THE TWO NOBLE KINSMEN

The Two Noble Kinsmen, written in collaboration with John Fletcher, is a dramatization of the first and noblest of Chaucer’s Canterbury Tales, the tragic “Knight’s Tale.” Two near-brothers fall out with each other because of their shared desire for a woman: it is a theme familiar from many earlier Shakespearean works. Stylistic studies suggest that Shakespeare was primarily responsible for the first and last acts, Fletcher for the middle of the play. The most touching scenes are the non-Chaucerian ones featuring the Jailer’s Daughter who runs mad as a result of her unrequited love for the dashing Palamon. These sequences were written by Fletcher in the style of Shakespeare: the junior partner was manifestly under the influence of one of his collaborator’s most celebrated creations: the demented Ophelia.

In the final act, written in the supple blank verse that is characteristic of late Shakespeare, the kinsmen fight for Emilia by way of chivalric single combat. Arcite dedicates himself to Mars, the god of war, on the grounds that this will be the best way of winning the martial contest. Palamon, on the other hand, dedicates himself to Venus, goddess of love, on the grounds that love is at issue. Emilia admires both men equally; she sensibly prays to Diana, goddess of chastity, that either the one who loves her best should win or, failing this, that they should both be killed, leaving her a perpetual virgin. There appears to be a tragic bind: since Arcite has prayed to Mars, he will win the joust, but since Palamon has prayed to Venus, he deserves the love prize. Fortune ends up playing a subtle game: in the words of Theseus, who presides over the action, “the conquered triumphs, / The victor has the loss.” Arcite wins the day, but only for an instant: he is mortally injured in a riding accident in his very victory parade. As is appropriate, the romantic hero Palamon is granted his romance with Emilia. But this “comic” requital has only been made possible by the suffering of others. “O cousin,” laments Palamon, “That we should things desire, which do cost us / The loss of our desire! That nought could buy / Dear love, but loss of dear love!” This paradox comes to the heart of Shakespeare and Fletcher’s tragicomic vision of the world.

With its wedding and funeral processions, its morris dance featuring a countryman dressed as a baboon, and its knights prostrating themselves before the temples of various classical deities, The Two Noble Kinsmen appealed to the taste for spectacle that characterized the later Jacobean theater. The preponderance of special effects may have been the result of its being written during the period when the Globe Theatre was being rebuilt after the fire of 1613: this seems to have been one of the very few King’s Men plays written specifically for the smaller indoor Blackfriars Theatre, an intimate space where artificial effects could be more precisely controlled than in the rowdy outdoor arena of the Globe. Strikingly, the epilogue ends “Gentlemen, goodnight,” a reminder that the audience at the Blackfriars, close to the Inns of Court, was much more male-dominated than that at the Globe.

Although the play draws on the fashions of its time, it also looks back to Shakespeare’s Elizabethan comedies. The title echoes The Two Gentlemen of Verona, and the long central sequence in which assorted love tangles are played out in a wood outside Athens is structurally highly reminiscent of A Midsummer Night’s Dream. At times, both the language and the treatment of the relationship between friendship and sexuality suggest that Shakespeare was revisiting old territory even as he was learning from some of the new techniques of Fletcher.

One passage in particular takes him back into the vein of Dream and his bestselling love-poem Venus and Adonis. Ovid’s Metamorphoses become once again a template for reflections on desire and identity. Emilia remembers Flavina, whom she loved as a girl, and the way that they would each place flowers between their swelling breasts, which became an “innocent cradle, where phoenix-like / They died in perfume.” The dying flower in Venus and Adonis is an emblem of unrequited love. The phoenix and the turtle in Shakespeare’s marriage poem published with Robert Chester’s Loves Martyr are emblems of reciprocal love between male and female. In Emilia’s image, the paired flowers become two phoenixes, with the wonderful contradiction of the bird’s defining uniqueness proclaiming the perfection of same-sex love. The speech ends with the claim that “the true love ’tween maid and maind may be / More than in sex dividual.” The Two Noble Kinsmen is a tragedy because same-sex love is disrupted by heterosexual desire and the conflicting demands of the different gods that are enacted in the sacrifices before their altars in the final act. The momentary fusion of the two pubescent girls remembered by Emilia cannot be replicated between Palamon and Arcite. Shakespeare’s final representation of sexual relations is uncompromising. Whereas A Midsummer Night’s Dream moved toward a celebration of the nuptials of Theseus and Hippolyta, The Two Noble Kinsmen, from the first disruptive entry of the three widowed queens, moves rapidly away from that union. The lost Flavina is a version of the dead votaress whom Titania loved, but one who dies before the fall into sexuality that brings so much confusion to Shakespeare’s comedies. She is the mark of a yearning in Shakespeare for a kind of presexual love, free from the quest for mastery.

 

KEY FACTS

AUTHORSHIP: By Shakespeare and John Fletcher. Active collaboration is generally assumed, but the possibility of Fletcher taking over an incomplete Shakespearean work cannot be ruled out. Most scholars agree on the following division of labor, whereby Shakespeare wrote the beginning and end, Fletcher the middle (including the Jailer’s Daughter subplot):

Prologue Fletcher
Act 1 Shakespeare
2.1 Shakespeare
2.2–2.6 Fletcher
3.1–3.2 Shakespeare (some doubt about 3.2)
rest of Act 3 Fletcher
Act 4 Fletcher (some doubt about 4.2)
5.1 Shakespeare (some doubt about opening 38 lines)
5.2 Fletcher
5.3–5.4 Shakespeare
Epilogue Fletcher

PLOT: On the day planned for his wedding to Hippolyta, Duke Theseus of Athens is petitioned by three queens to go to war against King Creon of Thebes, who has deprived their dead husbands of proper burial rites. In Thebes, the “two noble kinsmen,” Palamon and Arcite, realize that their own hatred of Creon’s tyranny must be put aside while their native city is in danger, but in spite of their valor in battle it is Theseus who is victorious. Imprisoned in Athens, the cousins catch sight of Hippolyta’s sister, Emilia, and both fall instantly in love with her. Arcite is set free, but disguises himself rather than return to Thebes, while Palamon escapes with the help of the Jailer’s Daughter, who loves him. Meeting each other, the kinsmen agree that mortal combat between them must decide the issue, but they are discovered by Theseus who is persuaded to revoke his sentence of death and instead decrees that a tournament shall decide which cousin is to be married to the indecisive Emilia and which is to lose his head. The Jailer’s Daughter has been driven mad by unrequited love, but accepts her former suitor when he pretends to be Palamon. Before the tournament Arcite makes a lengthy invocation to Mars, while Palamon prays to Venus, and Emilia to Diana—for victory to go to the one who loves her best. Although Arcite triumphs, he is thrown from his horse before the death sentence on Palamon can be carried out, and with his last breath bequeaths Emilia to his friend.

MAJOR PARTS: (with percentage of lines/number of speeches/scenes on stage) Palamon (18%/139/8), Arcite (16%/132/10), Emilia (11%/64/10), Theseus (10%/70/9), Jailer’s Daughter (10%/54/9), Jailer (4%/64/5), Pirithous (4%/37/9), Wooer (3%/38/3), Hippolyta (3%/25/9), Schoolmaster (3%/19/1), Doctor (2%/30/2), First Queen (2%/12/3).

LINGUISTIC MEDIUM: 95% verse, 5% prose.

DATE: 1613–14. Morris dance borrows from Francis Beaumont’s Masque of the Inner Temple and Gray’s Inn, February 1613; alluded to in Ben Jonson’s Bartholomew Fair (first performed October 1614); ‘‘our losses’’ in the Prologue probably refers to the Globe fire of June 1613; probably first performed at Blackfriars Theatre in the winter season of 1613–14.

SOURCES: Based on Chaucer’s ‘‘Knight’s Tale’’ (the debt is specifically acknowledged in the Prologue, as with the debt to Gower in Pericles). There is no direct source for the Jailer’s Daughter subplot, but the influence of Hamlet is strong. The striking opening sequence of a royal wedding interrupted by harbingers of royal death may be shaped by recent public events: the wedding of King James’ daughter, Princess Elizabeth, was planned for January 1613, but postponed because of the death in November 1612 of Prince Henry, heir to the throne.

TEXT: Not in the First Folio, presumably because it was thought to belong to the canon of the living Fletcher as much as the dead Shakespeare. Published in Quarto in 1634, as ‘‘Presented at the Blackfriers by the Kings Maiesties servants, with great applause: Written by the memorableWorthies of their time: Mr John Fletcher, and MrWilliam Shakspeare. Gent[lemen].’’ Thomas Cotes, the printer, also produced a new Quarto of Pericles the following year: the two plays may have been intended as an addendum to the Shakespeare Second Folio of 1632, which was also printed by Cotes. A well-printed text, perhaps based on a scribal transcript of the authors’ manuscript, but with theatrical annotation. Some of the stage directions are intended for the bookkeeper, who acted as stage manager, preparing props backstage; they are proof of the theatrical origin of the text and of great interest in revealing stage practice. The text was reprinted in the Second Folio (1679) of Beaumont and Fletcher’s Comedies and Tragedies.


 

The PROLOGUE

Thebans

THREE QUEENS, widows of besiegers of Thebes

VALERIUS

THREE KNIGHTS, Arcite’s supporters

THREE KNIGHTS, Palamon’s supporters

Athenians

THESEUS, Duke of Athens

PIRITHOUS, Theseus’ friend

HIPPOLYTA, Amazon queen, Theseus’ bride

EMILIA, Hippolyta’s sister

WAITING WOMAN, attendant on Emilia

Artesius, an OFFICER of Theseus

HERALD

JAILER

JAILER’S DAUGHTER

WOOER of Jailer’s daughter

JAILER’S BROTHER

TWO FRIENDS of Jailer

DOCTOR

Gerald, a SCHOOLMASTER

FIVE COUNTRYMEN: Areas, Rycas, Sennois and two others

FIVE COUNTRYWOMEN: Barbary, Friz, Luce, Maudlin, Nell

TIMOTHY, a TABORER

Actor playing a BABOON

GENTLEMEN

EXECUTIONER

TWO MESSENGERS

The EPILOGUE

Other Servants, Guards and Attendants

Prologue

       Flourish.* [Enter the Prologue]

               New plays and maidenheads1 are near akin:

               Much followed2 both, for both much money gi’en,

               If they stand3 sound and well. And a good play —

               Whose modest scenes blush on his marriage day,

5

5              And shake5 to lose his honour — is like her

               That after holy tie and first night’s stir6

               Yet still is Modesty, and still retains

               More of the maid, to sight, than husband’s pains.8

               We pray our play may be so, for I am sure

10

10            It has a noble breeder10 and a pure,

               A learnèd, and a poet never went11

               More famous yet ’twixt Po12 and silver Trent.

               Chaucer — of all admired — the story gives,

               There,14 constant to eternity, it lives.

15

15            If we let fall15 the nobleness of this

               And the first sound this child hear be a hiss,

               How will it shake the bones of that good man

               And make him cry from under ground, ‘O, fan18

               From me the witless chaff of such a writer

20

20            That blasts my bays20 and my famed works makes lighter

               Than Robin Hood!21’ This is the fear we bring,

               For, to say truth, it were an endless22 thing

               And too ambitious to aspire to him,

               Weak as we are, and almost breathless swim

25

25            In this deep water. Do25 but you hold out

               Your helping hands and we shall tack about,26

               And something do to save us: you shall hear

               Scenes, though below his art, may yet appear

               Worth two hours’ travel. To his bones sweet sleep,

30

30            Content to you. If this play do not keep

               A little dull time from us, we perceive

               Our losses fall so thick, we must needs leave.32

       Flourish. [Exit]

Act 1 [Scene 1]1.1
running scene 1

       Music. Enter Hymen with a torch burning, a Boy, in a white robe, before, singing and strewing flowers; after Hymen, a Nymph, encompassed in her tresses, bearing a wheaten garland. Then Theseus between two other Nymphs with wheaten chaplets on their heads. Then Hippolyta the bride, led by [Pirithous], and another holding a garland over her head, her tresses likewise hanging. After her Emilia, holding up her train.

                                    The song

       
BOY
BOY     Roses their sharp spines being gone,

               Not royal2 in their smells alone,

                                    But in their hue.

                                    Maiden pinks, of odour faint,

5

5                                   Daisies smell-less, yet most quaint5

                                    And sweet thyme true.

                                    Primrose, first-born child of Ver,7

                                    Merry springtime’s harbinger,8

                                    With harebells dim,

10

10                                 Oxlips in their cradles10 growing,

                                    Marigolds on deathbeds blowing,11

                                    Lark’s-heels12 trim.

                                    All dear Nature’s children sweet,

                                    Lie ’fore bride and bridegroom’s feet,

       Strew flowers

15

15                                 Blessing their sense.15

                                    Not an angel of the air,

                                    Bird melodious, or bird fair,

                                    Is absent hence.

                                    The crow, the sland’rous19 cuckoo, nor

20

20                                 The boding20 raven, nor chough hoar

                                    Nor chatt’ring ’pie,21

                                    May on our bride-house22 perch or sing,

                                    Or with them any discord bring,

                                    But from it fly.

       Enter three Queens in black, with veils stained, with imperial crowns. The First Queen falls down at the foot of Theseus, the second falls down at the foot of Hippolyta, the third before Emilia

25
25   
FIRST QUEEN
FIRST QUEEN             For pity’s sake and true gentility’s, To Theseus

               Hear and respect26 me.

       
SECOND QUEEN
SECOND QUEEN     For your mother’s sake To Hippolyta

               And as you wish your womb may thrive with fair ones,

               Hear and respect me,

30
30   
THIRD QUEEN
THIRD QUEEN             Now for the love of him whom Jove30 hath marked To Emilia

               The honour31 of your bed and for the sake

               Of clear virginity, be advocate

               For us and our distresses: this good deed

               Shall raze34 you out o’th’book of trespasses

35

35            All you are set down there.

       
THESEUS
THESEUS     Sad lady, rise. To First Queen
       
HIPPOLYTA
HIPPOLYTA     Stand up. To Second Queen
       
EMILIA
EMILIA     No knees38 to me. To Third Queen

               What woman I may stead39 that is distressed

40

40            Does bind me to her.

       Second and Third Queens may rise here while First Queen continues to kneel, or all three may continue kneeling

       
THESEUS
THESEUS     What’s your request? To First Queen Deliver you for all.
       
FIRST QUEEN
FIRST QUEEN     We are three queens, whose sovereigns fell before

               The wrath of cruel Creon,43 who endured

               The beaks of ravens, talons of the kites

45

45            And pecks of crows in the foul fields of Thebes.

               He will not suffer46 us to burn their bones,

               To urn their ashes, nor to take th’offence

               Of mortal loathsomeness from the blest eye

               Of holy Phoebus,49 but infects the winds

50

50            With stench of our slain lords. O pity, duke,

               Thou purger51 of the earth, draw thy feared sword

               That does good turns to th’world: give us the bones

               Of our dead kings that we may chapel53 them:

               And of54 thy boundless goodness take some note

55

55            That for our crownèd heads we have no roof,

               Save this which is the lion’s and the bear’s,

               And vault57 to everything.

       
THESEUS
THESEUS     Pray you, kneel not:

               I was transported59 with your speech and suffered

60

60            Your knees to wrong themselves. I have heard the fortunes

               Of your dead lords, which gives me such lamenting

               As wakes my vengeance and revenge for ’em.—

               King Capaneus was your lord. The day To First Queen

               That he should64 marry you, at such a season

65

65            As now it is with me, I met your groom.

               By Mars’s66 altar you were that time fair:

               Not Juno’s67 mantle fairer than your tresses,

               Nor in more bounty spread her. Your68 wheaten wreath

               Was then nor threshed nor blasted: Fortune at you

70

70            Dimpled her cheek with smiles. Hercules70 our kinsman —

               Then weaker than your eyes — laid by his club:

               He tumbled down upon his Nemean72 hide

               And swore his sinews thawed.73 O grief and time,

               Fearful consumers, you will all devour!

75
75   
FIRST QUEEN
FIRST QUEEN             O, I hope some god,

               Some god hath put his mercy in your manhood,

               Whereto77 he’ll infuse power, and press you forth

               Our undertaker.78

       
THESEUS
THESEUS     O, no knees, none, widow!
80

80            Unto the helmeted Bellona80 use them,

               And pray for me, your soldier. First Queen rises

               Troubled I am.

       Turns away

       
SECOND QUEEN
SECOND QUEEN     Honoured Hippolyta, Kneeling

               Most dreaded Amazonian, that hast slain

85

85            The scythe-tusked boar, that with thy arm, as strong

               As it is white, wast86 near to make the male

               To thy sex captive, but that this thy lord

               Born to uphold88 creation in that honour

               First nature styled it in, shrunk thee into

90

90            The bound90 thou wast o’er-flowing, at once subduing

               Thy force and thy affection, soldieress,

               That equally canst poise92 sternness with pity,

               Whom now I know hast much more power on him

               Than ever he had on thee, who ow’st94 his strength

95

95            And his love too, who is a servant for

               The tenor96 of the speech, dear glass of ladies:

               Bid him that we, whom flaming war doth scorch,

               Under the shadow of his sword may cool us:

               Require him he advance it o’er our heads.

100

100          Speak’t in a woman’s key,100 like such a woman

               As any of us three: weep ere you fail,

               Lend102 us a knee,

               But touch the ground for us no longer time

               Than a dove’s motion when the head’s plucked off.

105

105          Tell him if he i’th’blood-sized105 field lay swoll’n,

               Showing the sun his teeth, grinning at the moon,

               What you would do.

       
HIPPOLYTA
HIPPOLYTA     Poor lady say no more:

               I had as lief109 trace this good action with you

110

110          As that whereto I am going, and never yet

               Went I so willing way. My lord is taken111

               Heart deep with your distress: let him consider:

               I’ll speak anon. Second Queen rises

       
THIRD QUEEN
THIRD QUEEN     O, my petition was

       Kneel to Emilia

115

115          Set115 down in ice, which by hot grief uncandied

               Melts into drops: so sorrow wanting form116

               Is pressed117 with deeper matter.

       
EMILIA
EMILIA     Pray stand up:

               Your grief is written in your cheek.

120
120 
THIRD QUEEN
THIRD QUEEN             O, woe, Third Queen rises

               You cannot read it there: there, through my tears,

               Like wrinkled pebbles in a glass stream,

               You may behold ’em — lady, lady, alack —

               He that will all the treasure know o’th’earth

125

125          Must know125 the centre too: he that will fish

               For my least minnow, let him lead his line

               To catch one at my heart. O, pardon me,

               Extremity, that sharpens sundry wits,128

               Makes me a fool.

130
130 
EMILIA
EMILIA             Pray you say nothing, pray you.

               Who cannot feel nor see the rain, being in’t,

               Knows neither wet nor dry. If that you were

               The ground-piece133 of some painter, I would buy you

               T’instruct me gainst134 a capital grief indeed

135

135          Such heart-pierced demonstration: but alas,

               Being a natural136 sister of our sex,

               Your sorrow beats so ardently137 upon me

               That it shall138 make a counter-reflect gainst

               My brother’s heart, and warm it to some pity,

140

140          Though it were made of stone. Pray have good comfort.

       
THESEUS
THESEUS     Forward to th’temple! Leave not out a jot141

               O’th’sacred ceremony.

       
FIRST QUEEN
FIRST QUEEN     O, this celebration

               Will longer last and be more costly than

145

145          Your suppliants’145 war! Remember that your fame

               Knolls146 in the ear o’th’world: what you do quickly

               Is not done rashly: your first thought is more

               Than others’ laboured meditance,148 your pre-meditating

               More than their actions. But, O Jove, your actions,

150

150          Soon as they move, as ospreys150 do the fish,

               Subdue before they touch. Think, dear duke, think

               What beds our slain kings have.

       
SECOND QUEEN
SECOND QUEEN     What griefs our beds,

               That our dear lords have none.

155
155 
THIRD QUEEN
THIRD QUEEN             None fit for th’dead:

               Those that with cords, knives, drams’156 precipitance,

               Weary of this world’s light, have to themselves

               Been death’s most horrid agents, humane grace

               Affords them dust and shadow.

160
160 
FIRST QUEEN
FIRST QUEEN             But our lords

               Lie blist’ring ’fore the visitating161 sun,

               And were good kings, when living.

       
THESEUS
THESEUS     It is true, and I will give you comfort,

               To give164 your dead lords graves:

165

165          The which to do must make some work with Creon.

       
FIRST QUEEN
FIRST QUEEN     And that work presents166 itself to th’doing:

               Now ’twill take form, the heats are gone tomorrow:

               Then, bootless168 toil must recompense itself

               With its own sweat: now he’s secure,

170

170          Not dreams, we stand before your puissance170

               Rinsing our holy begging in our eyes

               To make petition clear.172

       
SECOND QUEEN
SECOND QUEEN     Now you may take him,

               Drunk with his victory.

175
175 
THIRD QUEEN
THIRD QUEEN             And his army full

               Of bread and sloth.

       
THESEUS
THESEUS     Artesius, that best knowest To Officer

               How to draw out178 fit to this enterprise

               The prim’st179 for this proceeding and the number

180

180          To carry such a business, forth and levy180

               Our worthiest instruments,181 whilst we dispatch

               This grand act of our life, this daring deed

               Of fate in wedlock.

       
FIRST QUEEN
FIRST QUEEN     Dowagers, take hands. To the other Queens
185

185          Let us be widows185 to our woes: delay

               Commends us to a famishing186 hope.

       
ALL QUEENS
ALL QUEENS     Farewell.
       
SECOND QUEEN
SECOND QUEEN     We come unseasonably: but when could grief

               Cull189 forth, as unpanged judgement can, fitt’st time

190

190          For best solicitation?

       
THESEUS
THESEUS     Why, good ladies,

               This is a service,192 whereto I am going,

               Greater than any war: it more imports193 me

               Than all the actions that I have foregone,194

195

195          Or futurely can cope.195

       
FIRST QUEEN
FIRST QUEEN     The more proclaiming196

               Our suit shall be neglected, when her arms,

               Able to lock198 Jove from a synod, shall

               By warranting199 moonlight corslet thee: O, when

200

200          Her twinning cherries200 shall their sweetness fall

               Upon thy taste-full201 lips, what wilt thou think

               Of rotten kings or blubbered202 queens? What care

               For what thou feel’st not, what thou feel’st being able

               To make Mars spurn his drum? O, if thou couch

205

205          But one night with her, every hour in’t will

               Take hostage of thee for a hundred and

               Thou shalt remember nothing more, than what

               That banquet bids208 thee to.

       
HIPPOLYTA
HIPPOLYTA     Though much unlike209 To Theseus
210

210          You should be so transported, as much sorry

               I should be such a suitor, yet I think

               Did I not by th’abstaining of my joy

               Which breeds a deeper longing, cure their surfeit213

               That craves a present214 med’cine, I should pluck

215

215          All ladies’ scandal215 on me. Therefore, sir Kneels

               As I shall here make trial of my prayers,

               Either presuming them to have some force,

               Or sentencing for aye218 their vigour dumb,

               Prorogue219 this business we are going about and hang

220

220          Your shield afore your heart, about that neck

               Which is my fee221 and which I freely lend

               To do these poor queens service.

