Academic Assistance Council (AAC) see Society for the Protection of Science and Learning
Ackermann, Rudolph: The Microcosm of London, (i)
Adorno, Theodor, (i)
advertising posters, (i)
Albertina (museum, Vienna), (i), (ii), (iii), (iv), (v)
Alexander VI, Pope, (i)
Allport, Gordon W., (i)
Améry, Jean: On Aging, (i); On Suicide, (i)
Anderson, Sir John, (i)
Anschluss (Austria), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi)
anti-Semitism: in Austria, (i), (ii), (iii), (iv), (v), (vi)
Arcimbaldo, Giuseppe, (i), (ii)
Arnheim, Rudolf, (i)
art: perception of, (i); psychological, (i); see also caricature
Art and Travel Society (Anglo-French), (i)
Asquith, Herbert Henry, (i), (ii)
Attlee, Clement, (i)
Austria: annexation by Germany, (i), (ii), (iii); anti-Semitism, (i), (ii), (iii), (iv), (v), (vi); Catholic Church in, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); republican politics, (i), (ii), (iii), (iv), (v); emigration from, (i), (ii); pan-Germanism, (i); treaty and agreement with Germany (1936), (i); German view of, (i); Kulturkampf, (i); see also Anschluss; Vienna
A. W. Mellon Lectures, Washington (1956), (i), (ii), (iii)
Baldwin, Stanley, (i)
Balzac, Honoré de, (i), (ii), (iii), (iv), (v); La Comédie humaine, (i), (ii), (iii)
Baudelaire, Charles, (i), (ii), (iii), (iv)
Beaverbrook, William Maxwell Aitken, 1st Baron, (i)
Beerbohm, Max, (i)
Bell, Clive, (i)
Benesch, Otto, (i), (ii), (iii), (iv), (v), (vi), (vii)
Bernini, Gian Lorenzo, (i), (ii), (iii), (iv), (v), (vi), (vii)
Bibliothèque Nationale, Paris, (i)
Bing, Gertrud: at Warburg Institute with Saxl, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix); works with Aby Warburg, (i); correspondence with Gombrich, (i), (ii), (iii); Kris suggests émigré scholars to, (i), (ii); Kris acknowledges, (i); and Kris’s activities in USA, (i); wartime activities at Warburg Institute, (i), (ii); and Gombrich’s work with BBC monitoring group, (i); and Gombrich’s view of Freud and Warburg, (i); moves to Denham in war, (i); and Gombrich’s wartime pessimism, (i)
Bismarck, Prince Otto von, (i)
Blimp, Colonel (cartoon figure), (i)
Blum, Léon, (i)
Bohr, Niels, (i)
Bonham Carter family, (i)
Bonham Carter, Lady Violet, (i), (ii), (iii)
Borkenau, Franz, (i)
Bredekamp, Horst, (i)
Briggs, Asa, (i)
Britain: interns enemy aliens in war, (i), (ii); Kris reports on in wartime, (i); political and ideological warfare, (i); wartime government and conduct of war, (i); xenophobia, (i), (ii), (iii); and antifascism, (i)
British Broadcasting Corporation (BBC): Gombrich works for, (i), (ii), (iii), (iv), (v), (vi); wartime activities, (i), (ii), (iii), (iv)
British Journal of Medical Psychology, (i), (ii), (iii)
British Psychological Society, (i)
Bruegel, Pieter, (i), (ii), (iii), (iv)
Bureau of Applied Social Research, Columbia (USA), (i)
Burke, Edmund, (i), (ii), (iii); Philosophical Enquiry into ... the Sublime and the Beautiful, (i)
Burlington Magazine, (i)
Busch, Adolf, (i)
Buschbeck, Ernst, (i)
Callot, Jacques: and Bruegel, (i), (ii); caricature style, (i), (ii), (iii), (iv), (v), (vi); influenced by Carracci, (i); political art, (i); Kris and Gombrich on, (i)
Cambridge Ritualists, (i)
Camus, Albert, (i)
Canetti, Elias, (i)
Caravaggio, Michelangelo Merisi da, (i)
