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Index
Cover Title Copyright Contents Susanne Kennedy’s Theatre
Reanimating the theatre Overview of Susanne Kennedy’s productions
Transactional Love
1 Life as a whorehouse 2 When form becomes substance 3 Aesthetics of the surface 4 In search of the unbearable 5 Conclusion
The Enforced, Rejected and Subjecting Gaze
1 Alienation and the baroque 2 Frontality and the baroque theory of signs 3 Looking and being looked at 4 A martyr tragedy 5 Conclusion
Puppets in a Panic Room?
1 Actors and/as puppets 2 From gesture to pose 3 Space and gesture 4 Concluding remarks: Kennedy’s gestural theatre
Susanne Kennedy’s Cinematic Melodrama on Stage
1 The economics of emotions in melodrama 2 Reworking the melodramatic spectacle 3 Reworking the “other” melodrama 4 Melodrama on stage: Kennedy’s disturbing image politics 5 Micro-choreographies of slow death 6 Starlets on stage. Theatre as melodramatic hypermedium
Theatre as an Exercise in Dying
1 Enter 2 Poeticized mythology 3 ORFEO. An Exercise in Dying 4 Eurydice in the conflict of figuration as (a) female figure and theatrical figure 5 Letting go
Susanne Kennedy’s Women in Trouble
1 Dramaturgies of the cycling 2 In between 3 On a parahuman theatre 4 Instead of a conclusion
Re-interpreting the Mask: Masking and Masquerades as an Artistic Research Practice
Infinite games: Exploring the fabrication of (visual) culture [Introduction] 1 “Not needing a face to cry out tragic tears”. Transformations of the protagonist in Kennedy’s theatre 2 Exploring faces and masks. Aesthetics, artistic production modes and collaboration [Three case studies]
Everyday faces becoming surreal: Warum läuft Herr R. Amok? Staging absence: The Suicide Sisters Masks as an enigma: Drei Schwestern
3 Susanne Kennedy’s masks and masquerades. Play and possibility: an outlook
Drei Schwestern: How to Build Moscow’s Point Of View
1 A spectacle that suffers from its own temporal nature 2 The scene as an impossible object 3 A self-perceptual shaking 4 An autopoietic potential between the stage and the audience 5 A pattern of differentiation raised to the “nth” power 6 A centrifuge that goes wild 7 A fractal opening of the instant
The Loop as Transmedial Principle in Susanne Kennedy’s Drei Schwestern
1 Repetition as Cultural Practice 2 The Transmedial Principle of the ‘Strange Loop’ 3 Repetition and Looping Structures in Drei Schwestern: Interpretative Affordances 4 Concluding Remarks: The Cultural and Cognitive Reflexivity of Kennedy’s Theatre
Becoming Something Else – Susanne Kennedy’s Theatre of Attunement
1 The virtual and VR 2 Theatre ritual as a loop 3 Attunement 4 Portals: gates and spaces 5 Ultraworld. A life 6 An exhibition of play
Artist Talk with Susanne Kennedy Notes on contributors Footnotes
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