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Index
Introduction to Volume Seven
D HARMA A RT
Acknowledgments
Editor’s Introduction
Sources
Dharma Art—Genuine Art
Discovering Elegance
Great Eastern Sun
Basic Goodness
Meditation
Art in Everyday Life
Ordinary Truth
Empty Gap of Mind
Coloring Our World
New Sight
The Process of Perception
Being and Projecting
Lost Horizons
Giving
Self-Existing Humor
Outrageousness
Wise Fool
Five Styles of Creative Expression
Nobody’s World
Choiceless Magic
One Stroke
The Activity of Nonaggression
State of Mind
Heaven, Earth, and Man
Endless Richness
Back to Square One
Art Begins at Home
T HE A RT OF C ALLIGRAPHY : J OINING H EAVEN AND E ARTH
Introduction by David I. Rome
Heaven, Earth, and Man
1. Dharma and Art
2. Creation
3. Perception
4. The Mandala of the Four Karmas
5. Discipline
6. Art and Society
Selected Calligraphies
Appendix: About the Seals
Sources
Selected Chronology
V ISUAL D HARMA : T HE B UDDHIST A RT OF T IBET
Introduction
Visual Dharma: The Buddhist Art of Tibet
Background and History
Elements of Iconography
Five Buddha Families
S ELECTED P OEMS
Full Moon No Clouds
The Spontaneous Song of Entering into the Blessings and Profound Samaya of the Only Father Guru
A Son of Buddha
Stray Dog
Garuda Is the Mighty Force
The Song of the Wanderer
May the Great Revolutionary Banner
The Wind of Karma
Poem
Listen, Listen
Three-Bladed Missile
Whistling Grasses of the Esk Valley
This Marriage
Song
In the North of the Sky
Good-bye and Welcome
Meteoric Iron Mountain
The Zen Teacher
American Good Intentions
First Thought
Samsara and Nirvana
Gain and Loss
Cynical Letter
Dignified Rocky Mountain
Charnel Ground
Philosopher Fool
Does Love Kill Anybody?
Our Seduction
A Letter to Marpa
Aphorisms
The Nameless Child
The Myth of Freedom
Haiku
The Red Flag Flies
The Sword of Hatred
Silk Road
Tibetan Pilgrim
Trans World Air
A Flower Is Always Happy
True Tantra Groupie
Glorious Bhagavad-Ghetto
Tail of the Tiger
Naropa Institute, 1974
Pema Yumtso
To Britain’s Health
Lion Roars Sunset over Rockies’ East Slope
Supplication to the Emperor
Literal Mathematics
One Way
Shasta Road
Palm Is
Burdensome
Tsöndrü Namkha
Pema Semma
Dying Laughing
Künga Garma
1111 Pearl Street: Victory Chatter
Wait and Think
Missing the Point
RMDC, Route 1, Livermore
To Gesar of Ling
Love’s Fool
Report from Loveland
Testimonial
1018 Spruce Street (and K.A.)
1135 10th Street (and G.M.)
1111 Pearl Street (and D.S.)
78 Fifth Avenue
The Alden (and Thomas Frederick)
Commentary on “The Alden (and Thomas Frederick)”
Aurora 7 (#1)
Aurora 7 (#2)
1111 Pearl Street: Off Beat
Aurora 7 (and Nyingje Sheltri)
Shambhala Anthem
Pan-American Dharmadhatu III
So Bright and So Vulnerable
Glory Be to the Kasung
Tibetan Lyrics
Asleep and Awake
Conspicuous Gallantry
Great Eastern Daughterlet
Whycocomagh?
Lion’s Roar
Halifax
Latest Early Conclusion
Timely Rain
Pan-Dharmadollar
Meetings with Remarkable People
International Affairs: The Cosmic Joke of 1977
One Sound
Dixville Notch: Purrington House (and C.F.)
Afterthought
Anniversary
Don’t Confuse This for Trick-or-Treat
Eternal Guest
Swallowing the Sun and Moon without Leaving the World in Darkness: Good Lady of Wisdom
Saddharma Punsters
Falling in Love with a Pair of Handcuffs
I Miss You So Much
The Doha of Confidence: Sad Song of the Four Remembrances
Bon Voyage
Memorial in Verse
To My Son
For Anne Waldman
As Long as the Sky Is Blue
Putting Up with the Trans-Canada
Buddhism in the Canadian Rockies
Praise to the Lady of the Big Heart
Not Deceiving the Earth (and M.S.N.)
Maestoso Drala
Trooping the Color
Drunken Elephant
Limp and Talk
How to Know No
International Affairs of 1979: Uneventful but Energy-Consuming
To the Noble Sangha
Auspicious Coincidence: Wealth and Vision
Fishing Wisely
Good Morning within the Good Morning
Haiku 2
Miscellaneous Doha
Exposé: Acknowledging Accusations in the Name of Devotion
Mixed Grill Dharma Served with Burgundy of Ground Mahamudra 1980 Vintage: The Elegant Feast of Timeless Accuracy
Growing Pains Are Over
Coming of Age of My Son
Mantric Keltic Incantation
Merrier Than the Maritimes
La Conference du Soleil du Grand Est
Turning Point
You Might Be Tired of the Seat That You Deserve
When I Ride a Horse
Hunting the Setting-Sun Moon
Timely Innuendo
Why Reality Is So Real
Fearlessness and Joy Are Truly Yours
A Heart Lost and Discovered
Command
Golden Sun
As Skylarks Hunt for Their Prey
How to Be Old Shambhalians and Youthful Propagators of Shambhala
How Typical Student Poetry Should Be
Death or Life
Early Testimony: Sun Will Never Set
Warmth in the House
Don’t Go to the Dentist with Such Good Teeth
Natural Sanctuary without Shrine
Child’s Concept of Death
Battle Cry
Farewell to Boulder
Sanity Is Joyful
Shambhala Is True
Embryonic Thunderbolt
How to Govern with Wisdom
Seasons’ Greetings
Dance while Weeping
Four Season Haiku Tiger
The Meek: Powerfully Nonchalant and Dangerously Self-Satisfying
Swallowing the Moon as We Feel Free
Constantly Falling in Love
Never Flinching
Pure and Powerful as Peonies
Sound Cycles
Trishula
Sutra
Aham
Elocution Exercises
Instead of Americanism, Speak the English Language Properly!
Humor and Delight with the English Language
Playing with the English Language
S ELECTED W RITINGS
Preface to First Thought Best Thought
Poets’ Colloquium
Poetics
Tibetan Poetics
Visual Dharma: Film Workshop on the Tibetan Buddhist View of Aesthetics and Filmmaking
Prajna
Proclamation
Basic Sanity in Theater
Heaven, Earth, and Man
Perception and the Appreciation of Reality
Art of Simplicity: “Discovering Elegance”
Dharma Art Stresses Harmony and Elegance
Art and Education
Empowerment
Introduction to Disciples of the Buddha
A PPENDICES
Introduction to First Thought Best Thought by Allen Ginsberg
Editor’s Preface to First Thought Best Thought by David I. Rome
Editor’s Afterword to Timely Rain by David I. Rome
Sources
Acknowledgments
A Biography of Chögyam Trungpa
Books by Chögyam Trungpa
Resources
Index
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