caricature: Kris and Gombrich’s project on, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii); Penguin history published, (i), (ii); as portrait art, (i), (ii), (iii), (iv); as anti-propaganda, (i); as political tool, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); psychological significance, (i), (ii), (iii), (iv), (v), (vi), (vii); idealization by deformity and distortion, (i), (ii), (iii); nature and history of, (i), (ii), (iii), (iv), (v), (vi), (vii); and censorship, (i); and Expressionism, (i), (ii); propaganda value, (i), (ii), (iii), (iv); Gombrich maintains interest in during war, (i); Kris–Gombrich project revised, (i), (ii), (iii), (iv); in Gombrich’s Story of Art, (i); late historical emergence, (i)
Caricature (Die Karikatur; unfinished draft), (i), (ii)
Caricature, La (magazine), (i), (ii)
Carracci, Annibale: Munich sketchbooks, (i), (ii); portrait reconfigurations, (i), (ii), (iii); Hogarth and, (i); political content, (i); in development of caricature, (i); Read on, (i)
Cartier-Bresson, Henri, (i)
Cassirer, Ernst, (i)
Catholic Church: Jewish converts to, (i), (ii), (iii); in Austria, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); in France, (i); hostility to Kris, (i); collaboration with Nazism, (i)
CEMA see Council for the Encouragement of Music and the Arts
censorship, (i)
Cézanne, Paul, (i)
Chamberlain, Neville, (i), (ii), (iii), (iv), (v)
Champfleury (Jules Fleury-Husson), (i)
Charivari, Le (magazine), (i), (ii)
Christian Social Party (Austria), (i), (ii), (iii), (iv), (v), (vi)
Churchill, Winston S., (i), (ii), (iii), (iv)
Cold War, (i)
Comité de l’Association Art et Tourisme, (i)
commedia dell’arte, (i), (ii), (iii)
Communist Party: expels Wilhelm Reich, (i)
Communist Party of Great Britain, (i)
Constable, John, (i)
Council for the Encouragement of Music and the Arts (CEMA), (i), (ii)
Courtauld Institute, London, (i)
Czechoslovakia, (i), (ii), (iii)
Dadaism, (i)
Daedalus (mythological figure), (i)
Dantan, Jean-Pierre, (i), (ii), (iii), (iv), (v)
Dante Alighieri, (i)
Daumier, Honoré: Vienna exhibition (1936), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii); caricatures, (i), (ii); Henry James on, (i), (ii); influence on van Gogh and Cézanne, (i); subjects and vision, (i), (ii); as propagandist, (i); political content, (i), (ii), (iii), (iv), (v), (vi), (vii); and pear symbol, (i), (ii), (iii), (iv); depiction of crowds, (i); mastery of light, (i); sculptures and lithographs, (i); on deformation, (i); in London caricature exhibition (1939), (i); in Kris–Gombrich’s Caricature, (i); depicts murdered Parisian workers, (i); pessimism, (i); republican art, (i); Gombrich on, (i); outdated, (i); Read on, (i); Cartier-Bresson and, (i), (ii); ‘Advice to a Young Artist’, (i)
Degenerate Art Exhibition, Munich (1937), (i)
Dehmel, Hans von, (i)
Deutsch, Helene, (i)
Deutsche Zeitung (newspaper), (i)
Dollfuss, Engelbert, (i), (ii), (iii), (iv), (v)
Dreyfus, Alfred, (i)
Dürer, Albrecht, (i)
Dvořák, Max, (i), (ii), (iii), (iv), (v), (vi), (vii)
Dyson, Freeman, (i)
effigies: magical powers, (i), (ii); see also magic
E. H. Gombrich Estate, (i)
Einstein, Albert, (i)
Eisenstein, Sergi Mikhailovich, (i)
Eisler, Hanns, (i)
Eissler, K. R., (i)
Ellsberg, Daniel, (i)
Ellul, Jacques, (i)
Erikson, Erik, (i)
Ernst, Max, (i)
Essener Nationalzeitung, (i)
‘Exhibition of a Century of French Caricature 1750–1850 with some English caricatures of the Napoleonic Period’ (1939), (i)
Expressionism: and caricature, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); London exhibition (1938), (i)
fascism: propaganda, (i); Levi on, (i); Gombrich on, (i), (ii), (iii); see also Nazis
Fenichel, Otto, (i)
‘Fight for Freedom’ (émigré organization), (i)
Finley, Moses I., (i)
Flaubert, Gustave, (i)
Fliess, Wilhelm, (i)
Forain, Jean-Louis, (i)
