Displays

This is the center of operations for all your monitor settings. Here you set your monitor’s resolution, calibrate color balance and brightness, and turn AirPlay on and off—a cool feature that duplicates whatever’s on your Mac screen on a TV set. Wirelessly.

Tip

You can open this panel with a quick keystroke from any program on the Mac. Just press Option as you tap one of the screen-brightness keys () on the top row of your keyboard.

The specific controls depend on the kind of monitor you’re using, but here are the ones you’ll most likely see.

This tab is the main headquarters for your screen controls. It governs these settings:

From the dawn of the color-monitor era, Macs have had a terrific feature: the ability to exploit multiple monitors all plugged into the computer at the same time. Sometimes you want the Mac to project the same thing on both screens (mirror mode); that’s useful in a classroom when the “external monitor” is a projector. Other times, you want to make one monitor act as an extension of the other. For example, you might have your Photoshop image window on your big monitor but keep all the Photoshop controls and tool palettes on a smaller screen. Your cursor passes from one screen to the other as it crosses the boundary.

To connect a second monitor or projector, you have a couple of options.

If you’d shown this feature to the masses in 2005 or so, they’d have fallen down and worshiped it as a god. With one click, you can send whatever is on your Mac’s screen to your TV’s screen, in high-def. No wires. You can make the TV either a mirror of your Mac’s screen or an extension of it.

You can present photo slideshows on the TV from your laptop. Or play movies you’ve found online. Or give presentations from PowerPoint or Keynote. Or present software lessons to a class.

This trick requires both a fairly recent Mac model (mid-2011 or later) and an Apple TV. That’s a tiny black box that connects to a high-def TV and lets you watch videos from services like YouTube, Netflix, MLB.TV, NBA, NHL, and Vimeo. It can also play videos, music, and photos from Macs or PCs on the network.

But with AirPlay, the Apple TV (and therefore your TV) can now play anything you can see on your Mac, including services like Hulu that aren’t available on the Apple TV alone. You can play your iTunes music while watching those cool screensavery visualizers on your HDTV. And you can carry your Apple TV around with you to corporate boardrooms to project your pitches, rather than a $1,500 projector.

Using AirPlay is so simple, it would confuse only an AirHead. The menulet (Figure 10-14) offers controls like these:

  • AirPlay to: Apple TV. Here’s how you start projecting to your TV. (It says Turn AirPlay Off once you’re connected.)

  • Mirror Built-in Display, Mirror Apple TV, Use As Separate Display. In Sierra, you now have two screens—with two different resolutions (numbers of pixels). The question is: If you want your Mac and TV to show the identical image, which one “wins?” Make your choice by choosing one of the two “Mirror” options. (The image on the other screen might look squished, blurry, or letterboxed.)

    Or, if you choose “Use As Separate Display,” then the TV acts as a second monitor, as additional screen real estate, off to the right (or left, or top, or bottom) of your Mac’s screen.

All of this, by the way, has been a very long lead-in to a description of the Arrangement tab (Figure 10-14, bottom).

Once you’ve connected a second screen, with a cable or without, a different System Preferences→Displays window appears on each screen. The idea is that you can change the color and resolution settings independently for each. Your Displays menulet shows two sets of resolutions, too—one for each screen.

The Arrangement tab shows a miniature version of each monitor. By dragging these thumbnails around within the window, you can specify how you want the second monitor’s image “attached” to the first. Most people position the second monitor’s image to the right of the first, but you’re also free to position it on the left, above, below, or even directly on top of the first monitor’s icon (the last of which produces a video-mirroring setup). For the least likelihood of going insane, consider placing the real-world monitor in the same position.

For committed multiple-monitor fanatics, the fun doesn’t stop there. See the microscopic menu bar on the first-monitor icon? You can drag that tiny strip onto a different monitor icon, if you like, to tell Displays where you’d like your menu bar to appear. (And check out how most screensavers correctly show different stuff on each monitor!)

It’s worth noting, by the way, that multiple monitors are fairly independent:

This pane offers a list of color profiles for your monitor (or, if you turn off “Show profiles for this display only,” for all monitors). Each profile represents colors slightly differently—a big deal for designers and photo types.

When you click Calibrate, the Display Calibrator Assistant opens to walk you through a series of six screens, presenting various brightness and color-balance settings on each screen. You pick the settings that look best to you; at the end of the process, you save your monitor tweaks as a ColorSync profile, which your Mac uses to adjust the screen for improved color accuracy.

This tab appears only if you’ve hooked up a second monitor. Here, you can specify what you want to happen when you press the power or brightness buttons on the external monitor. (Should those buttons affect the Mac itself, or only the second monitor?)