INDEX

The page numbers in this index refer to the print edition of this book.

Abrams, M.H., 16, 18, 65, 170

access of power, 321, 334–338

Adamson, Joseph, 12

Aeneid (Virgil), 190

aletheia, 152

alienation

and the Canadian writer, 85–86, 96–97

human, 192, 197, 306

imagery of, 179, 329

narrative of, xx, 126, 133, 134, 137, 197

and utopia, xxiii, 192, 197, 202–203

allochronism, 89, 93

alouette, 63–64

Always Coming Home (LeGuin), 199

An Ambiguous Heterotopia (Delany), 200

An Ambiguous Utopia (LeGuin), 199

Among School Children (Yeats), 229, 231

“The Analytical Language of John Wilkins”

(Borges), 194

Anarchy, the State and Utopia (Nozick), 199–200

The Anatomy of Criticism (Frye), ix, xxii, xxiii, xxvi, 5, 10, 15, 17, 18, 24, 36, 56, 58, 65, 81, 83, 169, 186, 187, 188, 206, 207, 208, 213, 214, 219, 226, 262, 279, 289, 309

Anglican Church, 108

animals, in Canadian Literature, 62–64

anxiety of influence, 21, 22, 80, 84, 208

aphorism, 145, 156, 158–159

apophasis, 158

Apuleius, 39

Arcadia, 196

Archeologies of the Future ( Jameson), xxiii, 198

“The Archetypes of Literature” (Frye), 174, 232

Areopagitica (Milton), xxiii, 197

“The Argument of Comedy” (Frye), 251, 261

Aristotle, 194

Arnold, Matthew, xxv, 28, 207, 208, 209, 211, 212–213, 216, 230–231, 239

Arts and Humanities Citation Index, 26– 27

Association of Canadian University Teachers of English, 17

Atlantis, 179, 328

Atwood, Margaret, 66, 87

Augusta Chronicle, 24–25

axis mundi, 171, 172, 173, 176, 323, 328, 336

Ayre, John, xxii–xxiii

Bacon, Sir Francis, 195

Balfour, Ian, 82

Ball, Roger, 6, 9, 12–13

Balzac, Honoré de, 217–218

baptism, 117–119

Barthes, Roland, 300–302, 305–306, 309

Beatrice, xxv, 252–253, 255–258, 260–261, 271–272

Beattie, Munro, 63

Being and Time (Heidegger), 150

belatedness, xix, 93–94

Bellamy, Edward, 195, 198

Bellour, Raymond, 287–288

Bentley, David, xvii–xviii

Bérubé, Allen, 289

Beyond Communication, 265, 266

The Bible

biblical allusion in Frye’s essays, 209

and connection to the spiritual world, 39

Frye on theologians and, 113–114, 116

Frye’s interest in, xix, 181

and God, 125, 136

Job, xx, xxvii, xxviii, 46, 137, 243, 321– 322, 324, 330, 334–338

and kerygmatic language, xxv, 151, 236– 237, 242, 334

and myth, 151–152, 237–238, 239, 322

and the Old Testament, 17, 65–66, 86, 146, 191, 256, 279

and pure speech, 144, 159, 161

and Saint Paul, 145

schematic of, 174

and secular literature, 237, 241

and the Spirit, 46

and vision, 39–40, 237

as work of the human/divine imagination, 10

Birrell, Ebenezer, 60

Bissell, Claude, 57

Black, Conrad, 172

Blake, William

and alienation, 179, 197, 203, 232

and cosmology, 176, 179–181, 182

and Fearful Symmetry, 144

and genius, 45

on hate, 118

influence on Frye, 38, 207

and the Leviathan, 65

and the Marriage of Heaven and Hell, 193

and the Orc circle, 192

paintings of, 172

on the sacraments, 117–118, 120

schematics of, xxii, 172, 173, 174, 187

theory of contraries, xx, 115–116, 118–119, 200

and vision, 39, 44, 239

A Blake Dictionary (Damon), 172

Bloom, Harold

on the Anatomy, 21, 208

on Frye, 20–21, 23, 36, 38, 41, 211

on literary education, 41–43

Bodkin, Maud, 257

Bogdan, Deanne, 252–253, 265, 266

The Book of Canadian Poetry: A Critical and Historical Anthology (Smith), 55, 62, 85–86