Ford Foundation, (i)
Foreign Broadcast Intelligence Service (USA), (i)
Forged Artworks (exhibition, Vienna, 1937), (i)
France: nineteenth-century political changes, (i); support for Kris’s Daumier exhibition, (i); caricature exhibitions, (i); Vichy government and German propaganda, (i); defeat (1940), (i)
Franco-Prussian War (1870), (i)
Frankfort, Henri, (i)
Francis Joseph, Emperor of Austria-Hungary, (i), (ii)
Frazer, James, (i)
Freemasonry: in Austria, (i)
Freud, Sigmund: in Vienna, (i); depth psychology, (i), (ii); on perception of art, (i); Kris meets, (i); and Kris’s museum curatorship, (i); on Renaissance culture, (i); and Kris’s work on caricature, (i), (ii); on dreams in visual art, (i); Harrison on, (i); remains in Vienna, (i); and application of psychoanalysis to art, (i), (ii); theory of wit, (i); on Shakespeare’s King Lear, (i); and publication of Kris and Gombrich’s caricature article, (i); on mass allegiances, (i); correspondence with Fliess, (i); Kris defends and promotes, (i); on Lessing, (i); Civilization and Its Discontents, (i); Interpretation of Dreams, (i); Jokes and their Relation to the Unconscious, (i), (ii), (iii); Moses and Monotheism, (i)
Fritzsche, Hans, (i)
Gavarni, Paul, (i)
Gedye, G. E. R., (i)
George III, King, (i)
German Radio Propaganda: Report on Home Broadcasts During the War, (i), (ii)
Germany: and annexation of Austria, (i), (ii), (iii), (iv), (v); treaty and agreement with Austria (1936), (i); military advance in west (1940), (i); wartime radio propaganda, (i), (ii); invades Soviet Union, (i), (ii); and anti-Bolshevik propaganda, (i); Brtish wartime attiudes to, (i); Vansittart on, (i); domestic reactions to Nazism, (i), (ii), (iii); predicted post-war denial, (i); surrenders (1945), (i); see also Nazis
Gestalt psychology, (i)
Ghezzi, Pier Leone, (i), (ii), (iii)
Gide, André, (i)
Gilbert, Felix: in Britain, (i); study of Machiavelli, (i), (ii); emigrates to USA, (i); political thought, (i)
Giraldus Cambrensis (Gerald of Wales), (i)
Gollancz, Victor, (i), (ii), (iii)
Gombrich, Amadea (EH’s sister), (i), (ii), (iii)
Gombrich, E. H.: caricature project with Kris (unfinished), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x); helps organize Daumier exhibition in Vienna, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); background and career, (i), (ii); on cognitive psychology, (i), (ii); leaves Vienna, (i); employed at wartime BBC, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); as Slade Professor at Oxford, (i), (ii), (iii); political attitudes and pessimism, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii); as émigré in Britain, (i), (ii), (iii); collaboration with Kris in London, (i); on psychology of art, (i), (ii); on Loewy’s teaching, (i); Kris advises politically, (i), (ii); baptized, (i); political upbringing, (i); art history studies, (i); on magic, (i); meets Kris, (i); Kris attempts to dissuade from career in art history, (i); and anti-Semitism in Vienna, (i); as Kris’s research assistant, (i); Kris seeks post for at Warburg Institute, (i), (ii); co-edits Warburg’s papers with Saxl, (i), (ii); correspondence with Gertrud Bing, (i), (ii), (iii); on Kris’s staying in Vienna, (i); marriage, (i); translates Caricature from German, (i); on psychoanalysis and art, (i), (ii), (iii); on nature and history of caricature, (i), (ii), (iii), (iv), (v), (vi), (vii); on Grandville, (i); on Rowlandson, (i); on Hogarth, (i); revives Dvořák’s history of art, (i); caricature study published in British Journal of Medical Psychology, (i); John