Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Copyright
Dedication
Contents
Series Preface
Preface
Acknowledgments
1. Parallel Paths on the Same River
2. Visualizing a Partial Revolution
3. Liberation Graphics
4. Abolitionism as Autonomy, Activism, and Entertainment
5. The Battleground over Public Memory
6. Photographing the Past During the Present
7. Jacob A. Riis’s Image Problem
8. Haymarket: An Embattled History of Static Monuments and Public Interventions
9. Blurring the Boundaries Between Art and Life
10. The Masses on Trial
11. Banners Designed to Break a President
12. The Lynching Crisis
13. Become the Media, Circa 1930
14. Government-Funded Art: The Boom and Bust Years for Public Art
15. Artists Organize
16. Artists Against War and Fascism
17. Resistance or Loyalty: The Visual Politics of Miné Okubo
18. Come Let Us Build a New World Together
19. Party Artist: Emory Douglas and the Black Panther Party
20. Protesting the Museum Industrial Complex
21. “The Living, Breathing Embodiment of a Culture Transformed”
22. Public Rituals, Media Performances, and Citywide Interventions
23. No Apologies: Asco, Performance Art, and the Chicano Civil Rights Movement
24. Art Is Not Enough
25. Antinuclear Street Art
26. Living Water: Sustainability Through Collaboration
27. Art Defends Art
28. Bringing the War Home
29. Impersonating Utopia and Dystopia
Notes
Index
← Prev
Back
Next →
← Prev
Back
Next →