Books in Canada, 17

Borges, Jorge Luis, 194

brain, 319, 321, 324–328, 330, 332, 334, 336, 337

Brave New World (Huxley), 194

Brodnax, Amy, 24

Brooke, Frances, 68

Brooks, Cleanth, 18

Brown, E.K., 55

Brown, Norman O., 193

Browne, Sir Thomas, xiii

Buber, Martin, xx, 126, 127–133, 135, 137, 258

Buddhism, xix, 131, 173

Buitenhuis, Peter, 70

Burgess, Margaret, 13, 259–260

Burke, Kenneth, 36

Bush, Douglas, 169

The Bush Garden: Essays on the Canadian

Imagination (Frye), 6, 65, 70, 80, 84, 85, 87, 92–93

See also “Conclusion” to a Literary History of Canada

Butler, Samuel, 210

Byrhtferth’s Manual, 171

Callenbach, Ernest, 196

Campanella, Tommaso, 196

Campbell, Joseph, 188

“Canada and Its Poetry,” 55, 56, 62, 66, 86

Canada Council, 17

“Canadian and Colonial Painting,” 61, 62

Canadian Forum, 57, 61

Canadian Literature

as cultural history, 81, 85

and Frye’s knowledge of, 57–58, 64, 65

and Frye’s literary theory, 59, 60, 65–67, 82–88

and garrison mentality, 56, 67–70, 75n.18, 87, 88

and the role of Nature in, 59–60, 62

and romance, 81–82

and terror in, 55–56, 62, 64–65, 67–70

Canadian Radio and Television Commission, 57

canons of probability, 44

Carleton University, 2, 17

Carmichael, Virginia, 288

Carscallen, James, 1

The Cat in the Hat (Seuss), 17

cave variation, 328, 329

Cayley, David, 127

Chalmers, David, 324–325

Chaucer, 37

Chizhe, Wu, 26

Christianity

Frye on, 112, 113, 117, 125, 134–137

and the role of women, 258, 260, 264

and utopia, 196–197

See also Bible; United Church of Canada

Cinderella, xxvi, 264

city, 188, 196

City of the Sun (Campanella), 196

civil space. See environment, writer’s imaginative, 86

Classical genius, 37, 38–39, 40, 45

The Collected Works of John Stuart Mill (Robson), 3

Collected Works project

editorial process of, 3–5, 7–9, 10, 11–12

and Frye’s unpublished writings, ix–xiv, 4–8, 11, 12

funding for, 5, 9, 12–13

impact on Frye scholarship, xiii–xiv

publishing of, 2, 5, 6, 11, 13–14

See also Denham, Robert; Dolzani, Michael; Kushner, Eva; Lee, Alvin; Robson, John M.

colonialism and the Canadian imaginative environment, 81, 87, 95

Columbo, John Robert, 70

Commentary, 18

Communion, 117–119

communism of convention, 265–267

“Conclusion” to a Literary History of Canada (Frye)

on the autonomy of forms, 90–93

bird tropes in, 63–64

in The Bush Garden: Essays on the Canadian Imagination, 80, 85, 92

and the Canadian pastoral myth, 84–85, 96–99

on the “difference” of Canadian literature, 85–89

and displacement, 88–89, 91, 93

Frye as author of, 57–58

and garrison mentality, 56, 67–70, 75n18, 87, 88

influence of, 80–81

and myth, 65–67, 94–99

and the natural world, 59–62

and romance, 81–82, 84

and self-plagiarism, 58–59

and the sentimental, 93–94

stark terror and, 55–56, 62, 64–65, 67, 69– 70, 85

and the tension between Frye’s Canadian and international work, 82–85

The Confidence-Man (Melville), 278, 283, 291

Congregationalists, 108, 109, 110

Conrad, Joseph, 209

consciousness, 319–338

evolution of, 322–325, 332–333, 336–338

and the four brain types, 331–333, 334, 335–336, 337

Frye on, 320, 330, 336–337

Job and, 321–322, 324, 330, 334–338

levels of, 328–330

metaphors of, 326–328

multiple-drafts theory of, 325–326

See also Dennett, Daniel C.

Consciousness Explained (Dennett), 325

conservatism, 303–307

contraries, theory of, xx, 115–116, 118– 120, 200

Co-operative Commonwealth Federation, xxiii, 195

Corman, Brian, 209

The Correspondence of Northrop Frye

and Helen Kemp 1932-1939, 1–2

crane-style evolution, 323–324

Creation and Recreation (Frye), 214–215, 216

creative power, 137, 242–243, 324, 328, 336

creatures and conscious power, 331–333

Creighton, Donald, 65–66

The Cremation of Sam McGee (Service), 229, 231

The Critical Path (Frye), xxi, xxvii, 20, 83, 93, 107, 177–178, 206, 207, 212, 213– 214, 234, 236, 279, 298, 305

“Critical Theory: Structure, Archetypes,

and the Order of Words” (Frye), 27

“The Critic as Artist” (Wilde), 214–215, 216

Criticism. See Literary Criticism

“Criticism, Visible and Invisible” (Frye), xxviii–xxix, 211–212

critics on

The Anatomy of Criticism, 17–21, 65, 169, 170, 234–235

The Great Code, 181

Culler, Jonathan, 26

cultural history, Canadian Criticism as, 85, 88

cultural studies, xxvii, 213, 219, 299–302, 303

Culture and Anarchy (Arnold), 28

Current Contents, 26–27

Cuthbert, Art, 234–235

Cymbeline (Shakespeare), 262

Daedalus: Journal of the American Academy of Arts and Sciences, 37–38

Damon, Foster, 172

Dante, xii, xiii, xxv, 176, 179–181, 191, 255–258, 271–272

The Divine Comedy, 171, 172, 253

Inferno, xii

La Vita Nuova, 255

Paradiso, 196

Purgatorio, 190

Darwin, Charles, 324

Darwinian creature (Dennett), 331

Darwin’s Dangerous Idea (Dennett), 322, 323

The Da Vinci Code (Brown), 159

“The Decay of Lying” (Wilde), 214, 216– 217

“A December Vision” (Dickens), 176

deconstruction, 22

DeGroote, Michael G., 12, 13

Delany, Samuel, 198–199

de Lauretis, Teresa, 254

Deleuze, Gilles, xxvi, 278, 284, 286, 290

Demeter, 260–261

D’Emilio, John, 289

Denham, Robert D.

and the coda to Northrop Frye’s Late Notebooks, 35–36

and the Collected Works project, xv– xvi, 4–5, 6, 7, 8, 9, 11, 12

The Correspondence of Northrop Frye and Helen Kemp 1932-1939, 1–2

influence of the Anatomy on, 15–17

Northrop Frye Unbuttoned, 231

Dennett, Daniel, C., xxvii–xxviii, 321– 338

Derrida, Jacques, xxi, 19, 143–150, 153– 155, 157, 160–162

Der Satz vom Grund (Heidegger), 150

detachment, ironic, 281, 282, 283–284, 286, 289–290

“The Dialectics of Poetic Tradition”

