its resources tied up in installment finance.” Instead it was “simpler, safer, and in the long run, probably as profitable for the banks to carry the lines of finance companies as it would be to do the business direct[ly].” Bank credit flowed to consumers through the intermediary finance company or department store credit department, rather than directly in the form of retail loans.25

Advertisement for Williams Ice-O-Matic Refrigerator, ca. 1929.
Private collection
Middle-class consumer spending was fueled by commercial banks providing credit to retailers creating such mass-produced, high-priced goods as refrigerators.
Capital of Capital
In the years between the end of the Civil War and the conclusion of World War I, New York City consolidated its role as the national capital of capital. Money funneled into the city’s banks from across the country and world and fueled the nation’s growth through investment in corporations that built its railroads, erected its communications infrastructure, and processed its food. Investment banks also organized and financed the consolidation of these industries, pooling money and power on an unprecedented scale. From marble and wood-paneled offices in Lower Manhattan, bankers such as J. P. Morgan and Jacob Schiff accumulated enough capital to save the United States from financial collapse and influence the outcome of war across the Atlantic. Meanwhile, early forays abroad presaged the dominant role of New York banks in global affairs later in the 20th century.
As the size of the city’s banks grew, so did the share of Americans who did business with them. In the late 19th century, most immigrants tried to avoid debt, depositing money in ethnic savings banks and borrowing when they had to from ethnic societies (or loan sharks as a last resort). New York’s and America’s savings and commercial banks espoused a gospel of thrift to attract the deposits of customers, including the foreign-born. Bank initiatives during and after World War I then proved pivotal in helping to turn such savers into investors, spenders, and borrowers. In the wake of the government’s successful World War I bond-selling drives, banks urged ordinary Americans to buy corporate bonds and stocks. Banks also encouraged consumers to spend and borrow by providing much of the loan money that went into store credit and finance company loans to retail customers.
As a result, by the end of the 1920s, the children and grandchildren of immigrants were buying mass-produced goods on installment, borrowing from loan companies, and purchasing government bonds and shares in corporations. New York City had become a capital of capital that not only turned a profit but also enmeshed the city and country in a cycle of debt. That cycle could sustain itself as long as the economy kept booming; at the start of 1929, Americans believed that consumer prosperity would continue indefinitely.
C.R. Macauley, Advertisement for Second Liberty Loan, 1917.
Museum of the City of New York, 43.40.8
Endnotes
1 “skyscrapers standing up”: Henry James, The American Scene (London: Chapman and Hall, Ltd., 1907), 76.
2 “the cylinder had”: Thomas Kessner, Capital City: New York City and the Men Behind America’s Rise to Economic Dominance, 1860–1900 (New York: Simon and Schuster, 2003), xix.
3 “a prince on”: Ron Chernow, The Warburgs: The Twentieth-Century Odyssey of a Remarkable Jewish Family (New York: Random House, 1993), 48. “strode smartly down”: Ibid., 49.
4 “She has reduced money-making”: Janet Wallach, The Richest Woman in America: Hetty Green in the Gilded Age (New York: Knopf Doubleday Publishing Group, 2013), 232.
5 “a financial prodigy”: Chernow, The Warburgs, 40.
6 “the formation of”: Carosso, Investment Banking in America, 59; “very much like”: Ibid., 64.
7 “financial Moses,” “beefy, red-faced”: Jean Strouse, Morgan: American Financier (New York: Random House, 1999), ix, x.
8 “a gift for”: Harold van B. Cleveland and Thomas F. Huertas, Citibank: 1812–1970 (Cambridge, MA: Harvard University Press, 1985), 34.
9 “Our Bankers”: Carosso, Investment Banking in America, 80.
10 “not expect”: Cleveland and Huertas, Citibank: 1812–1970, 78–79.
11 “a fine building”: Charles Belfoure, Monuments to Money: The Architecture of American Banks (Jefferson, NC: McFarland and Company, 2005), 149.
12 “The mighty city”: Frederic J. DePeyster, “Speech at the St. Nicholas Society Dinner,” in New American Gazette 7 (30 November 1891–7 January 1892); quoted in Frederic Cople Jaher, The Urban Establishment: Upper Strata in Boston, New York, Charleston, Chicago, and Los Angeles (Urbana: University of Illinois Press, 1982), 276. “nothing could indicate”: “American Millionaires. The List for New York City,” New-York Tribune, May 29, 1892.
13 “kill time for”: Kessner, Capital City, 70.
14 “filled with fear”: Lizabeth Cohen, Making a New Deal: Industrial Workers in Chicago, 1919–1939 (New York: Cambridge University Press, 1990), 77.
15 “Patrick Lennon”: Tyler Anbinder, “Moving Beyond ‘Rags to Riches’: New York’s Irish Famine Immigrants and Their Surprising Savings Accounts,” The Journal of American History 99, no. 3 (December 2012): 756.
16 “Sender Yarmulowsky was”: Michael D. Caratzas, “S. Jarmulowsky Bank Building,” Landmarks Preservation Commission report, Oct. 13, 2009, 4; “equal in every”: Ibid,, 6.
17 “are so important”: “A Provident Institutions’ Congress,” North American (Philadelphia), May 1, 1878, 2.
18 “was no place,” “great movement”: Carosso, Investment Banking in America, 225; U.S. Treasury, Annual Report, 1917, 6, quoted in ibid., 225.
19 “a signal recognition”: Carosso, Investment Banking in America, 363.
20 “molders of sentiment”: Julia Ott, When Wall Street Met Main Street: The Quest for an Investors’ Democracy (Cambridge, MA: Harvard University Press, 2011), 79.
21 “the American people”: T. Jackson Lears, Fables of Abundance: A Cultural History of Advertising in America (New York: Basic Books, 1994), 367–68.
22 “You know now”: Ott, When Wall Street Met Main Street, 173.
23 “if, by advertising”: Cleveland and Huertas, Citibank: 1812–1970, 137.
24 “a monthly average”: Ibid., 119.
25 “net profits on loans totaled 13 percent,” “why would the,” “no bank,” Louis Hyman, Debtor Nation: The History of America in Red Ink (Princeton: Princeton University Press, 2011), 16, 1, 30.