Marshall meets, (i); antifascism, (i), (ii), (iii); article on art and propaganda, (i); studies Jewish history, (i); on internment of enemy aliens in Britain, (i); on landscape, (i), (ii); theory of propaganda, (i), (ii); deplores Vansittart’s view, (i); and British attitudes to Germany, (i); on rise of chauvinism, (i); reads Lynd’s Knowledge for What?, (i); social isolation, (i); fears peacetime fascist revival, (i); on Church’s collaboration with Nazism in Austria, (i); on Nazi German propaganda, (i); on Kris’s ‘Some Problems of War Propaganda’, (i); post-war work on denazification, (i); returns to Warburg Institute at war’s end, (i), (ii); revises caricature project, (i), (ii), (iii), (iv); visits USA, (i), (ii), (iii); on psychology of perception, (i); delivers 1956 Mellon Lectures, (i), (ii), (iii); biography of Warburg, (i); Cold War attitudes, (i); Art and Illusion, (i), (ii), (iii), (iv); Caricature (with Kris; Penguin Books), (i), (ii); ‘Caricature and Physiognomics’ (unpublished), (i); ‘Doubt’ (‘Der Zweifel’; verse play), (i); ‘Heroic Landscape in England’, (i); ‘Meditations on a Hobby Horse’, (i); ‘The Photographer as Artist’, (i); The Story of Art, (i), (ii)
Gombrich, Ilse (née Heller; EH’s wife), (i)
Gombrich, Karl (EH’s father), (i), (ii), (iii)
Gombrich, Leonie (EH’s mother), (i), (ii), (iii), (iv)
Gombrich, Lisbeth (EH’s sister), (i), (ii), (iii)
Gombrich, Richard (EH–Ilse’s son), (i)
Goncourt brothers: journal, (i)
Goya, Francisco: Saxl organizes exhibition, (i); satires, (i); The Disasters of War, (i), (ii), (iii), (iv)
Grandville, Jean-Jacques, (i)
Grazer Tagespost, (i)
Greco, El see El Greco
Greuze, J. B., (i)
Grosz, George, (i)
grotesque, the: in caricature, (i), (ii)
Guggenheim Foundation, (i)
Guicciardini, Francesco, (i)
Guicciardini, Luigi, (i)
Halifax, Edward Frederick Lindley Wood, 1st Earl of, (i), (ii)
Hamburg, (i), (ii); Library for the Cultural Sciences, (i)
Harrison, Jane Ellen, (i), (ii)
Hauser, Arnold, (i)
Heimwehr (Austrian paramilitary organization), (i), (ii), (iii)
Herma, Hans, (i)
Hitler, Adolf: annexes Austria, (i); opposition to, (i), (ii); prewar English indifference towards, (i); failed Munich coup (1923), (i); supporters in Vienna, (i), (ii); threat to Austria, (i); agreement with Schuschnigg, (i); caricatured by David Low, (i); welcomed in Vienna, (i); occupies Czechoslovakia, (i), (ii), (iii); US view of, (i); propaganda, (i); Chamberlain’s view of, (i); invades Soviet Union, (i), (ii); pact with Stalin, (i); and Sudetenland, (i); Vansittart on, (i); rise to power, (i); and Austrian Kulturkampf, (i); Mein Kampf, (i), (ii)
Hoare–Laval pact (1935), (i)
Hobsbawm, Eric, (i)
Hogarth, William: on reconfigurations, (i); and switch technique, (i); and politics as communal theater, (i), (ii), (iii), (iv), (v); on portraiture, (i), (ii); and nature of caricature, (i), (ii); Kris and Gombrich on, (i); on simplification, (i), (ii); Lemoisne on, (i); social pessimism, (i); Marriage à la mode, (i); A Rake’s Progress, (i)
Holland and Fores (London booksellers), (i)
Hugo, Victor: Les châtiments, (i)
Human Nature and Enduring Peace (American Psychological Association publication), (i)
Imago (journal), (i), (ii), (iii), (iv), (v)
Innitzer, Cardinal Theodor, Archbishop of Vienna, (i), (ii)
Innsbruck, University of, (i)
Insel Verlag (Berlin), (i)
Institute of Contemporary Arts (ICA), (i)
Institute of Propaganda Analysis (USA), (i)
International Psychoanalytical Association, (i)
Italy: Fascism, (i); caricature in, (i)
Jacoby, Russell, (i)