(Bloom), 41, 43

Dickens, Charles, xxii, 176–177, 230

Difference and Repetition (Deleuze), 278, 284

Discourse on Thinking (Heidegger), 147

displacement, 22, 88–89, 89, 91

The Dispossed (LeGuin), 198–199

Dissertation Abstracts International, 23

The Divine Comedy (Dante), 171, 172, 253, 255

Divisions on a Ground (Frye), 6

Djwa, Sandra, 62

Dobbs, Kildare, 70

Dolzani, Michael

and the Collected Works project, 4, 5, 8, 11, 12

“Critical Theory: Structure, Archetypes, and the Order of Words,” 27

on transcendence in Frye’s writings, 126– 127

on utopia, xxiii

on the Word-Spirit dialogue, 134

Donaldson, Jeffery, xiv, xxvii–xxviii

Donoghue, Denis, 18

The Doors of Perception (Huxley), 193

“The Double Mirror” (Frye), 214

“The Double Session” (Derrida), 160

The Double Vision (Frye), xx, 6, 8, 125, 189, 237

Eagleton, Terry, 17, 26, 209

Ecotopia (Callenbach), 196

ecstatic metaphor, 150, 201, 239–240

Educated Imagination (Frye), 56, 58, 83, 99, 145, 189–190, 192, 228, 278, 283– 284, 289–290