       
ALL QUEENS
ALL QUEENS     O, help now, To Emilia

               Our cause cries for your knee.

225
225 
EMILIA
EMILIA             If you grant not Kneels to Theseus

               My sister her petition in that force,

               With that celerity and nature, which

               She makes it in, from henceforth I’ll not dare

               To ask you anything, nor be so hardy229

230

230          Ever to take a husband.

       
THESEUS
THESEUS     Pray stand up. They rise

               I am entreating of myself to do

               That which you kneel to have me.— Pirithous,

               Lead on the bride: get you234 and pray the gods

235

235          For success and return: omit not anything

               In the pretended236 celebration.— Queens,

               Follow your soldier.— As before, hence you, To Officer

               And at the banks of Aulis238 meet us with

               The forces you can raise, where we shall find

240

240          The moiety240 of a number for a business

               More bigger look’t.— Since that our theme is haste,

       [Exit Officer]

               I stamp this kiss upon thy current242 lip:

               Sweet, keep it as my token. Set you forward,

               For I will see you gone.—

       [They begin to] exeunt towards the temple

245

245          Farewell, my beauteous sister.— Pirithous,

               Keep the feast full,246 bate not an hour on’t.

       
PIRITHOUS
PIRITHOUS     Sir,

               I’ll follow you at heels: the feast’s solemnity248

               Shall want249 till your return.

250
250 
THESEUS
THESEUS             Cousin,250 I charge you

               Budge not from Athens: we shall be returning

               Ere you can end this feast, of which I pray you

               Make no abatement.253— Once more, farewell all.

       [Exeunt all except Theseus and Queens]

       
FIRST QUEEN
FIRST QUEEN     Thus dost thou still make good the tongue o’th’world254
255
255 
SECOND QUEEN
SECOND QUEEN             And earn’st a deity equal with Mars—
       
THIRD QUEEN
THIRD QUEEN     If not above him, for

               Thou, being but mortal, mak’st affections257 bend

               To godlike honours: they themselves, some say,

               Groan under such a mast’ry.

260
260 
THESEUS
THESEUS             As we are men,

               Thus should we do, being sensually subdued261

               We lose our human title.262 Good cheer, ladies:

               Now turn we towards your comforts.

       Flourish. Exeunt

Act 1 Scene 21.2
running scene 2

       Enter Palamon and Arcite

       
ARCITE
ARCITE     Dear Palamon, dearer in love than blood1

               And our prime2 cousin, yet unhardened in

               The crimes of nature,3 let us leave the city

               Thebes, and the temptings in’t, before we further

5

5              Sully5 our gloss of youth

               And here to keep in abstinence we shame6

               As in incontinence,7 for not to swim

               I’th’aid o’th’current, were almost to sink,

               At least to frustrate striving,9 and to follow

10

10            The common stream, ’twould bring us to an eddy10

               Where we should turn or drown: if labour through,

               Our gain but life and weakness.

       
PALAMON
PALAMON     Your advice

               Is cried up14 with example. What strange ruins

15

15            Since first we went to school, may we perceive

               Walking in Thebes! Scars and bare weeds16

               The gain o’th’martialist,17 who did propound

               To his bold ends honour and golden ingots,18

               Which though he won, he had not, and now flurted19

20

20            By peace for whom he fought. Who then shall offer

               To Mars’s so scorned altar? I do bleed

               When such I meet and wish great Juno would

               Resume her ancient fit of jealousy

               To get the soldier work, that peace might purge24

25

25            For her repletion and retain25 anew

               Her charitable heart, now hard and harsher

               Than strife or war could be.

       
ARCITE
ARCITE     Are you not out?28

               Meet you no ruin but the soldier in

30

30            The cranks30 and turns of Thebes? You did begin

               As if you met decays of many kinds:

               Perceive you none that do arouse your pity

               But th’unconsidered soldier?

       
PALAMON
PALAMON     Yes, I pity
35

35            Decays where’er I find them, but such most

               That sweating in an honourable toil

               Are paid37 with ice to cool ’em.

       
ARCITE
ARCITE     ’Tis not this

               I did begin to speak of: this is virtue

40

40            Of no respect40 in Thebes. I spake of Thebes,

               How dangerous, if we will keep our honours,

               It is for our residing, where every evil

               Hath a good colour:43 where every seeming good’s

               A certain evil: where not to be e’en jump44

45

45            As they are here were to be strangers, and

               Such things to be, mere46 monsters.

       
PALAMON
PALAMON     ’Tis in our power —

               Unless we fear that apes48 can tutor’s — to

               Be masters of our manners. What need I

50

50            Affect50 another’s gait, which is not catching

               Where there is faith,51 or to be fond upon

               Another’s way of speech when by mine own

               I may be reasonably conceived,53 saved too,

               Speaking it truly?54 Why am I bound

55

55            By any generous bond55 to follow him

               Follows his tailor, haply56 so long until

               The followed make pursuit?57 Or let me know

               Why mine own barber is unblessed, with him

               My poor chin too, for59 ’tis not scissored just

60

60            To such a favourite’s glass?60 What canon is there

               That does command my rapier61 from my hip

               To dangle’t in my hand, or to go tiptoe

               Before the street be foul? Either I am

               The fore-horse in the team or I am none

65

65            That draw i’th’sequent trace.65 These poor slight sores

               Need not a plantain:66 that which tips my bosom

               Almost to th’heart’s—

       
ARCITE
ARCITE     Our uncle Creon.
       
PALAMON
PALAMON     He:
70

70            A most unbounded tyrant, whose successes

               Makes heaven unfeared and villainy assured

               Beyond its power there’s nothing, almost puts

               Faith in a fever, and deifies73 alone

               Voluble74 chance: who only attributes

75

75            The faculties of other instruments

               To his own nerves and act: commands men service,

               And what they win in’t, boot77 and glory: one

               That fears not to do harm, good, dares not.78 Let

               The blood of mine that’s sib79 to him be sucked

80

80            From me with leeches, let them break80 and fall

               Off me with that corruption.

       
ARCITE
ARCITE     Clear-spirited82 cousin,

               Let’s leave his court, that we may nothing share

               Of his loud84 infamy, for our milk

85

85            Will relish of the pasture and we must

               Be vile86 or disobedient: not his kinsmen

               In blood unless in quality.

       
PALAMON
PALAMON     Nothing truer:

               I think the echoes of his shames have deafed

90

90            The ears of heav’nly justice. Widows’ cries

               Descend again into their throats and have not

       Enter Valerius

               Due audience of92 the gods.— Valerius!

       
VALERIUS
VALERIUS     The king calls for you: yet be leaden-footed93

               Till his great rage be off him. Phoebus, when

95

95            He broke his whipstock95 and exclaimed against

               The horses of the sun, but96 whispered to

               The loudness of his fury.

       
PALAMON
PALAMON     Small winds shake him.

               But what’s the matter?

100
100 
VALERIUS
VALERIUS             Theseus — who, where he threats, appals100 — hath sent

               Deadly defiance to him and pronounces

               Ruin to Thebes, who is at hand to seal102

               The promise of his wrath.

       
ARCITE
ARCITE     Let him approach.
105

105          But105 that we fear the gods in him, he brings not

               A jot of terror to us. Yet what man

               Thirds107 his own worth — the case is each of ours —

               When that his action’s dregged,108 with mind assured

               ’Tis bad he goes about?

110
110 
PALAMON
PALAMON             Leave that unreasoned.110

               Our services stand now for Thebes, not Creon.

               Yet112 to be neutral to him were dishonour,

               Rebellious to oppose: therefore we must

               With him stand to the mercy of our fate,

115

115          Who hath bounded115 our last minute.

       
ARCITE
ARCITE     So we must.—

               Is’t said this war’s afoot? Or it shall be, To Valerius

               On fail of118 some condition?

       
VALERIUS
VALERIUS     ’Tis in motion.
120

120          The intelligence of state120 came in the instant

               With the defier.121

       
PALAMON
PALAMON     Let’s to the king, who, were he

               A quarter-carrier of that honour which

               His enemy come in, the blood we venture

125

125          Should be as125 for our health, which were not spent,

               Rather laid126 out for purchase: but, alas,

               Our hands127 advanced before our hearts, what will

               The fall o’th’stroke do damage?

       
ARCITE
ARCITE     Let th’event,129
130

130          That never-erring arbitrator, tell us

               When we know all ourselves, and let us follow

               The becking132 of our chance.

       Exeunt

Act 1 Scene 31.3
running scene 3

       Enter Pirithous, Hippolyta, Emilia

       
PIRITHOUS
PIRITHOUS     No further.
       
HIPPOLYTA
HIPPOLYTA     Sir, farewell: repeat my wishes

               To our great lord, of whose success I dare not

               Make any timorous4 question: yet I wish him

5

5              Excess and overflow of power, an’t5 might be

               To dure6 ill-dealing fortune. Speed to him!

               Store7 never hurts good governors.

       
PIRITHOUS
PIRITHOUS     Though I know

               His ocean needs not my poor drops, yet they

10

10            Must yield their tribute there.— My precious maid, To Emilia

               Those best affections11 that the heavens infuse

               In their best-tempered pieces,12 keep enthroned

               In your dear heart.

       
EMILIA
EMILIA     Thanks, sir. Remember me
15

15            To our all-royal brother, for whose speed

               The great Bellona I’ll solicit: and

               Since in our terrene17 state petitions are not

               Without gifts understood, I’ll offer to her

               What I shall be advised she likes. Our hearts

20

20            Are in his army, in his tent.

       
HIPPOLYTA
HIPPOLYTA     In’s bosom:

               We have been soldiers and we cannot weep

               When our friends don their helms,23 or put to sea,

               Or tell of babes broached24 on the lance, or women

25

25            That have sod25 their infants in — and after eat them —

               The brine they wept at killing ’em. Then if

               You stay27 to see of us such spinsters, we

               Should hold you here for ever.

       
PIRITHOUS
PIRITHOUS     Peace be to you
30

30            As30 I pursue this war, which shall be then

               Beyond further requiring.31

       Exit Pirithous

       
EMILIA
EMILIA     How his longing

               Follows his33 friend! Since his depart, his sports,

               Though craving seriousness and skill, passed slightly34

35

35            His careless execution,35 where nor gain

               Made him regard or36 loss consider, but

               Playing one business in his hand, another

               Directing in his head, his mind nurse equal

               To these so-differing twins.39 Have you observed him,

40

40            Since our great lord departed?

       
HIPPOLYTA
HIPPOLYTA     With much labour,41

               And I did love him for’t. They two have cabined42

               In many as dangerous as poor a corner,

               Peril and want contending: they have skiffed44

45

45            Torrents whose roaring tyranny and power

               I’th’least of these was dreadful: and they have

               Fought out together where47 death’s self was lodged.

               Yet fate hath brought them off:48 their knot of love

               Tied, weaved, entangled, with so true, so long,

50

50            And with a finger of so deep a cunning,50

               May be outworn, never undone. I think

               Theseus cannot be umpire52 to himself,

               Cleaving his conscience into twain and doing

               Each side like54 justice, which he loves best.

55
55   
EMILIA
EMILIA             Doubtless

               There is a best, and reason has no manners

               To say it is not you. I was acquainted

               Once with a time when I enjoyed58 a play-fellow:

               You were at wars when she the grave enriched,

60

60            Who made too proud60 the bed, took leave o’th’moon —

               Which then looked pale at parting — when our count61

               Was each eleven.

       
HIPPOLYTA
HIPPOLYTA     ’Twas Flavina.
       
EMILIA
EMILIA     Yes.
65

65            You talk of Pirithous’ and Theseus’ love.

               Theirs has more ground,66 is more maturely seasoned,

               More buckled67 with strong judgement, and their needs

               The one of th’other may be said to water

       Two hearses ready with Palamon and Arcite: the three

       Queens, Theseus and his Lords ready

               Their intertangled roots of love, but I

70

70            And she I sigh and spoke of were things innocent,

               Loved for71 we did, and like the elements

               That know not what nor why, yet do effect

               Rare issues by their operance,73 our souls

               Did so to one another. What she liked

75

75            Was then of me approved, what not, condemned,

               No more arraignment.76 The flower that I would pluck

               And put between my breasts — O, then but beginning

               To swell about the blossom — she would long

               Till she had such another, and commit it

80

80            To the like innocent cradle, where phoenix-like80

               They died in perfume. On my head no toy81

               But was her pattern,82 her affections — pretty,

               Though happily83 her careless wear — I followed

               For my most serious decking.84 Had mine ear

85

85            Stol’n some new air or at adventure hummed one

               From musical coinage,86 why, it was a note

               Whereon her spirits would sojourn87 — rather dwell on —

               And sing it in her slumbers. This rehearsal88

               Which fury innocent wots89 well — comes in

90

90            Like old importment’s bastard,90 has this end:

               That the true love ’tween maid and maid may be

               More than in sex dividual.92

       
HIPPOLYTA
HIPPOLYTA     You’re out of breath,

               And this high-speeded pace is but to say

95

95            That you shall never — like the maid Flavina —

               Love any that’s called man.

       
EMILIA
EMILIA     I am sure I shall not.
       
HIPPOLYTA
HIPPOLYTA     Now, alack, weak sister,

               I must no more believe thee in this point —

100

100          Though in’t I know thou dost believe thyself —

               Than I will trust a sickly appetite

               That loathes even as it longs. But sure, my sister,

               If I were ripe103 for your persuasion, you

               Have said enough to shake me from the arm

105

105          Of the all-noble Theseus, for whose fortunes

               I will now in106 and kneel, with great assurance

               That we, more than his Pirithous, possess

               The high throne in his heart.

       
EMILIA
EMILIA     I am not
110

               Against your faith, yet I continue mine. Exeunt

Act 1 Scene 41.4
running scene 4

       Cornets. A battle struck within, then a retreat. Flourish. Then enter [with a Herald, Lords and Soldiers,] Theseus, victor. The three Queens meet him, and fall on their faces before him

       Palamon and Arcite are borne in on hearses

       
FIRST QUEEN
FIRST QUEEN     To thee no star be dark!2
       
SECOND QUEEN
SECOND QUEEN     Both heaven and earth

               Friend thee for ever!

       
THIRD QUEEN
THIRD QUEEN     All the good that may
5

5              Be wished upon thy head, I cry ‘Amen’ to’t!

       
THESEUS
THESEUS     Th’impartial gods, who from the mounted6 heavens

               View us, their mortal herd, behold who err

               And in their time chastise. Go and find out

               The bones of your dead lords and honour them

10

10            With treble ceremony, rather than a gap

               Should be in their dear rights. We would supply’t,

               But those we will depute, which shall invest12

               You in your dignities and even13 each thing

               Our haste does leave imperfect. So adieu,

15

15            And heaven’s good eyes look on you.—

       Exeunt Queens

               What are those? Sees Palamon and Arcite

       
HERALD
HERALD     Men of great quality,17 as may be judged

               By their appointment.18 Some of Thebes have told’s

               They are sisters’ children, nephews to the king.

20
20   
THESEUS
THESEUS             By th’helm of Mars, I saw them in the war,

               Like to a pair of lions, smeared with prey,

               Make lanes22 in troops aghast. I fixed my note

               Constantly on them, for they were a mark23

               Worth a god’s view. What prisoner was’t that told me

25

25            When I inquired their names?

       
HERALD
HERALD     Wi’leave,26 they’re called

               Arcite and Palamon.

       
THESEUS
THESEUS     ’Tis right, those, those.

               They are not dead?

30
30   
HERALD
HERALD             Nor in a state of life. Had they been taken

       Three hearses ready

               When their last hurts were given, ’twas possible

               They might have been recovered, yet they breathe

               And have33 the name of men.

       
THESEUS
THESEUS     Then like men use34 ’em.
35

35            The very lees35 of such — millions of rates —

               Exceed the wine of others. All our surgeons

               Convent37 in their behoof, our richest balms,

               Rather than niggard,38 waste: their lives concern us

               Much more than Thebes is worth. Rather than have ’em

40

40            Freed of this plight and in40 their morning state —

               Sound and at liberty — I would41 ’em dead,

               But forty-thousandfold we had rather have ’em

               Prisoners to us than death. Bear ’em speedily

               From our kind air, to them unkind,44 and minister

45

45            What man to man may do for our sake — more,

               Since I have known frights, fury, friends’ behests,

               Love’s provocations, zeal, a mistress’ task,

               Desire of liberty, a fever, madness,

               Hath set a mark49 which nature could not reach to

50

50            Without some imposition,50 sickness in will

               O’er-wrestling strength in reason. For our love

               And great Apollo’s52 mercy, all our best

               Their best skill tender. Lead into the city,

               Where having bound things scattered,54 we will post

55

55            To Athens ’fore our army.

       Flourish. Exeunt.

Act 1 Scene 5
running scene 5

       Music. Enter the Queens with the hearses of their knights in a funeral solemnity, and others

       
ALL
ALL     Urns and odours bring away, Sing

                                    Vapours, sighs, darken the day:

                                    Our dole3 more deadly looks than dying.

                                    Balms and gums4 and heavy cheers,

5

5                                  Sacred vials filled with tears,

                                    And clamours through the wild air flying.

                                    Come all sad and solemn shows,

                                    That are quick-eyed8 Pleasure’s foes:

                                    We convent9 naught else but woes.

10

10                                We convent naught else but woes.

       
THIRD QUEEN
THIRD QUEEN     This funeral path brings to your household’s grave:

               Joy seize on you again, peace sleep with him.

       
SECOND QUEEN
SECOND QUEEN     And this to yours.
       
FIRST QUEEN
FIRST QUEEN     Yours this way: heavens lend
15

15            A thousand differing ways to one sure end.

       
THIRD QUEEN
THIRD QUEEN     This world’s a city full of straying16 streets,

               And death’s the market-place where each one meets.

       Exeunt severally17

Act 2 Scene 12.1
running scene 6

       Enter Jailer and Wooer

       
JAILER
JAILER     I may depart1 with little while I live: something I may cast2 to you, not much. Alas, the prison I keep, though it be for great ones, yet they seldom come: before one salmon,4 you shall take a number of minnows.5 I am given out to be better lined6 than it can appear to me report is a true speaker: I would I were really that I am delivered8 to be. Marry, what I have, be it what it will, I will assure9 upon my daughter at the day of my death.
       
WOOER
WOOER     Sir, I demand no more than your own offer and I will estate12 your daughter in what I have promised.
       
JAILER
JAILER     Well, we will talk more of this when the solemnity15 is past. But have you a full promise of her?

       Enter [Jailer’s] Daughter With rushes

When that shall be seen, I tender16 my consent.

       
WOOER
WOOER     I have, sir. Here she comes.
       
JAILER
JAILER     Your friend and I have chanced to name18 you here, upon the old business.19 But no more of that now: so soon as the court hurry20 is over, we will have an end of it. I’th’meantime, look tenderly21 to the two prisoners: I can tell you they are princes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     These strewings23 are for their chamber. ’Tis pity they are in prison and ’twere pity they should be out: I do think they have patience to make any adversity ashamed. The prison itself is proud of ’em and they have all27 the world in their chamber.
       
JAILER
JAILER     They are famed to be a pair of absolute29 men.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     By my troth,30 I think fame but stammers31 ’em: they stand a grise above the reach of report.
       
JAILER
JAILER     I heard them reported in the battle to be the only doers.34
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Nay, most likely, for they are noble suff’rers. I marvel how they would have looked had they been victors, that with such a constant nobility enforce38 a freedom out of bondage, making misery their mirth, and affliction a toy40 to jest at.
       
JAILER
JAILER     Do they so?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     It seems to me they have no more sense of their captivity than I of ruling Athens: they eat well, look merrily, discourse of many things, but nothing of their own restraint45 and disasters. Yet sometime a divided46 sigh, martyred47 as ’twere i’th’deliverance, will break from one of them, when the other presently48 gives it so sweet a rebuke that I could wish myself a sigh to be so chid,50 or at least a sigher to be comforted.
       
WOOER
WOOER     I never saw ’em.
       
JAILER
JAILER     The duke himself came privately in the night, and so did they.

       Enter Palamon, and Arcite above In shackles

What the reason of it is, I know not. Look, yonder54 they are: that’s Arcite looks out.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     No, sir, no, that’s Palamon. Arcite is the lower57 of the twain: you may perceive a part of him.
       
JAILER
JAILER     Go to,59 leave your pointing: they would not make us their object. Out of their sight.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     It is a holiday to look on them. Lord, the difference of62 men!

       Exeunt

Act 2 Scene 22.2
running scene 6 continues

       Enter Palamon, and Arcite in prison Above

       
PALAMON
PALAMON     How do you, noble cousin?
       
ARCITE
ARCITE     How do you, sir?
       
PALAMON
PALAMON     Why, strong enough to laugh at misery

               And bear the chance4 of war: yet we are prisoners,

5

5              I fear, for ever, cousin.

       
ARCITE
ARCITE     I believe it,

               And to that destiny have patiently

               Laid8 up my hour to come.

       
PALAMON
PALAMON     O cousin Arcite,
10

10            Where is Thebes now? Where is our noble country?

               Where are our friends and kindreds?11 Never more

               Must we behold those comforts, never see

               The hardy13 youths strive for the games of honour,

               Hung with the painted favours14 of their ladies,

15

15            Like tall ships under sail: then start15 amongst ’em

               And as an east wind leave ’em all behind us,

               Like lazy clouds, whilst Palamon and Arcite

               Even in the wagging18 of a wanton leg

               Outstripped19 the people’s praises, won the garlands,

20

20            Ere they have time to wish ’em ours. O, never

               Shall we two exercise, like twins21 of honour,

               Our arms again and feel our fiery horses

               Like proud seas under us. Our good swords now —

               Better the red-eyed24 god of war ne’er wore—

25

25            Ravished25 our sides, like age must run to rust

               And deck the temples of those gods that hate us.

               These hands shall never draw ’em out like lightning

               To blast28 whole armies more.

       
ARCITE
ARCITE     No, Palamon,
30

30            Those hopes are prisoners with us. Here we are,

               And here the graces of our youths must wither

               Like a too-timely32 spring: here age must find us,

               And, which is heaviest,33 Palamon, unmarried.

               The sweet embraces of a loving wife,

35

35            Loaden35 with kisses, armed with thousand Cupids,

               Shall never clasp our necks. No issue36 know us,

               No figures37 of ourselves shall we ev’r see,

               To glad38 our age, and like young eagles teach ’em

               Boldly to gaze against bright arms and say,

40

40            ‘Remember what your fathers were, and conquer!’

               The fair-eyed maids shall weep our banishments

               And in their songs curse ever-blinded Fortune42

               Till she for shame see what a wrong she has done

               To youth and nature. This is all our world:

45

45            We shall know nothing here but one another,

               Hear nothing but the clock that tells46 our woes.

               The vine shall grow but we shall never see it:

               Summer shall come and with her all delights,

               But dead-cold winter must inhabit here still.

50
50   
PALAMON
PALAMON             ’Tis too true, Arcite. To our Theban hounds

               That shook the agèd forest with their echoes

               No more now must we hallow,52 no more shake

               Our pointed javelins whilst the angry swine53

               Flies like a Parthian54 quiver from our rages,

55

55            Struck with our well-steeled55 darts. All valiant uses,

               The food and nourishment of noble minds,

               In us two here shall perish: we shall die,

               Which is the curse of honour, lastly,58

               Children of grief and ignorance.

