Equipment: Canon EOS-1D Mark III with EF 24–70mm f/2.8L IS USM lens. Exposure: f/2.8 at 
second and ISO 1600. Focal length: 24mm.
Whether you are photographing photojournalistically or setting up a natural, candid shot, you always need to keep the composition of your shot high on your priority list. Although you can crop to suit your needs in postproduction, you will save yourself time and headaches if you can get the composition as correct as possible in-camera. If you capture a moment a little too closely or in a manner that is just too sloppy, you won’t be able to correct it after the fact. Being too far away from your subjects also has a negative effect. You may not have enough resolution or depth in the image to salvage the shot. So throughout the wedding, always try to capture your moments as effectively as possible.
Utilize the rule of thirds and take advantage of strong leading lines when you position your subjects. If you see a staircase or building that’s got great lines, try lingering near it (hoping to capture an authentic moment) or guide your bride and groom there for a natural, relaxed pose. Always position your lines so they are leading to the center of the frame, keeping the eye moving. Also, keep horizon lines straight. Select a low or high angle to complement the subject or scene in front of you.
If you see a staircase or building that’s got great lines, try lingering near it or guide your bride and groom there . . .
Equipment: Canon EOS-1D Mark III with EF 24–70mm f/2.8L IS USM lens. Exposure: f/2.8 at 
second and ISO 1600. Focal length: 25mm.