education, literary

Bloom on, 42–43

in The Critical Path, 207, 279

Frye on, 39–40, 43, 215, 228, 229–230, 279

and genius, 40

egg, image of the, 283–284

Elgar, Sir Edward, 226, 243

Eliot, George, xxiv, 210

Eliot, T.S., xxi, 28, 41–43, 45, 159–160, 211, 232

Elucidations of Hölderlin’s Poetry (Heidegger), 149–150, 152–153

embryo, image of the, 283, 284

Emerson, Ralph Waldo, 44–45

Emmanuel College, 108

English Institute, 20

environment, the writer’s imaginative, 86– 87

Epstein, Joseph, 18

Eros, 40, 178, 181, 195, 256

An Essay on the Social Context of Literary

Criticism (Frye), 214

Essential unity, 110–111

evaluation and literary criticism, 57, 58, 63, 211

evolution of consciousness, 320, 321–325, 332–333, 336–338

Ewig-Weibliche, 257

existential metaphor, 150

See also ecstatic metaphor

“Expanding Eyes” (Frye), 188, 239

Fabian, Johannes, 89

Fabiny, Tibor, 26

Fables of Identity (Frye), 56

Faerie Queen, 243

“Faith and Knowledge: The Two Sources of ‘Religion’ at the Limits of Reason

Alone” (Derrida), 143–144

family models, idealized, 304, 308–309

Farrer, Austin, 173–174

Faust, 257

Fearful Symmetry, xxi, 5, 6, 13, 46, 56, 144, 170, 172, 181, 186, 234

feminist approach, 251–252, 254, 259– 260, 265–267

fertility, 260–261

“The Fertility Cults” (Frye), 260

film noir, 279–280, 281, 289

See also; Hitchcock; Shadow of a Doubt

Fletcher, Angus, 43–44, 187

Fools of Time: Studies in Shakespearean Tragedy (Frye), 6, 179

Foreign Correspondent (Hitchcock), 280

The Forum, 55

Foucault, Michel, xxi, 148, 161, 162

Fourier, Joseph, 193

Four Quartets (Eliot), 160

Four Variations, theory of the, 323, 328–329

Four Zoas, xxii, 172, 178

frames, 303, 307

See also Lakoff, George

Framing History: The Rosenberg Story and the Cold War (Carmichael), 288

Fraser, Simon, 64

Frazer, Sir James, xxii, 208, 261

freeplay, Derrida’s, 19

Freud, 134, 213, 281, 290, 328

“From Poe to Valéry” (Eliot), 160

Frost, Everett, 171

Frye, Helen See Kemp, Helen

Frye, Northrop

on anxiety of displacement, 22

on artistic representation, 287

and axis mundi, 171, 172, 176, 323, 328, 336

on belief, 112–113, 116, 121n.13

Bentley on, 70–71

on The Bible and theologians, 113–114, 116

and Buber, 130–131

on Canadian Literature, xvii, 57–58, 59– 60, 63–65, 81–82, 232

on Christianity, 112, 113–114, 116, 117, 125, 134–137

on consciousness, 128–129, 320, 330, 336– 337

and the critical reader, 333–334, 335

critics on, 17–21, 63, 65, 70, 169, 297

and the designed world, 336–338

explorer of cosmologies, 171, 174, 175, 177–179, 181–183

fashionability of, 20–21, 22, 27, 28

and fear/dislike of Nature, xvii, 60–62, 65, 196

and the feminist approach to Literature, 265–267

and film noir, 279–280

on genius, 35, 36, 39–40, 45–46

on genuineness, 232

on The Great Code as a flawed work, 38, 45

and his connection to the Gnostic authors, 41

on human nature, 127

on identity, 291–292, 338

on irony, 280, 283–284, 291

and Knight, 174–176

on language and literature, ix

on literary criticism, 80–88, 111–112, 279, 298–299

on literary education, 39–40, 43, 215, 228, 229–230, 279

and Marxism, 195, 196

modesty of, 36, 37

and a need for a theory of literature, 83

pure speech, 145, 147–148, 151–152, 153, 156, 157–158, 159–162

on realism, 206–207, 210–211, 214–219, 287

on social mythology, 305

on society, 281

and the spiritual world, 39–40

study of, 22–25

and textuality, 292

on the tone of his conclusions, xxviii– xxix

translations of, 25–26

and T.S. Eliot, 41–43

and the United Church of Canada, 107, 108–109, 111, 112–115, 119

at the University of Toronto, 2–3

unpublished writings of, ix–xiv, 4–8, 11, 12

and the useless relic thesis, 20–21, 22, 25

utopia, xxiii, 188–189, 192, 194, 195–196, 198, 200–203

on value judgments, 44, 211–212, 226– 233, 235

value of prophetic works, 233–243

and the Victorian view of Literature, 203, 207–208

See also individual works; Kemp, Helen

“The Function of Criticism at the Present Time” (Frye), 83

furnace variation, 323, 328, 333

Gallico, Paul, 179–181

garden variation, 329

garrison mentality, 56, 67–70, 75n.18, 87, 88

Gelassenheit, 147, 150

Gelassenheit (Heidegger), 147

Gelber Foundation, 12

genius, 35–46

Bloom on Frye’s, 36, 38, 41, 44–45

and the Christian Spirit, 45–46

Classical, 37, 40, 45

Frye on, 39–40, 45–46

and Frye’s self-assessment as, 35, 36, 37–38

impersonal, 37, 40–41

in literary education, 39–40

Romantic, 37, 40, 44, 45

“Genius of the shore” (Milton), 298

genotype, 324, 334

Germinal (Zola), 218

The Gift of Death (Derrida), 144, 145– 146

Gill, Glen, 23, 264

The Glass Bead Game (Hesse), 182–183

Gnostics, 41, 174

God

as a character in a human story, 125

Derrida on relationship with, 145

desire to know, 149

and Job, 321–322, 324, 330, 334–338

as spiritual Other, 125, 135–136

goddess, 259–260

Goffman, Erving, 307

The Golden Ass (Apuleius), 39

The Golden Bough (Frazer), 261

Gooch, Paul, 13

Good, Graham, 17–18

Good Friends (Birrell), 60

Grande, Troni, xxv–xxvi

Graves, Robert, xxv, 193, 259

The Great Code (Frye), 26, 38, 39, 45, 144, 151, 177, 181, 186, 194, 206, 234, 236, 238, 259, 261, 334

The Great Tradition (Leavis), 227

Gregorian creatures (Dennett), 332–333, 335–336, 337

Gregory, Richard, 332

Gulliver’s Travels (Swift), 198

Hakluytus Posthumus (Purchas), 201

Halmi, Nicholas, 13

Hamilton, A.C., 9, 12, 211, 214

Hamilton, Mark, 280

Hamlet, 176

Hamlet (Shakespeare), 149

Handlin, Oscar, 69

Haraway, Donna, 253–254

Harcourt Brace Jovanovich, 5

Harrison, Jane Ellen, 261, 268, 270

Hausmann, Georges-Eugène, 187–188

Hays, Judith, 262–263

heap. See Hermes-Eros-Adonis-Prometheus

Hearne, Samuel, 63–64

Heart of Darkness (Conrad), 177

Heidegger, xxi, 147–148, 149–150, 152– 153, 157, 158, 161

Henry, Alexander, 64

Heraclitus, xxii, 39, 145, 178

Hermes-Eros-Adonis-Prometheus (HEAP), 178, 179, 181

Hesse, Herman, xxii, 182–183

Hicks, Edward, 60

Hinduism, 131

The History of Emily Montague (Brooke), 68

Hitchcock, Alfred, xxvi, 280–281, 288, 289, 290, 291

See also Shadow of a Doubt

Hobbes, Thomas, 308, 309

holy, Heidegger on, 152–153

“holy sinner,” 281, 284

Homer, 190

Hooker, Richard, xi

Hopkins, Gerard Manley, 156

Houston, Benjamin, 169

Hutcheon, Linda, 59, 84

Huxley, Aldous, xxiii, 193–194

Iamblichus, 41

I Ching, xix, 178

identity

alienation and, 192

as archetype, 97

and Canadian literature, 95

and the dialogue principle, 127, 129, 133

Frye on the mystery of, 291–292, 338

in literature, 95

in Shadow of a Doubt, xxvi, 281–282, 284, 286, 290–291

ideologeme ( Jameson), 88

ideology

and America’s perfecting myth, 286, 288

and cultural studies, 300

and myth, xxvii, 263, 265–266

and the United Church of Canada, 111

in utopian fiction, xxiii, 191, 197–198, 199

imagination

Canadian, xviii, 60–61, 69, 70, 83, 85, 86– 87, 98

and consciousness, 235–236

and the creative, xxi, xxiv, 216

and displacement, 88, 93, 94

and the divine, 10, 119, 125, 126, 129, 200, 202

and language, 236

and literary criticism, 116, 228

and literature, 241

symbol of the embryo, 283

See also kerygmatic language

impersonal genius, 37, 40–41

Inferno (Dante), xi

inscription, 154–155, 159

Institutes (Quintilian), 42

interpenetration, Frye’s theory of, xiv, xx, 128–129, 131–132, 133, 202, 242, 307