60
60   
ARCITE
ARCITE             Yet, cousin,

               Even from the bottom of these miseries,

               From all that Fortune can inflict upon us,

               I see two comforts rising, two mere63 blessings,

               If the gods please: to hold64 here a brave patience

65

65            And the enjoying65 of our griefs together.

               Whilst Palamon is with me, let me perish

               If I think this our prison.

       
PALAMON
PALAMON     Certainly,

               ’Tis a main69 goodness, cousin, that our fortunes

70

70            Were twined together: ’tis most true, two souls

               Put in two noble bodies, let ’em suffer

               The gall of hazard,72 so they grow together,

               Will never sink:73 they must not, say they could.

               A willing74 man dies sleeping and all’s done.

75
75   
ARCITE
ARCITE             Shall we make worthy uses of this place

               That all men hate so much?

       
PALAMON
PALAMON     How, gentle cousin?
       
ARCITE
ARCITE     Let’s think this prison holy sanctuary,

               To keep us from corruption of worse men.

80

80            We are young and yet80 desire the ways of honour,

               That liberty and common81 conversation,

               The poison of pure spirits, might, like women,

               Woo83 us to wander from. What worthy blessing

               Can be but our imaginations

85

85            May make it ours? And here being thus together,

               We are an endless mine86 to one another:

               We are one another’s wife, ever begetting87

               New births of love: we are father, friends, acquaintance,

90

90            We are, in one another, families:

               I am your heir and you are mine: this place

               Is our inheritance. No hard oppressor

               Dare take this from us: here with a little patience

               We shall live long and loving. No surfeits94 seek us:

95

95            The hand of war hurts none here, nor the seas

               Swallow their youth. Were we at liberty,

               A wife might part us lawfully, or business,

               Quarrels consume98 us, envy of ill men

               Crave our acquaintance. I might sicken, cousin,

100

100          Where you should never know it, and so perish

               Without your noble hand to close mine eyes,

               Or prayers to the gods. A thousand chances,

               Were we from hence, would sever us.

       
PALAMON
PALAMON     You have made me —
105

105          I thank you cousin Arcite — almost wanton105

               With my captivity: what a misery

               It is to live abroad107 and everywhere!

               ’Tis like a beast, methinks. I find the court here,

               I am sure, a more109 content, and all those pleasures

110

110          That woo the wills of men to vanity

               I see through now, and am sufficient111

               To tell the world ’tis but a gaudy112 shadow

               That old Time as he passes by takes with him.

               What114 had we been, old in the court of Creon,

115

115          Where sin is justice, lust and ignorance

               The virtues of the great ones? Cousin Arcite,

               Had not the loving gods found this place for us,

               We had died as they do, ill118 old men, unwept,

               And had their epitaphs, the people’s curses.

120

120          Shall I say more?

       
ARCITE
ARCITE     I would hear you still.121
       
PALAMON
PALAMON     Ye shall.

               Is there record of any two that loved

               Better than we do, Arcite?

125
125 
ARCITE
ARCITE             Sure there cannot.
       
PALAMON
PALAMON     I do not think it possible our friendship

               Should ever leave us.

       
ARCITE
ARCITE     Till our deaths it cannot.

       Enter Emilia and her Woman Below

               And after death our spirits shall be led

130

130          To those that love eternally. Speak on, sir. Palamon sees Emilia

       
EMILIA
EMILIA     This garden has a world of pleasures in’t. To her Woman

               What flower is this?

       
WOMAN
WOMAN     ’Tis called narcissus,133 madam.
       
EMILIA
EMILIA     That was a fair boy, certain, but a fool
135

135          To love himself. Were there not maids enough?

       
ARCITE
ARCITE     Pray forward.136 To Palamon
       
PALAMON
PALAMON     Yes.
       
EMILIA
EMILIA     Or were they all hard-hearted?
       
WOMAN
WOMAN     They could not be to one so fair.
140
140 
EMILIA
EMILIA             Thou wouldst not.140
       
WOMAN
WOMAN     I think I should not, madam.
       
EMILIA
EMILIA     That’s a good wench:142

               But take heed to143 your kindness though.

       
WOMAN
WOMAN     Why, madam?
145
145 
EMILIA
EMILIA             Men are mad145 things.
       
ARCITE
ARCITE     Will ye go forward,146 cousin?
       
EMILIA
EMILIA     Canst not thou work147 such flowers in silk, wench?
       
WOMAN
WOMAN     Yes.
       
EMILIA
EMILIA     I’ll have a gown full of ’em, and of these.
150

150          This is a pretty colour, will’t not do

               Rarely151 upon a skirt, wench?

       
WOMAN
WOMAN     Dainty,152 madam.
       
ARCITE
ARCITE     Cousin, cousin, how do you, sir? Why, Palamon?
       
PALAMON
PALAMON     Never till now I was in prison, Arcite.
155
155 
ARCITE
ARCITE             Why, what’s the matter, man?
       
PALAMON
PALAMON     Behold, and wonder. Indicates Emilia

               By heaven, she is a goddess.

       
ARCITE
ARCITE     Ha! Sees Emilia
       
PALAMON
PALAMON     Do reverence:
160

160          She is a goddess, Arcite.

       
EMILIA
EMILIA     Of all flowers

               Methinks a rose is best.

       
WOMAN
WOMAN     Why, gentle madam?
       
EMILIA
EMILIA     It is the very emblem164 of a maid.
165

165          For when the west wind courts her gently,

               How modestly she blows166 and paints the sun

               With her chaste blushes. When the north167 comes near her,

               Rude168 and impatient, then, like chastity,

               She locks her beauties in her bud again,

170

170          And leaves him to base170 briars.

       
WOMAN
WOMAN     Yet, good madam,

               Sometimes her modesty will blow so far

               She falls173 for’t: a maid,

               If she have any honour, would be loath

175

175          To take example by her.

       
EMILIA
EMILIA     Thou art wanton.176
       
ARCITE
ARCITE     She is wondrous fair.
       
PALAMON
PALAMON     She is all the beauty extant.178
       
EMILIA
EMILIA     The sun grows high, let’s walk in. Keep these flowers:
180

180          We’ll see how near art180 can come near their colours.

               I am wondrous merry-hearted, I could laugh now.

       
WOMAN
WOMAN     I could lie down,182 I am sure.
       
EMILIA
EMILIA     And take one183 with you?
       
WOMAN
WOMAN     That’s as we bargain,184 madam,
185
185 
EMILIA
EMILIA             Well, agree then.

       Exeunt Emilia and Woman

       
PALAMON
PALAMON     What think you of this beauty?
       
ARCITE
ARCITE     ’Tis a rare one.
       
PALAMON
PALAMON     Is’t but188 a rare one?
       
ARCITE
ARCITE     Yes, a matchless beauty,
190
190 
PALAMON
PALAMON             Might not a man well lose himself and love her?
       
ARCITE
ARCITE     I cannot tell what you have done. I have,

               Beshrew192 mine eyes for’t: now I feel my shackles.

       
PALAMON
PALAMON     You love her then?
       
ARCITE
ARCITE     Who would not?
195
195 
PALAMON
PALAMON             And desire her?
       
ARCITE
ARCITE     Before my liberty.
       
PALAMON
PALAMON     I saw her first.
       
ARCITE
ARCITE     That’s nothing.
       
PALAMON
PALAMON     But it shall be.
200
200 
ARCITE
ARCITE             I saw her too.
       
PALAMON
PALAMON     Yes, but you must not love her.
       
ARCITE
ARCITE     I will not as you do, to worship her

               As she is heavenly and a blessèd goddess.

               I love her as a woman, to enjoy204 her:

205

205          So both may love.

       
PALAMON
PALAMON     You shall not love at all.
       
ARCITE
ARCITE     Not love at all?

               Who shall deny208 me?

       
PALAMON
PALAMON     I that first saw her, I that took possession
210

210          First with mine eye of all those beauties

               In her revealed to mankind. If thou lov’st her,

               Or entertain’st a hope to blast212 my wishes,

               Thou art a traitor, Arcite, and a fellow213

               False as thy title214 to her: friendship, blood

215

215          And all the ties between us I disclaim

               If thou once think upon216 her.

       
ARCITE
ARCITE     Yes, I love her

               And if the lives of all my name218 lay on it,

               I must do so. I love her with my soul:

220

220          If that will lose ye, farewell, Palamon.

               I say again, I love, and in loving her maintain

               I am as worthy and as free222 a lover,

               And have as just a title to her beauty,

               As any Palamon or any living

225

225          That is a man’s son.

       
PALAMON
PALAMON     Have I called thee friend?
       
ARCITE
ARCITE     Yes, and have found me so: why are you moved227 thus?

               Let me deal coldly228 with you: am not I

               Part of your blood, part of your soul? You have told me

230

230          That I was Palamon and you were Arcite

       
PALAMON
PALAMON     Yes.
       
ARCITE
ARCITE     Am not I liable to those affections,232

               Those joys, griefs, angers, fears, my friend shall suffer?

       
PALAMON
PALAMON     Ye may be.
235
235 
ARCITE
ARCITE             Why then would you deal so cunningly,235

               So strangely,236 so unlike a noble kinsman,

               To love alone? Speak truly: do you think me

               Unworthy of her sight?

       
PALAMON
PALAMON     No, but unjust239
240

240          If thou pursue that sight.

       
ARCITE
ARCITE     Because another

               First sees the enemy, shall I stand still

               And let243 mine honour down, and never charge?

       
PALAMON
PALAMON     Yes, if he be but one.
245
245 
ARCITE
ARCITE             But say that one

               Had rather combat me?

       
PALAMON
PALAMON     Let that one say so,

               And use thy freedom: else if thou pursuest her,

               Be as that cursèd man that hates his country,

250

250          A branded250 villain.

       
ARCITE
ARCITE     You are mad.
       
PALAMON
PALAMON     I must be

               Till thou art worthy,253 Arcite: it concerns me.

               And in this madness, if I hazard254 thee

255

255          And take thy life, I deal but truly.

       
ARCITE
ARCITE     Fie,256 sir.

               You play the child257 extremely. I will love her:

               I must, I ought to do so, and I dare,

               And all this justly.259

260
260 
PALAMON
PALAMON             O that now, that now

               Thy false self and thy friend had but this fortune:

               To be one hour at liberty and grasp

               Our good swords in our hands! I would quickly teach thee

               What ’twere to filch264 affection from another.

265

265          Thou art baser265 in it than a cutpurse;

               Put but thy head out of this window more,266

               And as I have a soul, I’ll nail thy life to’t.267

       
ARCITE
ARCITE     Thou dar’st not, fool, thou canst not, thou art feeble.

               Put my head out? I’ll throw my body out

270

270          And leap the garden, when I see her next,

       Enter Keeper [ Jailer]

               And pitch271 between her arms to anger thee.

       
PALAMON
PALAMON     No more: the keeper’s coming. I shall live

               To knock thy brains out with my shackles.

       
ARCITE
ARCITE     Do!
275
275 
JAILER
JAILER             By your leave,275 gentlemen.
       
PALAMON
PALAMON     Now, honest keeper?
       
JAILER
JAILER     Lord Arcite, you must presently to th’duke:

               The cause I know not yet.

       
ARCITE
ARCITE     I am ready, keeper.
280
280 
JAILER
JAILER             Prince Palamon, I must awhile bereave280 you

               Of your fair cousin’s company.

       Exeunt Arcite and Keeper

       
PALAMON
PALAMON     And me too,

               Even, when you please, of life. Why is he sent for?

               It may be he shall marry her: he’s goodly284

285

285          And like enough the duke hath taken notice

               Both of his blood286 and body. But his falsehood!

               Why should a friend be treacherous? If that

               Get him a wife so noble and so fair,

               Let honest men ne’er love again. Once more

290

290          I would but see this fair one. Blessèd garden

               And fruit and flowers more blessèd that still blossom

               As her bright eyes shine on ye: would I were

               For all the fortune of my life hereafter

               Yon294 little tree, yon blooming apricock!

295

295          How I would spread and fling my wanton arms

               In at her window!296 I would bring her fruit

               Fit for the gods to feed on: youth and pleasure

               Still as298 she tasted should be doubled on her

               And if she be not heavenly, I would make her

300

300          So near the gods in nature, they should fear her,

       Enter Keeper [Jailer]

               And then I am sure she would love me.— How now, keeper,

               Where’s Arcite?

       
JAILER
JAILER     Banished. Prince Pirithous

               Obtained his liberty, but never more

305

305          Upon his oath and life must he set foot

               Upon this kingdom.

       
PALAMON
PALAMON     He’s a blessèd man.

               He shall see Thebes again, and call to arms

               The bold young men that, when he bids ’em charge,

310

310          Fall on310 like fire. Arcite shall have a fortune,

               If he dare make himself a worthy lover,

               Yet in the field to strike a battle312 for her:

               And if he lose her then, he’s a cold coward.

               How bravely may he bear himself to win her

315

315          If he be noble Arcite. Thousand ways!

               Were I at liberty, I would do things

               Of such a virtuous greatness, that this lady,

               This blushing virgin, should take manhood to her

               And seek to ravish me.

320
320 
JAILER
JAILER             My lord, for you

               I have this charge321 too.

       
PALAMON
PALAMON     To discharge my life?
       
JAILER
JAILER     No, but from this place to remove your lordship:

               The windows are too open.324

325
325 
PALAMON
PALAMON             Devils take ’em

               That are so envious to me! Prithee326 kill me.

       
JAILER
JAILER     And hang for’t afterward.
       
PALAMON
PALAMON     By328 this good light,

               Had I a sword I would kill thee.

330
330 
JAILER
JAILER             Why, my lord?
       
PALAMON
PALAMON     Thou bring’st such pelting331 scurvy news continually,

               Thou art not worthy life. I will not go.

       
JAILER
JAILER     Indeed you must, my lord.
       
PALAMON
PALAMON     May I see the garden?
335
335 
JAILER
JAILER             No.
       
PALAMON
PALAMON     Then I am resolved: I will not go.
       
JAILER
JAILER     I must constrain you then: and for337 you are dangerous

               I’ll clap more irons on you.

       
PALAMON
PALAMON     Do, good keeper.
340

340          I’ll shake ’em so, ye shall not sleep:

               I’ll make ye a new morris.341 Must I go?

       
JAILER
JAILER     There is no remedy.
       
PALAMON
PALAMON     Farewell, kind window.

               May rude wind never hurt thee.— O my lady,

345

345          If ever thou hast felt what sorrow was,

               Dream how I suffer.— Come, now bury me.

       Exeunt Palamon and Keeper

Act 2 Scene 32.3
running scene 7

       Enter Arcite

       
ARCITE
ARCITE     Banished the kingdom? ’Tis a benefit,

               A mercy I must thank ’em for: but banished

               The free enjoying of that face I die for,

               O, ’twas a studied4 punishment, a death

5

5              Beyond imagination: such a vengeance

               That were I old and wicked, all my sins

               Could never pluck7 upon me. Palamon,

               Thou hast the start now: thou shalt stay and see

               Her bright eyes break9 each morning gainst thy window

10

10            And let in life into thee: thou shalt feed

               Upon the sweetness of a noble beauty

               That nature ne’er exceeded nor ne’er shall.

               Good gods! What happiness has Palamon!

               Twenty to one, he’ll come to speak to her,

15

15            And if she be as gentle as she’s fair,

               I know she’s his: he has a tongue will tame

               Tempests17 and make the wild rocks wanton.

               Come what can come,

               The worst is death: I will not leave the kingdom.

20

20            I know mine own20 is but a heap of ruins

               And no redress21 there. If I go, he has her.

               I am resolved another shape22 shall make me

               Or end my fortunes. Either way, I am happy:

               I’ll see her and be near her, or no more.

       Arcite stands aside

       Enter four Country People and one with a garland before them

25
25   
FIRST COUNTRYMAN
FIRST COUNTRYMAN             My masters, I’ll be there, that’s certain.
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     And I’ll be there.
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     And I.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Why then, have with ye,28 boys. ’Tis but a chiding.

               Let the plough play today, I’ll tickle’t29 out

30

30            Of the jades’30 tails tomorrow.

       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     I am sure

               To have my wife as jealous32 as a turkey.

               But that’s all one:33 I’ll go through, let her mumble.

       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     Clap her aboard34 tomorrow night and stow her,
35

35            And all’s made up35 again.

       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Ay, do but put

               A fescue37 in her fist and you shall see her

               Take38 a new lesson out and be a good wench.

               Do we all hold against39 the maying?

       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Hold? What should ail40 us?
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Arcas will be there.
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     And Sennois, and Rycas, and three better lads ne’er danced under green tree, and ye know what wenches, ha? But will the dainty45 domine, the schoolmaster, keep touch do you think? For he does all,46 ye know.
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     He’ll eat a hornbook47 ere he fail. Go to: the matter’s too far driven48 between him and the tanner’s daughter to let slip49 now, and she must see the duke and she must dance too.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Shall we be lusty?51
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     All the boys in Athens blow52 wind i’th’breech53 on’s, and here I’ll be, and there I’ll be for our town and here again, and there again — ha, boys, hey55 for the weavers!
       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     This must be done i’th’woods.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     O, pardon me.57
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     By any means:58 our thing of learning says so: where he himself will edify59 the duke most parlously60 in our behalfs. He’s excellent i’th’woods: bring him to th’plains, his learning makes no cry.62
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     We’ll see the sports, then every man to’s tackle.64 And, sweet companions, let’s rehearse by any means before the ladies see us and do66 sweetly and God knows what may come on’t.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Content:67 the sports once ended, we’ll perform.

               Away, boys and— hold.68 Arcite comes forward

       
ARCITE
ARCITE     By your leaves honest friends:
70

70            Pray you, whither go you?70

       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Whither? Why, what a question’s that?
       
ARCITE
ARCITE     Yes, ’tis a question,

               To me that know not.

       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     To the games, my friend.
75
75   
SECOND COUNTRYMAN
SECOND COUNTRYMAN             Where were you bred, you know it not?
       
ARCITE
ARCITE     Not far, sir.

               Are there such games today?

       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     Yes, marry,78 are there

               And such as you never saw. The duke himself

80

80            Will be in person there.

       
ARCITE
ARCITE     What pastimes are they?
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     Wrestling, and running.—

               ’Tis a pretty83 fellow.

       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Thou wilt not go along?
85
85   
ARCITE
ARCITE             Not yet, sir.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Well, sir,

               Take your own time.— Come, boys.

       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     My mind misgives me88 Aside to the others

               This fellow has a vengeance89 trick o’th’hip:

90

90            Mark how his body’s made for’t

       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     I’ll be hanged though

               If he dare venture. Hang him, plum-porridge!92

               He wrestle? He roast eggs!93 Come let’s be gone lads.

       Exeunt four [Countrymen]

       
ARCITE
ARCITE     This is an offered opportunity
95

95            I durst95 not wish for. Well, I could have wrestled —

               The best men called it excellent — and run

               Swifter than wind upon a field of corn,

               Curling the wealthy98 ears, never flew. I’ll venture

               And in some poor disguise be there. Who knows

100

100          Whether my brows may not be girt100 with garlands

               And happiness prefer101 me to a place

               Where I may ever dwell in sight of her?

       Exit Arcite

Act 2 Scene 42.4
running scene 8

       Enter Jailer’s Daughter alone

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Why should I love this gentleman? ’Tis odds1

               He never will affect2 me: I am base,

               My father the mean3 keeper of his prison,

               And he a prince. To marry him is hopeless,

5

5              To be his whore is witless.5 Out upon’t!

               What pushes6 are we wenches driven to

               When7 fifteen once has found us! First, I saw him:

               I, seeing, thought he was a goodly man:

               He has as much to please a woman in him,

10

10            If he please to bestow10 it so, as ever

               These eyes yet looked on. Next, I pitied him:

               And so would any young wench o’my conscience

               That ever dreamed, or vowed her maidenhead13

               To a young handsome man. Then, I loved him,

15

15            Extremely loved him, infinitely loved him!

               And yet he had a cousin, fair as he too.

               But in my heart was Palamon, and there,

               Lord, what a coil he keeps!18 To hear him

               Sing in an evening, what a heaven it is!

20

20            And yet his songs are sad ones. Fairer spoken

               Was never gentleman. When I come in

               To bring him water in a morning, first

               He bows his noble body, then salutes23 me, thus:

               ‘Fair gentle maid, good morrow. May thy goodness

25

               Get thee a happy husband.’ Once he kissed me.

               I loved my lips the better ten days after:

               Would he would do so every day! He grieves much,

               And me as much to see his misery.

               What should I do to make him know I love him?

30

30            For I would fain30 enjoy him. Say I ventured

               To set him free? What says the law then? Thus much

               For law or kindred! I will do it,

               And this night, or tomorrow, he shall love me.

       Exit

Act 2 [Scene 5]2.5
running scene 9

       This short flourish of cornets and shouts within Enter Theseus, Hippolyta, Pirithous, Emilia, Arcite with a garland, and others

       
THESEUS
THESEUS     You have done worthily. I have not seen, To Arcite

               Since Hercules,2 a man of tougher sinews.

               Whate’er3 you are, you run the best and wrestle,

               That these times can allow.4

5
5     
ARCITE
ARCITE             I am proud to please you.
       
THESEUS
THESEUS     What country bred you?
       
ARCITE
ARCITE     This: but far off, prince.
       
THESEUS
THESEUS     Are you a gentleman?
       
ARCITE
ARCITE     My father said so,
10

10            And to those gentle uses10 gave me life.

       
THESEUS
THESEUS     Are you his heir?
       
ARCITE
ARCITE     His youngest, sir.
       
THESEUS
THESEUS     Your father

               Sure is a happy sire, then. What proves you?14

15
15   
ARCITE
ARCITE             A little of all noble qualities:15

               I could have16 kept a hawk and well have hollowed

               To a deep cry of dogs: I dare not praise

               My feat in horsemanship, yet they that knew me

               Would say it was my best piece:19 last and greatest,

20

20            I would be thought a soldier.

       
THESEUS
THESEUS     You are perfect.21
       
PIRITHOUS
PIRITHOUS     Upon my soul, a proper22 man. To Emilia
       
EMILIA
EMILIA     He is so.
       
PIRITHOUS
PIRITHOUS     How do you like him, lady? To Hippolyta
25
25   
HIPPOLYTA
HIPPOLYTA             I admire him.

               I have not seen so young a man so noble,

               If he say true, of his sort.27

       
EMILIA
EMILIA     Believe,28

               His mother was a wondrous handsome woman:

30

30            His face, methinks, goes that way.30

       
HIPPOLYTA
HIPPOLYTA     But his body

               And fiery mind illustrate32 a brave father.

       
PIRITHOUS
PIRITHOUS     Mark how his virtue, like a hidden sun,

               Breaks through his baser garments.

35
35   
HIPPOLYTA
HIPPOLYTA             He’s well got,35 sure.
       
THESEUS
THESEUS     What made you seek this place, sir? To Arcite
       
ARCITE
ARCITE     Noble Theseus,

               To purchase name38 and do my ablest service

               To such a well-found39 wonder as thy worth,

40

40            For only in thy court, of all the world,

               Dwells fair-eyed honour.

       
PIRITHOUS
PIRITHOUS     All his words are worthy.
       
