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Index
Cover
Title
Copyright
Contents
Susanne Kennedy’s Theatre
Reanimating the theatre
Overview of Susanne Kennedy’s productions
Transactional Love
1 Life as a whorehouse
2 When form becomes substance
3 Aesthetics of the surface
4 In search of the unbearable
5 Conclusion
The Enforced, Rejected and Subjecting Gaze
1 Alienation and the baroque
2 Frontality and the baroque theory of signs
3 Looking and being looked at
4 A martyr tragedy
5 Conclusion
Puppets in a Panic Room?
1 Actors and/as puppets
2 From gesture to pose
3 Space and gesture
4 Concluding remarks: Kennedy’s gestural theatre
Susanne Kennedy’s Cinematic Melodrama on Stage
1 The economics of emotions in melodrama
2 Reworking the melodramatic spectacle
3 Reworking the “other” melodrama
4 Melodrama on stage: Kennedy’s disturbing image politics
5 Micro-choreographies of slow death
6 Starlets on stage. Theatre as melodramatic hypermedium
Theatre as an Exercise in Dying
1 Enter
2 Poeticized mythology
3 ORFEO. An Exercise in Dying
4 Eurydice in the conflict of figuration as (a) female figure and theatrical figure
5 Letting go
Susanne Kennedy’s Women in Trouble
1 Dramaturgies of the cycling
2 In between
3 On a parahuman theatre
4 Instead of a conclusion
Re-interpreting the Mask: Masking and Masquerades as an Artistic Research Practice
Infinite games: Exploring the fabrication of (visual) culture [Introduction]
1 “Not needing a face to cry out tragic tears”. Transformations of the protagonist in Kennedy’s theatre
2 Exploring faces and masks. Aesthetics, artistic production modes and collaboration [Three case studies]
Everyday faces becoming surreal: Warum läuft Herr R. Amok?
Staging absence: The Suicide Sisters
Masks as an enigma: Drei Schwestern
3 Susanne Kennedy’s masks and masquerades. Play and possibility: an outlook
Drei Schwestern: How to Build Moscow’s Point Of View
1 A spectacle that suffers from its own temporal nature
2 The scene as an impossible object
3 A self-perceptual shaking
4 An autopoietic potential between the stage and the audience
5 A pattern of differentiation raised to the “nth” power
6 A centrifuge that goes wild
7 A fractal opening of the instant
The Loop as Transmedial Principle in Susanne Kennedy’s Drei Schwestern
1 Repetition as Cultural Practice
2 The Transmedial Principle of the ‘Strange Loop’
3 Repetition and Looping Structures in Drei Schwestern: Interpretative Affordances
4 Concluding Remarks: The Cultural and Cognitive Reflexivity of Kennedy’s Theatre
Becoming Something Else – Susanne Kennedy’s Theatre of Attunement
1 The virtual and VR
2 Theatre ritual as a loop
3 Attunement
4 Portals: gates and spaces
5 Ultraworld. A life
6 An exhibition of play
Artist Talk with Susanne Kennedy
Notes on contributors
Footnotes
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