irony, 88, 97, 278–292

Island (Huxley), 193

The Jack Pine (Thomson), 60

James, Henry, 209, 210

Jameson, Fredric, xix, xxiii, 31, 86, 88, 90, 92, 197, 198–200

Jarraway, David, xxvi–xxvii

Job, Book of, xx, xxvii, xxviii, 46, 137, 243, 321–322, 324, 330, 334–338

Johnson, Christopher, 155

John the Baptist, 243

Jonson, Ben, 230, 279

Journals of Susanna Moodie (Atwood), 66

Jung, C.G., 40, 41, 126–127, 193

Kahan, Marcia, 17

Kant, Immanuel, 44, 64

Kaplan, Justin, 231

Keats, John, 239

Keefer, Janice Kulyk, 66

Kemp, Helen, xxvi, 1–2, 6, 8, 9, 12, 239, 253, 271–272

kenosis, 135, 137, 148–149, 150, 153

Kenyeres, János, 26

Kermode, Sir Frank, 16, 17, 18

Kerrigan, William, 18

kerygmatic language

and Buber’s dialogue, 129, 130

and the imagination, 236

and literature, 145, 236, 238–243

and metaphor, 150, 161

and myth, 151–152

and theology, 107, 111, 113

Kinds of Minds (Dennett), 322

Klinck, Carl F., 57

Knight, Wilson, xxii, 36, 174–176, 181

Korzybski, Alfred, 194

Krieger, Murray, 20

Kristeva, Julia, 266–267

Kushner, Eva, 1, 2–3, 5

Lacan, Jacques, xxi, xxvi, 126, 133, 134– 135, 161, 197, 282

Lakoff, George, xxvii, 302–304, 307– 308, 310

Lane, Richard, 18

language

and consciousness, 326

Derrida on the promise of, 161–162

distancing quality of, 335

Frye as critic of, 235

Heidegger on the promise of, 161

and linguistic reform, 194

and meaning, 299

and morality, 303–304

See also kerygmatic language

Last Chronicle of Barset (Trollope), 210– 211

The Last Judgment (Blake), 172

Last Judgment motif, 173, 175

Late Notebooks, 35–36, 40, 130–131, 189, 202, 253, 256, 258, 261, 266

Lawrence, D.H., 238

Leavis, F.R., xxiv, 209, 211–212, 227, 231

Lecker, Robert, 80, 81, 82, 84

Lectures on Ideology and Utopia (Ricoeur), 198

Lee, Alvin, xiv–xv, 10–13

Lee, Denis, 86

LeGuin, Ursula, 198–199

Leibniz, Gottfried, 194

Lentricchia, Frank, 19–20, 21, 25

Leviathan (Hobbes), 308

Levine, Joseph, 324–325

Levi-Strauss, Claude, 169–170

Leviticus, Book of, 17

liberalism, 303–307

Lilly Foundation, 9

linguistics, cognitive, 297, 299, 300, 302– 305

Lipking, Lawrence, 20

Literary Criticism

Anatomy of Criticism, 212–216, 218–219

archetypal, 213, 228

and Bible study, 116

as defined by Frye, 83, 227

deterministic, 213–214, 265–266

and education, 215

feminist approach to, 251–252, 254, 259– 260, 265–267

Frye on Canadian Literature, 80–88

Frye on the unity of literature, 111–112

Frye on value judgments, 44, 211–212, 226–233, 235

Frye’s ideal critic, 290

by genres, 279

materialist, 86

mythology and, 298–299

and Ruskin, 207–209

as a science, 227

and the social bearings of, 212, 213–214, 234

thematic, 87–88

Wilde and, 214–219

“Literary Criticism” (Frye), 56, 57, 58, 59

The Literary Criticism of John Ruskin (Bloom), 208

Literary History of Canada. See “Conclusion” to a Literary History of Canada

literary theory, 18, 19, 21, 27, 83, 267, 279

Literature

in the Anatomy of Criticism, 207

as an ideal, 42

in The Educated Imagination, 58, 99, 145

and myth, 305

prophetic works of, 238–241

role of, in society, 228

Literature: Uses of the Imagination, 6

“Literature and Society” (Frye), 207

“Literature in [the] Secret: An Impossible Filiation” (Derrida), 144, 145–146

“Little Gidding” (Eliot), 160

logocentrism, 154

Logos, 145, 160

Longinus, xxv, 240

Looking Backward (Bellamy), 195, 198

loon, mating, 63–64

love, xxiii, 118, 119–120, 136–137, 194, 256

Lowry, Malcom, 176

Lycidas (Milton), 40

Mackenzie, Alexander, 64

Major Collaborative Research Initiatives Program (SSHRC), 5

Male Subjectivity at the Margins (Silverman), 288

Mallarmé, Stéphane, xxi, 143, 147, 154, 157–158, 160, 161

mandala, xxii, xxiii, 171, 177, 188, 189, 239

Mandel, Eli, 95–96

Manuel, Frank E., 192

Manuel, Fritzie P., 192

Marcuse, Herbert, xxiii, 193

Marriage of Heaven and Hell (Blake), 193

Marxism, 195, 197, 199, 300

Marxism and Form ( Jameson), 92

Maslow, Abraham, 192–193, 203

McBurney, Ward, 13

McLuhan, Marshall, 279

McMaster University, 10–11, 12, 13, 23

Melville, Herman, 278, 283, 291

Merrilees, Brian, 10

metaphor

in Canadian literature, 59, 63, 69, 82

and consciousness, 325–328, 329, 335

Derrida on, 19, 153

ecstatic, 150, 201, 239–240

of the family, 304, 308–309

kerygmatic, 129, 150, 153, 156–158, 159, 160–161, 236, 237, 239

Lakoff on, 302–304

royal, 197

of silent Beatrice, 253

and social mythology, 299–310

utopian, 191, 194, 201–202

Methodists, 108, 109

A Midsummer Night’s Dream (Shakespeare), 262

Milton, John, xi, xxiii, 37, 40, 46, 176, 197, 207, 279

Moby Dick (Melville), 177

The Modern Century (Frye), 281

The Modern Tradition (Ellmann & Feidelson), 214

Modleski, Tania, 290

Monsieur Verdoux (Chaplin), 281

Moore, Warren, 19, 26

morality and language, 303–304

More, Sir Thomas, 187, 191, 195, 196

Morris, Florence Hill, 24–25

Morris, William, xxiii, xxiv, 191, 196, 198, 210

mountain variation, 323, 329

