“From Page to Stage: Wagner as Regisseur,“by Katherine Syer. The following four photographs are used with the permission of the Deutsches Theatermuseum, Munich: Figure 1, Gottfried Semper’s model for a Wagner theater in Munich; Figure 2, Anton Fuchs as Klingsor; Figure 5, the opening scene of Das Rheingold (1906), in the Prinzregententheater; and Figure 6, Ernst von Possart and others. The page from Anton Seidl’s notebook during rehearsals for the Ring in 1876 is used with the permission of Columbia University’s Rare Book and Manuscript Library.
“The Revue wagnérienne: Symbolism, Aestheticism, and Germanophilia”: Henri Fantin-Latour’s Siegfried and the Rhine Maidens is reproduced with the permission of the National Gallery of Canada, Ottawa; Fantin-Latour’s Around the Piano is reproduced with the permission of the Musée du Jeu du Paume, Paris.
“Eine Kapitulation: Aristophanic Opera as Cultural Warfare in 1870,” by Thomas S. Grey: Pierre Puvis de Chavannes’s The Balloon: The Besieged City of Paris Entrusts to the Air Her Call to France, 1870 is reproduced with the permission of the Musée d’Orsay, Paris; Narcisse Chaillou’s Skinning a Rat for the Pot: A Rat-Seller in the Siege of Paris, 1870 is used with the permission of the Musée Carnavalet/Roger-Viollet, Paris; Anton von Werner’s Quarters at a Base Outside Paris in 1871 from the Nationalgalerie, Berlin, is used with the permission of the Bildarchiv Preussischer Kulturbesitz/Art Resource, NY.