THESEUS
THESEUS     Sir, we are much indebted to your travel,43 To Arcite

               Nor shall you lose your wish.— Pirithous,

45

45            Dispose of45 this fair gentleman.

       
PIRITHOUS
PIRITHOUS     Thanks, Theseus.—

               Whate’er you are, you’re mine, and I shall give you To Arcite

               To a most noble service, to this lady, Presents him to Emilia

               This bright young virgin. Pray observe49 her goodness.

50

50            You have honoured her fair birthday with your virtues,

               And as your due, you’re hers: kiss her fair hand, sir.

       
ARCITE
ARCITE     Sir, you’re a noble giver.— Dearest beauty,

               Thus let me seal my vowed faith: when your servant, Kisses her hand

               Your most unworthy creature, but offends you,

55

55            Command him die, he shall.

       
EMILIA
EMILIA     That were too cruel.

               If you deserve well, sir, I shall soon see’t.

               You’re mine and somewhat better than your rank I’ll use58 you.

       
PIRITHOUS
PIRITHOUS     I’ll see you furnished,59 and because you say To Arcite
60

60            You are a horseman, I must needs60 entreat you

               This afternoon to ride, but ’tis a rough one.61

       
ARCITE
ARCITE     I like him better, prince. I shall not then

               Freeze in my saddle.

       
THESEUS
THESEUS     Sweet, you must be ready.— To Hippolyta
65

65            And you, Emilia— and you, friend—and all, To Pirithous

               Tomorrow by the sun, to do observance66

               To flow’ry May, in Dian’s67 wood.— Wait well, sir, To Arcite

               Upon your mistress.— Emily, I hope

               He shall not go afoot.69

70
70   
EMILIA
EMILIA             That were a shame, sir,

               While I have horses.— Take your choice and what To Arcite

               You want72 at any time, let me but know it:

               If you serve faithfully, I dare assure you

               You’ll find a loving mistress.

75
75   
ARCITE
ARCITE             If I do not,

               Let me find that76 my father ever hated,

               Disgrace and blows.

       
THESEUS
THESEUS     Go lead the way: you have won it.

               It shall be so: you shall receive all dues

80

80            Fit for the honour you have won; ’twere wrong else.—

               Sister, beshrew my heart,81 you have a servant

               That, if I were a woman, would be master.

               But you are wise.

       
EMILIA
EMILIA     I hope too wise for that, sir.

       Flourish. Exeunt

Act 2 Scene 62.6
running scene 10

       Enter Jailer’s Daughter alone

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Let all the dukes and all the devils roar,

               He is at liberty: I have ventured2 for him

               And out I have brought him, to a little wood

               A mile hence4 I have sent him, where a cedar,

5

5              Higher than all the rest spreads like a plane

               Fast6 by a brook, and there he shall keep close

               Till I provide him files and food, for yet

               His iron bracelets are not off. O Love,

               What a stout-hearted child thou art! My father

10

10            Durst10 better have endured cold iron than done it.

               I love him beyond love and beyond reason,

               Or wit,12 or safety. I have made him know it:

               I care not, I am desperate. If the law

               Find me and then condemn me for’t, some wenches,

15

15            Some honest-hearted maids, will sing my dirge15

               And tell to memory my death was noble,

               Dying almost a martyr. That way he takes,

               I purpose18 is my way too. Sure he cannot

               Be so unmanly as to leave me here:

20

20            If he do, maids will not so easily

               Trust men again. And yet he has not thanked me

               For what I have done, no, not so much as kissed me,

               And that methinks is not so well: nor scarcely

               Could I persuade him to become a freeman,

25

25            He made such scruples of the wrong he did

               To me and to my father. Yet I hope,

               When he considers more, this love of mine

               Will take more root within him. Let him do

               What he will with me, so he use me kindly,29

30

30            For use me so he shall, or I’ll proclaim him,

               And to his face, no man.31 I’ll presently

               Provide him necessaries and pack my clothes up

               And where there is a path of ground I’ll venture,

               So34 he be with me. By him, like a shadow,

35

35            I’ll ever dwell. Within this hour the hubbub

               Will be all o’er the prison: I am then

               Kissing the man they look for.— Farewell, father,

               Get many more such prisoners and such daughters

               And shortly you may keep yourself.39— Now to him.

       [Exit]

Act 3 Scene 13.1
running scene 11

       Cornets in sundry places. Noise and hallooing as people a-Maying

       Enter Arcite alone

       
ARCITE
ARCITE     The duke has lost Hippolyta: each took

               A several2 laund. This is a solemn rite

               They owe bloomed3 May and the Athenians pay it

               To4 th’heart of ceremony. O, Queen Emilia,

5

5              Fresher than May, sweeter

               Than her gold buttons6 on the boughs, or all

               Th’enamelled knacks7 o’th’mead or garden, yea,

               We challenge too the bank of any nymph

               That makes9 the stream seem flowers: thou, O jewel

10

10            O’th’wood, o’th’world, hast likewise blest a pace10

               With11 thy sole presence: in thy rumination,

               That I, poor man, might eftsoons12 come between

               And chop on some cold thought. Thrice-blessèd chance

               To drop on14 such a mistress, expectation

15

15            Most guiltless on’t!15 Tell me, O Lady Fortune,

               Next after Emily, my sovereign, how far

               I may be proud.17 She takes strong note of me,

               Hath made me near her, and this beauteous morn,

               The prim’st19 of all the year, presents me with

20

20            A brace20 of horses: two such steeds might well

               Be by a pair of kings backed,21 in a field

               That22 their crowns’ titles tried. Alas, alas,

               Poor cousin Palamon, poor prisoner, thou

               So little dream’st upon24 my fortune, that

25

25            Thou thinkst thyself the happier thing to be

               So near Emilia. Me thou deem’st26 at Thebes,

               And therein27 wretched, although free: but if

               Thou knew’st my mistress breathed on me, and that

               I eared29 her language, lived in her eye, O coz,

30

30            What passion30 would enclose thee!

       Enter Palamon as out of a bush, with his shackles: bends his fist at Arcite

       
PALAMON
PALAMON     Traitor kinsman,

               Thou shouldst perceive my passion, if these signs

               Of prisonment were off me and this hand

               But owner of a sword! By all oaths in one,

35

35            I and the justice of my love would make thee

               A confessed traitor, O thou most perfidious36

               That ever gently looked, the void’st37 of honour

               That ever bore gentle token,38 falsest cousin

               That ev’r blood made kin: call’st thou her thine?

40

40            I’ll prove it in my shackles, with these hands,

               Void of appointment,41 that thou liest, and art

               A very thief in love, a chaffy42 lord

               Not worth the name of villain. Had I a sword

               And these house-clogs44 away—

45
45   
ARCITE
ARCITE             Dear cousin Palamon—
       
PALAMON
PALAMON     Cozener46 Arcite, give me language such

               As thou hast showed me feat.

       
ARCITE
ARCITE     Not finding in

               The circuit49 of my breast any gross stuff

50

50            To form me like your blazon50 holds me to

               This gentleness of answer: ’tis your passion

               That thus mistakes, the which to you being enemy,

               Cannot to me be kind: honour and honesty

               I cherish and depend on, howsoev’r

55

55            You skip55 them in me, and with them, fair coz,

               I’ll maintain56 my proceedings. Pray be pleased

               To show in generous57 terms your griefs, since that

               Your question’s58 with your equal, who professes

               To clear59 his own way with the mind and sword

60

60            Of a true gentleman.

       
PALAMON
PALAMON     That thou durst, Arcite!
       
ARCITE
ARCITE     My coz, my coz, you have been well advertised62

               How much I dare: you’ve seen me use my sword

               Against th’advice of64 fear. Sure, of another

65

65            You would not hear me doubted, but your silence

               Should break out, though i’th’sanctuary.66

       
PALAMON
PALAMON     Sir,

               I have seen you move in such a place which well

               Might justify your manhood. You were called

70

70            A good knight and a bold: but the whole week’s not fair

               If any day it rain: their valiant temper71

               Men lose when they incline to treachery

               And then they fight like compelled bears,73 would fly

               Were they not tied.

75
75   
ARCITE
ARCITE             Kinsman, you might as well

               Speak this and act it in your glass76 as to

               His ear which now disdains you.

       
PALAMON
PALAMON     Come up78 to me:

               Quit79 me of these cold gyves, give me a sword

80

80            Though it be rusty, and the charity

               Of one meal lend me. Come before me then,

               A good sword in thy hand, and do but say

               That Emily is thine: I will forgive

               The trespass thou hast done me, yea, my life

85

85            If then thou carry’t,85 and brave souls in shades

               That have died manly, which will seek of me

               Some news from earth, they shall get none but this:

               That thou art brave, and noble.

       
ARCITE
ARCITE     Be content:
90

90            Again betake90 you to your hawthorn house.

               With91 counsel of the night, I will be here

               With wholesome viands;92 these impediments

               Will I file off: you shall have garments and

               Perfumes to kill the smell o’th’prison: after,

95

95            When you shall stretch yourself and say but, ‘Arcite,

               I am in plight96’, there shall be at your choice

               Both sword and armour.

       
PALAMON
PALAMON     O you heavens, dares any

               So nobly bear a guilty99 business? None

100

100          But only Arcite: therefore none but Arcite

               In this kind is so bold.101

       
ARCITE
ARCITE     Sweet Palamon. Moves to embrace him
       
PALAMON
PALAMON     I do embrace you and your offer. For

               Your offer do’t I only, sir: your person

105

105          Without hypocrisy I may not wish

       Wind105 horns off, cornets

               More than my sword’s edge on’t.

       
ARCITE
ARCITE     You hear the horns;

               Enter your musit,108 lest this match between’s

               Be crossed109 ere met. Give me your hand, farewell.

110

110          I’ll bring you every needful thing: I pray you

               Take comfort and be strong.

       
PALAMON
PALAMON     Pray hold your promise

               And do the deed with a bent brow.113 Most certain

               You love me not: be rough with me and pour

115

115          This oil115 out of your language. By this air,

               I could for each word give a cuff,116 my stomach

               Not reconciled by reason.

       
ARCITE
ARCITE     Plainly spoken,

               Yet pardon me119 hard language. When I spur

       Wind horns

120

120          My horse I chide him not: content and anger

               In me have but one face.121 Hark, sir, they call

               The scattered to the banquet: you must guess

               I have an office123 there.

       
PALAMON
PALAMON     Sir, your attendance
125

125          Cannot please heaven and I know your office

               Unjustly126 is achieved.

       
ARCITE
ARCITE     ’Tis127 a good title.

               I am persuaded this question,128 sick between’s,

               By bleeding129 must be cured. I am a suitor

130

130          That to your sword you will bequeath this plea130

               And talk of it no more.

       
PALAMON
PALAMON     But this one word:

               You are going now to gaze upon my mistress,

               For, note you, mine she is.

135
135 
ARCITE
ARCITE             Nay, then.
       
PALAMON
PALAMON     Nay pray you!

               You talk of feeding me to breed me strength.

               You are going now to look upon a sun

               That strengthens what it looks on: there

140

140          You have a vantage o’er me, but enjoy’t till

               I may enforce my remedy.141 Farewell.

       Exeunt

Act 3 Scene 2
running scene 11 continues

       Enter Jailer’s Daughter alone With a file

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     He has mistook the brake1 I meant, is gone

               After his fancy. ’Tis now well-nigh2 morning.

               No matter: would it were perpetual night,

               And darkness lord o’th’world! Hark ’tis a wolf!

5

5              In me hath grief slain fear and but for one thing

               I care for nothing and that’s Palamon.

               I wreak7 not if the wolves would jaw me, so

               He had this file. What if I hallooed8 for him?

               I cannot hallow. If I whooped, what then?

10

10            If he not answered, I should call a wolf,

               And do him but that service.11 I have heard

               Strange howls this livelong12 night: why may’t not be

               They have made prey of him? He has no weapons,

               He cannot run: the jangling of his gyves

15

15            Might call fell15 things to listen, who have in them

               A sense to know a man unarmed and can

               Smell where resistance is. I’ll set it down17

               He’s torn to pieces: they howled many together

               And then they fed on him. So much for that:

20

20            Be20 bold to ring the bell. How stand I then?

               All’s chared21 when he is gone. No, no, I lie:

               My father’s to be hanged for his escape,

               Myself to beg, if I prized life so much

               As to deny my act, but that I would not,

25

25            Should I try death by dozens.25 I am moped:

               Food took I none these two days,

               Sipped some water. I have not closed mine eyes

               Save when my lids scoured28 off their brine. Alas,

               Dissolve,29 my life! Let not my sense unsettle

30

30            Lest I should drown, or stab, or hang myself.

               O, state of nature,31 fail together in me,

               Since thy best props are warped! So which way now?

               The best way is the next way to a grave:

               Each errant34 step beside is torment. Lo,

35

35            The moon is down, the crickets chirp, the screech-owl

               Calls in the dawn. All offices36 are done

               Save37 what I fail in. But the point is this:

               An end, and that is all.

       Exit

Act 3 Scene 3
running scene 11 continues

       Enter Arcite, with meat, wine and files

       
ARCITE
ARCITE     I should be near the place. Ho! Cousin Palamon!

       Enter Palamon Hesitantly

       
PALAMON
PALAMON     Arcite?
       
ARCITE
ARCITE     The same: I have brought you food and files.

               Come forth and fear not, here’s no Theseus.

5
5     
PALAMON
PALAMON             Nor none so honest, Arcite.
       
ARCITE
ARCITE     That’s no matter,6

               We’ll argue that hereafter.7 Come, take courage:

               You shall not die thus beastly.8 Here, sir, drink —

               I know you are faint—then I’ll talk further with you.

10
10   
PALAMON
PALAMON             Arcite, thou mightst now poison me.
       
ARCITE
ARCITE     I might:

               But I must fear you first. Sit down, and good now12

               No more of these vain parleys:13 let us not,

               Having our ancient14 reputation with us,

15

15            Make talk for fools and cowards. To your health, sir! Drinks

       
PALAMON
PALAMON     Do.16
       
ARCITE
ARCITE     Pray sit down then, and let me entreat you

               By all the honesty and honour in you,

               No mention of this woman: ’twill disturb us.

20

20            We shall have time enough.

       
PALAMON
PALAMON     Well, sir, I’ll pledge21 you. Drinks
       
ARCITE
ARCITE     Drink a good hearty draught: it22 breeds good blood, man.

               Do not you feel it thaw you?

       
PALAMON
PALAMON     Stay,24 I’ll tell you after a draught or two more.
25
25   
ARCITE
ARCITE     Spare it not,

               The duke has more, coz. Eat now.

       
PALAMON
PALAMON     Yes. Eats
       
ARCITE
ARCITE     I am glad you have so good a stomach.28
       
PALAMON
PALAMON     I am gladder I have so good meat to’t.
30
30   
ARCITE
ARCITE             Is’t not mad lodging,30 here in the wild woods, cousin?
       
PALAMON
PALAMON     Yes, for them that have wild31 consciences.
       
ARCITE
ARCITE     How tastes your victuals? Your hunger32 needs no sauce I see.
       
PALAMON
PALAMON     Not much.

               But if it did, yours is too tart, sweet cousin. What is this?

35
35   
ARCITE
ARCITE             Venison.
       
PALAMON
PALAMON     ’Tis a lusty36 meat:

               Give me more wine. Here, Arcite, to the wenches

               We have known in our days. The lord steward’s daughter —

               Do you remember her?

40
40   
ARCITE
ARCITE             After you, coz.
       
PALAMON
PALAMON     She loved a black-haired man—
       
ARCITE
ARCITE     She did so: well, sir?
       
PALAMON
PALAMON     And I have heard some call him Arcite, and—
       
ARCITE
ARCITE     Out with’t, faith!
45
45   
PALAMON
PALAMON             She met him in an arbour.

               What did she there, coz? Play o’th’virginals?46

       
ARCITE
ARCITE     Something47 she did, sir—
       
PALAMON
PALAMON     Made her groan48 a month for’t, or two, or three, or ten.
       
ARCITE
ARCITE     The marshall’s sister
50

50            Had her share too, as I remember, cousin,

               Else there be tales51 abroad. You’ll pledge her?

       
PALAMON
PALAMON     Yes.
       
ARCITE
ARCITE     A pretty brown wench ’tis. There was a time

               When young men went a-hunting, and a wood,

55

55            And a broad beech: and thereby hangs a tale — hey ho.55

       
PALAMON
PALAMON     For Emily, upon my life! Fool,

               Away with this strained57 mirth! I say again,

               That sigh was breathed for Emily. Base cousin,

               Dar’st thou break59 first?

60
60   
ARCITE
ARCITE             You are wide.60
       
PALAMON
PALAMON     By heaven and earth, there’s nothing in thee honest.
       
ARCITE
ARCITE     Then I’ll leave you: you are a beast now.
       
PALAMON
PALAMON     As thou mak’st me, traitor.
       
ARCITE
ARCITE     There’s all things needful: files and shirts, and perfumes.
65

65            I’ll come again some two hours hence, and bring

               That that shall quiet all.

       
PALAMON
PALAMON     A sword and armour.
       
ARCITE
ARCITE     Fear68 me not. You are now too foul, farewell.

               Get off your trinkets,69 you shall want nought.

70
70   
PALAMON
PALAMON             Sirrah—
       
ARCITE
ARCITE     I’ll hear no more. Exit
       
PALAMON
PALAMON     If he keep touch,72 he dies for’t. Exit
Act 3 Scene 4
running scene 11 continues

       Enter Jailer’s Daughter

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I am very cold and all the stars are out too,

               The little stars and all, that look like aglets:2

               The sun has seen my folly.— Palamon!—

               Alas no, he’s in heaven. Where am I now?

5

5              Yonder’s the sea and there’s a ship: how’t tumbles!5

               And there’s a rock lies watching under water:

               Now, now, it beats upon it: now, now, now,

               There’s a leak sprung,8 a sound one. How they cry!

               Run her9 before the wind, you’ll lose all else.

10
10            Up with a course10 or two and tack about, boys!

               Goodnight, goodnight, you’re gone.— I am very hungry.

               Would I could find a fine frog: he would tell me

               News from all parts o’th’world: then would I make

               A carrack14 of a cockleshell and sail

15

15            By east and north-east to the king of pygmies,

               For he tells fortunes rarely.16 Now my father

               Twenty to one is trussed up17 in a trice

               Tomorrow morning. I’ll say never a word.

                                    For I’ll cut my green coat, a foot above my knee

       Sings

20

20                                 And I’ll clip my yellow locks, an inch below mine eye.

                                        Hey, nonny,21 nonny, nonny.

                                    He’s22 buy me a white cut, forth for to ride,

                                    And I’ll go seek him, through the world that is so wide.

                                        Hey, nonny, nonny, nonny.

25

25            O, for a prick25 now like a nightingale,

               To put my breast against. I shall sleep like a top26 else.

       Exit

Act 3 [Scene 5]3.5
running scene 11 continues

       Enter a Schoolmaster, four Countrymen, and [one disguised as a] Baboon, two or three Wenches, with a Taborer

       
SCHOOLMASTER
SCHOOLMASTER     Fie, fie, what tediosity1 and disinsanity is here among ye? Have my rudiments2 been laboured so long with ye? Milked unto ye, and by a figure,3 even the very4 plum-broth and marrow of my understanding laid upon ye? And do you still cry ‘Where?’ and ‘How?’ and ‘Wherefore?’ You most coarse-frieze7 capacities, ye jean judgements, have I said ‘Thus let be’ and ‘There let be’ and ‘Then let be’, and no man understand me? Proh deum!9 Medius Fidius! Ye are all dunces. For why? Here stand I. Here the duke comes: there are you, close11 in the thicket: the duke appears: I meet him and unto him I utter learnèd things and many figures: he hears and nods and hums14 and then cries ‘Rare!’ and I go forward. At length I fling my cap up — mark there! Then do you, as once did Meleager16 and the boar, break comely17 out before him: like true lovers, cast yourselves in a body decently18 and sweetly, by a figure, trace19 and turn, boys.
20
20   
FIRST COUNTRYMAN
FIRST COUNTRYMAN             And sweetly we will do it, Master Gerald.
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Why, Timothy!
       
TABORER
TABORER     Here, my mad boys, have at ye.23
       
SCHOOLMASTER
SCHOOLMASTER     But I say, where’s their women?
25
25   
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN             Here’s Friz and Maudlin.
       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     And little Luce with the white legs and bouncing27 Barbary.
       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     And freckled Nell that never failed her master.
       
SCHOOLMASTER
SCHOOLMASTER     Where be your ribbons maids? Swim29 with your bodies
30

30            And carry it sweetly and deliverly30

               And now and then a favour31 and a frisk.

       
NELL
NELL              Let us alone,32 sir.
       
SCHOOLMASTER
SCHOOLMASTER     Where’s the rest o’th’music?33
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Dispersed as you commanded.
35
35   
SCHOOLMASTER
SCHOOLMASTER             Couple35 then

               And see what’s wanting.36 Where’s the bavian?—

               My friend, carry your tail37 without offence

               Or scandal to the ladies, and be sure

               You tumble39 with audacity and manhood,

40

40            And when you bark do it with judgement.

       
BABOON
BABOON     Yes, sir.
       
SCHOOLMASTER
SCHOOLMASTER     Quo usque tandem?42 Here is a woman wanting.
       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     We may go whistle:43 all the fat’s i’th’fire.
       
SCHOOLMASTER
SCHOOLMASTER     We have,
45

45            As learnèd authors utter, washed a tile,45

               We have been fatuus46 and laboured vainly.

       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     This is that scornful piece,47 that scurvy hilding

               That gave her promise faithfully, she would be here:

               Cicely, the sempster’s49 daughter.

50

50            The next gloves that I give her shall be dogskin!50

               Nay, an51 she fail me once, you can tell, Arcas,

               She swore by wine and bread she would not break.52

       
SCHOOLMASTER
SCHOOLMASTER     An eel53 and woman,

               A learnèd poet says, unless by th’tail

55

55            And with thy teeth thou hold, will either55 fail.

               In manners this was false position.56

       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     A fire ill57 take her: does she flinch now?
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     What

               Shall we determine, sir?

60
60   
SCHOOLMASTER
SCHOOLMASTER             Nothing.

               Our business is become a nullity,61

               Yea, and a woeful and a piteous nullity.

       
FOURTH COUNTRYMAN
FOURTH COUNTRYMAN     Now when the credit of our town lay on it,

               Now to be frampul,64 now to piss o’th’nettle.

65

65            Go thy ways,65 I’ll remember thee, I’ll fit thee.

       Enter Jailer’s Daughter

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     The George Alow66 came from the south Sings

                                    From the coast of Barbary-a

                                    And there he met with brave gallants of war,68

                                    By one, by two, by three-a.

70

70                                 ‘Well hailed, well hailed, you jolly gallants,

                                    And whither now are you bound-a?

       Chair and stools out

                                    O, let me have your company

                                    Till I come to the sound-a.’

                                    There was three fools, fell out about an howlet:74

75

75                                 The one said it was an owl,

                                    The other he said nay,

                                    The third he said it was a hawk,

                                    And her bells were cut away.

       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     There’s a dainty79 madwoman, master,
80

80            Comes i’th’nick,80 as mad as a March hare.

               If we can get her dance, we are made81 again:

               I warrant82 her, she’ll do the rarest gambols.