movies. See film noir

Much Ado about Nothing (Shakespeare), 176

Munera Pulveris (Ruskin), 211–212

Murray, Heather, 83–84, 85, 88

music analogy, 188, 202–203, 233

The Mysterie of Rhetorique Unvail’d (Smith), 158

myth

America’s perfecting, 288

Barthes on, 300–301

in Canadian Literature, xvii–xviii, xix, 59, 65–67, 81–82, 84, 94–95, 96–98

and community, 251–252, 255, 263, 270, 272–w273

of concern, 21, 191, 264–265, 266, 268, 298, 305, 309–310

and cultural meaning, 300

death-rebirth, 261, 262

of the dying and reviving woman, 255, 262

of the dying-god, 260–261, 263–264

of freedom, xxvii, 305

and the goddess, 259–262

and ideology, xxvii, 263, 265–266

and kerygma, 129, 145, 147, 151–152, 156, 157, 159, 162, 236, 237, 238

and language, 194, 217, 236

Ruskin on, xxiv, 208–209, 213

and schematics, 171, 177–178, 190

of secular literature, 237

and social mythology, 306–308

and suspension of reference, xxi

of Tradition and the Individual Talent, 41–43

“Myth, Fiction, and Displacement” (Frye), 210–211

mythology, 298–299, 306

Nancy, Jean-Luc, 255

Narcissus, xx, 132–133

“The Narrative Tradition in English-Canadian

Poetry” (Frye), 57, 89

“Natural and Revealed Communities” (Frye), 187

A Natural Perspective (Frye), 56, 252

Nature, 59–64

negations, xx, 115–116, 118–120, 200

negative theology, xxi, 147–148, 157, 158

neurons, 325, 326–327, 329

New Atlantis (Bacon), 195

New Criticism, 18, 19, 21

Newman, John Henry, x–xi

News from Nowhere (Morris), xxiii, 191, 196, 198

Nietzsche, 40, 320 1984 (Orwell), xii, 198

Northrop Frye: An Annotated Bibliography (Denham), 24

“Northrop Frye: Criticism as Myth” (Wimsatt), 63

Northrop Frye Centre, 2, 5, 10

Northrop Frye Fonds, 6

“Northrop Frye Goes to the Movies” (Hamilton), 280

Northrop Frye Late Notebooks (Denham), 35

Northrop Frye on Religion, 9

Northrop Frye’s Student Essays 1932-1938, 12

Northrop Frye’s Writings on Shakespeare and the Renaissance (Grande), 261

Northrop Frye Unbuttoned (Denham), 231

Nozick, Robert, 199–200

Nurturant Parent, 304

Nussbaum, Martha S., 64

Ode to a Nightingale (Keats), 239

Odyssey (Homer), xxiii, 190

OED. See Oxford English Edition

O’Grady, Jean, xxiv–xxv, 9, 11, 12, 13, 37

Oliver Twist (Dickens), 176–177

“On the Bible” (Frye), 237

“On the Principles of Shakespearian Interpretation” (Knight), 174–175

On the Sublime (Longinus), xxv, 240

“On the Teaching of Modern Literature” (Trilling), 215

On Time and Being (Heidegger), 152

Orc cycle (Blake), 192

“The Origin of the Work of Art” (Heidegger), 152

Orwell, George, xii, 198

Other

and Buber’s dialogue principle, 127–129, 130–131, 132–133

as the Father, 134–137

and human creativity, 128, 133–134

and the interpenetrating, 128–129, 131– 132

reason for, 126–127

and reversal, 129–130

Spirit and, 125, 134–135

woman as, 253, 254

The Other House ( James), xxiv, 210

Oxford, 108

Oxford English Dictionary, 268

Oxford English Edition (OED), 40

Pacific Edge (Robinson), 196

parable, 158–159

Paradise Lost (Milton), xi, xiii, 171, 231

Paradiso (Dante), 196

Paris, 187

Parliament, Canadian, 17

Pásztor, Péter, 26

The Peaceable Kingdom (Hicks), 60, 62

Pearson, Lester, 17

Pericles (Shakespeare), 262

Perkin, J. Russell, xxiv, 209–210, 213

Persephone, 260–261

personal genius, 37

Phaedo (Plato), 39

Phaedrus (Plato), 194

Pinker, Steven, 304–305

Plato, xxvi, 39, 41, 191, 194, 231

Plotinus, 39, 41

Plutarch, 39

Poe, Edgar Allan, 232

Poland, Lynn, 144–145

“Polemical Introduction,” 36, 83, 211–212, 226–227

See also Anatomy of Criticism

Political Unconscious ( Jameson), 86, 88

Pomp and Circumstance (Elgar), 226, 243

Popper, Sir Karl, 332

Popperian creatures, 331, 332

Porter, Katharine Anne, 181

Portrait of a Lady ( James), xxiv

The Poseidon Adventure (Gallico), 179– 181

Pratt, E.J., 60, 232

“Preface to an Uncollected Anthology” (Frye), 57, 90

Presbyterians, 108, 109, 110

primary concern, 189, 191, 192, 202–203, 264–265, 266

Princeton University Press, xxii, 5, 208

The Principle of Reason (Heidegger), 150

“The Problem of Spiritual Authority in the Nineteenth Century” (Frye), 207

prophetic realism, 287, 288

Proserpine, 260, 261

prudery, in the Canadian imagination, 87

Purchas, Samuel, 201

Purchas His Pilgrimes (Purchas), 201

pure speech, 143–162

and the autonomy of language, 146–149, 160

and The Critical Path, xxi

Frye on, 145, 147–148, 151–152, 153, 156, 157–158, 159–162

Heidegger on, 158

impersonality in the poet, 146–147, 148

and instrumental language, 148, 151, 152, 153, 160, 161

and logocentrism, 154, 155–156

and metaphor, 150, 153, 157, 159, 160–161

and myth, 147, 151

and parable and aphorism, 156, 158–159

and the renunciation of language, 147– 148

as the secret of literature, 144–150

suspension of reference, 147, 151–152, 160

See also Derrida, Jacques; Eliot, T.S.; Foucault, Michel; Heidegger, Martin; Mallarmé, Stéphane; negative theology