James, Henry, (i), (ii), (iii), (iv)
Jamnitzer, Wenzel, (i), (ii), (iii)
Jennings, Humphrey, (i)
Jews: oppressed in Austria, (i), (ii), (iii), (iv), (v); convert to Christianity, (i), (ii), (iii); and Nazi hostility, (i), (ii), (iii); emigrate from Austria, (i); Le Bon’s hatred of, (i); under Joseph II, (i); see also anti-Semitism
Johnson, Lyndon B., (i)
Joly, Maurice: Dialogue in Hell between Machiavelli and Montesquieu, (i)
Jones, Ernest, (i), (ii), (iii)
Joseph II, Emperor of Austria, (i), (ii)
Jung, Carl Gustav, (i), (ii), (iii)
Juynboll, W. R.: The Comic Genre in Italian Painting during the Seventeenth and the Eighteenth Centuries, (i)
King Penguin (publisher’s series), (i), (ii), (iii)
Kittredge, Tracy, (i)
Kitzinger, Ernst and Elizabeth Senior: Portraits of Christ, (i), (ii)
Kokoschka, Oskar, (i); Portrait of a Degenerate Artist (painting), (i)
Kracauer, Siegfried, (i), (ii); From Caligari to Hitler, (i)
Kraus, Karl, (i), (ii); The Last Days of Mankind, (i)
Kris, Anna (EK’s daughter), (i), (ii)
Kris, Anton O. (EK’s son), (i), (ii), (iii)
Kris, Ernst: caricature project with Gombrich (unfinished), (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x); organizes Daumier exhibition in Vienna, (i), (ii), (iii), (iv), (v), (vi), (vii), (viii), (ix), (x), (xi), (xii), (xiii); background and career, (i), (ii), (iii); regression in the service of the ego, (i), (ii), (iii); self-restitution, (i), (ii), (iii); helps Gombrich leave Vienna, (i); exile in London, (i), (ii); in USA, (i), (ii), (iii), (iv); pessimism over European crisis, (i); wartime anti-Nazi activities, (i), (ii), (iii); supports Popular Front, (i), (ii); collaboration with Gombrich in Vienna, (i); converts to Roman Catholicism, (i), (ii); study of art history, (i), (ii), (iii), (iv); doctorate in art history, (i); curatorship at Vienna Kunsthistorisches Museum, (i), (ii), (iii), (iv), (v), (vi); political ideas and activities, (i), (ii), (iii), (iv), (v), (vi); disillusion with art history, (i), (ii); meets Freud, (i); begins analysis, (i); marriage, (i), (ii); on psychology of art, (i), (ii), (iii), (iv), (v); as training analyst, (i); advises Gombrich politically, (i), (ii); opposes Anschluss, (i); meets Gombrich, (i); attempts to persuade Gombrich to reconsider career in art history, (i); engages Gombrich as research assistant, (i); on psychology of caricature, (i), (ii), (iii), (iv); and Nazi threat, (i); influenced by Warburg, (i); on artist biographies, (i); on image magic, (i), (ii), (iii), (iv), (v), (vi); reviews Juynboll, (i); on Schlosser, (i); finds posts for Gombrich and Kurz at Warburg Institute, (i); relations with Saxl, (i), (ii); visit to London (1936), (i); exhibition of Dantan sculptures, (i); influenced by Balzac, (i); attends Pontigny conferences, (i); warns Saxl of conditions in Austria, (i); Freudianism, (i); recommends and seeks protection for prospective emigrants to Britain, (i); awarded Légion d’Honneur, (i); praises Picasso’s Guernica, (i); on nature and history of caricature, (i), (ii), (iii), (iv), (v); mocks Vaterländische Front, (i); on Grandville, (i); on Rowlandson, (i); on Hogarth, (i); revives Dvořák’s theory of art, (i); presents paper on caricature in London, (i), (ii); caricature paper published in British Journal of Medical Psychology, (i); Forged Artworks exhibition (Vienna 1937), (i); resigns Vienna post and leaves Austria, (i); in Canada during war, (i); report on German propaganda broadcasts, (i), (ii); and Marshall’s meeting with Gombrich, (i); and Gombrich’s work at BBC