Lisbon’s cathedral was built shortly after Afonso Henriques had taken Lisbon from the Moors in 1147, and stands on a site once occupied by the city’s main mosque. Today’s crenellated Romanesque building is a much-restored reconstruction, rebuilt in various architectural styles following earthquake damage. It is also an archaeological site, with new finds made regularly beneath the cloister – originally excavated to reinforce the building’s foundations.
Reconstructed using parts of the original, the rose window softens the façade’s rather severe aspect, but unfortunately lets in only a limited amount of light.
These stocky towers – defining features of the Sé – recall those of Coimbra’s earlier cathedral, built by the same master builder, Frei Roberto. A taller third tower collapsed during the 1755 earthquake.
Tradition has it that Fernando Martins Bulhões (later St Anthony) was baptized in this font, which now features a tile panel of the saint preaching to the fishes. He is also said to have attended the cathedral school.
The first-floor Treasury is a museum of religious art, with some important holdings. It lost its greatest treasure, the relics of St Vincent, in the 1755 earthquake.
The Chapel of São Cosme and São Damião is one of nine along the ambulatory. Look out for the tombs of nobleman Lopo Fernandes Pacheco and his wife, Maria Villalobos.
The Gothic cloister, reached through one of the chapels, was an early addition to the cathedral. Some of its decoration anticipates the Manueline style – notice the varied patterns of the oculi.
Little remains of the original cathedral beyond the renovated nave. It leads to a chancel enclosed by an ambulatory, a 14th-century addition.
This Gothic chapel, sponsored by a wealthy Lisbon merchant in 1324, contains the founder’s tomb and a 15th-century Renaissance retable, painted by Cristóvão de Figueiredo, Garcia Fernandes and Diogo de Contreiras.
One of the ambulatory chapels is closed off by a 13th-century iron railing, the only one of its kind to survive in Portugal.
Remains left by Moors, Visigoths, Romans and Phoenicians have been found in the excavation of the cloister.
Archaeologically, the Sé is a work in progress – just like the castle (for further details see Castelo de São Jorge) and many other parts of central Lisbon. All this digging means that an increasing number of ancient remains are being uncovered. Public information can lag behind archaeological breakthroughs, but make a point of asking – you may be treated to a glimpse of the latest discovery.