Purgatorio (Dante), 190, 232, 255, 256, 257

purgatory, 201

Queen Elizabeth ii, 17

The Queen of the Air (Ruskin), 208–209, 213

quest, theme of, 82

‘”A Quest for the Peaceable Kingdom’:The Narrative in Northrop Frye’s ‘Conclusion to the Literary History of Canada’” (Lecker), 81

Quintilian, 42

Rabelais, François, 196

Race and Nationality in America (Handlin), 69

reader, 235, 239, 292, 333, 335

“Reading for Contradiction of the Literature of Colonial Space” (Frye), 83

realism, 206–219, 230, 287, 288, 291

“The Realistic Oriole” (Frye), 178

Rebecca (Hitchcock), 280

A Rebirth of Images (Farrer), 173–174

recreation, 118, 179, 188, 190, 239

“Reflections in a Mirror” (Frye), 187, 215

Religio Medici (Browne), xiii

Republic (Plato), 191, 194

“The Responsibilities of the Critic” (Frye), 241, 243

Resurrection (Tolstoy), 218

“The Retrait of Metaphor” (Derrida), 160

The Return of Eden (Frye), 56

Revelation, Book of, 174, 201

Revelation (Blake), 172, 174

reversal, notion of, 129–130

Review of English Studies, 16

Revolving around the Bible: A Study of Northrop Frye (Kenyeres), 26

Reynold, Erin, 13

Richards, I.A., 231

Ricoeur, Paul, 198, 335

Robert Elsmere (Ward), 217

Robinson, Kim Stanley, 196, 200

Robson, John M.