monitoring service, (i); on communism, (i); and Gombrich’s theory of propaganda, (i), (ii); on anti-Hitler sentiments in USA, (i); on xenophobic propaganda, (i), (ii); on post-war reforms, (i); on Lynd, (i); post-war psychoanalytic practice in New York, (i); and Gombrich’s return to Warburg Institute, (i); revises caricature project, (i), (ii), (iii), (iv); death, (i); German Radio Propaganda, (i); Die Legende vom Künstler, (i), (ii); ‘The Place of the Audience in German Propaganda’ (unpublished), (i); Psychoanalytic Explorations into Art, (i), (ii); ‘Some Problems of War Propaganda: A Note on Propaganda Old and New’, (i), (ii); Der Stil ‘rustique’, (i); ‘Zur Psychologie der Karikatur’, (i), (ii)
Kris, Leo (EK’s father), (i), (ii)
Kris, Marianne (née Rie; EK’s wife), (i), (ii), (iii)
Kris, Paul (EK’s brother), (i)
Kunst- und Wunderkammer (collections), (i)
Kunsthistorisches Museum, Vienna, (i), (ii), (iii), (iv), (v), (vi), (vii)
Kurth, Betty (EK’s cousin), (i)
Kurz, Otto, (i), (ii), (iii), (iv), (v), (vi)
Labour Party (British), (i), (ii)
landscape: Gombrich on, (i), (ii)
Lane, Allen, (i), (ii), (iii), (iv)
Lattimore, Owen, (i)
Lazarsfeld, Paul, (i)
Lear, Edward, (i)
Lederer, Emil, (i)
Left Book Club, (i)
Le Men, Ségolène, (i)
Lemoisne, P.A., (i)
Lessing, G. E., (i)
Levi, Primo: The Periodic Table, (i)
Linzer Tagespost, (i)
Listener, The (magazine), (i), (ii), (iii), (iv)
Loewenstein, Rudolph M., (i), (ii)
Loewy, Emanuel, (i), (ii), (iii), (iv), (v), (vi)
London: caricature exhibitions, (i), (ii); Expressionist Exhibition (1938), (i); bombed in war, (i)
London Press Exchange, (i)
Louis Napoleon (later Emperor Napoleon III of France), (i), (ii), (iii), (iv), (v)
Louis-Philippe, King of France, (i), (ii), (iii), (iv), (v), (vi)
Low, David, (i), (ii), (iii), (iv), (v), (vi), (vii); Political Parade with Colonel Blimp, (i)
Lowenthal, Leo, (i)
Lueger, Karl, (i)
Lynd, Helen Merrell, (i)
Lynd, Robert S., (i), (ii), (iii), (iv); Knowledge for What?, (i), (ii); Middletown (with Helen), (i), (ii)
McCarthy, Joseph, (i)
Machiavelli, Niccolò, (i), (ii), (iii)
magic: in effigies and images, (i), (ii), (iii), (iv), (v), (vi), (vii); Warburg’s comcern for, (i); decline, (i)
Mahler, Gustav, (i)
Mailer, Norman, (i)
Mannerism, (i), (ii), (iii), (iv), (v), (vi), (vii)
Mantua: Palazzo del Tè, (i)
Marcuse, Herbert, (i)
Marriott, Richard, (i), (ii), (iii)
Marshall, John, (i), (ii), (iii), (iv), (v), (vi)
Martin du Gard, Roger, (i); Jean Barois, (i)
Marx, Karl, (i)
Marxism: social philosophy, (i); Gombrich on, (i), (ii)
Mead, Margaret, (i)
Meier, Hans, (i)
Mellon Lectures see A. W. Mellon Lectures
Messerschmidt, Franz Xaver, (i), (ii), (iii), (iv)
mestieri, (i)
Metropolitan Museum of Art, New York, (i)
Ministry of Information (British), (i)
Mitford, Jessica, (i)
Montaigne, Michel Eyquem de, (i)
Muncie, Indiana, (i)
Munich Agreement (1938), (i)
Mussolini, Benito, (i), (ii), (iii), (iv), (v), (vi)
Napoleon I (Bonaparte), (i), (ii), (iii)
Nazis: threaten Vienna University, (i); Dollfuss outlaws in Austria, (i); expansion in Austria, (i), (ii); anti-Semitism, (i), (ii), (iii); riots in Vienna (1936), (i); condemn modernist art, (i); propaganda, (i), (ii), (iii), (iv), (v), (vi), (vii); spread, (i); Austrian collaboration with, (i); Gombrich on, (i); ideology, (i); see also fascism; Germany
Neo-Platonism, (i), (ii), (iii)
New Burlington Galleries, London, (i), (ii)
New Left, (i)
New School for Social Research, New York, (i), (ii), (iii)
New Vienna School, (i), (ii), (iii)
New York: Kris in, (i), (ii), (iii), (iv)
