Contents
Philosophers and Their Critics
Selected Bibliography of the Works of Arthur Danto
Chapter 1: Danto as Systematic Philosopher, or Comme on lit Danto en français
Chapter 2: Danto's Gallery of Indiscernibles
Part II: Intention and Interpretation
Chapter 3: The Invisible Content of Visual Art
Chapter 4: Déjà vu All Over Again
Chapter 5: Surface and Deep Interpretation
3 Are Deep Interpretations Weakly Dependent on Surface Interpretations?
4 Consequences for the Constitutive Dependency Thesis
Chapter 6: “Other Pictures We Look at, – His Prints We Read”
Chapter 7: A Tale of Two Artworlds
Chapter 8: Essence, Expression, and History
1 Essence and Expression: Danto's Philosophy of Art
2 The End of Art: Danto's Philosophy of Art History
3 A Critical Examination of Danto's Philosophy of Art
Chapter 9: Danto's New Definition of Art and the Problem of Art Theories
2 Recent Danto on Kant's Aesthetics
3 Late Danto's “Aesthetic Turn”?
4 Danto on Works of Art as “Embodied Meanings”
8 Aesthetic Ideas, a Contemporary Example
Chapter 11: Atomism, Art, and Arthur
1 Hegel, Hegelianism, and Historicism
2 The Old Chisholm Trail: Historical Facts, Bits of Knowledge
3 Artworks, The Artworld, and The Brillo Box Revolution
4 The End of Art: Not the End at All
6 Danto and Nietzsche: A Hegelian Synthesis
Chapter 12: Art and Its Doubles
Chapter 13: The Beginning of the End
1 Introduction: Danto's Philosophical Depth
2 Encountering Danto and Religion
4 Transfigurations: Catholic, Pragmatist, and Zen
Chapter 16: Looking Beyond the Visible