       
FIRST COUNTRYMAN
FIRST COUNTRYMAN     A mad woman? We are made, boys.
       
SCHOOLMASTER
SCHOOLMASTER     And are you mad, good woman? To Jailer’s Daughter
85
85   
JAILER’S DAUGHTER
JAILER’S DAUGHTER             I would be sorry else. Give me your hand.
       
SCHOOLMASTER
SCHOOLMASTER     Why?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I can tell your fortune.

               You are a fool. Tell88 ten.— I have posed him. Buzz!—

               Friend, you must eat89 no white bread: if you do

90

90            Your90 teeth will bleed extremely.— Shall we dance, ho?—

               I know you, you’re a tinker:91 sirrah tinker,

               Stop92 no more holes but what you should.

       
SCHOOLMASTER
SCHOOLMASTER     Dii boni.93 A tinker, damsel?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Or a conjurer:
95

95            Raise95 me a devil now and let him play

               Chi passa96 o’th’bells and bones.

       
SCHOOLMASTER
SCHOOLMASTER     Go take her

               And fluently persuade her to a peace:

               Et99 opus exegi quod nec Jovis ira, nec ignis.

100

100          Strike up and lead her in. Taborer plays

       
SECOND COUNTRYMAN
SECOND COUNTRYMAN     Come, lass, let’s trip101 it.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I’ll lead. Dances Wind horns
       
THIRD COUNTRYMAN
THIRD COUNTRYMAN     Do, do!
       
SCHOOLMASTER
SCHOOLMASTER     Persuasively and cunningly. Away, boys!

       Exeunt all but Schoolmaster

105

105          I hear the horns: give me some meditation,105

               And mark your cue. Pallas106 inspire me! Calls after them

       Enter Theseus, Pirithous, Hippolyta, Emilia, Arcite and Train

       
THESEUS
THESEUS     This way the stag took.
       
SCHOOLMASTER
SCHOOLMASTER     Stay, and edify!108
       
THESEUS
THESEUS     What have we here?
110
110 
PIRITHOUS
PIRITHOUS             Some country sport, upon my life, sir.
       
THESEUS
THESEUS     Well, sir, go forward, we will ‘edify’.— To Schoolmaster

               Ladies, sit down, we’ll stay112 it.

       
SCHOOLMASTER
SCHOOLMASTER     Thou doughty113 duke, all hail.— All hail, sweet ladies.
       
THESEUS
THESEUS     This is a cold114 beginning.
115
115 
SCHOOLMASTER
SCHOOLMASTER             If you but favour, our country pastime made is.

               We are a few of those collected here

               That ruder tongues distinguish117 ‘villager’,

               And to say verity, and not to fable,118

               We are a merry rout,119 or else a rabble,

120

120          Or company, or, by a figure, chorus,120

               That ’fore thy dignity will dance a morris.

               And I that am the rectifier122 of all,

               By title pedagogus,123 that let fall

               The birch124 upon the breeches of the small ones

125

125          And humble with a ferula125 the tall ones,

               Do here present this machine,126 or this frame,

               And, dainty duke, whose doughty dismal127 fame

               From Dis128 to Daedalus, from post to pillar,

               Is blown abroad, help me, thy poor well-willer,129

130

130          And with thy twinkling eyes look right and straight

               Upon this mighty ‘Moor’ — of mickle131 weight —

               ‘Is’132 now comes in, which, being glued together,

               Makes ‘Morris’ and the cause that we came hither:

               The body134 of our sport, of no small study.

135

135          I first appear, though rude and raw and muddy,

               To speak before thy noble grace this tenor:136

               At whose great feet I offer up my penner.137

               The next the lord of May, and lady bright,

               The chambermaid and servingman, by night

140

140          That seek out silent hanging.140 Then mine host

               And his fat spouse that welcomes to their cost

               The gallèd142 traveller and with a beck’ning

               Informs the tapster143 to inflame the reck’ning.

               Then the beest-eating144 clown and next the fool,

145

145          The Bavian with long tail and eke145 long tool,

               Cum multis aliis146 that make a dance.

               Say ‘Ay’, and all shall presently advance.

       
THESEUS
THESEUS     Ay, ay, by any means, dear domine.148
       
PIRITHOUS
PIRITHOUS     Produce.149

       Music. Dance

150
150 
SCHOOLMASTER
SCHOOLMASTER             Intrate filii!150

       Knocks for [the dance]

               Come forth and foot it.

       Enter the Dance

       The Countrymen and Jailer’s Daughter dance a morris

               Ladies, if we have been merry

               And have pleased ye with a derry,152

               And a derry, and a down,

               Say the schoolmaster’s no clown.—

155

155          Duke, if we have pleased thee too

               And have done as good boys should do,

               Give us but a tree or twain157

               For a maypole and again,

               Ere another year run out,

160

160          We’ll make thee laugh and all this rout.

       
THESEUS
THESEUS     Take twenty, domine.— How does my sweetheart?
       
HIPPOLYTA
HIPPOLYTA     Never so pleased, sir.
       
EMILIA
EMILIA     ’Twas an excellent dance

               And for a preface, I never heard a better.

165
165 
THESEUS
THESEUS             Schoolmaster, I thank you.— One see ’em all rewarded.
       
PIRITHOUS
PIRITHOUS     And here’s something to paint your pole166 withal. Gives money
       
THESEUS
THESEUS     Now to our sports again.
       
SCHOOLMASTER
SCHOOLMASTER     May the stag thou hunt’st stand long,

               And thy dogs be swift and strong:

170

170          May they kill him without lets170

               And the ladies eat his dowsets.171

       Wind horns

       [Exeunt Theseus and his party]

               Come we are all made, dii deæque omnes.172

               Ye have danced rarely,173 wenches.

       Exeunt

Act 3 [Scene 6]
running scene 11 continues

       Enter Palamon from the bush

       
PALAMON
PALAMON     About this hour my cousin gave his faith1

               To visit me again, and with him bring

               Two swords and two good armours.3 If he fail

               He’s neither man nor soldier. When he left me

5

5              I did not think a week could have restored

               My lost strength to me, I was grown so low

               And crest-fall’n with my wants. I thank thee, Arcite,

               Thou art yet a fair foe: and I feel myself,

               With this refreshing, able once again

10

10            To outdure10 danger. To delay it longer

               Would make the world think, when11 it comes to hearing,

               That I lay fatting12 like a swine to fight

               And not a soldier. Therefore this blest morning

               Shall be the last, and that sword he refuses,14

15

15            If15 it but hold, I kill him with: ’tis justice.

               So love and fortune for me!— O, good morrow.

       Enter Arcite with armours and swords

       
ARCITE
ARCITE     Good morrow, noble kinsman.
       
PALAMON
PALAMON     I have put you

               To too much pains, sir.

20
20  
ARCITE
ARCITE             That too much, fair cousin,

               Is but a debt to honour, and my duty.

       
PALAMON
PALAMON     Would you were so in all, sir: I could wish ye

               As kind a kinsman as you force me find

               A beneficial foe, that my embraces

25

25            Might thank ye, not my blows.

       
ARCITE
ARCITE     I shall think either

               Well done, a noble recompense.27

       
PALAMON
PALAMON     Then I shall quit28 you.
       
ARCITE
ARCITE     Defy me in these fair terms, and you show29
30

30            More than a mistress to me. No more anger,

               As you love anything that’s honourable.

               We were not bred to talk, man: when we are armed

               And both upon our guards, then let our fury,

               Like meeting of two tides, fly strongly from us,

35

35            And then to whom the birthright35 of this beauty

               Truly pertains36 — without upbraidings, scorns,

               Despisings of our persons, and such poutings

               Fitter for girls and schoolboys — will be seen

               And quickly, yours or mine. Wilt please you arm, sir?

40

40            Or, if you feel yourself not fitting40 yet

               And furnished with your old strength, I’ll stay,41 cousin,

               And ev’ry day discourse you into health,

               As I am spared.43 Your person I am friends with

               And I could wish I had not said I loved her,

45

45            Though45 I had died: but, loving such a lady

               And justifying my love, I must not fly from’t.

       
PALAMON
PALAMON     Arcite, thou art so brave an enemy

               That no man but thy cousin’s fit to kill thee.

               I am well and lusty:49 Choose your arms.

50
50   
ARCITE
ARCITE             Choose you, sir.
       
PALAMON
PALAMON     Wilt thou exceed51 in all, or dost thou do it

               To make me spare thee?

       
ARCITE
ARCITE     If you think so, cousin,

               You are deceived, for as I am a soldier,

55

55            I will not spare you.

       
PALAMON
PALAMON     That’s well said.
       
ARCITE
ARCITE     You’ll find it.57
       
PALAMON
PALAMON     Then as I am an honest man, and love

               With all the justice of affection,

60

60            I’ll pay thee soundly.60 This I’ll take. Chooses armor

       
ARCITE
ARCITE     That’s mine then. Takes the other

               I’ll arm you62 first.

       
PALAMON
PALAMON     Do. Pray thee Arcite begins to arm him tell me, cousin,

               Where got’st thou this good armour?

65
65   
ARCITE
ARCITE             ’Tis the duke’s,

               And to say true, I stole it. Do I pinch you?

       
PALAMON
PALAMON     No.
       
ARCITE
ARCITE     Is’t not too heavy?
       
PALAMON
PALAMON     I have worn a lighter,
70

70            But I shall make it serve.

       
ARCITE
ARCITE     I’ll buckle’t close.
       
PALAMON
PALAMON     By any means.
       
ARCITE
ARCITE     You care not for a grand guard?73
       
PALAMON
PALAMON     No, no, we’ll use no horses. I perceive
75

75            You would fain75 be at that fight.

       
ARCITE
ARCITE     I am indifferent.
       
PALAMON
PALAMON     Faith, so am I. Good cousin, thrust the buckle

               Through far enough.

       
ARCITE
ARCITE     I warrant79 you.
80
80   
PALAMON
             My casque80 now.
       
ARCITE
ARCITE     Will you fight bare-armed?
       
PALAMON
PALAMON     We shall be the nimbler.
       
ARCITE
ARCITE     But use your gauntlets though. Those are o’th’least:83

               Prithee take mine, good cousin.

85
85   
PALAMON
PALAMON             Thank you, Arcite.

               How do I look? Am I fall’n much away?86

       
ARCITE
ARCITE     Faith very little: love has used you kindly.
       
PALAMON
PALAMON     I’ll warrant thee, I’ll strike home.88
       
ARCITE
ARCITE     Do, and spare not.
90
90            I’ll give you cause, sweet cousin.
       
PALAMON
PALAMON     Now to you, sir. Begins to arm Arcite

               Methinks this armour’s very like that, Arcite,

               Thou wor’st that day the three kings fell, but lighter.

       
ARCITE
ARCITE     That was a very good one, and that day
95

95            I well remember, you outdid me, cousin:

               I never saw such valour: when you charged

               Upon the left wing of the enemy,

               I spurred hard to come up and under me

               I had a right good horse.

100
100 
PALAMON
PALAMON             You had indeed:

               A bright bay,101 I remember.

       
ARCITE
ARCITE     Yes, but all

               Was vainly laboured in me: you outwent me,

               Nor104 could my wishes reach you. Yet a little

105

105          I did by imitation.

       
PALAMON
PALAMON     More by virtue.106

               You are modest, cousin.

       
ARCITE
ARCITE     When I saw you charge first,

               Methought I heard a dreadful clap of thunder

110

110          Break from the troop.

       
PALAMON
PALAMON     But still before that flew

               The lightning of your valour. Stay a little:

               Is not this piece too strait?113

       
ARCITE
ARCITE     No, no, ’tis well.
115
115 
PALAMON
PALAMON             I would have nothing hurt thee but my sword:

               A bruise would be dishonour.

       
ARCITE
ARCITE     Now I am perfect.117
       
PALAMON
PALAMON     Stand off then.
       
ARCITE
ARCITE     Take my sword, I hold119 it better.
120
120 
PALAMON
PALAMON             I thank ye, no: keep it, your life lies120 on it.

               Here’s one: if it but hold, I ask no more

               For all my hopes. My cause and honour guard me.

       
ARCITE
ARCITE     And me my love.

       They bow several ways, then advance and stand

               Is there aught124 else to say?

125
125 
PALAMON
PALAMON             This only, and no more: thou art mine aunt’s son

               And that blood we desire to shed is mutual,

               In me thine and in thee mine. My sword

               Is in my hand and if thou killest me

               The gods and I forgive thee. If there be

130

130          A place prepared for those that sleep in honour,

               I wish his weary soul that falls may win it.

               Fight bravely, cousin. Give me thy noble hand.

       
ARCITE
ARCITE     Here, Palamon: this hand shall never more

               Come near thee with such friendship.

135
135 
PALAMON
PALAMON             I commend135 thee.
       
ARCITE
ARCITE     If I fall, curse me, and say I was a coward,

               For none but such dare die in these just trials.

               Once more farewell, my cousin.

       
PALAMON
PALAMON     Farewell, Arcite.

       Fight. Horns within. They stand

140
140 
ARCITE
ARCITE             Lo,140 cousin, lo, our folly has undone us.
       
PALAMON
PALAMON     Why?
       
ARCITE
ARCITE     This is the duke, a-hunting as I told you:

               If we be found, we are wretched. O, retire,143

               For honour’s sake, and safely presently144

145

145            Into your bush again. Sir, we shall find

               Too many hours to die in. Gentle cousin,

               If you be seen you perish instantly

               For breaking prison, and I, if you reveal me,

               For my contempt.149 Then all the world will scorn us

150

150            And say we had a noble difference,150

               But base disposers151 of it.

       
PALAMON
PALAMON     No, no, cousin,

               I will no more be hidden, nor put off

               This great adventure154 to a second trial:

155

155            I know your cunning and I know your cause.

               He that faints156 now, shame take him. Put thyself

               Upon thy present guard.

       
ARCITE
ARCITE     You are not mad?
       
PALAMON
PALAMON     Or I will make th’advantage of this hour
160

160            Mine own, and what to come shall threaten me

               I fear less than my fortune. Know, weak cousin,

               I love Emilia and in that I’ll bury

               Thee, and all crosses163 else.

       
ARCITE
ARCITE     Then come what can come.
165

165            Thou shalt know, Palamon, I dare as well

               Die as discourse or sleep. Only this fears166 me:

               The law will have the honour of our ends.

               Have at thy life.

       
PALAMON
PALAMON     Look to thine own well, Arcite.

       Fight again. Horns Enter Theseus, Hippolyta, Emilia, Pirithous and Train

170
170 
THESEUS
THESEUS     What ignorant170 and mad malicious traitors

               Are you, that gainst the tenor of my laws

               Are making battle, thus like knights appointed,172

               Without my leave and officers of arms?173

               By Castor,174 both shall die!

175
175 
PALAMON
PALAMON     Hold175 thy word, Theseus.

               We are certainly both traitors, both despisers

               Of thee and of thy goodness: I am Palamon

               That cannot love thee, he that broke thy prison:

               Think well what that deserves. And this is Arcite:

180

180          A bolder traitor never trod thy ground,

               A falser ne’er seemed friend. This is the man

               Was begged182 and banished, this is he contemns thee

               And what thou dar’st do; and in this disguise

               Against thine own edict follows184 thy sister,

185

185          That fortunate bright star, the fair Emilia,

               Whose servant — if there be a right in seeing

               And first bequeathing of the soul to — justly

               I am, and which is more, dares think her his.

               This treachery, like a most trusty lover,

190

190          I called him now to answer. If thou be’st

               As thou art spoken,191 great and virtuous,

               The true decider of all injuries,

               Say, ‘Fight again’ and thou shalt see me, Theseus,

               Do such a justice thou thy self wilt envy.

195

195          Then take my life, I’ll woo195 thee to’t.

       
PIRITHOUS
PIRITHOUS     O heaven,

               What more than man is this!

       
THESEUS
THESEUS     I have sworn.
       
ARCITE
ARCITE     We seek not
200

200          Thy breath of mercy, Theseus: ’tis to me

               A thing as soon to die as thee to say it

               And no more moved.202 Where this man calls me traitor,

               Let me say thus much: if in love be treason,

               In service of so excellent a beauty,

205

205          As I love most, and in that faith will perish,

               As I have brought my life here to confirm it,

               As I have served her truest, worthiest,

               As I dare kill this cousin that denies it,

               So let me be most traitor and ye please me.

210

210          For210 scorning thy edict, duke, ask that lady

               Why she is fair, and why her eyes command me

               Stay here to love her: and if she say ‘Traitor’,

               I am a villain fit to lie unburied.

       
PALAMON
PALAMON     Thou shalt have pity of us both, O Theseus,
215

215          If unto neither thou show mercy. Stop,215

               As thou art just, thy noble ear against us:

               As thou art valiant, for thy217 cousin’s soul

               Whose twelve strong labours crown his memory,

               Let’s die together at one instant, duke.

220

220          Only a little let him fall before me,

               That I may tell my soul he shall not have her.

       
THESEUS
THESEUS     I grant your wish, for to say true, your cousin

               Has ten times more offended, for I gave him

               More mercy than you found, sir, your offences

225

225          Being no more than his. None here speak for ’em,

               For ere the sun set, both shall sleep for ever.

       
HIPPOLYTA
HIPPOLYTA     Alas the pity! Now or never, sister, To Emilia

               Speak not228 to be denied. That face of yours

               Will bear the curses else of after ages

230

230          For these lost cousins.

       
EMILIA
EMILIA     In my face, dear sister,

               I find no anger to ’em, nor no ruin:

               The misadventure of their own eyes kill233 ’em.

               Yet234 that I will be woman, and have pity,

235

235          My knees shall grow to235 th’ground but I’ll get mercy.

               Help me, dear sister, in a deed so virtuous,

               The powers of all women will be with us.— Kneels

               Most royal brother—

       
HIPPOLYTA
HIPPOLYTA     Sir, by our tie of marriage— Kneels
240
240 
EMILIA
EMILIA             By your own spotless honour—
       
HIPPOLYTA
HIPPOLYTA     By that faith,

               That fair hand and that honest heart you gave me—

       
EMILIA
EMILIA     By that243 you would have pity in another,

               By your own virtues infinite—

245
245 
HIPPOLYTA
HIPPOLYTA             By valour,

               By all the chaste246 nights I have ever pleased you—

       
THESEUS
THESEUS     These are strange conjurings.247
       
PIRITHOUS
PIRITHOUS     Nay then I’ll in too: Kneels

               By all our friendship, sir, by all our dangers,

250

250          By all you love most: wars, and this sweet lady—

       
EMILIA
EMILIA     By that251 you would have trembled to deny

               A blushing maid—

       
HIPPOLYTA
HIPPOLYTA     By your own eyes, by strength,

               In which you swore I went beyond all women,

255

255          Almost all men, and yet I yielded, Theseus—

       
PIRITHOUS
PIRITHOUS     To crown all this, by your most noble soul,

               Which cannot want257 due mercy, I beg first—

       
HIPPOLYTA
HIPPOLYTA     Next hear my prayers—
       
EMILIA
EMILIA     Last let me entreat, sir—
260
260 
PIRITHOUS
PIRITHOUS             For mercy.
       
HIPPOLYTA
HIPPOLYTA     Mercy!
       
EMILIA
EMILIA     Mercy on these princes!
       
THESEUS
THESEUS     Ye make
263 my faith reel. Say I felt Emilia, Hippolyta, and Pirithous rise

               Compassion to ’em both, how would you place it?264

265
265 
EMILIA
EMILIA             Upon their lives: but with their banishments.
       
THESEUS
THESEUS     You are a right266 woman, sister: you have pity,

               But want the understanding where to use it.

               If you desire their lives, invent a way

               Safer than banishment. Can these two live

270

270          And have the agony of love about ’em

               And not kill one another? Every day

               They’d fight about you: hourly bring your honour

               In public question273 with their swords. Be wise then

               And here forget ’em. It concerns your credit274

275

275          And my oath equally. I have said they die.

               Better they fall by th’law than one another.

               Bow277 not my honour.

       
EMILIA
EMILIA     O my noble brother,

               That oath was rashly made, and in your anger.

280

280          Your reason will not hold280 it: if such vows

               Stand for express will,281 all the world must perish.

               Beside, I have another oath gainst yours

               Of more authority, I am sure more love,

               Not made in passion284 neither, but good heed.

285
285 
THESEUS
THESEUS             What is it, sister?
       
PIRITHOUS
PIRITHOUS     Urge it home, brave lady.
       
EMILIA
EMILIA     That you would nev’r deny me anything

               Fit for my modest suit and your free granting.

               I tie you to your word now: if ye fail in’t,

290

290          Think how you maim290 your honour —

               For now I am set a-begging, sir, I am deaf

               To all but your compassion — how their lives

               Might breed the ruin of my name. Opinion!

               Shall anything that loves me perish for me?

295

295          That were a cruel wisdom. Do men prune

               The straight young boughs that blush with thousand blossoms

               Because they may be297 rotten? O Duke Theseus,

               The goodly mothers that have groaned298 for these

               And all the longing maids that ever loved,

300

300          If your vow stand, shall curse me and my beauty

               And in their funeral songs for these two cousins

               Despise my cruelty and cry ‘Woe worth302 me’,

               Till I am nothing but the scorn of women.

               For heaven’s sake save their lives and banish ’em.

305
305 
THESEUS
THESEUS             On what conditions?
       
EMILIA
EMILIA     Swear ’em never more

               To make me their contention,307 or to know me,

               To tread upon thy dukedom, and to be,

               Wherever they shall travel, ever strangers

310

310          To one another.

       
PALAMON
PALAMON     I’ll be cut a-pieces

               Before I take this oath! Forget I love her?

               O, all ye gods, despise me then! Thy banishment

               I not mislike, so we may fairly carry

315

315          Our swords and cause along, else never trifle

               But take our lives, duke. I must love and will,

               And for that love, must and dare kill this cousin

               On any piece318 the earth has.

       
THESEUS
THESEUS     Will you, Arcite,
320

320          Take these conditions?

       
PALAMON
PALAMON     He’s a villain then.
       
PIRITHOUS
PIRITHOUS     These are men!
       
ARCITE
ARCITE     No, never, duke: ’tis worse to me than begging

               To take my life so basely.324 Though I think

325

325          I never shall enjoy her, yet I’ll preserve

               The honour of affection and die for her,

               Make327 death a devil.

       
THESEUS
THESEUS     What may be done? For now I feel compassion.
       
PIRITHOUS
PIRITHOUS     Let it not fall again, sir.
330
330 
THESEUS
THESEUS             Say, Emilia,

               If one of them were dead, as one must,331 are you

               Content to332 take th’other to your husband?

               They cannot both enjoy you. They are princes

               As goodly as your own eyes and as noble

335

335          As ever fame yet spoke of. Look upon ’em

               And if you can love, end this difference.

               I give consent. Are you content too, princes?

       
BOTH
BOTH     With all our souls.
       
THESEUS
THESEUS     He that she refuses
340

340          Must die then.

       
BOTH
BOTH     Any death thou canst invent, duke.
       
PALAMON
PALAMON     If I fall from that mouth,342 I fall with favour

               And lovers yet unborn shall bless my ashes.