Nouvelle revue française, (i)
nuclear weapons, (i)
Office of War Information (USA), (i)
Orwell, George, (i), (ii), (iii)
Österreichische Rundschau, (i)
Oxford University: Gombrich’s Slade Professorship, (i), (ii), (iii)
Palissy, Bernard, (i)
Panofsky, Erwin, (i), (ii), (iii), (iv); Idea, (i)
Papen, Franz von, (i)
Paris Exhibition (1937), (i)
Penguin Books, (i), (ii), (iii); see also King Penguin
Pentagon Papers, (i)
Philipon, Charles, (i), (ii), (iii), (iv), (v), (vi)
physiognomics, (i), (ii), (iii)
Picasso, Pablo, (i); Guernica (painting), (i), (ii), (iii)
Piper, John, (i)
Pitt, William, the Younger, (i)
Plutarch, (i)
Pontigny, France: annual conferences, (i)
Popper, Karl, (i), (ii), (iii); The Open Society and Its Enemies, (i)
Popular Front: Kris supports, (i), (ii); rise in France, (i), (ii), (iii); and London Exhibition (1939), (i); as coalition, (i); wartime revival, (i); Gombrich disfavors, (i); republicanism, (i); collapses, (i); and New Left, (i)
Preiss, Hans, (i)
Priestley, J. B., (i)
propaganda: caricature and, (i), (ii), (iii), (iv); German, (i), (ii), (iii), (iv), (v), (vi), (vii); and psychology, (i); Kris on, (i), (ii); Gombrich on art and, (i); Gombrich propounds theory of, (i), (ii)
psychoanalysis: Kris applies to caricature, (i); Kris practices in New York, (i)
Psychoanalytic Study of the Child: Kris co-edits, (i)
psychology: in art, (i), (ii); and propaganda, (i)
Pudovkin, Vsevolod Illarionovich, (i)
Pugin, A. C., (i)
Punch (magazine), (i)
Radio Research (USA), (i)
Raffet, Auguste, (i)
Ratapoil (Daumier character), (i), (ii), (iii), (iv)
Read, Sir Herbert, (i), (ii), (iii), (iv), (v), (vi); Art and Society, (i), (ii), (iii)
Realist, The (magazine), (i)
Règle du jeu, La (film), (i), (ii)
Reich, Wilhelm, (i)
Reik, Theodor, (i)
Rickman, John, (i)
Rie, Oskar, (i)
Rivers, W. H. R., (i)
Rockefeller Foundation, (i), (ii), (iii), (iv), (v)
Rockefeller, John D., (i)
Romano, Giulio, (i)
Roosevelt, Franklin D., (i), (ii)
Rowlandson, Thomas, (i), (ii), (iii), (iv)
Rudolf II, Holy Roman Emperor, (i)
Rutherford, Ernest, (i)
Salzburg Festival, (i)
Saxl, Fritz: as Director of Warburg Institute and library, (i), (ii); in Hamburg, (i); contributes to Schlosser festshcrift, (i); Kris requests permission for dedication of Die Legende vom Künstler, (i); and caricature as artistic experiment, (i); and appointment of Gombrich and Kurz at Warburg Institute before war, (i); Kris’s relations with, (i), (ii), (iii); co-edits Warburg’s papers with Gombrich, (i), (ii); grants Gombrich leave to co-organize Daumier exhibition, (i); Kris warns of situation in Austria, (i); and Austrian applicants for emigration to Britain, (i); on significance of Vienna Daumier exhibition, (i); praises Picasso’s Guernica, (i); sees unfinished draft of caricature book, (i); and application of psychoanalysis to images, (i); and publication of study of caricature, (i), (ii); Rockefeller Foundation supports financially, (i); gives refuge to émigré scholars, (i); wartime activities, (i), (ii); moves to Denham in war, (i); and Gombrich’s wartime interest in caricature, (i), 1267; and Gombrich’s reading of Giraldus Cambrensis, (i); and Gombrich’s talk on landscape art, (i); commitment to Warburg Institute during war, (i); organizes Goya exhibition, (i); death, (i)
Scarfe, Gerald, (i)
Schell, Jonathan, (i)