The Collected Works of John Stuart Mill, 3

and the Collected Works project, 2, 3, 4, 5, 7, 9, 10

Romance, 81–82, 84, 96, 210, 230, 237– 238, 261, 262–263, 267, 287, 307

Romantic genius, 37, 40, 44, 45

The Romantic Image (Kermode), 16

Rousseau, Jean-Jacques, xxiii, 197, 308– 309

Runte, Roseanne, 10, 12, 13

Ruskin, John, xxiv, 212–213

Russell, Ford, 19

Saboteur (Hitchcock), 280

sacraments, 117–120

the sacred

and Blake, 115–120

and the feminine, 258–259

Frye’s interest in, xix

and kerygmatic language, 236

and metaphor, 150–151, 153, 157–158, 237

and myth, 147, 151–152, 157, 237

and the sacraments, 117–120

in secular literature, 144, 145–146, 153– 154, 157, 159–162

See also Derrida, Jacques; Heidegger, Martin; pure speech

Saint Paul, 145, 197

Salusinszky, Imre, 227

Satan-Nobodaddy, 135

Sayers, Dorothy L., 257–258

schematics

in the Anatomy of Criticism, 169, 170, 171, 177, 188–189

in The Critical Path, 177–178

and Farrer’s diamond, 173–174

in Fearful Symmetry, 170, 181

in The Great Code, 177, 181

and I Ching board game, 178

seasons in, 171, 174, 175, 178

table of correspondences, 170, 171

Schiller, Friedrich von, 93, 94, 95, 98

School of Resentment (Bloom), 21

science of consciousness, 327–328, 330

Scott, Duncan Campbell, 55, 56

Scott, Sir Walter, 210

Scrutiny (Leavis), 211, 212

Searle, John, 324–325

“The Secret Gospel of Northrop Frye,”144

The Secular Scripture, 81, 82, 88, 134–135, 237–238, 239, 243

self-plagiarism, 58–59

The Sense of the Past ( James), 210

Sesame and Lilies (Ruskin), 209

Shadow of a Doubt (Hitchcock), 280– 282, 284–293

Shakespeare

and the death-rebirth archetype, 261

and the empowerment of women, 262– 263, 267–268

Knight on, xxii, 174–176

A Midsummer Night’s Dream, 262

and the myth of deliverance, 262

and The Secular Scripture, 243

and The Tempest, xxiii, 190, 230–231, 243

The Shakespearian Tempest (Knight), 175

Shaw, George Bernard, 193

Shelley, Percy Blysshe, 40, 179

Sherbert, Garry, xxi–xxii

Ship of Fools (Porter), 181

Silverman, Kaja, 288

Sinding, Michael, xxvii

Skinner, B.F., xxiii, 192–193, 331

Skinnerian creature (Dennett), 331–332

sky-hook style evolution, 323, 324

sky-scarecrow, 126, 135

Sloan, Ian, xix–xx

Smith, A.J.M, 55, 85–86

Smith, Barbara Herrnstein, 231

Smith, Daniel, 284

Smith, John, 158

social contract, xxvii, 198, 305, 306, 308– 309

Social Contract (Rousseau), 308–309

social mythology, 299, 305, 306, 310

Social Sciences and Humanities Research Council (SSHRC), 5, 7, 9

society

and mythology, 298, 299

and narrative, 307–308

in Shadow of a Doubt, 280, 284–287, 289

structure of, 281

Socrates, 36, 39

Spenser, 243

spiritual Other, xx, 125–137

St. Lawrence seaway, 65–66

Stacey, Robert David, xviii–xix

Staines, David, 9, 12

Stevens, Wallace, 178, 188–189, 321

Stoics, 64

Strachey, Lytton, 207

Strickland, Samuel, 66

Strict Father, 304

Structural Anthropology (Levi-Strauss), 169–170

structuralism and schematics, 170

structure of the Anatomy of Criticism, 309

The Stubborn Structure (Frye), 6

“The Study of English in Canada” (Frye), 17

A Study of English Romanticism (Frye), 179

stupid realism, 287, 288

Survival (Atwood), 87

Suspicion (Hitchcock), 280

Sweet Dreams (Dennett), 325–326

Swift, Jonathan, 40

symbolic thinking, 333

Symposium (Plato), 194

Systematic Theology, Volume 3 (Tillich), 112

Szeman, Imre, 89

Tanner Lectures in Human Values, 64

temenos, 95, 147

The Tempest (Shakespeare), 190, 230–231, 243

“Tentative Conclusion” (Frye), 208–209, 212

Terence, 270

terror, stark, 55–56, 62, 64–65, 67, 69–70

theology, 117–120, 147–148, 158

The Rule of Metaphor (Ricoeur), 335

The Satanic Verses (Rushdie), 159

The Self-Tormentor (Terence), 270

“Third Book” Notebooks, 40, 181, 186, 256, 268

Third Essay and the Anatomy of Criticism, 174

Thompson, David, 64

Thomson, Tom, 60

Thoreau, Henry David, xxiii, 196

Tillich, Paul, 112, 336

“The Times of the Signs” (Frye), 127

“The Tomb of Edgar Poe” (Mallarmé), 160

tools, 332–333

“To Read The Dispossessed” (Delany), 199

Tóth, Sárá, xx–xxi

touchstone theory, 230–231, 239

tradition, literary, 41–44, 85–86, 89, 93, 96–97

Traill, Catharine Parr, 66

translations of Frye’s works, 25–26

Trilling, Lionel, 209, 215

Triple White Goddess, xxv, 259

Trites Tropiques (Levi-Strauss), 170

Trollope, Anthony, xxiv, 210–211

Trouble on Triton (Delany), 198–199, 200

“The Truant” (Pratt), 60, 232

T.S. Eliot (Frye), 56, 178

Tucker, Mary Curtis, 23

ultimate concern, 336

Under Eastern Eyes: A Critical Reading of Maritime Fiction (Keefer), 66

Under the Volcano (Lowry), 177

United Church of Canada, 107–114, 115, 117, 119

University of Toronto Press, 5, 8, 9

University of Toronto Quarterly, 16, 57, 232

useless relic thesis, 20–21, 22, 25

utopia, 186–203

and alienation, xxiii, 192, 197, 202–203

and the city, 196

in The Educated Imagination, 189–192

Frye on, xxiii, 188–189, 192, 194, 195– 196, 198, 200–203

as Frye’s “Third Book,” 186–187, 189

and literary criticism, 187–188

and Marxism, 195, 197, 199

and primary concern, 189, 191, 192, 202–203

and the social contract, 306

typology of, 189–197

and Words With Power, 189, 194

See also Fletcher, Angus; Jameson, Fredric

Utopia (More), 187

“Utopian History and the Anatomy of Criticism” (Fletcher), 187

Utopian Thought in the Western World (Manuel & Manuel), 192

value judgments

and the Anatomy of Criticism, 211–212, 226–228, 230–231

Frye on the value of literature, 228–233

Frye’s re-valuation of value, 234–243

and social anxieties, 211–212

on taste and talent, 44

“Varieties of Literary Utopias” (Frye), 186, 187, 189, 193

verbal culture, 94, 298, 302

Vico, Giambattista, 94, 161, 298

Victorian realism, 206–207, 210–211, 214– 219

Victoria University, 1, 2–3, 6, 9

Virgil, 190, 191, 256

Virgin Mary, xxv, 257

vision

and the Bible, 39–40, 237

and Frye’s prophetic works, 234–243

“sadist,” 281

and “seeing from below,” 253–254, 256, 263, 269

La Vita Nuova (Dante), 255

Walden 2 (Skinner), 193

Walden (Thoreau), xxiii, 196

war and America’s perfecting myth, 288

Ward, Mary Augusta, 217

Warren, Robert Penn, 18

Watch the North Wind Rise (Graves), 193

Weaver, Robert, 70

The Well-Tempered Critic (Frye), 6, 56, 58, 227, 229, 234, 283

The Wheel of Fire (Knight), 174–175

Wheel of Fortune, 171–172

White, Hayden, 297

Widdicombe, Jane, 4, 5, 6, 7

Wilcox, Ella Wheeler, 231

Wilde, Oscar, 36, 214–215, 214–219, 216– 219

Wilder, Thornton, 283

wilderness, 69

See also Nature

Willard, Thomas, xvi–xvii

Williams, Raymond, 209

Wimsatt, W.K., 63, 65, 214

Winstanley, Gerard, 196–197

The Winter’s Tale (Shakespeare), 261, 262

Woman, 251–273

as an interruption of myth, 255, 270

the archetype of, 256, 257–258

and the dying and reviving female, 253, 260–264

and the dying-god myth, 260–261, 263– 264

and the earth mother, 259, 260

embodied, 256–257, 270–273

generative power of, 256, 260, 263

as goddess, 259–260

Hitchcock’s representation of, 290

and inclusive language, 268–270

as mother, 255–257, 259, 272

as other, 253, 254, 258, 260

See also Beatrice

The Woman’s Part (Lenz, Greene & Neely), 262

Woodcock, George, 61, 68, 70

words as tools, 333

Words With Power, xxi, 26, 40, 46, 107, 130–131, 132, 133, 134, 148, 152, 179, 186–187, 189, 194, 195, 206, 235, 236, 237, 238, 239, 241, 243, 252, 261, 265, 319, 321, 333

Wu Chizhe, 26

Yeats, William Butler, 39–40, 89, 122n.29, 133–134, 178, 201, 229, 231

Zola, Émile, 217–218