       
ARCITE
ARCITE     If she refuse me, yet my grave will wed me
345

345          And soldiers sing my epitaph.

       
THESEUS
THESEUS     Make choice, then. To Emilia
       
EMILIA
EMILIA     I cannot, sir, they are both too excellent:

               For348 me, a hair shall never fall of these men.

       
HIPPOLYTA
HIPPOLYTA     What will become of ’em?
350
350 
THESEUS
THESEUS             Thus I ordain it

               And by mine honour, once again it stands,

               Or both shall die. You shall both to your country

               And each within this month accompanied

               With three fair knights, appear again in this place,

355

355          In which I’ll plant a pyramid:355 and whether

               Before us that are here, can force his cousin

               By fair and knightly strength to touch the pillar,

               He shall enjoy her: the other lose his head,

               And all his friends. Nor shall he grudge to fall,359

360

360          Nor think he dies with interest in360 this lady.

               Will this content ye?

       
PALAMON
PALAMON     Yes. Here, cousin Arcite, Offers his hand to Arcite

               I am friends again, till that hour.

       
ARCITE
ARCITE     I embrace ye. Embraces him
365
365 
THESEUS
THESEUS     Are you content, sister?
       
EMILIA
EMILIA     Yes, I must,366 sir,

               Else both miscarry.367

       
THESEUS
THESEUS     Come shake hands again then,

               And take heed, as you are gentlemen, this quarrel

370

370          Sleep till the hour prefixed, and hold your course.370

       
PALAMON
PALAMON     We dare not fail thee, Theseus. Palamon and Arcite shake hands
       
THESEUS
THESEUS     Come, I’ll give ye

               Now usage373 like to princes and to friends.

               When ye return, who wins, I’ll settle here:374

375

375          Who loses, yet I’ll weep upon his bier.375

       Exeunt

Act 4 Scene 14.1
running scene 12

       Enter Jailer and his Friend

       
JAILER
JAILER     Hear you no more? Was nothing said of me

               Concerning the escape of Palamon?

               Good sir, remember.

       
FIRST FRIEND
FIRST FRIEND     Nothing that I heard,
5

5              For I came home before the business

               Was fully ended: yet I might perceive,

               Ere I departed, a great likelihood

               Of both their pardons: for Hippolyta

               And fair-eyed Emily, upon their knees,

10

10            Begged with such handsome10 pity that the duke

               Methought stood staggering11 whether he should follow

               His rash oath or the sweet compassion

               Of those two ladies: and, to second them,

               That truly noble Prince Pirithous,

15

15            Half15 his own heart set in too, that I hope

               All shall be well. Neither heard I one question

               Of your name, or his scape.

       Enter Second Friend

       
JAILER
JAILER     Pray heaven it hold18 so.
       
SECOND FRIEND
SECOND FRIEND     Be of good comfort man: I bring you news,
20

20            Good news.

       
JAILER
JAILER     They21 are welcome.
       
SECOND FRIEND
SECOND FRIEND     Palamon has cleared you,

               And got your pardon, and discovered23 how

               And by whose means he escaped, which was your daughter’s,

25

25            Whose pardon is procured too: and the prisoner,

               Not to be held ungrateful to her goodness,

               Has given a sum of money to her marriage,

               A large one, I’ll assure you.

       
JAILER
JAILER     Ye are a good man
30

30            And ever30 bring good news.

       
FIRST FRIEND
FIRST FRIEND     How was it ended?
       
SECOND FRIEND
SECOND FRIEND     Why, as it should be: they that ne’er begged

               But they prevailed33 had their suits fairly granted:

               The prisoners have their lives.

35
35   
FIRST FRIEND
FIRST FRIEND             I knew ’twould be so.
       
SECOND FRIEND
SECOND FRIEND     But there be new conditions, which you’ll hear of

               At better time.

       
JAILER
JAILER     I hope they are good.
       
SECOND FRIEND
SECOND FRIEND     They are honourable:
40

40            How good they’ll prove, I know not.

       Enter Wooer

       
FIRST FRIEND
FIRST FRIEND     ’Twill be known.
       
WOOER
WOOER     Alas, sir, where’s your daughter?
       
JAILER
JAILER     Why do you ask?
       
WOOER
WOOER     O, sir, when did you see her?
45
45   
SECOND FRIEND
SECOND FRIEND             How he looks!45
       
JAILER
JAILER     This morning.
       
WOOER
WOOER     Was she well? Was she in health, sir?

               When did she sleep?

       
FIRST FRIEND
FIRST FRIEND     These are strange questions.
50
50   
JAILER
JAILER             I do not think she was very well, for now

               You make me mind51 her: but this very day

               I asked her questions, and she answered me

               So far from what she was, so childishly,

               So sillily, as if she were a fool,

55

55            An innocent,55 and I was very angry.

               But what of her, sir?

       
WOOER
WOOER     Nothing57 but my pity.

               But you must know it, and as good by58 me

               As by another that less loves her.

60
60   
JAILER
JAILER             Well, sir?
       
FIRST FRIEND
FIRST FRIEND     Not right?61
       
SECOND FRIEND
SECOND FRIEND     Not well?
       
WOOER
WOOER     No, sir, not well. ’Tis too true, she is mad.
       
FIRST FRIEND
FIRST FRIEND     It cannot be!
65
65   
WOOER
WOOER             Believe, you’ll find it so.
       
JAILER
JAILER     I half suspected

               What you told me: the gods comfort her!

               Either this was her love to Palamon,

               Or fear of my miscarrying on69 his scape,

70

70            Or both.

       
WOOER
WOOER     ’Tis likely.
       
JAILER
JAILER     But why all this haste, sir?
       
WOOER
WOOER     I’ll tell you quickly. As I late73 was angling

               In the great lake that lies behind the palace,

75

75            From the far shore, thick set with reeds and sedges,

               As patiently I was attending sport,76

               I heard a voice, a shrill one, and attentive

               I gave my ear, when I might well perceive

               ’Twas one that sung, and by the smallness79 of it,

80

80            A boy or woman. I then left my angle80

               To81 his own skill, came near, but yet perceived not

               Who made the sound, the rushes and the reeds

               Had so encompassed83 it. I laid me down

               And listened to the words she sung, for then,

85

85            Through a small glade85 cut by the fishermen,

               I saw it was your daughter.

       
JAILER
JAILER     Pray go on, sir.
       
WOOER
WOOER     She sung much, but no sense, only I heard her

               Repeat this often: ‘Palamon is gone,

90

90            Is gone to th’wood to gather mulberries.

               I’ll find him out tomorrow.’

       
FIRST FRIEND
FIRST FRIEND     Pretty92 soul!
       
WOOER
WOOER     ‘His shackles will betray him, he’ll be taken,

               And what shall I do then? I’ll bring a bevy,94

95

95            A hundred black-eyed maids that love as I do,

               With chaplets96 on their heads of daffodillies,

               With cherry lips and cheeks of damask97 roses,

               And all we’ll dance an antic98 ’fore the duke

               And beg his pardon.’ Then she talked of you, sir:

100

100          That you must lose your head tomorrow morning,

               And she must gather flowers to bury you,

               And see the house made handsome.102 Then she sung

               Nothing but ‘Willow, willow, willow’103 and between

               Ever was ‘Palamon, fair Palamon’,

105

105          And ‘Palamon was a tall105 young man.’ The place

               Was knee-deep where she sat: her careless tresses,106

               A wreath of bullrush rounded:107 about her stuck

               Thousand fresh water flowers of several colours,

               That methought she appeared like the fair nymph109

110

110          That feeds the lake with waters, or as Iris110

               Newly dropped down from heaven. Rings she made

               Of rushes that grew by and to ’em spoke

               The prettiest posies:113 ‘Thus our true love’s tied:

               This you may loose, not me’ and many a one:

115

115          And then she wept, and sung again, and sighed,

               And with the same breath smiled, and kissed her hand.

       
SECOND FRIEND
SECOND FRIEND     Alas, what pity it is!
       
WOOER
WOOER     I made118 in to her.

               She saw me, and straight119 sought the flood. I saved her,

120

120          And set her safe to land, when presently

               She slipped away and to the city made,

               With such a cry and swiftness that, believe me,

               She left me far behind her. Three or four

               I saw from far off cross124 her: one of ’em

125

125          I knew to be your brother, where she stayed125

               And fell, scarce126 to be got away. I left them with her,

       Enter Brother, Daughter and others

               And hither came to tell you. Here they are.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     May128 you never more enjoy the light…(etc.) Sings

               Is not this a fine song?

130
130 
JAILER’S BROTHER
JAILER’S BROTHER             O, a very fine one.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I can sing twenty more.
       
JAILER’S BROTHER
JAILER’S BROTHER     I think you can.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Yes, truly, can I: I can sing ‘The Broom’,133

               And ‘Bonny Robin’. Are not you a tailor?

135
135 
JAILER’S BROTHER
JAILER’S BROTHER             Yes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Where’s my wedding-gown?
       
JAILER’S BROTHER
JAILER’S BROTHER     I’ll bring it tomorrow.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Do, very early: I138 must be abroad else

               To call the maids and pay the minstrels,

140

140          For I must lose my maidenhead140 by cocklight,

               ’Twill never thrive141 else.

                                    O142 fair, O sweet…(etc.) Sings

       
JAILER’S BROTHER
JAILER’S BROTHER     You must ev’n143 take it patiently.
       
JAILER
JAILER     ’Tis true.
145
145 
JAILER’S DAUGHTER
JAILER’S DAUGHTER             Good ev’n, good men: pray did you ever hear

               Of one young Palamon?

       
JAILER
JAILER     Yes, wench, we know him.
       
DAUGHTER
DAUGHTER     Is’t not a fine young gentleman?
       
JAILER
JAILER     ’Tis, love.
150
150 
JAILER’S BROTHER
JAILER’S BROTHER             By no means cross150 her, she is then distempered

               Far worse than now she shows.

       
FIRST FRIEND
FIRST FRIEND     Yes, he’s a fine man.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     O, is he so? You have a sister.
       
FIRST FRIEND
FIRST FRIEND     Yes.
155
155 
JAILER’S DAUGHTER
JAILER’S DAUGHTER             But she shall never have him, tell her so,

               For156 a trick that I know: you’d best look to her,

               For if she see him once, she’s gone,157 she’s done

               And undone in an hour. All the young maids

               Of our town are in love with him, but I laugh at ’em

160

160          And let160 ’em all alone. Is’t not a wise course?

       
FIRST FRIEND
FIRST FRIEND     Yes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     There is at least two hundred now with child by him —

               There must be four — yet I keep close163 for all this,

               Close164 as a cockle: and all these must be boys —

165

165          He has the trick on’t165 — and at ten years old

               They must be all gelt166 for musicians

               And sing the wars of Theseus.

       
SECOND FRIEND
SECOND FRIEND     This is strange.
       
JAILER’S BROTHER
JAILER’S BROTHER     As ever you heard, but say nothing.
170
170 
FIRST FRIEND
FIRST FRIEND             No.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     They come from all parts of the dukedom to him.

               I’ll warrant ye, he had not so few last night

               As twenty to dispatch, he’ll tickle’t up173

               In two hours, if174 his hand be in.

175
175 
JAILER
JAILER             She’s lost

               Past all cure.

       
JAILER’S BROTHER
JAILER’S BROTHER     Heaven forbid, man.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Come hither, you are a wise man. To Jailer
       
FIRST FRIEND
FIRST FRIEND     Does she know179 him? Aside
180
180 
SECOND FRIEND
SECOND FRIEND             No, Aside

                                    Would she did.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     You are master of a ship?
       
JAILER
JAILER     Yes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Where’s your compass?
185
185 
JAILER
JAILER             Here.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Set it to th’north.

               And now direct your course to th’wood,187 where Palamon

               Lies longing for me. For the tackling188

               Let me alone.189— Come, weigh, my hearts, cheerily all.

190

190          Owgh!190 Owgh! Owgh!— ’Tis up, the wind’s fair!—

               Top the bowline!—

               Out with the mainsail!— Where’s your whistle, master?

       
JAILER’S BROTHER
JAILER’S BROTHER     Let’s get her in.
       
JAILER
JAILER     Up to the top,194 boy.
195
195 
JAILER’S BROTHER
JAILER’S BROTHER             Where’s the pilot?
       
FIRST FRIEND
FIRST FRIEND     Here.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     What kenn’st197 thou?
       
SECOND FRIEND
SECOND FRIEND     A fair wood.198
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Bear for it, master: tack about.
200
200          When Cynthia200 with her borrowed light…(etc.)

       Sings

       Exeunt

Act 4 Scene 24.2
running scene 13

       Enter Emilia alone with two pictures

       
EMILIA
EMILIA     Yet I may bind those wounds up, that must open

               And bleed to death for my sake else: I’ll choose,

               And end their strife. Two such young handsome men

               Shall never fall for me: their weeping mothers,

5

5              Following the dead cold ashes of their sons,

               Shall never curse my cruelty. Good heaven, Looks at one picture

               What a sweet face has Arcite! If wise nature,

               With all her best endowments, all those beauties

               She sows into the births of noble bodies,

10

10            Were here a mortal woman and had in her

               The coy11 denials of young maids, yet, doubtless,

               She would run mad for this man: what an eye,

               Of what a fiery sparkle and quick13 sweetness,

               Has this young prince! Here Love himself sits smiling:

15

15            Just such another wanton Ganymede15

               Set Jove afire with and enforced the god

               Snatch up the goodly boy and set him by him,

               A shining constellation.18 What a brow,

               Of what a spacious majesty he carries,

20

20            Arched like the great-eyed Juno’s, but far sweeter,

               Smoother than Pelops’ shoulder!21 Fame and honour,

               Methinks, from hence,22 as from a promontory

               Pointed23 in heaven, should clap their wings and sing

               To all the underworld24 the loves and fights

25

25            Of gods and such men near ’em.25 Palamon, Looks at the other

               Is but his foil,26 to him, a mere dull shadow:

               He’s swart27 and meagre, of an eye as heavy

               As if he had lost his mother: a still28 temper,

               No stirring29 in him, no alacrity,

30

30            Of all this30 sprightly sharpness, not a smile.

               Yet these that we count errors may become him:

               Narcissus was a sad32 boy, but a heavenly.

               O, who can find the bent33 of woman’s fancy?

               I am a fool, my reason is lost in me,

35

35            I have no choice,35 and I have lied so lewdly

               That women ought to beat me.— On my knees

               I ask thy pardon, Palamon: thou art alone

               And only42 beautiful, and these the eyes,

               These the bright lamps of beauty, that command

40

40            And threaten love, and what young maid dare cross ’em?

               What a bold gravity, and yet inviting,

               Has this brown manly face!— O Love, this only,

               From this hour, is complexion!43— Lie there, Arcite: Sets Arcite’s picture aside

               Thou art a changeling44 to him, a mere gipsy,

45

45            And this the noble body.— I am sotted,45

               Utterly lost: my virgin’s faith46 has fled me.

               For if my brother but even now had asked me

               Whether48 I loved, I had run mad for Arcite:

               Now if my sister, more for Palamon.

50

50            Stand both together.— Now, come ask me, brother.

               Alas, I know not.— Ask me now, sweet sister.

               I may go look.52 What a mere child is fancy,

               That, having two fair gauds53 of equal sweetness,

               Cannot distinguish,54 but must cry for both.

       Enter Gentleman

55
55   
EMILIA
EMILIA             How now, sir?
       
GENTLEMAN
GENTLEMAN     From the noble duke your brother,

               Madam, I bring you news: the knights are come.

       
EMILIA
EMILIA     To end the quarrel?
       
GENTLEMAN
GENTLEMAN     Yes.
60
60   
EMILIA
EMILIA             Would I might end60 first!—

               What sins have I committed, chaste Diana,

               That my unspotted62 youth must now be soiled

               With blood of princes? And my chastity

               Be made the altar where the lives of lovers,

65

65            Two greater and two better never yet

               Made mothers joy, must be the sacrifice

               To my unhappy beauty?

       Enter Theseus, Hippolyta, Pirithous and Attendants

       
THESEUS
THESEUS     Bring ’em in

               Quickly, by any means. I long to see ’em.—

70

70            Your two contending lovers are returned, To Emilia

               And with them their fair knights. Now, my fair sister,

               You must love one of them.

       
EMILIA
EMILIA     I had rather both,

               So neither for my sake should fall untimely.74

       Enter Messenger

75
75   
THESEUS
THESEUS             Who saw ’em?
       
PIRITHOUS
PIRITHOUS     I a while.76
       
GENTLEMAN
GENTLEMAN     And I.
       
THESEUS
THESEUS     From whence To the Messenger come you, sir?
       
MESSENGER
MESSENGER     From the knights.
80
80   
THESEUS
THESEUS             Pray speak,

               You that have seen them, what they are.

       
MESSENGER
MESSENGER     I will, sir,

               And truly what I think: six braver spirits

               Than these they have brought, if we judge by the outside,

85

85            I never saw, nor read of. He that stands

               In the first place with Arcite, by his seeming86

               Should be a stout87 man, by his face a prince,

               His very looks so say88 him: his complexion

               Nearer a brown than black, stern, and yet noble,

90

90            Which shows him hardy, fearless, proud of dangers.

               The circles of his eyes show fire within him,

               And as a heated lion, so he looks.92

               His hair hangs long behind him, black and shining

               Like ravens’ wings, his shoulders broad and strong,

95

95            Armed long and round,95 and on his thigh a sword

               Hung by a curious baldric,96 when he frowns

               To seal his will with. Better97 o’my conscience

               Was never soldier’s friend.

       
THESEUS
THESEUS     Thou hast well described him.
100
100 
PIRITHOUS
PIRITHOUS             Yet a great deal short,

               Methinks, of him that’s first with Palamon.

       
THESEUS
THESEUS     Pray speak102 him, friend.
       
PIRITHOUS
PIRITHOUS     I guess he is a prince too,

               And if it may be, greater, for his show104

105

105          Has all the106 ornament of honour in’t.

               He’s somewhat bigger than the knight he spoke of,

               But of a face far sweeter: his complexion

               Is, as a ripe grape, ruddy. He has felt108

               Without doubt what he fights for, and so apter109

110

110          To make this cause his own. In’s face appears

               All the fair hopes of what he undertakes

               And when he’s angry, then a settled valour,

               Not tainted with extremes,113 runs through his body

               And guides his arm to brave things. Fear he cannot:

115

115          He shows no such soft temper. His head’s yellow,

               Hard-haired,116 and curled, thick twined like ivy tods,

               Not to undo117 with thunder. In his face

               The livery118 of the warlike maid appears,

               Pure red and white, for yet no beard has blest him.

120

120          And in his rolling eyes sits victory,

               As if she ever meant to crown his valour.

               His nose stands high, a character122 of honour,

               His red lips, after fights, are fit for123 ladies.

       
EMILIA
EMILIA     Must these men die too?
125
125 
PIRITHOUS
PIRITHOUS             When he speaks, his tongue

               Sounds like a trumpet: all his lineaments126

               Are as a man would wish ’em, strong and clean.127

               He wears a well-steeled axe, the staff128 of gold.

               His age some five-and-twenty.

130
130 
MESSENGER
MESSENGER             There’s another,

               A little man, but of a tough soul, seeming

               As great132 as any: fairer promises

               In such a body yet I never looked on.

       
PIRITHOUS
PIRITHOUS     O, he that’s freckle-faced?
135
135 
MESSENGER
MESSENGER             The same, my lord.

               Are they136 not sweet ones?

       
PIRITHOUS
PIRITHOUS     Yes, they are well.137
       
MESSENGER
MESSENGER     Methinks,

               Being so few and well-disposed, they show

140

140          Great and fine art in nature. He’s white-haired,140

               Not wanton white,141 but such a manly colour,

               Next to an auburn: tough and nimble142 set,

               Which shows an active soul. His arms are brawny,

               Lined with strong sinews: to the shoulder piece,

145

145          Gently they swell, like women new-conceived,145

               Which speaks him prone to labour,146 never fainting

               Under the weight of arms: stout-hearted, still,

               But when he stirs, a tiger. He’s grey-eyed,148

               Which yields compassion where he conquers, sharp

150

150          To spy advantages, and where he finds ’em,

               He’s swift to make ’em his. He does no wrongs,

               Nor takes none. He’s round-faced and when he smiles

               He shows153 a lover, when he frowns, a soldier.

               About his head he wears the winner’s oak154

155

155          And in it stuck the favour of his lady:

               His age, some six-and-thirty. In his hand

               He bears a charging staff,157 embossed with silver.

       
THESEUS
THESEUS     Are they all thus?
       
PIRITHOUS
PIRITHOUS     They are all the sons of honour.
160
160 
THESEUS
THESEUS             Now, as I have a soul, I long to see ’em.

               Lady, you shall see men fight now. To Hippolyta

       
HIPPOLYTA
HIPPOLYTA     I wish it,

               But not the cause, my lord. They would show

               Bravely163 about the titles of two kingdoms:

165

165          ’Tis pity love should be so tyrannous.—

               O, my soft-hearted sister, what think you?

               Weep not, till they weep blood. Wench, it must be.

       
THESEUS
THESEUS     You have steeled168 ’em with your beauty.— Honoured friend, To Pirithous

               To you I give the field:169 pray order it

170

170          Fitting the persons that must use it.

       
PIRITHOUS
PIRITHOUS     Yes, sir.
       
THESEUS
THESEUS     Come, I’ll go visit ’em. I cannot stay —

               Their fame has fired me so — till they appear.

               Good friend, be royal.174

175
175 
PIRITHOUS
PIRITHOUS             There shall want175 no bravery.
       
EMILIA
EMILIA     Poor wench, go weep, for whosoever wins

               Loses a noble cousin for thy sins. Exeunt

Act 4 Scene 34.3
running scene 14

       Enter Jailer, Wooer, Doctor

       
DOCTOR
DOCTOR     Her distraction is more at some time1 of the moon, than at other some,2 is it not?
       
JAILER
JAILER     She is continually in a harmless distemper,3 sleeps little, altogether without appetite, save often drinking, dreaming of another world and a better: and what broken piece of matter soe’er she’s about, the name Palamon lards7 it, that she farces ev’ry business withal,8 fits it to every question.

       Enter Daughter

Look where she comes: you shall perceive her behaviour.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I have forgot it quite: the burden11 on’t was ‘Down-a down-a’ and penned by no worse man than Giraldo, Emilia’s schoolmaster: he’s as fantastical14 too as ever he may go upon’s legs, for in the next world will Dido15 see Palamon, and then will she be out of love with Aeneas.
       
DOCTOR
DOCTOR     What stuff’s here? Poor soul!
       
JAILER
JAILER     Ev’n thus all day long.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Now for this charm that I told you of: you must bring a piece of silver20 on the tip of your tongue, or no ferry. Then if it be your chance to come where the blessed spirits are, there’s a sight now! We maids that have our livers23 perished, cracked to pieces with love, we shall come there, and do nothing all day long but pick flowers with Proserpine.26 Then will I make Palamon a nosegay, then let him mark27 me — then.
       
