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Index
Cover
Series Page
Title Page
Copyright
Contents
Acknowledgments
Introduction: Creative Disruption in the Age of Soft Revolutions
1. Contemporary Art Does Not Account for That Which Is Taking Place
2. Projection and Parallelism
3. Art as a Pile: Split and Fragmented Simultaneously
4. 1820: Erasmus and Upheaval
5. ASAP Futures, Not Infinite Future
6. 1948: B. F. Skinner and Counter-Revolution
7. Abstract
8. 1963: Herman Kahn and Projection
9. The Complete Curator
10. Maybe It Would Be Better If We Worked in Groups of Three?
11. The Return of the Border
12. 1974: Volvo and the Mise-en-Scène
13. The Experimental Factory
14. Nostalgia for the Group
15. Why Work?
Notes
Index
Photo section
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