Contents

Series Foreword

Acknowledgments

Introduction: The Jazz Age and the Culture of Change

Chronology of the Jazz Age

1 Babbitt (Sinclair Lewis, 1922)

Synopsis of Babbitt

Historical Background: Babbitt and the Perils of Progress and Prosperity

About Sinclair Lewis: The Man Who Defined Babbittry

Why We Read Babbitt

Historical Explorations of Babbitt

Documenting Babbitt

The Religion of Business in the Jazz Age

Document: From “Passing Our Tenth Milestone,” Paul P. Harris, 1915

Document: From The Man Nobody Knows, Bruce Barton, 1925

Conformity in the Jazz Age

Document: From “Knowledge in Contempt in America, Believe Europeans,” H. L. Mencken, 1925

Suggested Readings

2 The Great Gatsby (F. Scott Fitzgerald, 1925)

Synopsis of The Great Gatsby

Historical Background: The Great Gatsby and the Culture of Contradiction

About F. Scott Fitzgerald: The Man Who Wrote the Jazz Age

Why We Read The Great Gatsby

Historical Explorations of The Great Gatsby

Documenting The Great Gatsby

The Automobile and the Jazz Age

Document: From “How Many American People Can Afford Automobiles?” 1922

Document: From “Your Car and You,” 1920

Document: From “On Which Side of the Windshield Do You Do Your Cussing?” H. I. Phillips, 1927

Prohibition and Bootleggers

Document: From The Volstead Act, 1920

Document: From “Nation-Wide Prohibition Ends Fight of 112 Years,” 1920

Document: From “Volstead Law Draws Attack of Opponents,” 1925

Document: From “Rich Bootleggers Sent to Prison,” 1923

Celebrity Culture in the Jazz Age

Document: From “The Secret of Charlie Chaplin’s Popularity,” St. John Ervine, 1921

Document: From “Chance Writes the Lindbergh Saga,” 1927

Document: From “My Friend Babe Ruth,” 1924

Suggested Readings

3 Gentlemen Prefer Blondes (Anita Loos, 1925)

Synopsis of Gentlemen Prefer Blondes

Historical Background: Gentlemen Prefer Blondes and the Gender Politics of the Jazz Age

About Anita Loos: A Life in Words and (Motion) Pictures

Why We Read Gentlemen Prefer Blondes

Historical Explorations of Gentlemen Prefer Blondes

Documenting Gentlemen Prefer Blondes

The Flapper

Document: From The Flapper, 1922

Document: From “Flappers Flaunt Fads in Footwear,” The New York Times, 1922

Document: From “The Flapper—A New Type,” Alfredo Panzini, 1921

Document: From “Her Eternal Youth,” New York Times, 1922

Hollywood and the Motion Picture Revolution

Document: From “Youth, the Spirit of the Movies,” David Wark Griffith, 1921

Document: From “Flappers Here to Stay, Says Colleen Moore,” Gladys Hall, 1922

Document: From “The Monstrous Movies,” Charles Hanson Towne, 1921

Document: From “Through Hollywood with Gun and Camera,” Robert E. Sherwood, 1922

Suggested Readings

4 The Sun Also Rises (Ernest Hemingway, 1926)

Synopsis of The Sun Also Rises

Historical Background: Hemingway, Paris, and the Modern Moment

About Ernest Hemingway: The Man Who Wrote the Lost Generation

Why We Read The Sun Also Rises

Historical Explorations of The Sun Also Rises

Documenting The Sun Also Rises

The Lost Generation

Document: From Exile’s Return: A Literary Odyssey of the 1920s, Malcolm Cowley, 1934

Document: From “American Bohemians in Paris,” Ernest Hemingway, 1922

Document: From Being Geniuses Together 1920–1930, Robert McAlmon and Rev. Kay Boyle, 1968

Document: From Paris Was Yesterday. 1925–1939, Janet Flanner, 1972

The Art of the Bullfight

Document: From Being Geniuses Together 1920–1930, Robert McAlmon and Rev. Kay Boyle, 1968

Document: From “Bull Fighting a Tragedy,” Ernest Hemingway, 1923

Document: From “Pamplona in July,” Ernest Hemingway, 1923

Race, Ethnicity, and the Ku Klux Klan

Document: From “For Christian-Jewish Friendship HP,” The Literary Digest, 1922

Document: From “New York and the Real Jew,” Rollin Lynde Hartt, 1921

Document: From “The Klan Walks in Washington,” The Literary Digest, 1925

Document: From “Klan and Church,” Lowell Mellett, 1923

Document: From “A Judicial Spanking for the Klan,” Literary Digest, 1928

Suggested Readings

5 Passing (Nella Larsen, 1929)

Synopsis of Passing

Historical Background: Passing and the Harlem Renaissance

About Nella Larsen: A Life on the Color Line

Why We Read Passing

Historical Explorations of Passing

Documenting Passing

The Harlem Renaissance

Document: From The Big Sea, Langston Hughes, 1940

Document: From Negro Life in New York’s Harlem, Wallace Thurman, 1928

Document: From “ ‘Charleston’ Dance Sweeps New York City by Storm; Louis Chalif Is Forced to Instruct in Dance That Is Distasteful,” Maxine Davis, 1925

The African American Elite

Document: From “The Talented Tenth,” W. E. B. Du Bois, 1903

Document: From “The Task of Negro Womanhood,” Elise Johnson McDougald, 1925

Race and the Eugenics Movement in the Jazz Age

Document: From “Eugenics Seeks to Improve the Natural, Physical, Mental and Temperamental Qualities of the Human Family,” Eugenics Record Office, 1927

Document: From “Fitter Families for Future Firesides,” 1924

Document: From “Body of Woman Shown to Jury,” The Florence [AL] Times, 1925

Suggested Readings

Index