DOCTOR
DOCTOR     How prettily28 she’s amiss! Note her a little further.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Faith, I’ll tell you: sometime we go to barley break,31 we of the blessed. Alas, ’tis a sore life they have i’th’other place:32 such burning, frying, boiling, hissing, howling, chattering, cursing. O, they have shrewd measure!34 Take heed! If one be mad, or hang or drown themselves, thither they go, Jupiter bless us, and there shall we be put in a cauldron of lead and usurer’s grease,38 amongst a whole million of cutpurses, and there boil like a gammon of bacon that will never be enough.40
       
DOCTOR
DOCTOR     How her brain coins!41
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Lords and courtiers that have got maids with child, they are in this place. They shall stand in fire up to the navel and in ice up to th’heart, and there th’offending part burns and the deceiving part freezes: in troth a very grievous punishment, as one would think, for such a trifle. Believe me, one would marry a leprous48 witch to be rid on’t,49 I’ll assure you.
       
DOCTOR
DOCTOR     How she continues this fancy! ’Tis not an engrafted51 madness but a most thick and profound melancholy.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     To hear there a proud lady and a proud city wife howl together: I were54 a beast an I’d call it good sport. One cries, ‘O, this smoke!’ another, ‘This fire!’ One cries, ‘O, that ever I did it behind the arras!’57 and then howls: th’other curses a suing fellow58 and her garden-house.

I will be true, my stars,

       Sings

my fate…(etc.)

       Exit

       
JAILER
JAILER     What think you of her, sir?
       
DOCTOR
DOCTOR     I think she has a perturbed mind, which I cannot minister to.
       
JAILER
JAILER     Alas, what then?
       
DOCTOR
DOCTOR     Understand you she ever affected64 any man, ere65 she beheld Palamon?
       
JAILER
JAILER     I was once, sir, in great hope she had fixed her liking on this gentleman, my friend.
       
WOOER
WOOER     I did think so too, and would account68 I had a great penn’orth on’t,69 to give half my state that both she and I at this present stood unfeignedly70 on the same terms.
       
DOCTOR
DOCTOR     That intemperate72 surfeit of her eye hath distempered the other senses. They may return and settle again to execute their preordained faculties,75 but they are now in a most extravagant vagary.76 This you must do: confine her to a place where the light may rather seem to steal in than be permitted. Take upon you, young sir, her friend, the name of Palamon. Say you come to eat with her and to commune80 of love. This will catch her attention, for this her mind beats81 upon: other objects that are inserted ’tween her mind and eye become the pranks and friskins83 of her madness. Sing to her such green84 songs of love as she says Palamon hath sung in prison. Come to her, stuck86 in as sweet flowers as the season is mistress of and thereto make an addition of some other compounded odours88 which are grateful to the sense: all this shall become Palamon, for Palamon can sing, and Palamon is sweet and ev’ry good thing. Desire to eat with her, carve91 her, drink to her, and still among,92 intermingle your petition of grace and acceptance into her favour: learn what maids have been her companions and play-feres94 and let them repair95 to her with Palamon in their mouths, and appear with tokens,96 as if they suggested97 for him. It is a falsehood she is in, which is with falsehoods to be combated. This may bring her to eat, to sleep, and reduce99 what’s now out of square in her into their former law and regiment. I have seen it approved,101 how many times I know not, but to make the number more I have great hope in this. I will, between the passages103 of this project, come in with my appliance.104 Let us put it in execution and hasten the success,105 which, doubt not, will bring forth comfort.

       Exeunt

Act 5 Scene 15.1
running scene 15

       Flourish. Enter Theseus, Pirithous, Hippolyta, Attendants

       
THESEUS
THESEUS     Now let ’em enter and before the gods

               Tender their holy prayers. Let the temples

               Burn bright with sacred fires and the altars

               In hallowed clouds commend their swelling4 incense

5

5              To those above us: let no due be wanting.

       Flourish of cornets

               They have a noble work in hand, will6 honour

               The very powers that love ’em.

       Enter Palamon and Arcite, and their Knights

       
PIRITHOUS
PIRITHOUS     Sir, they enter.
       
THESEUS
THESEUS     You valiant and strong-hearted enemies
10

10            You royal german10 foes, that this day come

               To blow that nearness11 out that flames between ye:

               Lay by12 your anger for an hour, and, dove-like,

               Before the holy altars of your helpers,

               The all-feared gods, bow down your stubborn14 bodies.

15

15            Your ire15 is more than mortal, so your help be:

               And as the gods regard16 ye, fight with justice.

               I’ll leave you to your prayers and betwixt ye

               I part18 my wishes.

       
PIRITHOUS
PIRITHOUS     Honour crown the worthiest.

       Exit Theseus and his train

20
20   
PALAMON
PALAMON     The glass20 is running now that cannot finish To Arcite

               Till one of us expire. Think you but thus:

               That were there ought in me which strove to show22

               Mine enemy in this business, were’t one eye

               Against another, arm oppressed by arm,

25

25            I would destroy th’offender, coz, I would,

               Though parcel26 of myself. Then from this gather

               How I should tender27 you.

       
ARCITE
ARCITE     I am in labour

               To push your name, your ancient love, our kindred

30
30            Out of my memory and i’th’self-same place

               To seat something I would confound.31 So hoist we

               The sails that must these vessels port,32 even where

               The heavenly limiter33 pleases.

       
PALAMON
PALAMON     You speak well.
35

35            Before I turn,35 let me embrace thee, cousin.

               This I shall never do again. Embraces him

       
ARCITE
ARCITE     One farewell.
       
PALAMON
PALAMON     Why, let it be so. Farewell, coz.

       Exeunt Palamon and his Knights

       
ARCITE
ARCITE     Farewell, sir.—
40

40            Knights, kinsmen, lovers, yea my sacrifices,40

               True worshippers of Mars, whose spirit in you

               Expels the seeds of fear and th’apprehension42

               Which still is father of it: go with me

               Before the god of our profession:44 there

45

45            Require45 of him the hearts of lions and

               The breath46 of tigers, yea, the fierceness too,

               Yea, the speed also — to go on,47 I mean:

               Else48 wish we to be snails. You know my prize

               Must be dragged out of blood. Force and great feat49

50

50            Must put my garland50 on, where she sticks

               The queen of flowers. Our intercession51 then

               Must be to him that makes the camp a cistern52

               Brimmed with the blood of men. Give me your aid

               And bend your spirits towards him.— Prostrate before the altar

       They kneel

55

55            Thou mighty one, that with thy power hast turned

               Green Neptune56 into purple:

               Whose havoc57 in vast field comets prewarn,

               Unearthèd58 skulls proclaim, whose breath blows down

               The teeming59 Ceres’ foison, who dost pluck

60

60            With hand armipotent60 from forth blue clouds

               The masoned61 turrets, that both mak’st and break’st

               The stony girths62 of cities: me thy pupil,

               Youngest follower of thy drum, instruct this day

               With military skill, that to thy laud64

65

65            I may advance my streamer,65 and by thee

               Be styled66 the lord o’th’day. Give me, great Mars,

               Some token of thy pleasure.

       Here they fall on their faces as formerly, and there is heard clanging of armour, with a short thunder, as the burst of a battle, whereupon they all rise, and bow to the altar

               O great corrector of enormous68 times,

               Shaker of o’er-rank69 states, thou grand decider

70

70            Of dusty and old titles, that heal’st with blood70

               The earth when it is sick and cur’st the world

               O’th’pleurisy72 of people, I do take

               Thy signs auspiciously and in thy name

               To my design march boldly. Let us go.

       Exeunt

       Enter Palamon and his Knights, with the former observance

75
75   
PALAMON
PALAMON     Our stars75 must glister with new fire or be

               Today extinct.76 Our argument is love,

               Which if the goddess of it grant, she gives

               Victory too. Then blend your spirits with mine,

               You whose free79 nobleness do make my cause

80

80            Your personal hazard. To the goddess Venus

               Commend we our proceeding and implore

               Her power unto our party.—

       Here they kneel as formerly

               Hail, sovereign queen of secrets,83 who hast power

               To call the fiercest tyrant from his rage

85

85            And weep unto a girl, that hast the might,

               Even with an eye-glance, to choke Mars’s drum

               And turn th’alarm to whispers, that canst make

               A cripple flourish88 with his crutch and cure him

               Before Apollo, that mayst force the king

90

90            To be his subject’s vassal90 and induce

               Stale gravity91 to dance. The polled bachelor,

               Whose youth like wanton boys through bonfires

               Have skipped93 thy flame, at seventy, thou canst catch

               And make him to the scorn of his hoarse throat

95

95            Abuse young lays95 of love: what godlike power

               Hast thou not power upon? To Phoebus96 thou

               Add’st flames hotter than his: the heavenly fires

               Did scorch his mortal son,98 thine him: the huntress

               All moist99 and cold, some say, began to throw

100

100          Her bow away and sigh. Take to thy grace

               Me thy vowed soldier, who do bear thy yoke101

               As ’twere a wreath of roses, yet is heavier

               Than lead itself, stings more than nettles.

               I have never been foul-mouthed against thy law,

105

105          Nev’r revealed secret, for I knew none: would not,

               Had I kenned106 all that were. I never practised

               Upon man’s wife nor would the libels107 read

               Of liberal108 wits. I never at great feasts

               Sought to betray109 a beauty, but have blushed

110

110          At simpering sirs that did. I have been harsh

               To large confessors111 and have hotly asked them

               If they had mothers: I had one, a woman,

               And women ’twere they wronged. I knew a man

               Of eighty winters, this I told them, who

115

115          A lass of fourteen brided.115 ’Twas thy power

               To put life into dust: the agèd cramp116

               Had screwed117 his square foot round,

               The gout had knit his fingers into knots,

               Torturing convulsions from his globy119 eyes

120

120          Had almost drawn their spheres,120 that what was life

               In him seemed torture. This anatomy121

               Had by his young fair fere122 a boy, and I

               Believed it was his, for she swore it was,

               And who would not believe her? Brief,124 I am

125

125          To those that prate125 and have done, no companion:

               To those that boast and have not, a defier:126

               To those that would and cannot, a rejoicer.

               Yea, him I do not love that tells close offices128

               The foulest way nor names concealments129 in

130

130          The boldest130 language. Such a one I am

               And vow that lover never yet made sigh

               Truer than I. O, then, most soft sweet goddess,

               Give me the victory of this question, which

               Is true love’s merit,134 and bless me with a sign

135

135          Of thy great pleasure.

       Here music is heard, doves are seen to flutter. They fall again upon their faces, then on their knees

               O thou that from eleven to ninety reign’st

               In mortal bosoms, whose chase137 is this world

               And we in herds thy game: I give thee thanks

               For this fair token, which being laid unto139

140

140          Mine innocent true heart, arms in assurance

               My body to this business.— Let us rise They rise

               And bow before the goddess. Time comes on.142

       They bow. Exeunt

       Still music of recorders. Enter Emilia in white, her hair about her shoulders, a wheaten wreath; one in white holding up her train, her hair stuck with flowers; one before her carrying a silver hind, in which is conveyed incense and sweet odours, which being set upon the altar, her Maids standing aloof, she sets fire to it; then they curtsy and kneel

       
EMILIA
EMILIA     O sacred, shadowy, cold and constant queen,

               Abandoner of revels, mute contemplative,

145

145          Sweet, solitary, white as chaste, and pure

               As wind-fanned snow, who to thy female knights

               Allow’st no more blood than will make a blush,

               Which is their order’s robe:148 I here, thy priest,

               Am humbled ’fore thine altar. O, vouchsafe149

150

150          With that thy rare green eye, which never yet

               Beheld thing maculate,151 look on thy virgin,

               And, sacred silver mistress, lend thine ear,

               Which ne’er heard scurrile153 term, into whose port

               Ne’er entered wanton154 sound, to my petition

155

155          Seasoned155 with holy fear. This is my last

               Of vestal office. I am bride-habited,156

               But maiden-hearted. A husband I have ’pointed,157

               But do not know him. Out of two, I should

               Choose one and pray for his success, but I

160

160          Am guiltless160 of election. Of mine eyes,

               Were I to lose one, they are equal precious,

               I could doom162 neither: that which perished should

               Go to’t unsentenced. Therefore most modest queen,

               He of the two pretenders164 that best loves me

165

165          And has the truest title165 in’t, let him

               Take off my wheaten garland,166 or else grant

               The file and quality167 I hold I may

               Continue in thy band.168

       Here the hind vanishes under the altar, and in the place ascends a rose tree, having one rose upon it

               See what our general of ebbs and flows,169

170

170          Out from the bowels of her holy altar,

               With sacred act advances: but one rose!

               If well inspired,172 this battle shall confound

               Both these brave knights and I, a virgin flower,

               Must grow alone, unplucked.

       Here is heard a sudden twang of instruments, and the rose falls from the tree

175

175          The flower is fall’n, the tree descends.— O mistress,

               Thou here dischargest me. I shall be gathered,176

               I think so, but I know not thine own will:

               Unclasp178 thy mystery!— I hope she’s pleased:

               Her signs were gracious.

       They curtsy and exeunt

Act 5 Scene 25.2
running scene 16

       Enter Doctor, Jailer, and Wooer in habit of Palamon

       
DOCTOR
DOCTOR     Has this advice I told you done any good upon1 her?
       
WOOER
WOOER     O, very much: the maids that kept her company

               Have half persuaded her that I am Palamon.

               Within this half hour she came smiling to me

5

5              And asked me what I would eat and when I would kiss her.

               I told her, ‘Presently’6 and kissed her twice.

       
DOCTOR
DOCTOR     ’Twas well done: twenty times had been far better,

               For there the cure lies mainly.

       
WOOER
WOOER     Then she told me
10

10            She would watch10 with me tonight, for well she knew

               What hour my fit11 would take me.

       
DOCTOR
DOCTOR     Let her do so,

               And when your fit comes, fit her13 home, and presently.

       
WOOER
WOOER     She would have me sing.
15
15   
DOCTOR
DOCTOR     You did so?
       
WOOER
WOOER     No.
       
DOCTOR
DOCTOR     ’Twas very ill done then.

               You should observe18 her ev’ry way.

       
WOOER
WOOER     Alas,
20
20            I have no voice, sir, to confirm20 her that way.
       
DOCTOR
DOCTOR     That’s all one,21 if ye make a noise.

               If she entreat again, do anything.

               Lie23 with her if she ask you.

       
JAILER
JAILER     Ho there, doctor!
25
25   
DOCTOR
DOCTOR     Yes, in the way of cure.
       
JAILER
JAILER     But first, by your leave,

               I’th’way of honesty.27

       
DOCTOR
DOCTOR     That’s but a niceness.28

               Ne’er cast29 your child away for honesty:

30

30            Cure her first this way, then if she will30 be honest,

               She has the path before her.

       
JAILER
JAILER     Thank ye, doctor.
       
DOCTOR
DOCTOR     Pray bring her in and let’s see how she is.
       
JAILER
JAILER     I will, and tell her
35

35            Her Palamon stays for her. But, doctor,

               Methinks you are i’th’wrong still.

       Exit Jailer

       
DOCTOR
DOCTOR     Go, go: you fathers are fine fools. Her honesty?

               And we should give her physic38 till we find that!

       
WOOER
WOOER     Why, do you think she is not honest, sir?
40
40   
DOCTOR
DOCTOR     How old is she?
       
WOOER
WOOER     She’s eighteen.
       
DOCTOR
DOCTOR     She may be,

               But that’s all one,43 ’tis nothing to our purpose.

               Whate’er her father says, if you perceive

45

45            Her mood inclining that way that I spoke of,

               Videlicet,46 the ‘way of flesh’: you have me?

       
WOOER
WOOER     Yes, very well, sir.
       
DOCTOR
DOCTOR     Please her appetite

               And do it home, it cures her ipso facto,49

50

50            The melancholy humour50 that infects her.

       
WOOER
WOOER     I am of your mind, doctor. He withdraws

       Enter Jailer, Daughter, mad

       
DOCTOR
DOCTOR     You’ll find it so. She comes, pray humour her.
       
JAILER
JAILER     Come, your love Palamon stays for you, child,

               And has done this long hour, to visit you.

55
55   
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I thank him for his gentle patience:

               He’s a kind gentleman and I am much bound56 to him.

               Did you never see the horse he gave me?

       
JAILER
JAILER     Yes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     How do you like him?
60
60   
JAILER
JAILER     He’s a very fair one.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     You never saw him dance?
       
JAILER
JAILER     No.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     I have, often.

               He dances very finely, very comely,

65

65            And for a jig, come65 cut and long tail to him,

               He turns ye66 like a top.

       
JAILER
JAILER     That’s fine indeed.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     He’ll dance the morris twenty mile an hour —

               And that will founder69 the best hobby-horse,

70

70            If I have any skill,70 in all the parish —

               And gallops to the turn of ‘Light o’ love’.71

               What think you of this horse?

       
JAILER
JAILER     Having these virtues

               I think he might be brought to play at tennis.

75
75   
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Alas, that’s nothing.
       
JAILER
JAILER     Can he write and read too?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     A very fair hand,77 and casts himself th’accounts

               Of all his hay and provender:78 that ostler

               Must rise betime79 that cozens him. You know

80

80            The chestnut mare the duke has?

       
JAILER
JAILER     Very well.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     She is horribly in love with him, poor beast,

               But he is like his master, coy83 and scornful.

       
JAILER
JAILER     What dowry has she?
85
85   
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Some two hundred bottles85

               And twenty strike86 of oats, but he’ll ne’er have her.

               He lisps in’s neighing, able to entice

               A miller’s mare.88 He’ll be the death of her.

       
DOCTOR
DOCTOR     What stuff she utters!
90
90   
JAILER
JAILER     Make curtsy, here your love comes. Wooer comes forward
       
WOOER
WOOER     Pretty soul,

               How do ye? That’s a fine maid, there’s a curtsy. She curtsies

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Yours to command i’th’way of honesty.—

               How far is’t now to th’end o’th’world, my masters?

95
95   
DOCTOR
DOCTOR     Why, a day’s journey, wench.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Will you go with me? To Wooer
       
WOOER
WOOER     What shall we do there, wench?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Why, play at stool-ball:98

               What is there else to do?

100
100 
WOOER
WOOER     I am content

               If we shall keep101 our wedding there.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     ’Tis true,

               For there, I will assure you, we shall find

               Some blind priest for the purpose, that will venture

105

105          To marry us, for here they are nice,105 and foolish.

               Besides, my father must be hanged tomorrow

               And that would be a blot i’th’business.

               Are not you Palamon?

       
WOOER
WOOER     Do not you know me?
110
110 
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Yes, but you care not for me: I have nothing

               But this poor petticoat111 and two coarse smocks.

       
WOOER
WOOER     That’s all one, I will have you.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Will you surely?
       
WOOER
WOOER     Yes, by this fair hand will I. Takes her hand
115
115 
JAILER’S DAUGHTER
JAILER’S DAUGHTER     We’ll to bed then.115
       
WOOER
WOOER     Ev’n when you will. Kisses her
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     O, sir, you would fain be nibbling.117 Rubs off the kiss
       
WOOER
WOOER     Why do you rub my kiss off?
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     ’Tis a sweet one
120
120          And will perfume me finely against120 the wedding.

               Is not this your cousin Arcite? Indicates the Doctor

       
DOCTOR
DOCTOR     Yes, sweetheart,

               And I am glad my cousin Palamon

               Has made so fair a choice.

125
125 
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Do you think he’ll have me? To Doctor
       
DOCTOR
DOCTOR     Yes, without doubt.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     Do you think so too? To Jailer
       
JAILER
JAILER     Yes.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     We shall have many children.—
130

130          Lord, how you’re grown!130 To Doctor

               My Palamon, I hope, will grow131 too, finely,

               Now he’s at liberty: alas, poor chicken,

               He was kept down with hard meat133 and ill lodging,

               But I’ll kiss him up134 again.

       Enter a Messenger

135
135 
MESSENGER
MESSENGER     What do you here? You’ll lose the noblest sight

               That ev’r was seen.

       
JAILER
JAILER     Are they i’th’field?
       
MESSENGER
MESSENGER     They are.

               You bear a charge139 there too.

140
140 
JAILER
JAILER     I’ll away straight.140

               I must ev’n leave you here.

       
DOCTOR
DOCTOR     Nay, we’ll go with you.

               I will not lose the fight.

       
JAILER
JAILER     How144 did you like her?
145
145 
DOCTOR
DOCTOR     I’ll warrant you within these three or four days

               I’ll make her right again.— You must not from146 her To the Wooer

               But still147 preserve her in this way.

       
WOOER
WOOER     I will.
       
DOCTOR
DOCTOR     Let’s get her in.
150
150 
WOOER
WOOER     Come, sweet, we’ll go to dinner

               And then we’ll play at cards.

       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     And shall we kiss too?
       
WOOER
WOOER     A hundred times.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     And twenty.
155
155 
WOOER
WOOER     Ay, and twenty.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     And then we’ll sleep together.
       
DOCTOR
DOCTOR     Take her offer. To Wooer
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     But you shall not hurt me.
       
WOOER
WOOER     I will not, sweet.
       
JAILER’S DAUGHTER
JAILER’S DAUGHTER     If you do, love, I’ll cry.

       Exeunt

Act 5 Scene 35.3
running scene 17

       Flourish. Enter Theseus, Hippolyta, Emilia, Pirithous and some Attendants

       
EMILIA
EMILIA     I’ll no step further.
       
PIRITHOUS
PIRITHOUS     Will you lose this sight?
       
EMILIA
EMILIA     I had rather see a wren hawk at3 a fly

               Than this decision:4 ev’ry blow that falls

5

5              Threats a brave life, each stroke laments

               The place whereon it falls and sounds more like

               A bell7 than blade. I will stay here,

               It is enough my hearing shall be punished

               With what shall happen, gainst the which there is

10

10            No deafing,10 but to hear, not taint mine eye

               With dread sights it may shun.

       
PIRITHOUS
PIRITHOUS     Sir, my good lord, To Theseus

               Your sister will no further.

       
THESEUS
THESEUS     O, she must.

               She shall see deeds of honour in their kind,14

15

15            Which sometime show well, pencilled.15 Nature now

               Shall make and act the story, the belief16

               Both sealed17 with eye and ear.— You must be present: To Emilia

               You are the victor’s meed,18 the prize and garland

               To crown the question’s title.19

20
20   
EMILIA
EMILIA             Pardon me:

               If I were there, I’d wink.21

       
THESEUS
THESEUS     You must be there:

               This trial is as ’twere i’th’night, and you

               The only star to shine.

25
25   
EMILIA
EMILIA             I am extinct.25

               There is but envy26 in that light which shows

               The one the other. Darkness, which ever was

               The dam28 of horror, who does stand accurst

               Of many mortal millions, may even now,

30

30            By casting her black mantle over both

               That neither could find other, get herself

               Some part of a good name and many a murder

               Set off33 whereto she’s guilty.

       
HIPPOLYTA
HIPPOLYTA     You must go.
35
35   
EMILIA
EMILIA             In faith, I will not.
       
THESEUS
THESEUS     Why, the knights must kindle36

               Their valour at your eye. Know, of this war

               You are the treasure and must needs be by

               To give39 the service pay.

40
40   
EMILIA
EMILIA             Sir, pardon me,

               The title of a kingdom may be tried

               Out of itself.42

       
THESEUS
THESEUS     Well, well, then, at your pleasure.

               Those that remain with you could wish their office

45

45            To any of their enemies.

       
HIPPOLYTA
HIPPOLYTA     Farewell, sister.