Schlosser, Julius von: on art study, (i), (ii), (iii); influence on Kris, (i), (ii); as curator at Kunsthistorsches Museum, (i), (ii); on manufactured figures, (i), (ii); Gombrich takes as advisor, (i); festschrift, (i); Warburg nominates as executor, (i); Nazi sympathies, (i), (ii); and Sedlmayr, (i), (ii); Gombrich dedicates Art and Illusion to, (i); death, (i); History of Portraiture in Wax, (i); Kunst- und Wunderkammer, (i)
Schönbrunn (palace), Austria, (i)
Schuschnigg, Kurt von, (i), (ii), (iii), (iv)
sculptures: as effigy magic, (i), (ii)
Second Front: demands for, (i), (ii)
Sedlmayer, Hans, (i), (ii), (iii)
Seipel, Monsignor Ignaz, (i), (ii)
Seyss-Inquart, Arthur von, (i), (ii), (iii)
Shakespeare, William: King Lear, (i)
Society for the Protection of Science and Learning (earlier Academic Assistance Council), (i), (ii)
Society for the Study of Social Issues, (i)
Sophocles: Antigone, (i)
Soviet Union: invaded and enters war, (i), (ii), (iii), (iv)
Speier, Hans, (i), (ii), (iii), (iv)
Streicher, Julius, (i)
Stürmer, Der (journal), (i)
Sudetenland, (i); see also Czechoslovakia
Surrealism, (i)
Swift, Jonathan, (i), (ii), (iii), (iv), (v), (vi), (vii)
switch character (Kippcharacter), (i), (ii), (iii), (iv)
Thompson, E. P., (i)
Tietze, Hans, (i)
Times Literary Supplement, (i), (ii)
Tolnay, Charles de, (i)
Töpffer, Rodolphe, (i), (ii), (iii), (iv)
Totalitarian Communication Project (USA), (i), (ii)
United States of America: Kris reports on, (i); wartime propaganda work, (i); Nazi propaganda in, (i); anti-Bolshevist and anti-British sentiments, (i)
University in Exile (USA), (i), (ii)
Vansittart, Robert, Baron, (i), (ii); Black Record: Germans Past and Present, (i), (ii), (iii)
Vaterländische Front (Austria), (i), (ii), (iii), (iv)
Velázquez, Diego, (i)
Vienna: Daumier exhibition (1936), (i), (ii), (iii), (iv), (v), (vi), (vii); University as political battleground, (i); University categorizes students, (i); political unrest, (i); Hitler supporters in, (i); Jews restricted, (i), (ii); Konzerthaus, (i); Nazi riots, (i) (1936), (ii); welcomes Hitler (1938), (i); see also Austria; Kunsthistorisches Museum
Vienna Psychoanalytic Society, (i)
Vienna School of Art History, (i), (ii), (iii)
Waelder, Robert, (i), (ii), (iii)
Wähner, Theodor, (i)
Wähner, Trude, (i)
Waitz, Sigismund, Archbishop of Salzburg, (i)
Walpole, Robert, (i)
War Artists’ Advisory Committee (WAAC), (i)
Warburg, Aby: influence on Kris, (i), (ii), (iii); on artistic regression and restitution, (i); background and career, (i), (ii); on international art history, (i); artistic theories on Renaissance painting, (i); institute established in London, (i), (ii), (iii); Saxl and Gombrich edit papers, (i), (ii); on psychology and symbolic images, (i), (ii); and defamatory images, (i); on Botticelli, (i); Gombrich writes on philosophical ideas, (i); Gombrich’s biography, (i); and Lessing, (i); Mnemosyne, (i)
Warburg, Bettina, (i)
Warburg, Edward, (i)
Warburg Institute (and Library), London: transfers to London, (i), (ii), (iii); Kris’s contact with, (i); Gombrich works as assistant at, (i); Kris presents paper on caricature (May 1937), (i), (ii), (iii); Gilbert and, (i); Kris secures posts for Gombrich and Kurz at, (i); and psychoanalytic movement, (i); and possible publication of caricature project, (i); émigré scholars at, (i); wartime restrictions on, (i), (ii); moves to Denham in war, (i); Gombrich leaves during war, (i); Gombrich returns to after war, (i), (ii); Journal, (i), (ii), (iii)
Warburg Library, Hamburg, (i), (ii), (iii), (iv)
Weber, Max, (i)
Whitley, J. H., (i)
Whitley, Oliver, (i), (ii), (iii)
Wittkower, Margaret, (i)
Wittkower, Rudolf, (i), (ii), (iii), (iv), (v)
Wood, Christopher S., (i)
Yale Child Study Center, (i)