Artist Jorge Colaço’s depiction of secular subjects can be seen on the exterior of Porto’s grand São Bento station (see Estacão de São Bento) and within its central hall. Here, Colaço created colourful images from seminal moments in Portugal’s history, such as the visit of Dom João I in 1387 and the conquest of Ceuta in 1415.
The simple geometric tilework on the plain frontage of this church (see Igreja de São Pedro de Miragaia), dedicated to the patron saint of fishermen, was added in the 19th century and contrasts sharply with the more elaborate azulejo façades of many of Porto’s historic buildings. Here, it gives little hint of the riot of gilt and carving within.
The immaculate tilework that adorns the exterior of this church (see Igreja de Santo Ildefonso) was created by Jorge Colaço in 1932. Using around 11,000 tiles, the display features scenes from the life of São Ildefonso (St Ildefonsus), the 7th-century Visigothic bishop of Toledo.
The walls of the Gothic cloister and the Baroque loggia of Porto’s spectacular cathedral (see Sé do Porto) are graced with intricately designed azulejos, which depict scenes from the Song of Solomon and the life of the Virgin Mary. They are the work of the 18th-century ceramicists Valentim de Almeida and António Vidal.
Completely covered in vivid tiled panels created by Silvestre Silvestri and depicting Nossa Senhora (the Virgin Mary), the façade of this 18th-century church (see Igrejas das Carmelitas e do Carmo) features some of Porto’s most spectacular azulejo tilework. The tiles on the east wall show scenes of the founding of the Carmelite order in the Holy Land.
Rem Koolhaas’s angular white building is the perfect setting for the luminescent blue tiles of the Casa da Música’s VIP Room, created by the architect in homage to the Portuguese and Dutch ceramicists of the 16th century.
Added in 1929 by artist Eduardo Leite, the elaborate tiles on the façade of the Capela das Almas, also known as the Capela de Santa Catarina (see Capela das Almas), show the martyrdom of St Catherine, executed on a wheel in the 4th century (so giving her name to the popular firework), as well as scenes from the life and death of St Francis of Assisi.
Rua Formosa 279 • Open 9:30am–7:30pm Mon–Fri (to 1pm Sat)
The Art Nouveau frontage of this vintage grocery store (see A Pérola do Bolhao) is decorated with multicoloured, tile portraits of Indian and African women. They symbolize the tea and coffee imported from across Portugal’s colonial empire and purveyed here to the people of Porto since 1917.
This contemporary work (see Ribeira Negra Panel) is a 1987 creation by Júlio Resende. It adorns the entrance to the Tunel de Ribeira and celebrates the lives and hardships of Porto’s riverside communities.
Praça Carlos Alberto 71 • Closed Sun
The “Bank of Materials” (see Banco de Materiais) is an initiative by the city government to display and sell beautifully coloured tiles with the aim of helping owners to conserve homes and shops.
The azulejos in the Sé’s chapter room are credited to this Coimbra-born artist.
The 16th-century tile painter Marcal de Matos pioneered the use of the majolica technique in works such as Susannah and the Elders (1865).
This 19th-century Portuguese ceramic artist founded the Viúva Lamego tile factory in Lisbon in 1849, which produced tiles for the Capela das Almas.
The work of this artist adorns the cloister of the Sé, featuring pastoral scenes with Chinese influences.
Considered to be the greatest master of narrative azulejo work, de Oliveira Bernardes inspired many imitators.
The tiles of this Porto artist portraying the founding of the Carmelite order at Igreja do Carmo were made by crafts-people in Vila Nova da Gaia.
Branco collaborated with Silvestri on the decoration of the Igreja do Carmo, painting tiles to Silvestri’s designs.
Best known for his large panels, Colaço depicted Romantic landscapes and scenes from Portuguese history.
Leite created many designs for the Viúva Lamego tile factory, including those for the Capela das Almas.
This Porto painter developed a modern style of azulejo design, with his murals decorating contemporary buildings.