               I am like to know49 your husband ’fore yourself

               By some small start of time: he whom the gods

               Do of the two know best, I pray them he

50

50            Be made your lot.

       Exeunt Theseus, Hippolyta, Pirithous and others.

       [Emilia remains]

       
EMILIA
EMILIA     Arcite is gently visaged, yet his eye

               Is like an engine bent,52 or a sharp weapon

               In a soft sheath: mercy and manly courage

               Are bedfellows in his visage. Palamon

55

55            Has a most menacing aspect:55 his brow

               Is graved,56 and seems to bury what it frowns on,

               Yet sometime ’tis not so, but alters to57

               The quality58 of his thoughts. Long time his eye

               Will dwell upon his object. Melancholy

60

60            Becomes him nobly: so does Arcite’s mirth.

               But Palamon’s sadness is a kind of mirth,

               So mingled as if mirth did make him sad

               And sadness merry. Those darker humours that

               Stick misbecomingly64 on others, on them

65

65            Live in fair dwelling.

       Cornets. Trumpets sound as to a charge

               Hark how yon spurs to spirit66 do incite

               The princes to their proof!67 Arcite may win me

               And yet may Palamon wound Arcite to

               The spoiling69 of his figure. O, what pity

70

70            Enough70 for such a chance! If I were by

               I might do hurt, for they would glance their eyes

               Toward73 my seat and in that motion might

               Omit a ward or forfeit an offence

               Which craved74 that very time: it is much better

       Cornets. A great cry and noise within, crying ‘A Palamon!’

75

75            I am not there. O, better never born

               Than minister to such harm!— What76 is the chance?

Enter Servant

       
SERVANT
SERVANT     The cry’s ‘A Palamon!’
       
EMILIA
EMILIA     Then he has won:

               ’Twas ever likely.

80

80            He looked all grace and success, and he is

               Doubtless the prim’st81 of men. I prithee run

               And tell me how it goes.

       Shout and cornets, crying ‘A Palamon!

       
SERVANT
SERVANT     Still ‘Palamon’.
       
EMILIA
EMILIA     Run and inquire.— [Exit Servant]
85

85            Poor servant85 thou hast lost.

               Upon my right side still86 I wore thy picture,

               Palamon’s on the left. Why so, I know not:

               I had no end88 in’t, else chance would have it so.

       Another cry and shout within, and cornets

               On the sinister89 side, the heart lies: Palamon

90

90            Had the best boding90 chance. This burst of clamour

               Is sure th’end o’th’combat.

       Enter Servant

       
SERVANT
SERVANT     They said that Palamon had Arcite’s body

               Within an inch o’th’pyramid, that the cry

               Was general, ‘A Palamon!’ But anon

95

95            Th’assistants95 made a brave redemption and

               The two bold titlers96 at this instant are

               Hand to hand at it.

       
EMILIA
EMILIA     Were they metamorphosed

               Both into one! O, why? There were no woman

100

100          Worth so composed a man: their single share,

               Their nobleness, peculiar to them, gives

               The prejudice of disparity values shortness,102

       Cornets. Cry within, ‘Arcite! Arcite!’

               To any lady breathing.— More exulting?

               ‘Palamon’ still?

105
105 
SERVANT
SERVANT             Nay, now the sound is ‘Arcite!’
       
EMILIA
EMILIA     I prithee lay attention to the cry.

       Cornets. A great shout and cry, Arcite! Victory!

               Set both thine ears to th’business.

       
SERVANT
SERVANT     The cry is

               ‘Arcite!’ and ‘Victory!’ Hark! ‘Arcite! Victory!’

110

110          The combat’s consummation110 is proclaimed

               By the wind instruments.

       
EMILIA
EMILIA     Half-sights112 saw

               That Arcite was no babe. God’s lid,113 his richness

               And costliness114 of spirit looked through him: it could

115

115          No more be hid in him than fire in flax,

               Than humble banks can go116 to law with waters

               That drift117 winds force to raging. I did think

               Good Palamon would miscarry, yet I knew not

               Why I did think so. Our reasons are not prophets

120

120          When oft our fancies are. They are coming off:120

               Alas, poor Palamon!

       Cornets

       Enter Theseus, Hippolyta, Pirithous, Arcite as victor, and Attendants and others

       
THESEUS
THESEUS     Lo, where our sister is in expectation,

               Yet quaking and unsettled.— Fairest Emily,

               The gods by their divine arbitrament

125

125          Have given you this knight. He is a good one

               As ever struck at head.126 Give me your hands:

               Receive you her, you him, be plighted127 with

               A love that grows as you decay.

       
ARCITE
ARCITE     Emily,
130

130          To buy you, I have lost what’s dearest to me,

               Save what is bought, and yet I purchase cheaply,

               As I do rate your value.

       
THESEUS
THESEUS     O, lovèd sister,

               He speaks now of as brave a knight as e’er

135

135          Did spur a noble steed. Surely the gods

               Would have him die a bachelor, lest his race136

               Should show i’th’world too godlike: his behaviour

               So charmed me, that methought Alcides138 was

               To him a sow139 of lead. If I could praise

140

140          Each part of him to th’all I have spoke, your Arcite

               Did141 not lose by’t, for he that was thus good

               Encountered yet his better. I have heard

               Two emulous143 Philomels beat the ear o’th’night

               With their contentious throats, now one the higher,

145

145          Anon145 the other, then again the first,

               And by and by out-breasted,146 that the sense

               Could not be judge between ’em: so it fared

               Good space148 between these kinsmen, till heavens did

               Make hardly149 one the winner.— Wear the garland To Arcite

150

150          With joy that you have won.— For the subdued,150

               Give them our present justice,151 since I know

               Their lives but pinch152 ’em. Let it here be done.

               The scene’s not for our seeing: go we hence,

               Right joyful, with some sorrow.— Arm154 your prize, To Arcite

155

155          I know you will not lose155 her.— Hippolyta

               I see one eye of yours conceives a tear,

               The which it will deliver.

       Flourish

       
EMILIA
EMILIA     Is this winning?

               O, all you heavenly powers, where is your mercy?

160

160          But that your wills have said it must be so,

               And charge me live to comfort this unfriended,161

               This miserable prince, that cuts away

               A life more worthy from him than all women,

               I should, and would die too,

165
165 
HIPPOLYTA
HIPPOLYTA             Infinite pity

               That four such eyes should be so fixed on one166

               That two must needs be blind167 for’t.

       
THESEUS
THESEUS     So it is.

       Exeunt

Act 5 Scene 45.4
running scene 17 continues

       Enter Palamon and his Knights, pinioned, Jailer, Executioner and other Guard

       Some carrying a block and an axe

       
PALAMON
PALAMON     There’s many a man alive that hath outlived

               The love o’th’people, yea, i’th’selfsame state

               Stands many a father with his child. Some comfort

               We have by so considering: we expire,

5

5              And not without men’s pity: to5 live still,

               Have their good wishes: we prevent6

               The loathsome misery of age, beguile7

               The gout and rheum,8 that in lag hours attend

               For grey approachers:9 we come towards the gods

10

10            Young and unwappered,10 not halting under crimes

               Many and stale.11 That sure shall please the gods

               Sooner than such,12 to give us nectar with ’em,

               For we are more clear13 spirits.— My dear kinsmen. To Knights

               Whose lives, for this poor comfort are laid down,

15

15            You have sold ’em too, too cheap.

       
FIRST KNIGHT
FIRST KNIGHT     What ending could be

               Of more content? O’er us the victors have

               Fortune, whose title18 is as momentary

               As to us death is certain: a grain of honour

20

20            They not o’er-weigh us.

       
SECOND KNIGHT
SECOND KNIGHT     Let us bid farewell

               And with our patience anger tott’ring22 fortune,

               Who at her certain’st reels.23 They embrace

       
THIRD KNIGHT
THIRD KNIGHT     Come, who begins?
25
25   
PALAMON
PALAMON     Ev’n he that led you to this banquet shall

               Taste26 to you all.— Aha, my friend, my friend, To Keeper

               Your gentle daughter gave me freedom once:

               You’ll see’t done28 now for ever. Pray how does she?

               I heard she was not well; her kind of ill29

30

30            Gave me some sorrow.

       
JAILER
JAILER     Sir, she’s well restored

               And to be married shortly.

       
PALAMON
PALAMON     By my short life,

               I am most glad on’t: ’tis the latest34 thing

35

35            I shall be glad of, prithee tell her so.

               Commend me to her, and to piece her portion,36

               Tender her this. He gives his purse

       
FIRST KNIGHT
FIRST KNIGHT     Nay, let’s be offerers all.
       
SECOND KNIGHT
SECOND KNIGHT     Is39 it a maid?
40
40    
PALAMON
PALAMON     Verily40 I think so,

               A right good creature, more to me deserving

               Than I can quite42 or speak of.

       
ALL KNIGHTS
ALL KNIGHTS     Commend us to her.

       They give their purses

       
JAILER
JAILER     The gods requite44 you all and make her thankful.
45
45    
PALAMON
PALAMON     Adieu, and let my life be now as short,

               As my leave-taking.

       Lies on the block

       
FIRST KNIGHT
FIRST KNIGHT     Lead, courageous cousin.
       
SECOND and THIRD KNIGHTS
SECOND and THIRD KNIGHTS     We’ll follow cheerfully.

       A great noise within, crying, Run! Save! Hold!’

       Enter in haste a Messenger

       
MESSENGER
MESSENGER     Hold, hold! O, hold, hold, hold!

       Enter Pirithous in haste

50
       
PIRITHOUS
PIRITHOUS     Hold, ho! It is a cursèd haste you made

               If you have done51 so quickly.— Noble Palamon,

               The gods will show their glory in a life

               That thou art yet to lead.

       
PALAMON
PALAMON     Can that be,
55

               When Venus, I have said, is false? How do things fare?

       
PIRITHOUS
PIRITHOUS     Arise, great sir, and give the tidings ear

               That are most rarely sweet and bitter.

       
PALAMON
PALAMON     What

               Hath waked us from our dream?

60
       
PIRITHOUS
PIRITHOUS     List then: your cousin,

               Mounted upon a steed that Emily

               Did first bestow on him, a black one, owing62

               Not a hair-worth of white, which some will say

               Weakens his price64 and many will not buy

65

               His goodness with this note65 — which superstition

               Here finds allowance66 — on this horse is Arcite

               Trotting the stones of Athens, which the calkins67

               Did rather tell68 than trample, for the horse

               Would make his length69 a mile, if’t pleased his rider

70

               To put pride70 in him. As he thus went counting

               The flinty pavement, dancing as ’twere to th’music

               His own hoofs made — for, as they say, from iron72

               Came music’s origin — what envious flint,

               Cold as old Saturn,74 and like him possessed

75

               With fire malevolent, darted a spark,

               Or what fierce sulphur else, to this end made,

               I comment77 not. The hot horse, hot as fire,

               Took toy78 at this and fell to what disorder

               His power could give his will, bounds, comes on end,79

80

               Forgets school-doing,80 being therein trained,

               And of kind manage:81 pig-like he whines

               At the sharp rowell,82 which he frets at rather

               Than any jot obeys: seeks all foul means

               Of boist’rous and rough jad’ry,84 to disseat

85

               His lord, that kept it bravely. When nought served,

               When neither curb86 would crack, girth break, nor diff’ring plunges

               Disroot87 his rider whence he grew, but that

               He kept him ’tween his legs, on his hind hoofs on end he stands,

               That Arcite’s legs, being higher than his head,

90

               Seemed with strange art to hang. His victor’s wreath

               Even then fell off his head, and presently

               Backward the jade comes o’er and his full poise92

               Becomes the rider’s load. Yet is he living,

               But such a vessel ’tis, that floats94 but for

95

               The surge that next approaches. He much desires

               To have some speech with you: lo, he appears.

       Enter Theseus, Hippolyta, Emilia, Arcite [carried] in a chair

       
PALAMON
PALAMON     O miserable end of our alliance!

               The gods are mighty. Arcite, if thy heart,

               Thy worthy, manly heart be yet unbroken,

100

               Give me thy last words. I am Palamon,

               One that yet loves thee dying.

       
ARCITE
ARCITE     Take Emilia

               And with her all the world’s joy. Reach thy hand:

               Farewell. I have told104 my last hour. I was false,

105

               Yet never treacherous. Forgive me, cousin.

               One kiss from fair Emilia. ’Tis done. Emilia kisses Arcite

               Take her. I die.

       
PALAMON
PALAMON     Thy brave soul seek Elysium!108 Arcite dies
       
EMILIA
EMILIA     I’ll close thine eyes, prince: blessed souls be with thee.
110

               Thou art a right good man, and while I live,

               This day111 I give to tears.

       
PALAMON
PALAMON     And I to honour.
       
THESEUS
THESEUS     In this place first you fought: ev’n very here

               I sundered114 you. Acknowledge to the gods

115

               Our thanks that you are living:

               His part is played, and though it were too short

               He did it well: your day is lengthened and

               The blissful dew of heaven does arrouse118 you.

               The powerful Venus well hath graced her altar

120

               And given you your love. Our master Mars

               Hast vouched121 his oracle and to Arcite gave

               The grace122 of the contention. So the deities

               Have showed due justice. Bear this123 hence.

       
PALAMON
PALAMON     O, cousin,
125

               That we should things desire, which do cost us

               The loss of our desire! That nought could buy

               Dear love, but loss of dear love! Arcite’s body is carried out

       
THESEUS
THESEUS     Never Fortune

               Did play a subtler game: the conquered triumphs,

130

               The victor has the loss: yet in the passage130

               The gods have been most equal.131— Palamon,

               Your kinsman hath confessed the right o’th’lady

               Did lie in you, for you first saw her and

               Even then proclaimed your fancy.134 He restored her

135

               As your stolen jewel and desired your spirit

               To send him hence forgiven. The gods my justice

               Take from my hand and they themselves become

               The executioners. Lead your lady off

               And call your lovers139 from the stage of death,

140

               Whom I adopt my friends. A day or two

               Let us look sadly and give grace unto

               The funeral of Arcite, in whose end142

               The visages of bridegrooms we’ll put on

               And smile with Palamon, for whom an hour,

145

               But one hour since, I was as dearly sorry,

               As glad of Arcite, and am now as glad

               As for him sorry. O, you heavenly charmers,147

               What things you make of us! For what we lack

               We laugh, for what we have are sorry, still

150

               Are children in some kind.150 Let us be thankful

               For that which is, and with you leave dispute

               That are above152 our question. Let’s go off,

               And bear153 us like the time. Flourish. Exeunt

Epilogue

       [Enter the Epilogue*]

               I would now ask ye how ye like the play,

               But, as it is with schoolboys, cannot say.2

               I am cruel3 fearful. Pray yet stay a while,

               And let me look upon ye. No man smile?

5

               Then it goes hard5 I see. He that has

               Loved a young handsome wench, then, show his face —

               ’Tis strange if none be here — and, if he will,

               Against his conscience let him hiss, and kill

               Our market.9 ’Tis in vain, I see, to stay ye:

10

               Have at10 the worst can come then! Now what say ye?

               And yet mistake me not: I am not bold:

               We have no such cause.12 If the tale we have told —

               For ’tis no other — any way content ye —

               For to that honest purpose it was meant14 ye —

15

               We have our end:15 and ye shall have ere long,

               I dare say, many a better, to prolong

               Your old loves to us. We, and all our might,

               Rest at your service. Gentlemen, goodnight.

       Flourish. [Exit]

Textual Notes

Q = Quarto text of 1634

F = a correction introduced in the Beaumont and Fletcher Folio text of 1679

Ed = a correction introduced by a later editor

SD = stage direction

SH = speech heading (i.e., speaker’s name)

List of parts = Ed. Not in Q. Inaccurate and incomplete in F

Prologue 26 tack spelled take in Q

1.1.0 SD Music = Ed. Placed after “The Songin Q SD Pirithous = Ed. Q = Theseus 1 SH BOY = Ed. Not in Q 9 harebells = Ed. Q = her bels 20 chough hoar = Ed. Q = Clough hee 24 SD First = Ed. Q = 1. SD second = Ed. Q = 2. SD third = Ed. Q = 3. 39 stead spelled steed in Q 44 talons = Ed. Q = Tallents 63 Capaneus…The = Ed. Q = Capaneus, was your Lord the 72 Nemean = Ed. Q = Nenuan 144 longer = Ed. Q = long 150 move = F. Q = mooves 171 Rinsing spelled Wrinching in Q 177 Artesius = Ed. Q = Artesuis 187 SH ALL QUEENS = Ed. Q = All 193 war = Ed. Q = was 200 twinning = Ed. Q = twyning 238 Aulis = Ed. Q = Anly

1.2.21 Mars’s spelled Marsis in Q 72 power there’s = Ed. Q = power: there’s 77 glory: one = Ed. Q = glory on

1.3.37 one = Ed. Q = ore 38 mind nurse = Ed. Q = minde, nurse 47 Fought = Q. Sometimes emended to Sought 62 eleven = F. Q = a eleven 63 Flavina = Ed. Q = Flauia 83 careless wear = Ed. Q = careles, were, 85 one = Ed. Q = on 86 musical spelled misicall in Q 92 dividual = Ed. Q = individuall

1.4.21 smeared = Q (corrected). Q (uncorrected) = succard 26 Wi’ = Ed. Q = We 46 friends’ = Ed. Q = friends, 47 Love’s = Ed. Q = Loves, 51 O’er-wrestling = Ed. Q = Or wrastling 55 ’fore = Ed. Q = for SD Flourish occurs one line earlier in Q

1.5.0 SD Music located at the end of Act 1 scene 4 in Q 1 SH ALL = Ed. Not in Q 10 naught…woes = Ed. Q = &c.

2.1.19–20 that now: = Ed. Q = that. Now, 31 grise spelled greise in Q

2.2.24 wore = Ed. Q = were 25 Ravished = Ed. Q = Bravishd 107 abroad and = Ed. Q = abroade? And 131 SH EMILIA = Ed. Assigned to Arcite in Q 229 your blood = F. Q = you blood 275 SH JAILER = Ed. Q = Keeper (throughout this scene) 333 you = F. Q = yon

2.3.6 sins = Q (corrected). Q (uncorrected) = fins 25 SH FIRST COUNTRYMAN = Ed. Q = 1 (throughout) 26 SH SECOND COUNTRYMAN = Ed. Q = 2. (throughout) 27 SH THIRD COUNTRYMAN = Ed. Q = 3. (throughout) 28 SH FOURTH COUNTRYMAN = Ed. Q = 4. (throughout) 44 ye = Ed. Q = yet 59 says = Ed. Q = sees 72 Yes = Q. Sometimes emended to Yet

[Scene 5] = Ed. Q = Scæna 4.

2.5.14 proves = Q (prooves). Ed = profess 16 hollowed spelled holloa’d in Q 40 For = F. Q = Fo

2.6.35 hubbub spelled whoobub in Q

3.1.2 laund = Ed. Q = land rite spelled Right in Q 37 void’st spelled voydes in Q 43 Not = Ed. Q = Nor 73 compelled = Q. F = coupl’d 99 nobly = Ed. Q = noble 108 musit = Ed. Q = Musicke 127 ’Tis = Ed. Q = If

3.2.1 mistook the brake = Ed. Q = mistooke;the Beake 8 hallooed = Ed. Q = hallowed 19 fed = Ed. Q = feed 25 dozens spelled dussons in Q 28 brine = Ed. Q = bine 35 screech-owl spelled Schreichowle in Q

3.3.15 sir = Ed. Q = &c. 31 them = F. Q = then

3.4.9 Run = Ed. Q = Vpon 10 tack spelled take in Q

[Scene 5] = Ed. Q = Scæna 6.

3.5.0 SD Baboon = Ed. Q = Baum. 7 jean = Ed. Q = jave 25 Maudlin spelled Maudline in Q 29 ribbons spelled Ribands in Q 66 SH JAILERS DAUGHTER printed on the following line in Q 73 I = Ed. Not in Q 96 Chi passa spelled Quipassa in Q 111 SH THESEUS = F. Q = Per. 150 SH SCHOOLMASTER Knocks for = Ed. Q prints as marginal SD: Knocke for Schoole. 152 ye = Ed. Q = thee 155 thee = F. Q = three 172–3 made…Ye = Ed. Q = made. Dij Deaq; omnes, ye

[Scene 6] = Ed. Q = Scæna 7.

3.6.36 upbraidings spelled obbraidings in Q 113 strait spelled streight in Q 184 thine = Ed. Q = this 289 fail = Ed. Q = fall 295 prune spelled proyne in Q

4.1.4 SH FIRST FRIEND = Ed. Q = 1 Fr. (throughout) 12 oath = F. Q = o’th 19 SH SECOND FRIEND = Ed. Q = 2 Fr. (throughout) 63 SH WOOER printed as speech in Q (2. Fr. Not well?—Wooer, No…well. Woo. Tis…mad.) 84 sung = F. Q = song 107 wreath = Ed. Q = wreake 138 early = Ed. Q = rarely 150 means = Ed. Q = meane 151 Far = Ed. Q = For 169 SH BROTHER = Ed. Q = Daugh. 180 SH SECOND FRIEND = F. Q = 1. Fr. 187 course = F. Q = conrse 189 all = Ed. Printed as SH in Q 199 tack spelled take in Q

4.2.16 Jove afire = Ed. Q = Love a fire 27 swart spelled swarth in Q 54 SD Enter Gentleman = Ed. Q = Enter Emil. and Gent. 74 SD Enter Messenger = F. Q = Enter Messengers. Curtis (presumably refers to Curtis Greville, an actor with the Kings Men) 86 first = F. Q = fitst 91 fire = Ed. Q = faire 116 tods = Ed. Q = tops 121 crown = Ed. Q = corect

4.3.22 spirits are, = Ed. Q = spirits, as 32 i’th’other = F. Q = i’th|Thother 40 Q accidentally prints an Exit here 57 behind = Q (corrected). Q (uncorrected) = behold 70 unfeignedly spelled unfainedly in Q 91 carve = F. Q = crave 98 falsehoods spelled fasehoods in Q

5.1.43 father of = Ed. Q farther off 52 cistern spelled Cestron in Q 57 Whose…prewarn = Ed. Q = Comets prewarne, whose havocke in vaste Feild 60 armipotent spelled armenypotent in Q 125 done, no companion: = Ed. Q = done; no Companion 126 not, a defier: = Ed. Q = not; a defyer 127 cannot, a rejoicer. = Ed. Q = cannot; a Rejoycer, 142 SD They bow printed two lines earlier in Q SD recorders spelled Records in Q SD which is spelled “whic his” in Q 158 him. Out = Ed. Q = him, out 160 election. Of = Ed. Q = election of

5.2.47 Yes = F. Q = Yet 51 SD mad = Ed. Q = Maide 52 humour = Ed. Q = honor

5.3.0 SD Flourish is printed at end of Act 5 scene 2 in Q (Florish Exeunt) SD Attendants = Ed. Q = Attendants, T. Tuck: Curtis. (presumably referring to Thomas Tuckfield and Curtis Greville, actors in the Kings Men) 18 prize = Ed. Q = price 159 your = Ed. Q = you

5.4.1 SH PALAMON = Ed. Not in Q 47 courageous spelled couragiour in Q 48 SH SECOND and THIRD KNIGHTS = Ed. Q = 1.2. K. 57 rarely = Ed. Q = early