IN 1986 APRIL GREIMAN POWERFULLY DEMONSTRATED TO A DOUBTFUL EAST COAST GRAPHIC DESIGN ESTABLISHMENT THAT COMPUTERS WERE INDEED VALUABLE TOOLS. When asked to author an issue of Design Quarterly, she used the provided honorarium to buy MacVision, a combination of software and hardware that allowed her to import still images from a video camera. Using MacVision and a dot-matrix printer, Greiman painstakingly composited the issue.1 Rather than a traditional retrospective, the resulting magazine folded out into a life-size poster of Greiman’s nude body layered with imagery and text. The dense poster traces a personal history of technology while questioning the boundaries between art and design.
Never quelled by computation, Greiman bought her first Macintosh in 1984 after hearing a lecture by Alan Kay at the inaugural TED conference.2 The influence of her technological daring cannot be ignored, but she is more than a technophile. A student of Wolfgang Weingart, Greiman is a key figure in the introduction of New Wave style to the United States. Her expressive hybrid designs splice digital with physical to probe universals of the human condition. Before networked culture permeated our lives, Greiman used budding technology to connect us through color, symbology, and mythology.
1 April Greiman, “Think About What You Think About” (lecture, San Jose State University, February 7, 2012), https://www.youtube.com/watch?v=Ek5mu1wY8c0.
2 April Greiman, interview by Josh Smith, idsgn, September 11, 2009, http://idsgn.org/posts/design-discussions-april-greiman-on-trans-media/.