L
ike other Sethian texts, the Three Steles of Seth is a text featuring the salvation of the offspring of Seth. The Three Steles praise each member of the divine family in turn: the invisible father (addressed, as in the Secret Book of John, as the One [or monad], the five, the ineffable); his counterpart, Barbelo; and the self-conceived child. The Jewish historian Josephus recounts a story of how the descendants of Seth preserved the wisdom of Adam, Eve, and Seth by inscribing it on two steles of brick and stone, in order to preserve it through hell and high water. This legend becomes the occasion for explaining the origin of the present text, in which the original two steles may have become three to allow for praise to the threefold nature of the divine family. A similar legend may suggest that Hermetic texts were also preserved on steles and thus were communicated to later generations. This legend is recounted in the Discourse on the Eighth and Ninth.
The Three Steles of Seth claims to be the original set of divine hymns of praise formulated through heavenly Seth and his father, Geradamas, and recovered as a latter-day collection of hymns. Reading them, it is easy to imagine the gnostic Sethian community at worship, offering hymns of praise to the divine family. The text concludes with instructions for the use of the hymns: they are to be used in a liturgy of ecstatic ascent—inviting the worshiper to approach god, see god, and learn “about things infinite”—and return from ascent
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The contents of the hymns recall other texts written in the spirit of Seth, such as the Secret Book of John, the Vision of the Foreigner, the Sermon of Zostrianos, and Marsanes.
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The Three Steles of Seth reflects Jewish and neoplatonic philosophical ideas, the latter particularly in the numerous references to the neoplatonic triad of existence, life, and mind.
The Three Steles of Seth was likely composed in Greek. The date and place of composition are unknown, though Alexandria, Egypt, is as likely a place of composition as any other that has been proposed. Since the neoplatonic philosopher Plotinos taught a course against the gnostics in 265–66 CE
, and his student Porphyry mentions Zostrianos, the Foreigner (Allogenes), and other gnostic works, the first half of the third century has been proposed as a plausible time of composition.
The revelation of Dositheos
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about the three steles of Seth,
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father of the living and unshakable race.
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He remembered what he saw, understood, and read, and gave it to the chosen, just as it was written there.
Often I have joined in glorifying with the powers, and I was considered worthy by the immeasurable majesties.
O hidden one, blessed Senaon, who conceived himself,
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Asineus
Mephneus
Optaon
Elemaon, the great power
Emouniar
Nibareus
Kandephoros
Aphredon
Deiphaneus
you who are my Armedon
you generator of powers
Thalanatheus
Antitheus.
You are in you,
you are before you,
and after you none have come to act.
How shall we praise you?
We cannot,
but we thank you,
we who are inferior.
For you commanded us
,
you who are our superior,
to glorify you
as best we can.
We praise you because we are saved
and we always glorify you.
Now we shall glorify you
that we be saved to eternal salvation.
We have praised you
for we can.
We have been saved.
You always wished
us to do it.
We have done it. . . .
Whoever remembers these
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and always glorifies will be perfect among the perfect and free of suffering beyond all things. They all praise these, individually and collectively, and afterward they will be silent.
As assigned, they ascend. After silence, they descend from the third. They praise the second, and afterward the first. The way of ascent is the way of descent.
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So understand, as those who are alive, that you have succeeded. You have taught yourselves about things infinite. Marvel at the truth within them, and at the revelation.
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